Posts tagged with "SXSW Eco":

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This year’s SXSW Eco conference featured a unique set of stage backdrops

On October 10, the two-day South by Southwest (SXSW) Eco Conference kicked off in Austin, Texas. Igor Siddiqui and Nerea Feliz, professors at the University of Texas at Austin School of Architecture, were asked to design the stage backdrops for this year’s event. The design brief specified eight different, but interrelated, stage backdrops for the conference, ranging in width from 12 to 30 feet and offering a “striking visual presence that highlights innovation.”

Together, Siddiqui and Feliz explored issues of serial variation, digitally derived patterning, and robotic painting. The result was Serriform. Drawing on Ettore Sottsass’s 1992 Adesso Peró bookcase, Serriform gets its name from the serrated edges of its columns.

“Digital technologies have transformed the logic of mass production by allowing repetitive processes to produce variation, meaning that components, objects, and patterns produced in a series no longer all have to be the same,” said Siddiqui. “Our project was designed with such capabilities in mind.”

For example, Siddiqui continued, the columns forming the principal structure for the stage backdrops feature a range of different geometric profiles, while still belonging to the same “family.” “This was achieved using a parametric script in the design process,” he said. “Because the columns were fabricated digitally [using CNC machinery], it was as efficient to produce the series with such variation as it would have been had they all been identical.”

A Kuka Robotics KR60 robotic arm spray-painted the pattern on the panels while a script in algorithmic modeling editor Grasshopper was used to facilitate variation in the paint application. During this process, the script remained the same, but the variables within it changed in order to take into account materiality, fabrication, assembly, and use. “We were amazed by the idiosyncratic nature of each mark—none is the same even if the script is repeated over and over again,” said Siddiqui. “This allowed us to make the kinds of painted marks that would have been difficult, if not impossible, to achieve through any available mechanical or manual means.”

Siddiqui and Feliz intend for Serriform to be used beyond the SXSW conference. “The challenge of temporary installations like this is that they are only useful for a short period in time,” Siddiqui said. “A plan for its after-use was very important to us, so the whole installation is actually designed to serve as a shelving and partition system afterwards.” (According to Siddiqui, a Serriform 2.0 is on the way.) “We looked at iconic bookshelf designs, seeking examples where their sculptural qualities transcended function,” he continued. “Adesso Peró gave us some good clues, while allowing us to come up with a more variable version tailored to the digital era. Sottsass’s design is still all based on the repetition of the same dimension and form, and today we can do so much more! While his bookcase is a piece of furniture, we think of work as architecture. In this way, the H-profile columns (like that of steel members) are decidedly tectonic in nature and open to other spatial applications. We are continuing to work on this project by designing new scenarios for how the columns and panels can be used as shelving and partitions, and, unlike their role as backdrops, arranged in space in a more three-dimensional way.”

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SXSW Eco announces 2016 Place by Design finalists

South by Southwest Eco (SXSW Eco), an environmentally- and socially-conscious event occurring alongside the more well-known South By Southwest music and technology gathering in Austin, Texas has released its list of this year’s 36 finalists for its public space design competition, Place by Design. The selected projects represent a diverse collection of emerging design practices, many with humanitarian-based approaches. Several finalists also have ties to the West Coast’s emerging public interest design scene. Applicants compete for funding to realize projects in six categories that aim to “rethink the potential of the places around us.” One of those teams, applying in the “Art + Interaction” category, is San Francisco-based Future Cities Lab, who aims to create a sculptural, interactive facade that translates the sound a light display. In the “Equity + Inclusion” category, MASS Design Group seeks to construct a new tuberculosis hospital to in Port-au-Prince, Haiti to replace a facility destroyed during that 2010 earthquake that devastated that country. Mass Design Group also has an entry in the “Resilience + Health” category: a proposed cholera treatment plant in Port-au-Prince that also serves as a water treatment site. River LA, a Los Angeles-based L.A. River advocacy group, is also vying for funding in the “Resilience + Health” category. Their L.A. River Index project is a Gehry Partners-aligned study of the river’s potential for an equitable and ecological future. In the “Revitalization” category, Olayami Dabl and his African Bead Museum are vying for funding against, among others, two Los Angeles-based design firms. The first is from LA-Más; their project provides urban design and business support services aimed at placemaking, pedestrianism, and economic revitalization along underserved business corridors in Los Angeles. The second is Alexis Rochas who has designed an interactive and tech-savvy public space in an underused scrap of land in Long Beach, California. In the “Speculative + Prototyping” category, San Francisco-based Jennifer Pattee’s Pop Up Fitness Hub proposes installing an brightly colored, outdoor workout space for public use in Hayes Valley atop an unused parking lot. Lastly, Seattle Design Nerds’ proposal in the “Urban Strategy + Civic Engagement” category seeks funding to engage the public in architecture and urban design through interactive inflatable spaces and augmented reality games.  Winners will be announced October 12, 2016, at the end of the SXSW Eco conference, during which finalists will present their proposals to a large panel consisting of design professionals, organizers, creatives, and philanthropists.
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The Center for Active Design asks: How do you promote civic engagement through design?

With help from a $1.8 million Knight Foundation grant, the Center for Active Design (CAD) today announced the release of "Design Guidelines for Robust Engagement," a guide that will promote design strategies cities can use to build civic engagement. The center fosters health in communities by turning health research into actionable designs for neighborhoods and buildings. "Design Guidelines" builds upon "Active Design Guidelines," a previous publication that provides a framework for promoting health and wellness for city residents. CAD believes that civic participation is one aspect of a city's health. In turn, residents who feel connected to the places they live are more likely to participate in local politics, take ownership of public spaces, and identify with a collective civic mission that encourages overall well-being. The researchers will analyze private and public spaces in select Knight communities to qualify what makes these spaces pleasant and successful (or not). Executive director Joanna Frank will lead a talk today at SXSW Eco, a sustainability conference in Austin, Texas, to lay out the design guidelines and their potential impact on city spaces.