An illuminated model of Constellation Park, a 2014 unbuilt project, has been assembled for the show. According to a statement by the museum’s curator, Yoshiko Takahashi, “the project proposed nesting thousands of light-emitting ‘memorial vessels’ underneath New Yorkʼs iconic Manhattan Bridge. Harnessing the human bodyʼs latent bio-energy, the memorial vessels would be populated with calibrated microbial colonies to gradually decompose corpses over the course of a year, generating methane that would, in turn, be used to illuminate the vessel network in a dazzling constellation of mourning lights.” The lab believes that death transcends differences of “ethnicity, religion, and political/economic constraints." Constellation Park is meant to be an example of how death can be “democratized” in the metropolis. The project reinterprets the process of biodegradation present in natural burials. It is inspired by the 1960s Japanese Metabolist movement that was enamored with the relationship between organic biological growth and architecture. Check out this link for more details.
芸術的思考はからきしなんだけど、こういった誰かの思いが詰まった作品を見ていると、言葉にならない何かが伝わってくる。 @gsappdeathlab ・ ・ ・ Canon EOS 5DⅢ （EF11-24mm,1/200sec,F4,ISO100） ・ ・ ・ #Lovers_Nippon #art_of_japan_ #ig_japan #phos_japan #instagramjapan #bestjapanpics #jp_gallery #ig_world_colors #colors_of_day #IGersJP #daily_photo_jpn #kf_gallery #s_shot #tokyocameraclub #glass #GSAPPDeathLAB #東京カメラ部 #作品 #広角 #日本 #アート #芸術的 #綺麗 #金沢 #21世紀美術館
Posts tagged with "Tokyo":
Katsushika Hokusai, the artist behind the The Great Wave Off Kanagawa—a painting so famous it even has its own emoji—now has a museum dedicated to his work. The Sumida Hokusai Museum in Tokyo opened in November last year and was designed by Japanese architect Kazuyo Sejima, co-founder of SANAA.
Inside, more than 18,000 works from Hokusai and his protégés are on display. On the outside, however, a reflective aluminum skin wraps around the entire structure, dampening its monolithic form. The aluminum facade comprises an arrangement of angled panels. This formation allows the museum entrance to remain ambiguous and relatively undefined. Meanwhile, angled cuts through the building also soften the form's presence while serving as a way of allowing daylight in—the museum has no directly outward facing windows.
In addition to letting light in, the angular voids also provide views out. Museum-goers can enjoy vistas of Japan's capital city from within when on the upper levels. Walkways and programming too are defined by these incisions.
As part of the brief, Sejima was asked to design a museum that appealed to both tourists and locals. Hokusai lived in the region of Sumida, Edo (now known as Tokyo) roughly 200 years ago. The museum dedicated to his work and legacy resides in the same area—hence its name. The Pritzker Prize–winning architect's five-story building not only holds close to 20,000 works but, includes seminar, lecture, and workshop spaces, as well as a research center. This program is a bid to broaden the scope of Hokusai's work, making it accessible to a wider audience and cementing his status within the art world.