Posts tagged with "Zaha Hadid Architects":

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Zaha Hadid pays homage to Kurt Schwitters's Merzbau for exhibition at Zurich's Galerie Gmurzynska

The projects Zaha Hadid worked on before her death earlier this year are, one by one, being revealed to the public. First, plans were revealed for a new residential building in Manhattan. Now, Zaha Hadid Architects (ZHA) has revealed a Hadid-designed exhibition space for Kurt Schwitters: Merz, a retrospective of Schwitters's work at Galerie Gmurzynska in Zurich. The space is a homage to the German artist's Merzbau, the gradual, surreal transformation of a suite of rooms in his family's Hannover home. The Merzbau was constructed between 1923 and 1933, but destroyed in a 1943 Allied bombing raid. The Sprengel Museum Hannover has reconstructed one of the rooms as part of its permanent exhibition. “This design process is capable of delivering an intricate order, open ended and unpredictable, but at any time highly articulate. It is full of contingencies, but forges a unique, path-dependent identity,” explained Patrik Schumacher, director of ZHA, in a press release. For a previous collaboration with Galerie Gmurzynska, Hadid honored painter Kasimir Malevich by selecting Suprematist work by Russian avant-garde artists to pair with her architecture for the gallery. This show features 70 Schwitters works across all media arrayed in a curving, warped white space that distorts the viewer's sense of scale. The gallery is in the same building complex that once hosted Galerie Dada, the alternative space run by artists Tristan Tzara and Hugo Ball. Adrian Notz, director of Cabaret Voltaire, where Dada was born in 1916, will curate archival documents that show Schwitters’s forays into stage design, theater, sound, and poetry, pursuits that complement his visual work. A book to accompany Kurt Schwitters: Merz will feature writing by Museum Ludwig director Siegfried Gohr, Schumacher, Notz, and others. The show runs through September 30. Additional information on exhibition hours and special events can be found here.
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One of Hadid's last designs to be built in Chelsea

One of the last designs from late British-Iraqi architect Zaha Hadid will be realized in New York. Working with developers The Moinian Group, Hadid and her firm Zaha Hadid Architects (ZHA) were commissioned more than a year ago to provide apartments and space for a "world-class" cultural institution at 220 Eleventh Avenue in West Chelsea, Manhattan.

“We must invest in cultural spaces—they are a vital component of a rich urban life and cityscape, they unite the city and tie the urban fabric together,” said Hadid in 2015.  

Hadid's long-term colleague and Partner at ZHA Patrik Schumacher spoke of the firm's joy to be working in a city that played a big part in Hadid's life. “As the world celebrates Zaha’s remarkable legacy," he said in a press release, "we are delighted to be announcing her unique collaboration with The Moinian Group for New York, a city that greatly influenced her creative work.”

Hadid's design aims to evoke the loft-like residences that are commonplace in the Chelsea. A coterie of penthouse apartments and a cultural institution will also be embedded into the project. At the time of writing, The Moinian Group are in talks with institutions regarding residency at the site.

“We are deeply honored to develop one of Zaha’s final creations and cement her astonishing legacy forevermore here in Manhattan. She was a special woman and a friend who we all miss very much,” said Mitchell Moinian of The Moinian Group.

The Moinian Group's release mentions that Hadid visited New York many times and was able to develop an understanding of the city, its values and architectural heritage. As a result, the Group said, much of Manhattan's vernacular typologies and the area's way of life have formed her design and approach for 220 Eleventh Avenue.

Set to break ground at the start of next year, sales for housing units are currently in line to begin toward the end of 2017. Images of the project have not yet been revealed but you can find images of her other New York project on the High Line here.

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Peter Cook's Obituary of Zaha Hadid

THE MEMORY OF ZAHA

Zaha : the Great Light extinguished. From every point of view exceptional : As a direct, original, fearless personality. With a more than adequate supply of charm and humour. Used with more discretion than blandness. IMMENSE talent. Such that it either inspired, bewildered, or caused deep jealousy (that manifest itself in lesser talent to pick away at her motives, reputation or personality)

Thirteen years ago, the other Giant : Cedric Price, died. Different animal, but leaving a similar void. London – and the architecture world – now seems lost : we are now berift of that most precious and mysterious quality : power through inspiration and talent plus bags of personality that rendered both of them as beacons of hope for architecture. ‘Sticking to one’s guns’ is an amazing gift. Zaha told it as it is : she had the priority of a clear, powerful and ever-poetic architecture. Many tried to copy it but lacked her deftness of line. And the line was MORE than a line : it so easily and frequently resulted in a spatial exploration of extraordinary newness : the wonder of the interior of the Alyev Centre in Baku remains in one’s mind as a dream. The sharp, clean, razor-like dart of the Vitra Fire Station has the purity of an ‘early period’ Zaha building – but you’re actually inside it, living the dream of the drawing. From the first years when this conspicuously talented recent student became the lively attachment to Rem Koolhaas and Elia Zenghelis’ young OMA setup, you were aware of a strength of talent bursting out. Her trajectory and example stands there beckoning the many women (now maybe a majority) who work in architecture : if she can do it, they can do it . Let’s hope one or two of them out there can blend talent with personality – the latter gift being a necessary factor in order to sustain the pressure in this, most contrary, profession. A loyal friend who could also be a good laugh. Peter Cook 4.1.16 Editor's note: This piece will also appear in The Architectural Review.
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Updates on Zaha Hadid's passing and our December interview with her

UPDATE: Please read Sir Peter Cook's obituary of Zaha Hadid here. As the Architect's Newspaper (AN) reported earlier today, Zaha Hadid has passed away at age 65. According the Guardian, she was struck with fatal heart attack in a Miami hospital where she was being treated for bronchitis. In 2004, Dame Zaha Hadid, DBE, became the first woman to receive the Pritzker Architecture Prize. She was awarded the Stirling Prize in 2010 and 2011 as well as the Royal Institute of British Architects (RIBA) gold medal in 2016. The Iraqi-born architect studied at London's Architectural Association (AA) from 1972-1977 and afterwards became a partner at OMA. In 1979 she established her eponymous London-based firm that would go on to produce a wide range of projects, including skyscrapers, art galleries, furniture, sets, and shoes, just to name a few. In a release forwarded to AN, Tom Pritzker, Chairman of the Hyatt Foundation which sponsors the Pritzker Architecture Prize, wrote "Zaha represented the highest aspirations of the Pritzker Architecture Prize. She combined her vision and intellect with a force of personality that left no room for complacency. She made a real difference." Lord Peter Palumbo, the Chair of the Jury of the Pritzker Architecture Prize, said "The world of culture has lost a standard-bearer for the art of architecture. Zaha Hadid fought prejudice all her life with great success. And this, in addition to her genius as an architect, will secure her legacy for all time." This past December 2015, AN's managing editor Olivia Martin had the chance to speak with Hadid at the Chicago Architecture Biennial. AN invites you to revisit that interview here. Speaking of her own architectural style, she said "It evolved over time and is always evolving. It looks similar, but it constantly changes… maybe not radically, but continuously." Recent project from her firm included this hotel in Rio de Janeiro, her first project in South America, and these residences near New York City's High Line. AN will continue to cover her passing with a full obituary in the near future.  
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Planned as a hotel, Zaha Hadid's first project in South America is now a luxury residence

Zaha Hadid, with Arup and Mello Affonso Engineering, is executing her first project in South America. Casa Atlantica is a luxury residential building in Copacabana Beach, Rio de Janeiro. According to ARUP, Casa Atlantica was originally planned as a luxury hotel but changed to a residential building in order to meet the region's urban standards. The client, Brazilian entrepreneur Omar Peres, gave Hadid complete design liberty. She was, however, governed by strict requirements on height and proximity to neighbors. Zaha Hadid Architects' explained their response to these constraints: "Working within site restrictions governing the height and distance from adjacent buildings, Casa Atlantica's design establishes a fluid order defined by its structure which morphs and expands at each level to create balconies, while also dividing each floor into separate residential units." Casa Atlanta will be 18,000 feet-squared, have 12 floors, feature a rooftop swimming pool, and reach approximately 130 feet in height. Construction is set to begin in March. For further information, visit Zaha Hadid Architects' project page here.  
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Kengo Kuma claims commission for Tokyo Olympic Stadium as Hadid fumes

At last, design for the Tokyo 2020 Olympic Stadium has finally been decided with Kengo Kuma's winning commission. The Japanese firm fought off a plan by Toyo Ito to claim the prize. Zaha Hadid, however, was less than complimentary of the decision. The 80,000 capacity stadium will cost $1.2 billion, almost half the cost of Hadid's proposal and will crucially be constructed by Taisei Corp, a major firm in Japan. That's not to say that decision isn't still mired in controversy. Nicknamed the "hamburger," several architects, according to the Financial Times, claim it bears “remarkable similarities” to a an earlier design that was scrapped in July. Utilizing a wood and steel roof, Kuma's design creates a green space within the city of Tokyo with the facade’s horizontal lines seemingly referencing the 1,300-year-old Gojunoto wooden pagoda at Horyuji Temple. Meanwhile the environment is completed via the implementation of Jingu Shrine trees and other foliage found within the vicinity of the stadium. Prime Minister Shinzo Abe spoke of the design, saying "I think this is a wonderful plan that meets criteria such as basic principles, construction period and cost," when he announced the winning practice. Hadid, though, has other ideas. “Sadly the Japanese authorities, with the support of some of those from our own profession in Japan, have colluded to close the doors on the project to the world,” Zaha Hadid Architect's said in statement. "This shocking treatment of an international design and engineering team ... was not about design or budget." "In fact much of our two years of detailed design work and the cost savings we recommended have been validated by the remarkable similarities of our original detailed stadium layout and our seating bowl configuration with those of the design announced today," she continued. Completion is set to be around November 2019, though there are doubts that it will be ready in time for the Rugby World Cup that Japan is hosting that year. This was initially a requirement that was demanded by the Japan Sports Council and one that Hadid says her firm would have been able to meet. “Work would already be under way building the stadium if the original design team had simply been able to develop this original design, avoiding the increased costs of an 18-month delay and risk that it may not be ready in time for the 2020 Games.” Meanwhile, president of Tokyo 2020, Yoshiro Mori, has said, “The stadium incorporates the views of experts in the construction field and we are looking forward very much to using the new stadium as the centrepiece of the Tokyo 2020 Games.”
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Sleek renderings show what it's like to live in Zaha Hadid's luxurious 520 West 28th Street in New York

Renowned architect Zaha Hadid has unveiled interior renderings of her futuristic, 11-story residential development located at 520 West 28th Street in New York's Chelsea neighborhood, which, believe it or not, is her first residential building in the Big Apple. The curvaceous tower stands 135 feet tall and features two- to five-bedroom floor plans that range from a price tag of $4.95 million to $50 million. The tower will be outfitted with a 2,500-square-foot sculpture deck, art from Friends of the High Line, an automated underground parking lot with a robot-operated storage facility, a double-height lobby, an entertainment lounge, and a 12-seat IMAX screening room. The development will also include a 75-foot pool, a gym, and a luxury spa suite equipped with a spa pool, cold plunge pool, waterfall shower, sauna, steam room, chaise lounges, and massage beds.   The unit’s bathrooms will be comprised of electrochromic glass with a frosting feature, and the kitchens will include high-end appliances by Gaggenau. The new complex is slated to open in late 2016 or early 2017. Based on the complex's website, it looks like developers are looking to "casually" add Hadid's name to the building title. Perhaps, following the lead of New York By Gehry? Let us know your thoughts in the comments below.  
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Zaha Hadid becomes first woman to win the UK's Royal Gold Medal for Architecture

The RIBA Gold Medal joins an ever-growing list of accomplishments for Baghdad-born, London-based Zaha Hadid. Hadid has been racking up the landmark achievements for women in architecture, most notably becoming the first female winner of the Pritzker Architecture Prize in 2004. She also twice won the UK's Stirling Prize, for the MAXXI art museum in Rome and for the Brixton-based Evelyn Grace Academy. Her achievements in the UK are widely recognized as in 2012 she was made a Dame Commander of the British Empire for achievements in architecture.Hadid started her practice in 1979 in London under the name Zaha Hadid Architects. Speaking of the award, RIBA president Jane Duncan said: ''Zaha Hadid is a formidable and globally influential force in architecture." ''Highly experimental, rigorous and exacting, her work from buildings to furniture, footwear and cars is quite rightly revered and desired by brands and people all around the world," Duncan said in a statement. "I am delighted Zaha will be awarded the Royal Gold Medal in 2016 and can't wait to see what she and her practice will do next.'' After being personally approved by the Queen for the esteemed prize, Dame Hadid spoke to BBC Radio 4 speaking about the reduction of sexism in the industry. ''There are more women architects practicing and doing great projects... I think the stigma has lifted,'' she said. ''I think there are areas where as a woman you cannot sort of be there ... But I think it is a lot better.''  
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Hadid concedes her $2 billion Japan National Stadium bid is dead

Despite months of refusing to admit the case, Zaha Hadid has finally conceded that her bid for the 2020 Tokyo Olympic Stadium is dead in the water. After Japanese Prime Minister Shinzo Abe said the country was scrapping Hadid's plans in June earlier this year, the British-Iraqi architect has only now come out and said that the plans are indeed finished and that the project will go no further. Since day one the project was steeped in controversy amid the backlash from critics denouncing the stadium for displacing residents of public housing while also burning a deep hole in Japanese pocketbooks. Hadid's proposal would have cost a hefty $2 billion. Another reason the project failed was due to the fact that Hadid's company was also unsuccessful in finding a construction company. The Tokyo 2020 authority has made sure this issue will not rise again as conditions now stipulate that a construction firm must be in place for projects submitted in the new competition for the design. In a statement, a spokesman on behalf of Zaha Hadid Architects (ZHA) said: “It is disappointing that the two years of work and investment in the existing design for a new national stadium for Japan cannot be further developed to meet the new brief through the new design competition.” In 2012, Hadid's design topped 45 other submissions to claim the prize. She most recently released a 20 minute video pitch arguing its financial viability. https://youtu.be/KWQGwz3vdb4 [h/t The Guardian.]
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BREAKING> Days after announcing its approval, Japanese government decides to drop Zaha Hadid's Tokyo Stadium

Just days after giving the go-ahead on Zaha Hadid’s hotly contested designs for the Tokyo Stadium, the Japanese government has retracted its stance. With spiraling costs at the heart of contentions, Japanese Prime Minister Shinzo Abe said the project would now “start over from zero.” Abe has instructed the sports and Olympics ministers to select a new stadium design immediately, but the Prime Minister insisted that no further decision would be greenlighted without “listening to the voices of the people and the athletes.” At the time the government announced its approval, the budget had bloated to $2 billion, with the overly large, "bike helmet" design being publicly slammed by eminent architects including Toyo Ito and Fumihiko Maki. Public backlash and political battles ensued over who would foot the bill. However, Zaha Hadid Architects maintains it was “not the case that the recently reported cost increases are due to the design, which uses standard materials and techniques well within the capability of Japanese contractors and meets the budget set by the Japan Sports Council.” Instead, the “real challenge” was “agreeing on an acceptable construction cost against the backdrop of steep annual increases in construction costs in Tokyo and a fixed deadline.” Abe made the decision to drop Hadid’s designs after a meeting with the chair of the Tokyo 2020 organizing committee, Yoshiro Mori. Slated as the centerpiece of the 2020 Olympics, the already much-delayed stadium won’t be completed in time for the 2019 Rugby World Cup, as was originally planned. Sports minister Hakubun Shimomura said that a new design will be selected within the next six months.
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Tokyo government approves Zaha Hadid's designs for the 2020 Tokyo Olympics Stadium while controversy continues

Despite courting backlash for being imposingly large and costly, Zaha Hadid’s designs for the 2020 Tokyo Olympics Stadium have been green-lighted by the Tokyo government. Officials maintain that further modifications at this stage of proceedings would only incur further expenses from construction delays. In July last year, Hadid acquiesced to criticism against her original stadium, announcing new designs with economizing modifications promising to be more “efficient, user-focused, adaptable and sustainable.” A spokesman for Zaha Hadid Architects told Dezeen that the structure would sport “a lightweight, tensile fabric” to “reduce the weight and materials of the roof to give it greater flexibility as an indoor and outdoor venue.” However, Hadid’s firm declined to disclose whether the size of the venue would also be scaled back. The two massive arches forming the backbone of the roof, which critics have billed an unneeded frill, will prevail. To slash construction costs from the initial $3 billion, officials have proposed delaying building a retracting roof until after the Olympics and making 15,000 of the stadium’s 80,000 seats temporary. “We want to see more existing venues, we want to see the use of more contemporary grandstands,” said John Coates, Vice President of the International OIympics Committee. “It may be that there are new venues and existing venues at the moment that are dedicated for just one sport, where with good programming you could do two.” Nevertheless, the price tag continues to hover at $2 billion due in part to the fact that use of Hadid’s designs requires the demolition of the existing 1964 stadium designed by architect Mitsuo Katayama. Pritzker laureates such as Toyo Ito and Fumihiko Maki have been among Hadid’s most vocal critics, themselves one of eleven finalists in the 2008 competition. In an interview with Dezeen at the groundbreaking for her 1000 Museum Tower in Miami last year, the Iraqi-British architect posited: “They don’t want a foreigner to build in Tokyo for a national stadium.” However, soaring construction costs have been reported across the board, with the committee reviewing designs for ten Olympic products after bids for one facility came in at 15 times the estimated cost. Although Hadid’s stadium has received the go-ahead, city and central government continue to hotly debate how to split the $2 billion bill.