It’s time to go north of the border as The Architect’s Newspaper checks out some of the highest-profile projects that have been announced across Canada this year. A strong economy has driven construction across the country, and Toronto, in particular, has an abundance of notable buildings breaking ground. From subdued civic structures to prismatic rental towers, 2018 has brought a surfeit of high-profile projects to America’s northern neighbor. One Delisle Studio Gang Toronto, Ontario Studio Gang could end up making a major mark on Toronto’s skyline with its first Canadian project, a 48-story multifaceted tower. The rental building has been designed with 16 sides made up of overlapping eight-story hexagonal modules, and each segment will contain enclosed balconies and be topped with garden terraces for residents. The overlap of the modules resembles scales or the natural spiraling of growing plants, and the effect creates a different view of the tower depending on the angle of approach. An existing 1929 Art Deco facade will be moved over to the base of a neighboring tower, and the base of One Delisle will relate to the historic facade to maintain a cogent street wall. Toronto Courthouse Renzo Piano Building Workshop and NORR Architects & Engineers Toronto, Ontario Renzo Piano Building Workshop (RPBW)’s first project in Canada will consolidate many of Toronto’s smaller courts into a centrally-located municipal building next to the city’s Superior Court of Justice. The building is reminiscent of Piano’s work on the Jerome L. Greene Science Center for Columbia University, both in its boxy massing and in its open ground level, created by raising the base of the building several stories. Despite the courthouse’s wide-open atrium space, the building has been designed with security in mind, and cameras, baggage checkpoints, and internal security corridors will be deployed throughout. The first museum in Ontario to focus on the history of the indigenous justice system will also be located inside. Construction is on track to finish in 2022. The HUB/30 Bay Street Rogers Stirk Harbour + Partners (RSHP) Toronto, Ontario The recently-revealed design for The HUB, a 1.4 million-square-foot tower proposed for Toronto’s South Core neighborhood, is the result of an international design competition for a building that would have a major impact on Toronto’s skyline. The HUB will float over the adjacent Toronto Harbour Commission Building courtesy of a cantilevering base, and create what Senior Partner Graham Stirk describes as 'a harmony' between the two buildings. The use of external structural steel lends the tower a more industrial feeling, and RSHP is promising that the tower will contain column-free office space and a multi-story atrium as a result. Toronto’s Spadina Line expansion stations The Spadina Group Associates and All Design Toronto, Ontario Construction in Toronto is not limited to new towers. Humbler additions to public infrastructure have also been taking shape. Toronto’s largest subway extension in decades opened late last year with six new stations, including two colorful facilities from the late Will Alsop’s All Design. The boxy, zebra-striped second story of the Finch West Station cantilevers over the building's main entrance and is capped with an enormous red window at one end. A concrete 'skirt' floats around the station’s base and offers shelter to riders who are waiting for a bus outside. Inside, Alsop uses touches of color to lighten up the polished concrete interiors. For Pioneer Village, Alsop wrapped the cantilevering station in Corten steel. This station is much rounder than Finch West and uses a red band around the base of the building’s front to direct riders to the main entrance. A geometric canopy rises from the station’s back and creates a covered waiting area for the two regional bus lines that service the station. The same polished concrete seen at Finch West was used inside. Barclay Village Büro Ole Scheeren Vancouver, British Columbia Vancouver has also seen significant growth recently, including the Shigeru Ban-designed hybrid timber tower. Ole Scheeren’s recently-revealed twin towers sit in Vancouver’s West End neighborhood, and according to Scheeren, they use balconies, setbacks, and offsets to create a more welcoming face in contrast to the typical monolithic glass tower typology. All of the terraces are planted, and a rooftop plaza sits on top of the base that links the two towers. Scheeren claims that the driving concept for Barclay Village was to elevate the concept of the village skyward to match Vancouver’s overall verticality. The Winnipeg Art Gallery’s Inuit Art Centre (IAC) Michael Maltzan Architecture Winnipeg, Manitoba This curvilinear four-story museum from Michael Maltzan broke ground in Winnipeg last month, and when complete in 2020, the building will become the largest Inuit art gallery in the world. A double-height glazed atrium at the museum’s base will be anchored by a central 'vault' protected by curved glass, and visitors can freely examine Inuit artifacts as they walk around the ground level. An 8,500-square-foot gallery on the third floor will display Inuit art. The sculptural facade of the building’s stone portion was reportedly inspired by the “immense, geographical features that form the background of many Inuit towns and inlets.” The IAC is an extension of the neighboring Winnipeg Art Gallery, and every floor with connect with the original building.
Posts tagged with "Will Alsop":
British architect and academic, William Allen Alsop, has died aged 70. Alsop was born on December 12, 1947, in Northampton, England and died on Saturday, May 12, 2018. The architect was a graduate of the Architectural Association School of Architecture in London and at the time of his death, was Director of the London-based studio, aLL Design, which he set up in 2011. Alsop is most well-known for his design of Peckham Library in Southeast London, a project which he designed with German architect, Jan Störmer. The building won the RIBA Stirling Prize in 2000 and is known for its "L" shape and use of pre-patinated copper cladding which gives it a striking turquoise color. The architect designed in North America as well. Projects include the Glenwood Power Plant in Yonkers, New York and the Sharp Centre for Design for the Ontario College of Art and Design in Toronto. The former was designed in 2007, but plans fell by the wayside, despite being hailed in the press as "new proposal to rescue Yonkers' Waterfront." Prior to his death, Alsop was on the architectural advisory boards for Wandsworth and Kensington & Chelsea Councils in London as well as being Professor of Architecture at TU Vienna and Professor of Architecture at Canterbury School of Architecture in Kent. Alsop had previously lectured Stateside too, serving as a Visiting Professor for the San Francisco Art Institute and Ball State University, Indiana in 1977. He was also The Davis Professor of Tulane University in New Orleans in 1982.
Toronto opened the largest expansion of its subway system in decades on December 17th, after years of construction and delays. The massive infrastructure project serves as a link between the city's northern suburbs and its urban core, with the new six-stop extension of Toronto's Line 1 passing through Toronto's municipal boundary into the York region, the area adjoining Toronto's northern border. The 5.3-mile extension of the Spadina Line adds six unique stations, bringing the system total to 75. Each station is designed as a standalone piece and features contextual artwork that reflects the surrounding neighborhood. By matching architects with artists early on in the visioning process, Toronto officials hoped that the station's site-specific designs would give residents a sense of ownership and connection to the new spaces. Will Alsop’s aLL Design, Foster + Partners, and Grimshaw Architects were among the firms selected to design the stations. The Spadina Line extension is intended to spur high-density development in Toronto’s northern suburban periphery. The City of Vaughan, at the terminus of the Spadina line, is taking the lead in this redevelopment by transforming the area around the station into a mixed-use district with Diamond Schmitt Architects and developer SmartCentres. The Toronto Star reports the forthcoming 100-acre Vaughan Metropolitan Centre will feature Diamond Schmitt's 55-story Transit City and the 14-story KPMG tower. In total, the City of Vaughn estimates that the development will one day be home to 25,000 residents, and support 11,000 jobs. According to CBC News, the $3.2 billion project should add an additional 36 million annual train trips, while reducing the number of car trips by 30 million, and reduce congestion across the city. The subway's costs will be split evenly between the City of Toronto, the York Region, and the Province of Toronto. Overseeing the Spadina Line strategy is the outgoing chief executive officer of the Toronto Transit Commission, Andy Byford, who will assume control of the New York City Transit Authority, the Metropolitan Transportation Authority body responsible for handling New York's subways, before the new year.
A digitally readable facade will grace the southeast corner of a building at the Ontario College of Art & Design (OCAD U). Designed by Bortolotto, the “intricately perforated and technologically responsive” scrim will wrap around the former main office building of the campus, “pulling gently away” like a partially unwrapped gift to reveal student work inside and make it visible from the street. Meanwhile, the 16,297-square-foot building itself, dubbed the Rosalie Sharp Pavilion, will be converted into a multi-use work and exhibition space for students featuring studios and interactive meeting and event facilities. The minutely detailed lattice is the culmination of mapping data of artistic institutions in the local area—including galleries, studios, and art stores. The links between them and to the college are designed to emphasize OCAD U as a cross-disciplinary institution at the nexus of these relationships. Aluminum panels mounted on a metal subframe will front the building, held in place by structural steel outriggers. The perforated pattern will be applied by water-jet cutting to render a purposely non-uniform look so that information can be embedded in different parts of the design. Bortolotto is collaborating with OCAD’s Digital Media Research Lab to create a complementary mobile app through which the facade’s interactive features will be mediated and experienced. Ultimately, passersby can photograph sections of the facade and receive associated digital information through the mobile app. “We’re proud of this exciting solution that brings together technology and design to redefine the corner and enable the university to communicate with the community in a new way,” said Bortolotto president, Tania Bortolotto. The ‘peel-away’ facade is a gesture to Frank Gehry’s Art Gallery of Ontario and Will Alsop’s Sharp Center for Design at OCAD U.
On the other side of the pond, Building Design reports that Will Alsop didn’t hold back in a recent public conversation at the V&A with perennial pot-stirrer Stephen Bayley. “Society has decided in this age of austerity that what we need is more David Chipperfield. We don’t need that. It’s depressing,” bemoaned Alsop, known for his irreverent approach to the mother of the arts. “We need more fun, wit, and humor. It’s part of the human condition, and if you don’t have it, you are left with David Chipperfield and a number of others. He is a very good architect, and there’s plenty of room for him, but not everywhere, and not poor imitations.” Sounds like Alsop could use a long weekend in Vegas.
Studio X, the downtown outpost of Columbia's GSAAP program, named Geoff Manaugh (BLDGBLOG) and Nicola Twilley (GOOD/Edible Geography) as co-directors. The fall season of programming under Manaugh and Twilley kicked off September 1. Deborah Marton, who announced her resignation as Executive Director of the Design Trust for Public Space in March, assumed her new role as Senior Vice President of Programs at the New York Restoration Project. David Glover of Arup Associates has left the firm to become deputy chief executive of AECOM’s building engineering business. Dagmar Richter, former teaching professor and chair of the Department of Architecture at Cornell University's College of Architecture, Art, and Planning, has been named chair of Pratt Institute's Undergraduate Architecture Department. Perkins+Will Seattle acquired Hinthorne Mott Architects to boost their Pacific Northwest presence. Will Alsop left RMJM to start a new practice with fellow RMJM principal Scott Lawrie in London. The new firm is called ALL Design. Have news on career moves in the architecture & design universe for SHFT+ALT+DEL? Send your tips to email@example.com!
As suspected, Will Alsop wasn't out of the game for long. The foul-mouthed StirlingPrize winner announced less than two months ago that he was leaving Archial, né SMC, the British architectural conglomerate that had bought up his smallish practice but three years earlier. Now BD reports that Alsop has teamed up with RMJM, and he will launch an atelier within the international powerhouse based in Battersea called Will Alsop at RMJM. “I like the overall vision they have for the future and the fact that it’s really global,” Allsp told BD. “In Archial, the only international bit was me.” Indeed, RMJM has been on a bit of a tear lately, including a big push stateside when it acquired Princeton-based Hillier in 2007. As BD notes, they have been teaming up with renowned architects of late, including a project with Frank Gehry for Glasgow Metropolitan College—that job was won by Atkins, though Archial was also bidding—and "a number of undisclosed projects" with Jean Nouvel. The strategy could backfire, however, as it might subordinate RMJM's generally successful work. Says a BD source: “I know they’ve been talking about working with a number of big names but it seems rather strange in that they have been pushing this notion that they are a number one design practice in their own right… a firm that can already compete with the Fosters of this world.”
Our compatriots across the Pond report today that Will Alsop, "British architecture’s most colourful personality," is leaving his eponymous firm.
Following 30 years of running a private practice, the 61-year-old has told BD that he will shortly hand over day-to-day management of Battersea-based Alsop to others, in order to devote more time to painting and teaching.The paper goes on to say that it's an amicable departure, with Alsop staying on as a consultant to the Archial-overseen firm (for an American referent, think WSP or Aedes), though there are also hints of a falling out, and even the suggestion the fanciful designer could start up his own independent firm should he so desire. “I’m delighted that Will has finally cut the knot with his slavemasters,” an architect from Rogers Stirk Harbour told BD. "I also can’t imagine a world without Will Alsop running a practice in some form or another." Alsop, however, defended himself, and rather colorfully--befitting his work?--we might add: “I started the fucking thing and it’s got my name on it. I want to make sure the work is still as challenging and exciting as it should be.” The Stirling Prize-winning architect sold ownership of the firm to SMC in 2006 (SMC changed its name to Archial last year) a move seen to give influence and resources to the heady architect's work but also fraught with the potential to undermine its inherent creativity. Known at home for work such as the Peckham Library, Palestra, and his North Greenwich Undeground station, the closest he has ever gotten to the states was the Sharp Centre for Design in Toronto, a stalled complex in Yonkers, and his work on the MAS' Coney Island counter-proposal. Here's hoping that's not the last we'll hear from him. Besides all the cussing, that is.
It's been a busy day out at Coney Island. Not only did local City Council rep Dominic Recchia tell the Post that the city is trying to buy up developer Joe Sitt's stake in the area, but now comes the Municipal Art Society's zany plans for the famed amusement park. The MAS spent a busy week talking to the community and then working to conceive fanciful designs with a world-renowned team of planners, designers, and amusement experts, the fruits of which were unveiled at a press conference today at Borough Hall. AN had a correspondent on the scene, but these renderings are just too nice to keep to ourselves. With the blustery weather outside, maybe they can give hope for a warmer future. More amusements after the jump. Update: We almost forgot! Do check out the party tonight at BAM, where the designers and their designs will be on view. It starts at 6:30, and a source tells us there will be free Coney Island Lager on hand. See you there. (We'll be wearing the pink tie and the gray cardigan.)