Posts tagged with "Venice Architecture Biennale":

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Reporting from the Front (in Venice)

In Venice today, there is much less energy then last year's Biennale. There was much hype around Rem Koolhaas and his ambitious, almost spectacular direction. Today, Aravena's understated energy is seen throughout the exhibitions and programming. We got a first look inside the main exhibition at the Central Pavilion. The projects presented are a mixture of research and practice, loosely categorized under a social agenda. The curators gathered a group of very beautiful projects, which oscillate between scrappy and high design, but most are executed well. The majority of projects are not just about framing a condition or local solution, but they also present a design response to it. The first thing visitors see when entering the Central pavilion is a huge masonry arch by Solano Benitez. These brick are arranged using simple formworks made by "unqualified laborers" in Paraguay. Two masons on a cherry picker completed the project, which "turns scarcity into abundance," allowing us to urbanize cities faster and cheaper. Simon Velez's bamboo structures have taken him years of battling logistics and code issues. His use of the highly sustainable material is documented alongside models of these buildings. Across the room is an installation by Vietnamese architect Vo Trang Nghia; he's is bringing plants and agriculture to Ho Chi Mihn City, whose urban landscape has less greenspace than most large cities in the world. The projects in the pavilion are all very beautiful, but it remains to be seen what will come of this collection. Some of the works seem to be more of an aesthetic project than a social one, while others are very much political. Does that make the whole show an aesthetic project? If this is an agenda-based show, are we to learn from it? Is it about appreciating the novelty of some of these projects, or is it about taking the concepts and techniques with us? Will architects listen?
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Detroit in Venice: The U.S. Pavilion at the Venice Biennale

The United States Pavilion at the 15th Venice Architecture Bienniale, entitled The Architectural Imagination, is opening for its six month run this weekend. Curated by Monica Ponce de Leon and Cynthia Davidson, the pavilion highlights 12 architecture firms speculating on four sites in the city of Detroit. Organized by the University of Michigan, the pavilion takes a focused look at a city that has become a popular topic in urban and architectural conversations. Each of the pavilion’s four rooms is dedicated to one site, with three projects each. The sites include Dequindre Cut/Eastern Market, a triangular city-owned site in Mexicantown, a riverfront site at the US Post Office, and the long abandoned 40 acre Packard Plant. Each office was given free range to define the program and form of there project. Projects ranged from a governmental district focused on refugee immigration by Andew Zago to a material reclamation plant by T+E+A+M. Each office was given a four-foot-by-eight-foot table on which to present two large scale models. Walls behind each model are dedicated to drawings, renderings, and process work. The Offices involved include: A(n) Office, Detroit, Michigan Marcelo López-Dinardi; V. Mitch McEwen BairBalliet, Columbus, Ohio; Chicago, Illinois Kelly Bair; Kristy Balliet Greg Lynn FORM, Los Angeles, California Greg Lynn Mack Scogin Merrill Elam Architects, Atlanta, Georgia Mack Scogin; Merrill Elam Marshall Brown Projects, Chicago, Illinois Marshall Brown MOS Architects, New York, New York Hilary Sample; Michael Meredith Pita & Bloom, Los Angeles, California Florencia Pita; Jackilin Hah Bloom Present Future, Houston, Texas Albert Pope; Jesús Vassallo Preston Scott Cohen Inc., Boston, Massachusetts Preston Scott Cohen SAA/Stan Allen Architect, New York, New York Stan Allen T+E+A+M, Ann Arbor, Michigan Thom Moran; Ellie Abrons; Adam Fure; Meredith Miller Zago Architecture, Los Angeles, California Andrew Zago; Laura Bouwman
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The Architect’s Newspaper’s first report from the Venice Biennale

AN is back in Italy for the 2016 the Venice architecture biennale—this time with three full-time reporters and two very busy writers. We are covering every national pavilion in the Giardini and installations selected by biennale curator Alejandro Aravena in the spectacular Arsenale and Corderie. We have a few early insights about what Aravena is proposing for this version of the biennale but we want to visit them before commenting and posting on our website. We will be blogging what we find compelling and troubling in-and-out of the official pavilions, offsite palazzos, and public spaces all over la serenissima. The biennale is, for the first time, starting to take on the trappings of a commercial trade fair or convention. For the past two or three iterations of the biennale, there have been more nations without formal pavilions renting buildings around the city. For example, in 2012 Mozambique’s small installation showcased that country's colonial Portuguese buildings. The biennale has never entirely been free of commercialism either. But this year we are seeing a growing number of product manufacturers, architects, and practices coming to Venice and renting space to simply display their wares. They propose hourly meetings with the international design media and hope to play up the celebrity of the event to claim they “were at Venice.” Let’s not forget the architectural biennale was created out the student and worker protests of the late 1960s and has always narrowly tread a region between the commercial and the ideal. Does this mean that the Venice biennale is now like any commercial trade show? We hope to report on this trend and find those installations that have long made this the most important architect event in the design calendar.
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The United States Pavilion designs for Detroit at the Venice Biennale

This year's United States Pavilion at the 15th Venice Architecture Biennale, curated by Cynthia Davidson and Monica Ponce de Leon, will feature 12 offices from across the country. Entitled The Architectural Imagination, the exhibition explores designs for Detroit, Michigan as a space for architectural speculation. Taubman College of Architecture and Urban Planning at the University of Michigan was selected to organize the exhibition, which will be open from May 28th through November 27th in Venice Italy. Curators Cynthia Davidson and Monica Ponce de Leon selected the 12 teams of architects from more than 250 submissions. They are: A(n) Office, Detroit, Michigan Marcelo López-Dinardi; V. Mitch McEwen BairBalliet, Columbus, Ohio; Chicago, Illinois Kelly Bair; Kristy Balliet Greg Lynn FORM, Los Angeles, California Greg Lynn Mack Scogin Merrill Elam Architects, Atlanta, Georgia Mack Scogin; Merrill Elam Marshall Brown Projects, Chicago, Illinois Marshall Brown MOS Architects, New York, New York Hilary Sample; Michael Meredith Pita & Bloom, Los Angeles, California Florencia Pita; Jackilin Hah Bloom Present Future, Houston, Texas Albert Pope; Jesús Vassallo Preston Scott Cohen Inc., Boston, Massachusetts Preston Scott Cohen SAA/Stan Allen Architect, New York, New York Stan Allen T+E+A+M, Ann Arbor, Michigan Thom Moran; Ellie Abrons; Adam Fure; Meredith Miller Zago Architecture, Los Angeles, California Andrew Zago; Laura Bouwman
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BairBalliet uses novel spatial techniques to speculate on future Detroit development for the Venice Biennale

For this year’s U.S. Pavilion at the 15th Venice Architecture Biennale, 12 teams from across the country were selected to design speculative architecture for Detroit. Entitled the “Architectural Imagination,” the pavilion will focus on presenting urban ideas that could be used around the world. One of the offices chosen is the Columbus, Ohio- and Chicago-based BairBalliet. Comprised of Kelly Bair, an assistant professor at the University of Illinois at Chicago School of Architecture, and Kristy Balliet, an assistant professor at the Knowlton School of Architecture at the Ohio State University, BairBalliet was formed specifically for the biennale. Given a 26-acre site on Detroit’s west side along the Detroit River, near the Corktown neighborhood, BairBalliet set out to produce a project that would connect the neighborhood to the water.

Bair and Balliet also have their own practices, Central Standard Office and Balliet Studio, respectively. The new office has come to develop a larger project: “Originally we joined forces because we saw some similarities in our work, but I also think we have specific things that we work on individually. The more we worked together though, I found that some of Kristy’s work filled in where my project was lacking,” Bair said, also explaining how they were able to work while living in different cities. “We used the Chicago Biennial weekend as a launching point for the project. That weekend was our first of several in-person charrette weekends, filling in with daily conference calls and remote work sessions between visits.”

The duo used an unexpected digital medium to communicate during the initial design: “In the beginning we used GIFs as a means to prepare for collaborative design calls. These would build up a narrative and a visual attitude to which the other could react,” said Bair. The GIFs were collections of stills that were curated and timed to convey a sense of their thoughts about everything from site strategies to formal decisions. Bair and Balliet found that the flickering of animated drawings facilitated a way of seeing the project in which ideas could be combined and reconfigured into completely new strategies.

Part of the design process included meeting with local Detroiters about the chosen site’s future. The team was exposed to the visions of the Detroit Riverfront Conservancy, Projects Detroit Future City, and the Detroit Economic Growth Corporation as well as local neighborhood residents. What they took away was a sense of the site’s strong connection to the core of downtown and the evolving adjacent neighborhood as the riverfront continues to develop.

For the design, which will be revealed in Venice, nearby programs, including light-industrial, small-scale residential, and retail, are overlaid with leisure spaces as the project unfolds towards the river. Conceptually, BairBalliet thought of the project as a new port-of-call, a place that is never experienced the same way twice.

BairBalliet’s bas relief and site model, along with other visual media, will be unveiled at the Venice Biennale, opening May 28th. The U.S. Department of State selected the Taubman College of Architecture and Urban Planning at the University of Michigan to organize the exhibition of the United States Pavilion in the 2016 Venice Architecture Biennale. Cynthia Davidson and Monica Ponce de Leon are Co-Curators of the U.S. Pavilion.

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Wasserman Projects holds panel discussion on the future of Detroit architecture

As a part of Detroit's Wasserman Projects exhibition, Desire Bouncing, a panel discussion addressed the future of architecture and art in Detroit. The panel was moderated by Reed Kroloff, principal of Jones Kroloff and former director of Cranbrook Academy of Art and Art Museum. The panel included exhibiting artist Alex Schweder, associate curator at MoMA's Department of Architecture and Design; Sean Anderson, architectural critic; Cynthia DavidsonVenice Biennale U.S. Pavilion co-curator; and Mitch McEwen, assistant professor of Architecture at Taubman College of Architecture and Urban Planning at University of Michigan. Detroit is physically changing. Some of its architectural treasures and thousands more of its abandoned homes have been demolished. But now that Detroit is undergoing the slow process of rebuilding, what kind of architecture will replace it? This and other questions were discussed among an expert panel of architects and critics that gathered last Friday at Wasserman Projects, a gallery and event space in a renovated fire truck maintenance facility in Detroit's Eastern Market. Around 50 guests attended the panel discussion, called "Architecture By Any Means Necessary." Kroloff began by asking the panelists, "What are things architecture can do beyond creating a city environment?" "Structures are receptacles for stories, for meanings," said Alex Schweder, an artist who often combines performance and architecture in his work. "The structures in Washington D.C. are a manifestation of stories we tell about our country." "Buildings can perform things we never thought were possible," said Mitch McEwen, a founding partner at A(n) Office and Principal of McEwen Studio. Her example of Le Corbusier's Carpenter Center in Cambridge, Massachusetts, which changed her conception of architecture, lead to an argument about the interaction between a building and its visitors. Cynthia Davidson described her distaste for Detroit's Renaissance Center, the headquarters of General Motors, often criticized for its confusing walkways and lack of synergy with downtown. "[Designer John] Portman makes you realize how controlling architecture can be," she said. In response to a question about what new architecture in Detroit should do, Schweder advocated architects and city managers give up some control. "Our roles can be collaborative with client and users," he said. "People want voice and agency in the look and use of their city." The discussion took a turn towards political issues and actual implementation of these ideas. Sean Anderson, acknowledged the difficulty Schweder's proposal. "History is often not recognized by developers that come and rebuild cities." During the audience question portion of the panel, someone mentioned that vast areas of Detroit that have no architecture, but "only the ghosts of architecture." He then wondered if this "absence" was worth preserving. "Detroit is a city of single family homes," answered McEwen. She felt that memorializing vacancy was the wrong approach. "I hope the city rebuilds, but with respect for the logic of the single family home." Desire Bouncing will be on show through April 9th at the Wasserman Projects at 3434 Russell Street, #502, Detroit, Michigan 48207. https://www.youtube.com/watch?v=ScgU9lB3Ves
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Here’s every participant working on the Venice Biennale 2016

This year's Venice Architecture Biennale, titled Reporting from the Front, has unveiled its full list of participants. The 15th instalment of the Biennale, directed and curated by the man of the moment, Alejandro Aravena, will occupy venues along the Arsenale and the Central Pavilion in the Giardini. There will be work on display from 62 national pavilions, featuring five newcomers: Kazakhstan, Nigeria, Philippines, Seychelles, and Yemen. From this pool of nations, 50 architects will be taking to the Venetian stage for the first time. This year's event will also witness an infusion of youth never seen before with 33 of the featured architects being under 40—a first for the Biennale. “There are several battles that need to be won and several frontiers that need to be expanded in order to improve the quality of the built environment and consequently people’s quality of life," said Aravena. "This is what we would like people to come and see at the 15th International Architecture Exhibition: success stories worth to be told and exemplary cases worth to be shared where architecture did, is and will make a difference in those battles and frontiers.” Together, they will contribute work that addresses concurrent issues such as: segregation, inequalities, peripheries, access to sanitation, natural disasters, housing shortage, migration,  informality, crime, traffic, waste, pollution, and the participation of communities. “It is not easy to achieve such a level of expansion and synthesis; they are battles that need to be fought," Aravena continued. "The always menacing scarcity of means, the ruthless constraints, the lack of time and urgencies of all kinds are a constant threat that explain why we so often fall short in delivering quality. The forces that shape the built environment are not necessarily amicable either: the greed and impatience of capital or the single mindedness and conservatism of the bureaucracy tend to produce banal, mediocre and dull built environments. These are the frontlines from which we would like different practitioners to report, sharing success stories and exemplary cases where architecture did, is and will make a difference.”

Here's the full list of participants:

Albania “I Have Left You the Mountain” Commissioners: Albanian Ministry of Culture. Curators: Simon Battisti, Leah Whitman-Salkin, Åbäke. Exhibitors: Etel Adnan, Pier Vittorio Aureli, Mourid Barghouti, Claire Fontaine, Yona Friedman, Anri Sala, Michael Taussig, Yanis Varoufakis, Ornela Vorpsi. Site: Arsenale

Argentina experimentAR - Poéticas desde la frontera Commissioners: Federico Gonzalez Perini. Curator: Atilio Pentimalli. Site: Arsenale, Sale d’Armi

Armenia Independent Landscape Commissioners: Ministry of Culture, (Vartan Karapetian).Curator: Sarhat Petrosyan. Site: Chiesa di Santa Croce degli Armeni, Calle dei Armeni, San Marco 965

Australia The Pool – Architecture, Culture and Identity in Australia Commissioners: Janet Holmes a Court AC. Curators: Amelia Holliday and Isabelle Toland (Aileen Sage Architects) with Michelle Tabet. Exhibitors: Conversations with Olympians Shane Gould and Ian Thorpe (Anna Funder and Christos Tsiolkas; musician Paul Kelly; environmentalist Tim Flannery; fashion designers Romance Was Born; and art curator Hetti Perkins). Site: Giardini

Austria Places for people Commissioners/Curator: Elk Elke Delugan-Meissl with Liquid Frontiers. Exhibitors: Caramel architects, EOOS, the next ENTERprise architects. Site: Giardini

Bahrain Commissioners: Sh. Mai Al Khalifa. Curators: Anne Holtrop e Noura Al Sayeh. Site: Arsenale

Belgium BRAVOURE Commissioners: Christoph Grafe, Director Flanders Architecture Institute. Curator: bravoure architecten de vylder vinck taillieu - doorzon interieur architecten - filip dujardin. Site: Giardini

Brazil Commissioners: Luis Terepins, Bienal de São Paulo Foundation.Curator: Washington Fajardo. Site: Giardini

Canada “EXTRACTION” Commissioners: Catherine Crowston, Art Gallery of Alberta. Curator: Pierre Bélanger, OPSYS. Exhibitors: OPSYS / RVTR. Site: Giardini

Chile Against the tide Commissioners: Cristóbal Molina (National Council of Culture and the Arts of Chile). Curators: Juan Román, José Luis Uribe. Exhibitors: Felipe Aranda, Ximena Cáceres, Claudio Castillo, Ximena Céspedes, Gabriel Garrido, Carolina Guerra, Juan Francisco Inostroza, Yasna Monsalve, Felipe Muñoz, Daniel Prieto, Javier Rodríguez, Jonnattan Silva, Carolina Solís, Tanya Vera, Cesar Verdugo. Site: Arsenale

China Daily Design, Daily Tao-Back to the ignored front Commissioners: China Arts & Entertainment Group (CAEG).Curator: Jingyu Liang. Exhibitors: Approach Architecture Studio, Drawing Architecture Studio (Han Li, Yan Hu), in+of architecture (Lu Wang), People’s Architecture Office (Zhe He, James Shen, Feng Zang), Run Atelier (Hao Wang, Man Ye), Qun Song, View Unlimited Lanscape Architecture Studio CUCD (Xie Xiaoying, Yan Tong, Haitao Huang, Qu Zhi), Wuyong (Ma Ke), Jingxiang Zhu (Unitinno+CUHK), Jing Zuo. Site: Arsenale

Czech Republic & Slovakia Care for Architecture: Exemplum of the Slovak National Gallery or Asking Arche of Architecture to Dance Commissioners: Monika Mitášová, Monika Palcová. Curators/Exhibitors: Benjamín Brádnanský, Petr Hájek, Vít Halada, Ján Studený, Marián Zervan (Academy of Fine Arts and Design in Bratislava and University in Trnava). Site: Giardini

Côte d'Ivoire Live differently Commissioners: N’Guessan N’Dri Barthelemy. Curator: SOSSAH Francis. Exhibitors: Ministère de la construction et de l’urbanisme, Ministère de l’habitat et du logement social, Ministère de la culture et de la francophonie, Ordre des architectes, Ecole d’architecture d'Abidjan. Site: Palazzo Bembo e Palazzo Mora

Croatia “We Need It-We do it” Commissioners: Zlatko Hasanbegovic, PhD, Minister of culture; Ministry of Culture. Curator: Dinko Peracic. Exhibitors:Dinko Peracic, Slaven Tolj, Miranda Veljacic, Emina Višnic. Site: Arsenale

Denmark Commissioners: Kent Martinussen, CEO, Danish Architecture Centre. Curators: Boris Brorman Jensen and Kristoffer Lindhardt Weiss. Exhibitors: 3XN; AART architects; Adept; AI; Anders Abraham & Christina Capetillo; Anders Peder Larsen; Andersen & Sigurdsson Architects; Arcgency; Arkitektfirmaet Merete Lind Mikkelsen; Arkitema Architects; BCVA Architecture; BIG; BO FROST architects; CEBRA; CF. Møller Architects;Christensen & Co architects; COBE; COLORCLOUDSTUDIO;DISSING+WEITLING architecture; Dorte Mandrup Architects; EFFEKT; ELKIÆR + EBBESKOV; Erik Brandt Dam architects; Erik Møller Architects; Force4; Frans Drewniak & Philip Rahm; Frederiksund Municipality; Friis & Moltke Architects Gottlieb Paludan Architects; Herzog de Meuron; JAJA architects; Jakob Knudsen; Jan Gehl; Jane Havshøj Architects; Jes Vagnby; JJW Architects; Johan Mottelson; Jonathan Meldgaard Houser; Junya Ishigami; Karlsson Arkitekter; KHR Arkitekter; Kim Loudrup; KRADS; Kristine Jensens Tegnestue; Lenschow & Pihlmann; LETH & GORI; LUMO Architects; Lundgaard & Tranberg Architects; Mathilde Petri Architects; Middelfart Municipality and Middelfart Wastewater Utility; Mikkelsen Architects; Møller & Grønborg; Nicolai Bo Andersen; NORD Architects Copenhagen; ONV Architects; POLYFORM; Powerhouse Company Copenhagen; Roskilde Municipality;  RUBOW Arkitekter; schmidt hammer lassen architects; SLA Architects; SLETH Architects; SNE architects; Spektrum Arkitekter; Svendborg Architects; THIRD NATURE; Toposfære IVS; TRANSFORM; Tyra Lea Amdisen Dokkedahl; URBAN AGENCY; Vandkunsten Architects; Vilhelm Lauritzen Architects; WE Architecture; Wienberg Architects and Frier Architecture; Schønherr; Henning Larsen Architects. Site: Giardini

Egypt ReframingBack/ImperativeConfrontations Commissioners: Ahmad Hilal. Curator: Ministero della Cultura. Exhibitors: Eslam Zenbaey, Luca Borlenghi, Gabriele Secchi, Mostafa Salim. Site: Giardini

Estonia, Latvia & Lithuania The Baltic Pavilion Commissioners Estonia: Raul Järg Commissioner Lettonia: Janis Dripe ( Ministry of Culture of the Republic of Latvia) Commissioners Lithuania: Ona Lozuraité, Jonas Žukauskas. Curators: Karlis Berzinš, Jurga Daubaraite, Petras Išora, Ona Lozuraityte, Niklavs Paegle, Dagnija Smilga, Johan Tali, Laila Zarina, Jonas Žukauskas. Exhibitors: Architekturos Fondas, Eesti Arhitektuurikeskus. Site: Palasport G.B. Gianquinto, Castello, Calle S. Biagio

Finland From Border to Home - Housing Solutions for Asylum Seekers Commissioners: Juulia Kauste Museum of Finnish Architecture. Curator: Marco Steinberg. Exhibitors: a team; Lindberg & Erdman; Society Lab with the participation of alt Architects; D.A.T. PANGEA + QUATORZE; Helsinki Kasbah Combine; Satoshi OHTAKI. Site: Giardini

France Nouvelles du Front, Nouvelles Richesses Commissioners: Institut Français, ministère de la culture et de la communication - direction générale des patrimoines.Curator: Frédéric Bonnet - OBRAS e AJAP 14 (PNG, Boidot & Robin, Studio 1984, Studiolada, Boris Bouchet, Claas architectes, R Architecture, NeM / Niney et Marca architectes). Site: Giardini

Germany Making Heimat. Germany, Arrival Country Commissioners: Peter Cachola Schmal, Deutsches Architekturmuseum (DAM). Curator: Oliver Elser, Deutsches Architekturmuseum (DAM). Exhibitors: Something Fantastic. Site: Giardini

Great Britain Home Economics Commissioners: Vicky Richardson. Curators: Shumi Bose, Jack Self, Finn Williams. Exhibitors: ÅYR, Pier Vittorio Aureli e Martino Tattara (Dogma) con Maria S. Giudicci (Black Square), Julia King, Jenna Sutela Hesselbrand. Site: Giardini

Greece “Challenging architecture on site of crisis” Commissioners: General Secretary of Spatial Planning and Urban Environment, Ms Eirini Klampatsea. Curators: SADAS-PEA (the Greek Architects Association).Exhibitor: SADAS-PEA (the Greek Architects Association). Site: Giardini

Hungary æctivators. Locally active architecture Commissioners: Júlia Fabényi. Curators: Gábor Fábián, Dénes Fajcsák. Exhibitor: Arkt. Site: Giardini

Iran Commissioners: Ministry of Road and Urban Development Hamed Mazaherian. Exhibitors: Saba Engineering Events Association. Site: Arsenale

Ireland Losing Myself Commissioners: Niall MacLaughlin. Curator: Yeoryia Manolopoulou. Exhibitor: Níall McLaughlin (Níall McLaughlin Architects). Site: Arsenale

Israel "A is for Architecture, B is for Biology" Commissioners: Arad Turgeman. Curators/Exhibitors: Ido Bachelet, Bnaya Bauer, Arielle Blonder, Yael Eylat Van-Essenn, Noy Lazarovich. Site: Giardini

Italy TAKING CARE – Progettare per il bene comune Commissioners: Federica Galloni, Direttore Generale Arte e Architettura Contemporanee e Periferie Urbane, Ministero dei Beni e delle Attività Culturali e del Turismo. Curators: Simone Sfriso, team Curatorsale Massimo Lepore, Simone Sfriso, Raul Pantaleo TAMassociati. Site: Tese delle Vergini all’Arsenale

Japan beyond - SHARING Commissioners: The Japan Foundation. Curator: Yoshiyuki Yamana. Exhibitors: mnm (Mio Tsuneyama); ondesign (Osamu Nishida); Erika Nakagawa; Naruse Inokuma Architects (Jun Inokuma, Yuri Narus; Naka Architects’ Studio (Toshiharu Naka, Yuri Uno); Nousaku Architects (Fuminori Nousaku, Junpei Nousaku); miCo. (Mizuki Imamura, Isao Shinohara); Levi Architecture (Jun Nakagawa); Shingo Masuda+Katsuhisa Otsubo Architects (Shingo Masuda, Katsuhisa Otsubo); Koji Aoki Architects(Koji Aoki); 403architecture [dajiba] (Takuma Tsuji, Takeshi Hashimoto, Toru Yada); BUS (Satoru Ito, Kosuke Bando, Issei Suma); dot architects (Toshikatsu Ienari, Takeshi Shakushiro, Wataru Doi). Site: Giardini

Kazakhstan (New) Commissioners: Minister Muhamediuly Arystanbek.

Korea The FAR Game: Constraints Sparking Creativity Commissioners: Arts Council Korea. Curators/Exhibitors: Sung Hong KIM, Eungee CINN, Keehyun AHN, Seungbum KIM, Isak CHUNG, Daeun JEONG. Site: Giardini

Kuwait Between East and West, A Gulf Commissioners: NCCAL. Curators: Hamed Bukhamseen e Ali Karimi. Site: Arsenale

Luxembourg Tracing Transitions Commissioners: LUCA Luxembourg Center for Architecture, Andrea Rumpf. Curators/Exhibitors: Claude Ballini, Serge Ecker, Daniel Grünkranz, Panajota Panotopoulou. Site: Ca’ de Duca, Corte del Duca Sforza, San Marco 3052

Macedonia 
No Man’s land Commissioners: Ivanka Apostolova. Curator: Stojan Pavleski. Exhibitors: Stojan Paveski, Ivan Simeonov, Gjorgji Radovanovic e Ljupcho Tasevski.

Mexico Dispiegamenti e Assemblaggi  (Despliegues y ensambles) Commissioners: María Margarita Segarra Lagunes.Curator: Pablo Landa Ruiloba.Exhibitors:David Mora Torres, Valeria Prieto, Mariano Arias-Diez, Alejandro Suárez Pareyón, César Augusto Guerrero Rodríguez, Mariana Ordoñez Grajales, Jorge Andrade Narváez, Paloma Vera, João Boto Matos Caeiro, Javier Toscano Guerrero, Isadora Hastings, Melba Denisse García, Álvaro Lara Cruz, Juan Carlos de la Garza Madero, Juan José Santibañez, Luz Yazmin Viramontes, Juan Alfonso Garduño, Jesús Roberto Nuñez, Rodolfo Samperio, Alfredo Hidalgo Rasmussen, Daniel Filloy Ring, Juan M. Casillas Pintor, José Carlos Lavalle Alonzo, Alexa Mabel Pacheco, Carlos Hagerman, Jesús Álvarez, Lara Becerra, Betsaid M. Moreno Corona, Jorge A. Rivera, Aarón Gutiérrez, Raúl Cárdenas Osuna. Site: Arsenale, Sale d’Armi

Montenegro Project Solana Ulcinj Commissioners: Dijana Vucinic Ministry of Sustainable Development and Tourism. Curators: Bart Lootsma, Katharina Weinberger. Exhibitors: ecoLogicStudio, London; LOLA, Rotterdam; LAAC, Innsbruck. Site: Palazzo Malipiero, San Marco 3079

Nigeria  (New) ‘Diminished Capacity’ Commissioners: Nkanta George Ufot (Ministry of Information and Culture). Curator: Camilla Boemio. Exhibitor: Ola-Dele Kuku.

New Zealand “Future Islands” Commissioners: Tony Van Raat. Curator: Charles Walker. Exhibitors: Kathy Waghorn, Jessica Barter, Stephen Brookbanks, Maggie Carroll, Bruce Ferguson, Minka Ip, Jonathan Rennie, Rewi Thompson. Site: Palazzo Bollani, Castello 3647

The Netherlands BLUE: Architecture of Peacekeeping Missions Commissioners: Het Nieuwe Instituut. Curator: Malkit Shoshan. Site: Giardini

Finland, Norway & Sweden In Therapy - Nordic Countries Face to Face Commissioners: ArkDes, The Swedish Centre for Architecture and Design (Sweden). Adjunct Commissioners: The Finnish Museum of Architecture (Finland) and Nasjonalmuseet (Norway). Curators: David Basulto, James Taylor-Foster. Site: Giardini

Perù "OUR AMAZON FRONTLINE" Commissioners: José Orrego. Curators: Sandra Barclay e Jean Pierre Crousse. Exhibitors: Ministero dell’Istruzione Peruviano, “Progetto Plan Selva” Capo Progetto Elizabeth Añaños e con Claudia Flores, Sebastian Cilloniz, Jose Luis Villanueva, Miguel Chavez, Gino Fernandez, Alvaro Echevarria, Alfonso Orbegoso, Luis Miguel Hadzich, Carlos Tamayo. Site: Arsenale, Sale d’Armi

Phillipines (New) Muhon: Traces of an Adolescent City Commissioners: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon. Curator: Juan Paolo de la Cruz, Sudarshan Khadka Jr., Leandro Locsin (LVLP Partners). Site: European Cultural Center - Palazzo Mora, Strada Nuova 3659

Poland “Fair Building” Commissioners: Hanna Wróblewska. Curator: Dominika Janicka, in cooperation with Martyna Janicka and Michal Gdak. Site: Giardini

Portugal NEIGHBOURHOOD: Where Alvaro meets Aldo Commissioners: Carlos Moura-Carvalho. Curator: Nuno Grande e Roberto Cremascoli. Exhibitor: Álvaro Siza Vieira. Site: Campo di Marte, Giudecca (tra Calle Mason e Calle Michelangelo Buonarroti – vaporetto: Zitelle)

Romania SELFIE AUTOMATON Commissioners: Attila Kim. Curator: Tiberiu Bucsa. Exhibitors: Tiberiu Bucsa, Orsolya Gal, Stathis Markopoulos, Adrian Arama, Oana Matei, Andrei Durloi. Site: Giardini e Nuova Galleria dell'Istituto Romeno di Venezia Palazzo Correr, Campo Santa Fosca, Cannaregio 2214

Russia V.D.N.H. Commissioners: Semen Mikhailovsky. Curator: Sergey Kuznetsov. Site: Giardini

Serbia HEROIC: Free Shipping Commissioners: Ivan Raskovic. Comitato Scientifico: Ljiljana Miletic Abramovic, Igor Maric, Aleksandar Bobic, Milan Ðuric, Vladimir Milenkovic, Vesna Cagic Miloševic, Maja Ciric. Exhibitors: Stefan Vasic, Ana Šulkic e Igor Sjeverac. Site: Giardini

Seychelles (New) Commissioners: Benjamin Rose. Curator: Andres Ramirez.

Singapore At The ‘Home Front’ Commissioners: Jeffrey Ho, Executive Director of DesignSingapore Council. Curator: Wong Yunn Chii, Department of Architecture, School of Design and Environment, National University of Singapore. Site: Arsenale, Sale d’Armi

Slovenia Home@Arsenale Commissioners: Matevž Celik, Museum of Architecture and Design, MAO. Curators: Aljoša Dekleva e Tina Gregoric (dekleva gregoric architects). Site: Arsenale

Spain UNFINISHED Commissioners: Iñaqui Carnicero + Carlos Quintans. Curator: Carnicero + Quintans. Exhibitors: Contemporary Spanish Architecture. Site: Giardini

Switzerland "Incidental Space” Commissioners: Sandi Paucic e Marianne Burki, Swiss Arts Council Pro Helvetia. Curator: Sandra Oehy. Exhibitor: Christian Kerez. Site: Giardini

Thailand Class of 6.3 Commissioners: The Office of Contemporary Art and Culture, Ministry of Culture. Curator: Teeranuj Wongwaisayawan. Exhibitors: Pitupong Chaowakul, Chatpong Chuenrudeemol, Jeravej Hongsakul, Kanika R’Kul, Jun Sekino Chutayaves Sinthuphan, Suriya Umpansiriratana, Twitee Vajrabhaya, Varudh Varavarn. Site: Arsenale

Turkey Darzanà: Two Arsenals, One Vessel Commissioners: Istanbul Foundation for Culture and Arts (IKSV). Curators: Feride Çiçekoglu, Mehmet Kütükçüoglu, Ertug Uçar. Exhibitors: Hüner Aldemir, Caner Bilgin, Hande Cigerli, Gökçen Erkiliç, Nazli Tümerdem, Yigit Yalgin. Site: Arsenale, Sale d’Armi

United Arab Emirates Transformations: The Emirati National House Commissioners: Salama bint Hamdan Al Nahyan Foundation. Curator: Yasser Elsheshtawy. Site: Arsenale, Sale d’Armi

United States of America The Architectural Imagination Commissioners: Monica Ponce de Leon. Curators: Cynthia Davidson and Monica Ponce de Leon. Exhibitors: Marcelo López-Dinardi and V. Mitch McEwen, A(n) Office, Detroit, Michigan Kelly Bair and Kristy Balliet, BairBalliet, Chicago, Illinois, and Columbus, Ohio, Greg Lynn, Greg Lynn FORM, Los Angeles, California Mack Scogin and Merrill Elam, Mack Scogin Merrill Elam Architects, Atlanta, GeorgiaMarshall Brown, MARSHALL BROWN PROJECTS, Chicago, Illinois Hilary Sample and Michael Meredith, MOS Architects, New York, New York Florencia Pita and Jackilin Hah Bloom, Pita & Bloom, Los Angeles, California Albert Pope and Jesús Vassallo, Present Future, Houston, Texas Preston Scott Cohen, Preston Scott Cohen Inc., Cambridge, Massachusetts Stan Allen, SAA/Stan Allen Architect, New York, New York Thom Moran, Ellie Abrons, Adam Fure, and Meredith Miller, T+E+A+M, Ann Arbor, Michigan Andrew Zago and Laura Bouwman, Zago Architecture, Los Angeles, California. Site: Giardini

Yemen  (New) Beautiful Yemen Commissioners: Mr. Ayed Ali Al-Shawafy, Undersecretary for Cultural relations, Ministry of Culture, Yemen. Site: Arsenale

ull list of participants (via www.labiennale.org) 1. 51N4E (Brussels, Belgium) Freek Persyn; Johan Anrys 2. ADNBA (Bucharest, Romania) Andrei Serbescu; Adrian-Ioan Untaru 3. Aires Mateus (Lisbon, Portugal) Francisco Aires Mateus; Manuel Aires Mateus 4. Al Borde (Quito, Ecuador) David Barragán; Pascual Gangotena; Marialuisa Borja; Esteban Benavides 5. Alexander Brodsky (Moscow, Russia) 6. Alonso de Santos Estudio (Madrid, Spain) Francisco Alonso de Santos 7. Amateur Architecture Studio (Hangzhou, China) Wang Shu; Lu Wenyu 8. Anupama Kundoo Architects (Auroville, India) Anupama Kundoo 9. Architecture and Vision (Bomarzo - Viterbo, Italy) Arturo Vittori 10. Arno Brandlhuber + Christopher Roth (Berlin, Germany) Arno Brandlhuber; Christopher Roth 11. Assemble (London, Great Britain) 12. Atelier Bow-Wow (Tokyo, Japan) Yoshiharu Tsukamoto; Momoyo Kaijima; Yoichi Tamai 13. Atelier Peter Zumthor & Partner (Haldenstein, Switzerland) Peter Zumthor 14. Barozzi / Veiga (Barcelona, Spain) Alberto Veiga; Fabrizio Barozzi 15. Batlle i Roig Arquitectes (Barcelona, Spain) Enric Batlle; Joan Roig 16. BeL Sozietät für Architektur (Köln, Germany) Anne-Julchen Bernhardt; Jörg Leeser 17. Bernaskoni (Moscow, Russia) Boris Bernaskoni 18. Block Research Group, ETH Zurich (Zurich, Switzerland) Philippe Block; Tom Van Mele WITH Ochsendorf, DeJong & Block (Cambridge, Massachusetts, USA) John Ochsendorf; Matthew DeJong; Philippe Block AND WITH Escobedo Construction (Buda, Texas, USA) David Escobedo 19. C+S Architects (Treviso, Italy) Carlo Cappai; Maria Alessandra Segantini 20. Cadaval & Solà-Morales (Barcelona, Spain) Eduardo Cadaval; Clara Solà-Morales 21. Cecilia Puga (Santiago, Chile) 22. Christ & Gantenbein (Basil, Switzerland) Emanuel Christ; Christoph Gantenbein WITH Stefano Graziani 23. Christian Kerez Zürich (Zurich, Switzerland) Christian Kerez 24. David Chipperfield Architects (Berlin, Germany) David Chipperfield 25. designworkshop: sa (Durban, South Africa) Andrew Makin 26. El equipo Mazzanti - Giancarlo Mazzanti, Carlos Medellín, María Mazzanti (Bogotá, Colombia) Giancarlo Mazzanti 27. Ensamble Studio (Madrid, Spain) Antón García-Abril; Débora Mesa Molina 28. EPEA Internationale Umweltforschung (Hamburg, Germany) Michael Braungart 29. Estudi d'Arquitectura Toni Gironès (Barcelona, Spain) Toni Gironès 30. Estudio del Paisaje Teresa Moller & Asociados (Santiago, Chile) Teresa Moller 31. Film First (New York, USA) Gary Hustwit 32. Forensic Architecture (London, Great Britain) Eyal Weizman 33. G124 (Gruppo di lavoro del Senatore Renzo Piano) (Rome, Italy) Renzo Piano 34. Gabinete de Arquitectura (Asuncion, Paraguay) Solano Benítez; Gloria Cabral; Solanito Benítez 35. Grafton Architects (Dublin, Ireland) Yvonne Farrell; Shelley McNamara 36. Grupo EPM - Departamento de intervenciones urbanas sostenibles (Medellín, Colombia) Horacio Valencia 37. GrupoTalca (Talca, Chile) Martín del Solar; Rodrigo Sheward 38. Herzog & de Meuron (Basil, Switzerland) Jacques Herzog; Pierre de Meuron WITH Agav Films (Paris, France) Amos Gitai 39. Hollmén Reuter Sandman Architects (Helsinki, Finland) Saija Hollmén; Jenni Reuter; Helena Sandman 40. Hugon Kowalski + Marcin Szczelina (Poznan, Poland) Hugon Kowalski; Marcin Szczelina; Klaudia Dopierala; Maria Dondajewska 41. Inês Lobo, Arquitectos (Lisbon, Portugal) Inês Lobo 42. Jiakun Architects (Chengdu, China) Liu Jiakun 43. João Luís Carrilho da Graça (Lisbon, Portugal) 44. José María Sánchez García (Madrid, Spain) 45. Kashef Chowdhury / Urbana (Dhaka, Bangladesh) Kashef Mahboob Chowdhury 46. Kazuyo Sejima + Ryue Nishizawa / SANAA (Tokyo, Japan) Kazuyo Sejima; Ryue Nishizawa 47. Kengo Kuma and Associates (Tokyo, Japan) Kengo Kuma 48. Kéré Architecture (Berlin, Germany) Francis Kéré 49. LAN (Paris, France) Umberto Napolitano; Benoît Jallon 50. Luyanda Mpahlwa DesignSpaceAfrica (South Africa) Luyanda Mpahlwa 51. M. Giuseppina Grasso Cannizzo (Vittoria – Ragusa, Italy) 52. Manuel Herz Architects (Basil, Switzerland) Manuel Herz 53. Marte.Marte Architects (Weiler, Austria) Bernhard Marte; Stefan Marte 54. Matharoo Associates (Ahmedabad, India) Gurjit Singh Matharoo 55. menos é mais (Porto, Portugal) Francisco Viera de Campos; Cristina Guedes 56. NLÉ (Amsterdam, The Netherlands) Kunlé Adeyemi 57. Norman Foster Foundation (Madrid, Spain) Norman Foster WITH Redline-EPFL (Lausanne, Switzerland) Jonathan Ledgard WITH Ochsendorf, DeJong & Block (Cambridge, Massachusetts, USA) John Ochsendorf ; Matthew DeJong; Philippe Block WITH Block Research Group, ETH Zurich (Zurich, Switzerland) Philippe Block; Tom Van Mele 58. OMA - Office for Metropolitan Architecture (Rotterdam, The Netherlands) Rem Koolhaas 59. ORG Permanent Modernity (Brussels, Belgium) Alexander D'Hooghe, Luk Peeters, Natalie Seys 60. Paulo David (Funchal, Portugal) 61. Pezo von Ellrichshausen (Concepcion, Chile) Mauricio Pezo; Sofía von Ellrichshausen 62. Rahul Mehrotra and Felipe Vera (Cambridge, Washington, USA) Rahul Mehrotra; Felipe Vera 63. Raphael Zuber (Chur, Switzerland) 64. Recetas Urbanas (Siviglia, Spain) Santiago Cirugeda 65. Renato Rizzi (Venice, Italy) 66. Robust Architecture Workshop (Colombo, Sri Lanka) Milinda Pathiraja 67. Rock Garden (Chandigarh, India) Anuj Saini 68. Rogers Stirk Harbour + Partners (London, Great Britain) Richard Rogers; Graham Stirk; Ivan Harbour 69. Rural Studio, Auburn University (Newbern, Alabama, USA) Andrew Freear; Rusty Smith 70. Rural Urban Framework, The University of Hong Kong (Hong Kong) Joshua Bolchover; John Lin 71. SAAS (Porto, Portugal) Samuel Gonçalves 72. School of Architecture, University of Waterloo (Cambridge, Ontario, Canada) Robert Jan van Pelt; Anne Bordeleau; Sascha Hastings; Donald McKay 73. Simon Velez (Bogotá, Colombia) 74. Souto Moura - Arquitectos, S.A. (Porto, Portugal) Eduardo Souto de Moura 75. SPBR Arquitetos (São Paulo, Brazil) Angelo Bucci 76. Studio Anna Heringer (Laufen, Germany) Anna Heringer WITH Lehm Ton Erde Baukunst (Schlins, Austria) Martin Rauch WITH Architekturmuseum der TUM (Monaco, Germany) Andres Lepik 77. Studio Jaeeun-Choi (Tokyo, Japan) Shigeru Ban Architects (Tokyo, Japan) Jaeeun-Choi; Shigeru Ban 78. Studio Mumbai Architects (Mumbai, India) Bijoy Jain 79. Studio Snozzi (Locarno, Switzerland) Luigi Snozzi 80. Studio TAMassociati (Venice, Italy) Massimo Lepore; Raul Pantaleo; Simone Sfriso 81. Tadao Ando Architect & Associates (Osaka, Japan) Tadao Ando 82. Tatiana Bilbao Estudio (Mexico City, Mexico) Tatiana Bilbao WITH Rozana Montiel Estudio de Arquitectura (Mexico City, Mexico) Rozana Montiel WITH Dellekamp Arquitectos (Mexico City, Mexico) Derek Dellekamp WITH Alejandro Hernández (Mexico City, Mexico) 83. Transsolar (Stuttgart, Germany) Matthias Schuler WITH Anja Thierfelder Freie Architektin (Stuttgart, Germany) Anja Thierfelder 84. TYIN tegnestue (Trondheim, Norway) Yashar Hanstad; Andreas Grønvedt Gjertsen 85. VAVStudio (Iran) Arash Aliabadi; Afshin Farzin; Saman Shamsbeki; Sakhi Shirmohammadi; Amin Tadjsoleiman 86. Vo Trong Nghia Architects (Hanoi, Vietnam) Vo Trong Nghia 87. Werner Sobek (Stuttgart, Germany) 88. ZAO / Standardarchitecture (Beijing, China) Zhang Ke
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Columbia’s GSAPP launches alumni incubator for architecture, technology, and planning

To facilitate exchange and collaboration among its alumni, Columbia University's Graduate School of Architecture, Planning and Preservation (GSAPP) has launched the GSAPP Incubator, a co-working space for the school's graduates. The incubator, directed by Assistant Professor David Benjamin, has precedent in GSAPP's Studio-X, the Soho salon and exhibition space active from 2008–2014 (Studio-X's global branches are alive and well). Thirty individuals in 11 member groups will work on design projects and criticism across disciplines. The GSAPP Incubator shares space on the Lower East Side with NEW INC, the New Museum's incubator. Consequently, members will have the opportunity to forge partnerships with members of the museum and art worlds. The inaugural member groups' practices, studios, and partnerships range in focus from virtual reality to "urban acupuncture," emergency response, textile design, and resiliency. A(n) Office, founded by Marcelo López-Dinardi and V. Mitch McEwen, was picked by the US Pavilion at the 2016 Venice Biennale to design for a seven acre property in Detroit. Eight graduates participate in [giving copy editors headaches as] member group : a workshop that "[examines] the spaces and modes of architectural practice that have emerged under the banner of  'alternative' – spaces which ostensibly operate in opposition to the institutions that surround them." Consortia, founded in 2014 by Christopher Barley, crafted digital strategy for the Chicago Architecture Biennial while Dong-Ping Wong and his group, "FAMILY + PLAYLAB + POOL," are building a floating, water-filtering pool, the world's first.
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Breaking: Alejandro Aravena Named Director of 2016 Venice Biennale of Architecture

Its final. Alejandro Aravena has been named Director of the 2016 Venice Architecture Biennale. The Chilean architect will have just 10 months to prepare the exhibition, which opens May 28. He follows David Chipperfield and Rem Koolhaas in directing the exhibition. Aravena is from Santiago, Chile, where he directs the firm ELEMENTAL S.A., a multi-disciplinary design office that works on projects in a range of scale. He is possibly best known for his Siamese Towers, and was named by Herzog + de Meuron as one of the Ordos 100. He has taught at the Harvard Graduate School of Design. According to director Paolo Baratta,“After the important experimental Biennale developed by Rem Koolhaas, dedicated entirely to the curator’s research, it is our belief that we must follow up with a Biennale that convenes the architects, and is dedicated to the exploration of the new frontier that demonstrate the vitality of architecture, a frontier that spans across various parts of the world and shows architecture engaged in providing specific responses to specific demands. This Biennale intends to react once again to the gap between architecture and civil society, which in recent decades has transformed architecture into spectacle on the one hand, yet made it dispensable on the other. Among architects of the new generation, Alejandro Aravena is, in our opinion, the one who can best describe this reality and highlight its vitality. He continued, “The 15th International Architecture Exhibition will be about focusing and learning from architectures that through intelligence, intuition or both of them at the same time, are able to escape the status quo. We would like to present cases that, despite the difficulties, instead of resignation or bitterness, propose and do something. We would like to show that in the permanent debate about the quality of the built environment, there is not only need but also room for action”. Aravena said of the appointment, “There are several battles that need to be won and several frontiers that need to be expanded in order to improve the quality of the built environment and consequently people’s quality of life. This is what we would like people to come and see at the 15th International Architecture Exhibition: success stories worth to be told and exemplary cases worth to be shared where architecture did, is and will make a difference in those battles and frontiers”.  
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Call for proposals: Detroit is an urban laboratory for the 2016 U.S. Venice Biennale Pavilion

The curators of the 2016 US Pavilion at the 15th Venice Architecture Biennale have announced an open call for proposals for the exhibition The Architectural Imagination. They are looking for speculative projects that use Detroit as a testing ground for new modes of urbanism that could have application around the world. Curators Cynthia Davidson and Monica Ponce de Leon will commission twelve visionary U.S. architectural practices to produce new work that addresses 21st century urbanism. They are looking for “design excellence, innovative speculative thinking, and architectural expertise in built and/or unbuilt work.” For more information on how to submit, click here.
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BREAKING: Davidson and Ponce de Leon to Curate the U.S. Pavilion Exhibition in the 15th International Architecture Biennale in Venice

Call it the Floating City meets Motor City. The U.S. Department of State selected the Taubman College of Architecture and Urban Planning at the University of Michigan to organize the exhibition of the United States Pavilion in the 2016 Venice Architecture Biennale. Curators Cynthia Davidson and Monica Ponce de Leon take Detroit as their starting point. Out of the ashes of Motown and Ford comes an urban archetype that provokes the exhibition title: “The Architectural Imagination.” Much has been made of Detroit’s “ruin porn” and the pervasive blight that has transformed the city from a dense urban fabric to a patchwork. In Venice, “The Architectural Imagination” will present new ideas for sites in Detroit that ultimately have global application, each developed and explored by a select architectural team. As such, the city, which comes with a narrative of the hopes and fears of twentieth century urban America, might prove the model for a creative, resilient, and sustainable 21st century city. “Historically Detroit has been a place of invention from the Kahn brothers to Motown to techno,” explained Davidson. She noted that the city is a site of American ingenuity applicable to many cities, however underscored architecture as the critical component. “Architecture itself has an important role to contribute to any city through form,” she continued. “We should be speaking through architectural form not just urbanism. Detroit is a laboratory for rethinking typologies.” The organizers are forming a committee of advisors to select four sites in Detroit. A call for participant portfolios open to U.S. citizens and residents will go out in a couple of weeks, said Davidson. Davidson is executive director of the nonprofit Anyone Corporation, based in New York City, and editor of the international architecture journal, Log. Ponce de Leon, recently named next dean of Princeton University School of Architecture, is currently the dean of the Taubman College of Architecture and Urban Planning at the University of Michigan and principal of MPdL Studio.
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In Cathedrals of Culture, Wim Wenders and Robert Redford Explore Monuments of Architecture

In 2010, director Wim Wenders created a 3D video installation at the Venice Architecture Biennale about the Bolex Learning Center in Lausanne, Switzerland, called If These Walls Could Talk. The ability to visually explore the building and simulate being inside the space that the medium affords inspired him to team up with Robert Redford to create a 3D series called Cathedrals of Culture, which will be shown at the IFC Center in New York beginning on May 1. And talk they do. There are six half-hour films, all by different directors, shown in two programs, and five of them are narrated by the buildings themselves. Each is given a voice, which describes the feelings and observations of the structures. So we hear in the first person from the Berlin Philharmonic (Hans Scharoun), the Oslo Opera House (Snohetta), Halden Prison (EMA), The National Library of Russia (Yegor Sokolov), and the Centre Pompidou (Renzo Piano and Richard Rogers). Only the Salk Institute (Louis Kahn) doesn’t employ this technique and is the most successful program. At Salk, it's the perfect melding of brief and building, science and art, the two sparking each other off to make magic. It is now complemented by a like-minded film. Directed by Robert Redford and with stunning cinematography by Ed Lachmann and music by Moby, the film captures the essence of the building and molds the spaces. Kahn’s structure clearly affects the work of the scientists, who speak about "genius loci," the spirit of place. There’s a wonderful image of the staff assembled in a circle and then fanning out across the plaza, like a living organism. We see and hear both Jonas Salk and Louis Kahn, and learn that they raised each other’s game and made a better building; Salk insisted Kahn throw out the first design, and Kahn rebuts that the client isn’t an architect. Then Salk says "eventually Lou Kahn became quite a biologist, and I came to appreciate the importance of aesthetics…to bring out the spirit and soul of man." The campus is filled with light, which hits home when Edward R. Murrow asks Salk who owns the patent for the polio vaccine?: "The people," he replies. "Would you patent the sun?" In the same program is the Centre Pompidou by Karim Ainouz, a Brazilian filmmaker who studied architecture. He spends most of the episode inside the building, maximizing 3D by floating through tunnels, galleries, elevators, back-of-house spaces and the main hall which is treated like an airport arrival and departure lounge. The shot of a window washer gliding up the clear glass-walled escalator holding a sponge in one hand followed by a squeegee in another and letting the upward glide of the moving staircase do the work is pure ballet. The voice of the building is Deyan Sudjic, Director of the Design Museum in London and former editor of Blueprint magazine, who intones "In a digital century, a world of flickering pixels… a machine for culture that I am, which once seemed so violent, so threatening, has the nostalgic charm now of a steam engine." IFC Center. http://www.ifccenter.com Part 1: The Berlin Philharmonic. Director, Wim Wenders The National Library of Russia. Director, Michael Glawogger Halden Prison. Director, Michael Madsen Part 2: The Salk Institute. Director, Robert Redford The Oslo Opera House. Director, Margreth Olin Centre Pompidou. Director, Karim Ainouz