Situated on the fringes of Tokyo's dense urban fabric, House K—designed by Hiroyuki Shinozaki Architects—provides an innovative take on the traditional duplex home. The architects were posed with the challenge of creating a joint-living arrangement for two families on a very narrow piece of land. While the structure may look small and narrow from the outside, the thoughtful design demonstrates that a building’s allocated footprint need not be a limiting factor in achieving a feeling of wide, open spaces. There are no dividing walls of a traditional duplex house which would essentially create two separate residences. Instead, the structure consists of 3 main components: a slender wing, a wider wing, and a long corridor which connects the two. While the slender wing of the house is less than seven feet wide, the height is 30 feet, making maximum use of vertical space. Stretching across a three-tiered floor plan, the kitchens, bathrooms, closets and a small bedroom are all contained in the slender wing of the house, while larger bedrooms and living rooms occupy the wider half of the building. The corridor connecting the two wings is very well lit through the strategic placement of punctured apertures in the roof structure, and instead of doorways, there are large openings in the walls of the corridor. Overall, this creates a sense of openness and outdoor space inside the residence. The juxtaposition of wood and concrete create an interesting dialogue; the wooden elements reminiscent of traditional Japanese homes, while the concrete evokes a distinctly modern aesthetic. This space-efficient house provides an innovative solution to housing in dense cities, whilst maintaining privacy, physical comfort, and a superior level of design aesthetic.
Posts tagged with "Tokyo":
Placed within Tokyo’s Daikanayama district, architect Arthur Casas has designed a flagship store to appear completely as an opaque box. As fashion trends change, so does the store’s appearance. The exterior walls boast a bold graphic design that will surely be swapped out for the next season’s trends. Created to display Brazilian designer Alexandre Herchcovitch’s clothing designs, the box nods to the idea of pedestrian curiosity and does not reveal its entire contents even when opened. The multi-level box has been described as “a wrapped up present just waiting to be opened.” Completed in 2007, the approximately 1,076 square-foot store’s facade embraces flashy prints and daring designs, but features surprisingly neutral interior materials in order to emphasize the details found in Herchcovitch's designs. The store contains an exhibition space in addition to storage space at the mezzanine level and a basement.
The Japan Art Association, celebrating its 25th anniversary, has named British architect David Chipperfield as a 2013 Praemium Imperiale laureate. The award offers 15 million yen (roughly $150,000) to each winner and acknowledges lifetime achievement in the arts. The prizes will be formally presented in Tokyo next month. Alongside additional 2013 recipients in other fields, Chipperfield joins a lineup of 124 artists including Norman Foster, Frank Gehry, and Renzo Piano. Japan Art Association chairman Hisashi Hieda said, “we reaffirm our commitment to honoring the arts and to celebrating its most imaginative and thought-provoking practitioners. The 2013 Praemium Imperiale laureates enrich our lives and touch a common chord of humanity despite geographic and linguistic barriers.”
Zaha Hadid wins again! Following a star-studded design competition, the Japanese Sports Council has announced Hadid as the winner of the New National Stadium in Japan, beating out Toyo Ito, SANAA, Populous, UN Studio among others and taking home a $250,000 prize. All-star designer of London's 2012 Aquatics Center for the summer Olympics and the first female to ever win the Pritzker Architecture prize, Hadid continues her legacy with this new stadium in Tokyo. Estimated to cost around $1.6 billion, the venue will seat 80,000 visitors and sport a retractable roof. Japanese architect and jury chair, Tadao Andao, commented on Hadid's fluid design as a complement to the crowded Tokyo landscape as well as being environmentally efficient and able to fit the strict completion deadline. "It has dynamism, which is most essential to sport and its streamlined shape fits its internal space. It is also new in terms of structural technology," Ando told the AFP. The stadium's smooth and sinuous white curves fall in line with Hadid's futuristic style and should play a unique addition to the city's terrain. The new structure replaces the existing 54,000-seat national stadium that featured prominently in Japan's 1964 Olympics. The new stadium will have a similar capacity as Beijing's Olympic "Bird's Nest" stadium—91,000 seats—and will feature an all-weather roof. Construction is set to begin in 2015 with a completion scheduled in 2018. Hadid's new stadium design will play host to the Rugby World Cup in 2019 and may even hold the 2020 Summer Olympics should Tokyo be granted its request to host them.
New York firm Stephan Jaklitsch Architects (SJA) has completed the latest jewel box on Tokyo's premiere shopping street, the Omotesando-dori in the Aoyama shopping district. The richly textured Marc Jacobs flagship store is comprised of three masses each of glass, stone, and perforated metal, the latter two appearing to float above the sidewalk. Defining the 2,800 square foot, three-story store is its tripartite massing depicting void, rock, and lantern. Of the three, the lantern top level is visually most dynamic, especially when backlit at night, while the middle rock level, clad in rough terra-cotta pieces, offers maximum texture. SJA wanted to minimize visual interruption on the sidewalk level to blur interior and exterior spaces. While the building contains three floors, the striated levels can be deceiving as one level is actually underground. Because of zoning limiting building height to two floors above grade, the metal paneled lantern level serves as a visual element, or kosakubutsu, giving the building extra mass and its defining element to differentiate the building from its rather distinguished neighbors including Herzog & de Meuron's Prada store across the street. The project was recently awarded an Award of Excellence from the New York chapter of the American Institute of Architects.
The almost abstract series of prints by Brazilian photographer Bruno Cals could show race tracks, prisons, railroads, or meadows. But what Cals has captured through his lens are in fact some of the world’s most seductive new buildings. In an exhibition on view through July 31 at 1500, a new gallery in New York with a focus on Brazilian photography, what resembles swells of water in Prada turns out to be the facade of Herzog & de Meuron’s Prada store in Aoyama, Tokyo. Another shot shows not an undulating sheen of ice but the Maison Hermès by Renzo Piano in Ginza, Tokyo. Other images offer close-ups not of trophy architecture but of everyday structures that prove just as surprising. What at first glance looks like a lush field is a brick building in Palermo, Buenos Aires, studded with graffiti and crossed by an electrical wire. Cals, an acclaimed fashion and advertising photographer, divides his time between commercial and personal projects, launching Horizons, his first series of architectural images, in 2008. Six of the twelve images in the series—depicting buildings in São Paulo, Tokyo, and Buenos Aires—are on view as digital C-prints, while the rest are displayed on a LCD screen. Probing themes of “presence versus emptiness, and search versus satisfaction,” Cals finds provocative new perspectives in the everyday world around us.