In a radical move in 2000, Mehrdad Yazdani established the Yazdani Studio under the larger umbrella of CannonDesign. The shuffle surprised many architects, both competitors and some members within Cannon itself. The move created a firm within a firm, established to be both part of CannonDesign and at the same time somewhat separate. This allowed Yazdani to explore design ideas that were distinct and somewhat unusual when compared to most of the buildings coming out of the large architectural and engineering practice at the time. Yazdani explains that his namesake studio is a platform for exploration of design ideas, separate from CannonDesign’s Los Angeles office. When you walk into the L.A. office of CannonDesign, you see a broad open space of desks, people, and computers, but the Yazdani Studio is set apart upstairs, almost as though it were a completely different office. The Yazdani Studio offers an innovative model for designer-centered ateliers, one where an architect can work with the security of a large practice and the flexibility of a boutique operation. Yazdani came to CannonDesign when his previous firm, Dworsky Associates, was acquired by the larger office. For six years (1994-2000) Yazdani served as Design Director for Dworsky Associates in Los Angeles. During that time they were selected to design the Lloyd D. George U.S. Courthouse in Las Vegas, Nevada as part of the national GSA Federal Design Excellence Program. The 437,000-square-foot project won acclaim and drew national attention, demonstrating that a federal courthouse could be both secure and welcoming, giving the judges both the monumentality they wanted and the public the accessibility they sought. The project's success carried Yazdani’s national design reputation to such a level that when Dworsky Associates was acquired by CannonDesign in 2000, Yazdani was offered the option to create his own studio within the larger firm. Creating the Yazdani Studio was a paradigm shift from how large integrated A/E firms had been working. Typically, if design was a high priority, a firm might promote one or two individuals to positions of authority and design leadership. Several examples made waves nationally: Ralph Johnson, FAIA, Global Design Director, at Perkins + Will; David Childs, FAIA at SOM New York and Craig Hartman, FAIA at SOM San Francisco, both Design Partners; and Joan Soranno, FAIA, Design Principal with John Cook, FAIA at HGA. All of these architects set design direction, lead clients and internal teams, and have won many national design awards, yet none have a studio in their name. CannonDesign agreed to create the Yazdani Studio to help elevate design within the firm. Today with roughly 1,000 people and 20 offices, CannonDesign CEO, Brad Lukanic remains a strong proponent of the Yazdani Studio. This year, Lukanic invited Yazdani extend his influence further by joining the Cannon board of directors to bring, “pre-eminent design to the board.” University of Utah, Lassonde Entrepreneur Institute Salt Lake City, Utah Consistent with the Yazdani Studio ambitions to constantly innovate, this was a first-of-its-kind facility, combining places for students to live, invent, and collaborate. It brings together 400 student residences and 20,000 square feet of “garage” or incubator space to encourage students to develop ideas that will spawn Utah-based start-ups. After being open for just over a year, the number of start-up companies developed on campus has tripled. The building attracts students from all over campus—it’s a magnet for creative thinking. CJ Blossom Park Gyeonggi-do, South Korea Recently selected as the “Lab of the Year” by R&D Magazine, this 1,200,000-square-foot facility is a new research headquarters for CJ Corporation intended to reposition the company’s operations into an interdisciplinary format, designed to “increase efficiency, create a culture of integrated innovation, and accelerate speed-to-market.” With a three-leaf-clover floor plan, the internal spaces encourage interaction and stimulate cross-fertilization. Museum of Tolerance, Jerusalem, Permanent Exhibitions Jerusalem, Israel A series of undulating pavilions provide a journey through human history. The 44,000-square-foot exhibit seeks to teach the core values of kindness and respect for mankind. The delicate human scale reflects the museum’s goal of teaching social justice and dignity through interactive, multi-media exhibits. EMAAR Hospitality Address Towers at Harbour Point Dubai, United Arab Emirates EMAAR Properties selected the Yazdani Studio to design two major towers. The design frames the Santiago Calatrava-designed Observation Tower at Dubai Creek Harbour City, now under construction. EMAAR Properties gained international recognition when they developed the Burj Kalifa, the 160-story mixed use tower that is the tallest building in the world, designed by Adrian Smith, then of SOM. The Yazdani Studio-designed towers are 60 and 65 stories totaling 2,240,000 square feet. The project serves as both a focal point and a gateway to the Dubai Creek Harbour.
Posts tagged with "Yazdani Studio":
The Jacobs Medical Center at the University of California, San Diego campus—a sinuous hospital tower complex by the Yazdani Studio at CannonDesign—is out to change the future of architecture for patient-centered medical care facilities. The new 509,500-square-foot medical complex was created, according to Mehrdad Yazdani, design principal for the studio, to meet a trifecta of needs: improving patient and family care, adapting to technological innovation, and providing an intimate relationship between interior spaces and the outdoors. The curvilinear, fritted glass–wrapped 245-bed hospital tower works to unify these concerns by merging three specialty centers— high-risk obstetrics and neonatal care, cancer care, and advanced surgical care—into a vertically integrated campus that preserves open ground-floor areas as therapeutic gardens. According to Yazdani, the complex was designed with an eye toward the “impact nature can have on the healing process,” and, as a result, many of the ten-story tower’s interior spaces—including surgery rooms—connect directly to exterior views via porous and blob-shaped floor plates. Each level connects directly to either planted terraces or internal courtyards as well, with each floor wrapped in a continuous band of ribbon windows overlooking the landscape. The landscape architecture was designed by Pamela Burton & Company as a set of wide-open paths that thread together outdoor garden rooms to create “wellness walks” that can be integrated into the recovery process. These areas feature an olive grove, a collection of linear gardens, and water-retention basins lined with drought-tolerant plantings. Though verdantly focused in nature, the Jacobs Medical Center also pushes the envelope in terms of technological integration. The complex comes outfitted with a state-of-the-art air filtration system that allows transplant patients to leave their recovery rooms to visit the hospital’s dedicated inpatient gym, an arrangement that, according to the architects, can improve recovery times. Unlike other gargantuan medical facilities, the complex is “much more than a $943 million exercise in resolving technical challenges,” Carlos Amato, project architect at CannonDesign, explained. Instead, the design teams opted to unify pragmatic and visionary concerns around the healing process. That explains the building’s floor-to-ceiling glass walls, which come fritted with parametrically calibrated patterns designed to optimize solar infiltration while minimizing glare. The thinking also guided the design of ground-floor areas, which weave in and out of the landscape to create a generous and visually porous 8,000-square-foot entry lobby containing a gym, yoga studio, and demonstration kitchen as well as receiving areas and an auditorium. The entry level spreads out along two lobes that open up onto healing gardens, with administration areas and an imaging wing located to one side where the tower’s four internal courtyards reach the ground. These courtyards connect down to a basement-level research lab, bringing light as well as views into what would typically be a hospital’s deepest and darkest recesses, Yazdani explained before adding, “Isn’t it great when you can see the sky from inside a building?”
The American Institute of Architects Los Angeles (AIA|LA) chapter recently announced the winners of its 2017 Design Awards, which recognizes practices and projects across the region in categories celebrating overall design, status as rising talent, and quality of environmental sustainability. The three award categories—Design Award; Next L.A.; and COTE—paint a picture of the diverse and multi-faceted character of Los Angeles’s architecture scene, with winners representing a broad spectrum of practice. Design Awards AIA|LA’s Design Awards highlighted two projects in particular with top honors: The New United States Courthouse by SOM and the Crest Apartments by Michael Maltzan Architecture (MMA). Since opening in late 2016, the new courthouse has become one of the region’s premier public buildings. The iconic cube-shaped structure utilizes a 28-foot cantilever over the ground floor areas to create an open, public plaza and garden designed by Mia Lehrer + Associates. MMA’s Crest Apartments, on the other hand, is a very different sort of project. The 64-unit affordable housing project utilizes minimal ground floor structure and exuberant plantings and paving strategies to create flexible recreation spaces that double as car parking when not in use. The project was developed with Skid Row Housing Trust to benefit veterans who have previously experienced homelessness. The following projects were awarded “merit” and “citation” designations by the AIA|LA Design Awards jury: Merit Awards Road to Awe, Dan Brunn Architecture West Hollywood, CA Hyundai Capital Convention Hall, Gensler Seoul, South Korea Oak Pass Main House, Walker Workshop Beverly Hills, CA House Noir, Lorcan O'Herlihy Architects Malibu, CA Citation Awards Helmut Lang Flagship Store, Standard Los Angeles, CA Southern Utah Museum of Art, Brooks+Scarpa Cedar City, Utah South Los Angeles Pool Renovation, Lehrer Architects LA South Los Angeles, CA Sunset La Cienega Residences, Skidmore, Owings & Merrill LLP + Lorcan O'Herlihy Architects West Hollywood, CA Prototype | A True Starter Home, Lehrer Architects LA South Los Angeles, CA The Salkin House, Bestor Architecture Los Angeles, CA Corner Pocket House, Edward Ogosta Architecture Manhattan Beach, CA Ayzenberg Group, Corsini Stark Architects Pasadena, CA Platform, Abramson Teiger Architects Culver City, CA Desert Palisades Guardhouse, Studio AR&D Architects Palm Springs, CA The Evelyn and Mo Ostin Music Center at the UCLA Herb Alpert School of Music, Kevin Daly Architects Los Angeles, CA Rice University Moody Center for the Arts, Michael Maltzan Architecture Houston, TX Saddle Peak Residence, Sant Architects Topanga, CA Mar Vista House Addition and Renovation, Sharif, Lynch: Architecture Los Angeles, CA 2017 AIA|LA Design Awards jurors were Gabriela Carrillo, co-founder, Taller | Mauricio Rocha + Gabriela Carrillo; Lance Evans, associate principal and senior vice president, HKS Architects; and Neil M. Denari, professor, Department of Architecture and Urban Design at UCLA. AIA|LA Next L.A. The AIA|LA Next L.A. awards honor yet-to-be-built projects that are in the design and planning stage. This year’s winning project—The West Hollywood Belltower—is designed by Tom Wiscombe Architecture. The project aims to redefine the vernacular billboard as a spatial, digital installation framed by a public park. The proposal was generated as part of a design competition orchestrated by the City of West Hollywood to guide the design of future billboards. The following projects were awarded “merit” and “citation” designations by the AIA|LA Next L.A. awards jury: Merit Award Los Angeles Residence, Baumgartner + Uriu Los Angeles, CA Citation Award St. Georges Church, PARALX Beirut, Lebanon A4H Office Building, P-A-T-T-E-R-N-S Glendale, CA Varna Library, XTEN Architecture Varna, Bulgaria Sberbank Technopark, Eric Owen Moss Architects Moscow, Russia Silver Lake Duplex, Warren Techentin Architecture Los Angeles, CA Twin Villa, Patrick TIGHE Architecture & John V Mutlow Architects Beijing, China Second House, Freeland Buck Los Angeles, CA Jurors for AIA|LA Next L.A. awards were: Mark Foster Gage, principal, Mark Foster Gage Architects; Alvin Huang, design principal, Synthesis Design + Architecture; and Julia Koerner, Director, JK Design GmbH. COTE Award AIA|LA’s Committee on the Environment focuses on highlighting projects that “demonstrate achievement in the implementation of sustainability features” and is awarded by a panel of experts who focus on performance, systems integration, and sustainability research. For 2017, the committee awarded four projects with top honors, including the Mesa Court Towers at University of California, Irvine designed by Mithun. The project features a LEED Platinum sustainability rating, exterior circulation, and an emphasis on day-lit spaces. Other winners in the category include: the J. Craig Venter Institute La Jolla by ZGF Architects; the New United States Courthouse by SOM; and The SIX Veterans Housing by Brooks+Scarpa. Citation Award UCLA Hitch Suites & Commons Building, Steinberg Los Angeles, CA Kaiser Permanente, Kraemer Radiation Oncology Center, Yazdani Studio of CannonDesign Anaheim, CA The jurors for the 2017 AIA|LA COTE Awards were: Ezequiel Farca, creative director, Ezequiel Farca + Cristina Grappin; Dan Heinfeld, president, LPA; and Ben Loescher, founding principal, Loescher Meachem Architects. Other Awards At its award ceremony last week, the organization also presented its 2017 Presidential Honoree awards, which included honors for architects Design, Bitches, builders MATT Construction, and Mike Alvidrez of the Skid Row Housing Trust, among others. Those awards include: Emerging Practice Award: Catherine Johnson, AIA; Rebecca Rudolph, AIA | Design, Bitches Design Advocate, Builder Award: Steve Matt, Affiliate AIA|LA, Co-Founder, MATT Construction; and the late Paul Matt, Co-Founder, MATT Construction Community Contribution Award: Southern California Chapter, National Organization of Minority Architects (SoCalNOMA) 25-Year Award: Grand Central Market Restoration Design Advocate, Developer Award: Mike Alvidrez, Chief Executive Officer, Skid Row Housing Trust Building Team Award: Wilshire Grand Building Team Honorary AIA|LA Award: Tibby Rothman, Marketing Strategist, AIA|LA | journalist, writer, creative Educator Award: Dr. Douglas E. Noble, FAIA, Ph.D; Discipline Head, Building Science, Director of the Master of Building Science, University of Southern California, School of Architecture Gold Medal: Lawrence Scarpa, FAIA; Design Principal, Brooks + Scarpa
Four teams have been shortlisted to compete for the design of the Armenian American Museum in Glendale, California. Commemorating the contributions of Armenian-Americans and "sharing the Armenian experience," the 30,000-square-foot building will include exhibition space, an auditorium, library, classrooms, and support spaces. The announcement came on the 100th Anniversary of the Armenian Genocide. The teams, chosen by the Armenian Genocide Centennial Committee (AGCC) of the Western US, include Yazdani Studio of Cannon Design, Belzberg Architects, Frederick Fisher and Partners, and Alajajian-Marcoosi Architects. The museum is in negotiations with the city of Glendale to secure a 1.7 acre property for the institution just south of the Glendale Civic Auditorium, at 1305 North Verdugo Rd. Lord Cultural Resources (who consulted on the 9/11 Memorial Museum) are helping develop the master plan for the museum site. Conceptual plans are due in mid-May, and the winning team will be chosen this June, said Berdj Karapetian, chairman of the AGCC's Landmark Sub-Committee. Karapetian said that after a feasibility study is completed the museum will begin raising money for the building, which he estimates could cost roughly $30 million to construct.
The U.S. Department of State’s Bureau of Overseas Buildings Operations (OBO) has shortlisted six firms to design the new U.S. Embassy in Beirut, Lebanon. The new Embassy will be located in Awkar, about 7 miles north of the city center, in the vicinity of the existing Embassy. The new compound will consist of a chancery, support offices, a parking structure, Marine residence, Representational and staff housing, and a community center. Thirty-nine firms replied to the public announcement regarding the task of designing the center. The shortlisted firms are: · Diller Scofidio + Renfro · Mack Scogin Merrill Elam/AECOM · Morphosis Architects · Rafael Viñoly Architects · Steven Holl Architects · Yazdani Studio According to the OBO, the six selected submissions display an exceptional array of high-design projects, characterized by novel site and landscape plans, and a strong understanding of sustainability practices. The firms on the preliminary shortlist will bring together their technical teams to present comprehensive information on their companies and their credentials for the second evaluation stage. OBO’s Excellence in Diplomatic Facilities initiative sought out the project, which encompasses a holistic project development plan that aims to construct facilities that are exceptional in all aspects. OBO’s objective is to supply secure, practical facilities that signify American values and the best in American architecture, engineering, technology, and sustainability.
The biggest new architecture project in Los Angeles just got a much smaller list of candidates. The General Services Administration (GSA) has released the shortlist for the new U.S. Courthouse in LA, a design-build project where architects are partnered with builders. When completed, the building, located on a 3.7 acre lot at 107 South Broadway, will measure 600,000 square feet. It’s projected to cost $322 million and be completed by 2016. The shortlisted teams include: Skidmore Owings and Merrill with Clark Yazdani Studio and Gruen Associates with Hensel Phelps Brooks + Scarpa and HMC Architects with McCarthy NBBJ Architects with Mortensen Shortlisted firms will now be expected to submit plans as part of a Request For Proposals. The winner is expected to be named by this August or September, and design is set to begin by the end of this year. Those who didn’t make the cut included Morphosis, Michael Maltzan Architects, Ehrlich Architects, AC Martin, Johnson Fain Architects, Fentress Architects, Rios Clementi Hale, and Cannon Design. Another exclusion was Perkins + Will, who GSA originally chose to design the project before it stalled several years ago.