New York firm Stephan Jaklitsch Architects (SJA) has completed the latest jewel box on Tokyo's premiere shopping street, the Omotesando-dori in the Aoyama shopping district. The richly textured Marc Jacobs flagship store is comprised of three masses each of glass, stone, and perforated metal, the latter two appearing to float above the sidewalk. Defining the 2,800 square foot, three-story store is its tripartite massing depicting void, rock, and lantern. Of the three, the lantern top level is visually most dynamic, especially when backlit at night, while the middle rock level, clad in rough terra-cotta pieces, offers maximum texture. SJA wanted to minimize visual interruption on the sidewalk level to blur interior and exterior spaces. While the building contains three floors, the striated levels can be deceiving as one level is actually underground. Because of zoning limiting building height to two floors above grade, the metal paneled lantern level serves as a visual element, or kosakubutsu, giving the building extra mass and its defining element to differentiate the building from its rather distinguished neighbors including Herzog & de Meuron's Prada store across the street. The project was recently awarded an Award of Excellence from the New York chapter of the American Institute of Architects.
Posts tagged with "Tokyo":
The almost abstract series of prints by Brazilian photographer Bruno Cals could show race tracks, prisons, railroads, or meadows. But what Cals has captured through his lens are in fact some of the world’s most seductive new buildings. In an exhibition on view through July 31 at 1500, a new gallery in New York with a focus on Brazilian photography, what resembles swells of water in Prada turns out to be the facade of Herzog & de Meuron’s Prada store in Aoyama, Tokyo. Another shot shows not an undulating sheen of ice but the Maison Hermès by Renzo Piano in Ginza, Tokyo. Other images offer close-ups not of trophy architecture but of everyday structures that prove just as surprising. What at first glance looks like a lush field is a brick building in Palermo, Buenos Aires, studded with graffiti and crossed by an electrical wire. Cals, an acclaimed fashion and advertising photographer, divides his time between commercial and personal projects, launching Horizons, his first series of architectural images, in 2008. Six of the twelve images in the series—depicting buildings in São Paulo, Tokyo, and Buenos Aires—are on view as digital C-prints, while the rest are displayed on a LCD screen. Probing themes of “presence versus emptiness, and search versus satisfaction,” Cals finds provocative new perspectives in the everyday world around us.