The New-York Historical Society has transformed an old archive on its fourth floor into a 4,800-square-foot, two-story gallery dedicated to one hundred Tiffany lamps. The creation of the gallery was spurred by the discovery that Clara Driscoll, one of the “Tiffany Girls” (women who worked for Tiffany Studios and selected the glass fragments that went into the lamps), was a leading creative force and designed many Tiffany lamps herself. London-based Eva Jiricna Architects designed the gallery’s curving glass, as well as an all-glass stair that connects the space’s two levels. Each of the stair’s vertical supports and corresponding risers are, in fact, single pieces of glass hung in tension. The pieces were custom fabricated in Norwich, England, and feature metal connectors subtly hidden in layers of laminated glass. Georgina Papathanasiou, an associate at Eva Jiricna Architects, said the staircase was “a feat of technology in the 21st century” to match the technical achievement of Tiffany and Driscoll’s 20th-century creations. New York City–based PBDW were the architects of record. The Gallery of Tiffany Lamps New-York Historical Society 170 Central Park West, New York Tel: 212-873-3400 Architect: Eva Jiricna Architects
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On March 7, the Veterans Room at the Park Avenue Armory reopened after an extensive renovation by Herzog & de Meuron. The reopening was the latest in the firm’s multiyear restoration of the building, which began in 2007 and has no set completion date. The Veterans Room was originally commissioned in 1879 to Associated Artists—Louis Comfort Tiffany, Stanford White, and Candace Wheeler—who later went on to design Mark Twain’s house, five rooms in the White House, and Cornelius Vanderbilt’s house. The Veterans Room’s Gilded-Era style is a rich, riotous mash up of Islamic, Chinese, Greek, and Celtic influences: scrolling ironwork hangs from the ceiling while twisting columns frame Tiffany’s dramatic blue-glass mosaic behind the fireplace, and ornate paneling with wooden bas reliefs and colorful embedded glass evokes an intricately carved jewel box.
The $8 million renovation of the Veterans Room took approximately one year. Herzog & de Meuron focused on two core features in particular: the wallpaper, which had been removed in the mid-20th century, and the lighting.
Fortuitously, a piece of the original wallpaper was found behind a painting and, while the new version is not an exact replica, great pains were taken to honor the original color balance and effect of the design. “How can you recreate an artistic process?” Ascan Mergenthaler, a Herzog & de Meuron senior partner, told the New York Times. “You can’t read their minds, so you can’t just try to do what they did. You have to think beyond that.”
The firm created LED lighting with illuminated glass lenses to replace the original gas fixtures. The resulting refracted light achieves a warm, glowing atmosphere for which the Veterans Room was once so famous.
To further transform the room into a modern venue, it was soundproofed and engineered to concert-level acoustic standards. The now in-demand space is expected to host musical performances, exhibitions, educational workshops, and lectures,