Posts tagged with "Studio Gang":

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What is the future of the Chicago riverfront?

While many architects moon over biennials and architecture festivals, these shows are often a bit esoteric for the general public. The Chicago Architecture Biennial (CAB) is no exception. Amidst the complex discussions and abstract installations, the average visitor may enjoy the show, but also feel a bit disconnected. However, there is one show at CAB that anyone would find accessible. Located in EXPO 72 across the street from the Chicago Cultural Center, the exhibition, Chicago Urban River Edges Ideas Lab, presents the visions of nine firms for the Chicago River. Chicago Urban River Edges Ideas Lab was initiated by the City of Chicago’s Department of Planning and Development and the Metropolitan Planning Council to solicit proposals for the city’s quickly evolving riverfront. Firms participating in the show include David Adjaye, James Corner Field Operations, Perkins + Will, Ross Barney Architects, Sasaki, Site Design, SOM, Studio Gang Architects, and SWA. Each firm addressed three sites along the river with designs that ranged from outdoor theater spaces to water remediation and ecological classrooms. Other ideas included policy suggestions, such as SWA’s forest bonus, rather than a density bonus. Multiple offices proposed ways of engaging more closely with the river itself, including James Corner Field Operation’s softened edge and Perkins+Will’s riverside beach. The three sections of the river addressed by the show are the Civic Opera House, the Congress Parkway, and the Air Line Bridge. Each of these sites present different challenges which the city hopes to resolve. While large stretches of the riverfront have already been converted into the Chicago Riverwalk, there are over 156 miles that have yet to be developed or connected with public walkways and activity spaces. The initial downtown stretch of redeveloped space was designed by Ross Barney Architects and Sasaki, and was completed earlier this year. The exhibition, which was also designed by Ross Barney Architects, aims to engage public feedback and present ambitious yet feasible visions of the river’s future. Throughout, large renderings with texts allow visitors to compare proposals side by side. Those interested are directed to the project's extensive website to watch interviews with the architects, watch animated shorts about the proposals, and send commentary to the city and designers. “We thought this would be a great way to bring together a bunch of very creative folks, as well as help Chicagoans begin to imagine how this could work and what their place in it would be,” explained Josh Ellis, vice president of Metropolitan Planning Council at the exhibition opening. While the exhibition is not intended to be a competition, it is clear that each of the offices poured resources and brain power into the project. The Department of Planning and Development as well as the Mayor’s office have been explicit in their search for ideas for the future of the river. “This is just a snapshot of how serious each of these teams took this. These are meant to be ideas that can be realized,” said Clare Cahan, studio design director at Studio Gang at the opening. “There are things that will be attractive to communities, attractive to the city, and attractive to developers.”
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Jeanne Gang announced as 2017 Marcus Prize Recipient

The University of Wisconsin-Milwaukee School of Architecture and Urban Planning has announced Jeanne Gang, head of Chicago-based Studio Gang, as the recipient of the 2017 Marcus Prize. In part, the $100,000 reward goes to support a design studio led by the recipient at the school. Awarded every two years, the Marcus Prize was founded by the school and the Marcus Corporation Foundation to award practices "on a trajectory to greatness." Started in 2005, past winners include Winy Maas, Frank Barkow, Alejandro Aravena, Diébédo Francis Kéré, and Sou Fujimoto. The last winner was Joshua Prince-Ramus in 2015. The Marcus Prize Studios have produced everything from large bodies of research for publication to a permanent park pavilion in Milwaukee. While no theme has been announced for this year’s studio, Gang has worked on proposals for Milwaukee, including a vision for the future of the Milwaukee Harbor and lakefront. Nominees for the award are required to have demonstrated at least ten years of exceptional practice. The 2017 pool of nominees came from 16 countries on four continents. This year’s jury included Frances Bronet, Provost and Senior Vice President of Academic Affairs at Illinois Institute of Technology; John Czarnecki, Editor-in-Chief of Contract Magazine; Anne Rieselbach, Program Director at the Architectural League of New York; David Marcus, CEO of Marcus Investments and Robert Greenstreet, Dean, University of Wisconsin-Milwaukee School of Architecture and Urban Planning. Jury member John Czarnecki commented that Gang “is adept at outstanding design for all scales--from the neighborhood and urban scale to the detail of buildings and interior elements. Her practice combines design thinking about the impact of architecture and urban design on cities as well as the creation of beautiful buildings rooted in context that will stand the test of time.”
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Jeanne Gang-Nick Cave collaboration launches EXPO and Chicago Architecture Biennial

For the concurrent opening of EXPO Chicago and the Chicago Architecture Biennial, artist Nick Cave and architect Jeanne Gang put on a show few are likely to forget. The first performance of their collaboration, Here Hear Chicago. took place on September 13 at Navy Pier’s AON Grand Ball Room for a capacity crowd during EXPO’s Vernissage. Subsequent shows will take place over the weekend for the public. The buzzing atmosphere of EXPO’s preview night was overtaken by the sound of drums a half hour before the scheduled start of the performance, as a parade of Cave's uncanny “Soundsuit”-clad performers marched between the stalls of the international art show. Guests ran to get a look and cheered the scene as the performers made their way to the grand ballroom. Before entering the space, the troop moved through a forest of six-foot tall “buoys,” made by Studio Gang. Each performer wove and danced around the more than 200 teetering chrome Mylar objects as the crowd followed. Nick Cave-Jeanne Gang: Here Hear Chicago (Courtesy Spirit of Space) from Architect's Newspaper on Vimeo. The show itself began in a more muted key. Set to the haunting music of composer Kahil El'Zabar, Cave and a group of young men took the stage. Sitting perfectly still for a full half hour, each was attended to by a white-clad attendant who slowly and methodically dressed them in colorful fur soundsuits. When they finally stood, bodies completely abstracted, the crowd roared their approval. For the next 45 minutes, the performers moved through the space, interacting with each other and the crowd. Most of the time their bodies were abstracted and concealed. A fleeting glimpse of a foot or hand shooting out from the exorbitant costuming was the only hint of humanity in the alien forms. Guttural calls and howls by the performances accompanied El'Zabar’s abstract jazz, with the occasional call back from members of the audience. In the last moments of the show, Nick Cave set the long line of buoys lining the stage into movement. For those who may have hoped that the Studio Gang-designed elements would have played a larger role in the performance, this was the apex. Once the show was complete, many guests rushed to engage with the playful forms. Here Hear Chicago was part of the kick-off of the sixth EXPO CHICAGO international art exhibition and the second Chicago Architecture Biennial. EXPO runs from September 13 through September 17 at Navy Pier, and the Chicago Architecture Biennial runs from September 16 through January 7, 2018 at various venues, with a main exhibition at the Chicago Cultural Center.  
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American Museum of Natural History files plans for Gilder Center expansion

The American Museum of Natural History (AMNH) filed plans for its $340 million expansion with the Department of Buildings (DOB) yesterday, an indication that the project is moving forward, according to Real Estate Weekly.

Designed by Chicago-based Studio Gang and officially named the Richard Gilder Center for Science, Education, and Innovation, the project was unanimously approved last year by the Landmarks Preservation Commission (LPC). The 245,000-square-foot, six-story expansion will be erected on the western side of the museum.

The proposed building is noticeably different from the AMNH’s current architectural language of Victorian Gothic, Beaux Arts, and Richardson Romanesque, but the Gilder Center will act as connective tissue for existing exhibition spaces. (The museum's Ennead-designed Rose Center for Earth and Space, while modern, is also styled very differently.) In January, Studio Gang's founding principal, Jeanne Gang, revealed the latest interior designs, which are inspired by ice glaciers and canyons to create an organic theme.

The museum plans to expand its research, educational, and exhibition capacity by building a Butterfly Vivarium, an Invisible Worlds Theater, an insectarium, and new classrooms. The designs also include 30 new circulation connections meant to solve current wayfinding issues at the museum.

While the proposal cleared the LPC and garnered support from other officials and organizations, residents and preservation and park advocates had some reservations due to the building’s encroaching footprint on Theodore Roosevelt Park. But the designers adjusted their plans, and now the building will only take up less than two percent of the 10-acre park.

The Gilder Center is slated to open in 2020, if construction starts imminently.

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Studio Gang envisions the future of Memphis’s Mississippi riverfront

Chicago-based Studio Gang Architects has released an extensive outline envisioning the future of Memphis, Tennessee's Mississippi riverfront. Studio Gang’s Memphis Riverfront Concept is a broad framework spanning six miles of the east bank of the river. Divided into five zones—Fourth Bluff, Mud Island, Tom Lee Park, M.L.K. Park, and Greenbelt Park—the Riverfront Concept is designed to re-link the city’s downtown to the underutilized waterfront. The plan calls for changes, large and small, ranging from new park buildings to major ecological remediation. Many of the changes proposed are meant to build on the things people in Memphis already enjoy about the river. Throughout the design process, Studio Gang worked with the public and the Mayor’s Riverfront Task Force to gauge interest and gain insights into the future role of the river in the city. Based on community suggestions, the plan calls for enhancing views across the river, year-round attractions, additional family spaces, and various bike and pedestrian paths. Picturesque sunsets, barbecue, and the blues—just a few of Memphis's favorite pastimes—were all considered in the plan. For example, Tom Lee Park's new adventure playground and waterfront pavilions aim to be catalysts for the generally quiet park. Currently, the park is primarily programmed for a month-long fair each year. Studio Gang hopes that the Riverfront Concept will make it a year-round destination. The namesake of the park, Tom Lee, is a local African-American hero. Along with the Memphis-based National Civil Rights Museum, the plan proposes a “Civil Rights History Loop.” The riverfront has always been of historical significance to the city. Not only was the riverfront the site of the settlement which eventually became the city, trade along the river was the driving economic force for most of the Memphis's history. The Riverfront Concept hopes to reignite interest in the Mississippi River while reflecting back on its past importance. Among other areas that will see major changes is Mud Island—a peninsula in the river—which has been re-imagined as an Eco Hub. Currently, the area is a cultural center in the city and includes portions of the University of Memphis, as well as the Mississippi River Museum and an outdoor amphitheater. The Riverfront Concept includes learning and research areas, as well as ideas about institutional collaboration. Considering the Mississippi River watershed constitutes nearly 40 percent of the United States surface freshwater, Studio Gang argues that Memphis is an ideal location for freshwater studies. The Memphis Riverfront Concept is meant to be a starting point for much larger changes for the city. Over the past 60 years, Memphis's population has moved further and further east, away from the river. The Riverfront Concept aims to re-center the focus of the city on its historic starting point along the bluffs of the river and provide an expansive shared amenity. To do so, Studio Gang developed three design principles: foster, restore, connect. Each of these principals was constructed through discourse with the public and city officials. The "foster" principle focuses on bringing the public together and encouraging civic pride and appreciation for the river. "Restore" focuses on bringing back native ecological conditions and allowing the public to better understand the river system. The "connect" principle sets goals for bridging the divide between the city and the river, physically and culturally. The entire 140-page Memphis Riverfront Concept is available online for the public to view.
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Studio Gang’s “Hive” was inspired partly by the Washington, D. C. Women’s March

What color is your hive? For the new Hive exhibit at the National Building Museum, architect Jeanne Gang and her firm, Studio Gang, chose two colors, a silver shade for the outer surface and magenta for the underside and the floor. The team selected silver, Gang said, because it was a good complement to the marble columns and walls of the former Pension Building, now home of the museum, which provides the backdrop for the installation that opens July 6. And the magenta? “The magenta was inspired by the Women’s March” in Washington, D. C. last January, Gang said during a press preview this week. “It kind of connects back to that.” The color choice was an aesthetic decision, Gang explained. Besides playing off the marble in the museum, she said, “magenta was so present at the Women’s March, when you saw the hats,” Gang said. “You couldn’t help but be inspired by the color. We wanted to bring that out.” The Women’s March took place on January 21, one day after Donald Trump was inaugurated President of the United States, and drew hundreds of thousands of people to the National Mall. It was also around the time when Studio Gang was starting to plan its Washington exhibit, which became the Hive. The pink hats worn at the Women’s March were conceived as part of an initiative called the Pussyhat Project. It was started by West Coast residents Krista Suh, Jayna Zweiman, and Kat Coyle, who envisioned marchers wearing knitted hats that would make a visual statement about the event while also keeping themselves warm. “If everyone at the march wears a pink hat, the crowd will be a sea of pink, showing that we stand together, united,” they said on their website. Pink is an appropriate color for the hats because it’s associated with femininity and womanhood, the organizers wrote. “Pink is considered a very female color representing caring, compassion, and love—all qualities that have been derided as weak but are actually STRONG. Wearing pink together is a powerful statement that we are unapologetically feminine and we unapologetically stand for women’s rights.” On Monday, Gang led a tour of the Hive, demonstrating some of its acoustic components, including tubulums and wind chimes. Hive is a series of chambers made of 2,578 wound paper tubes, and the tubes have nine different diameters. Visitors can enter the chambers or walk around them to see how they were put together. One chamber, 58 feet high, is the tallest structure ever built inside the museum. Gang said the installation, like much of Studio Gang’s work, represents an effort to create spaces that encourage people to “gather and interact.” She described how the museum has planned a series of programs and activities that make use of the hive, including yoga circles and drum circles. “We’re really hoping to create a community, even if only a temporary community of people who come into the museum,” she said. Hive is the fourth “summer block party” exhibit at the National Building Museum and the first designed by a woman-led team. Other summer exhibits were designed by Bjarke Ingels Group (BIG); Daniel Arsham and Alex Mustonen of Snarkitecture, and James Corner Field Operations. Hive opens July 6 and runs through September 4. The museum is located at 401 F Street N. W. in Washington. Jeanne Gang will give a talk about her firm’s work on Thursday starting at 7 p.m. at the museum.
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Studio Gang and artist Nick Cave team up for special performance

As details begin to emerge surrounding EXPO Chicago and the Chicago Architecture Biennial, this latest announcement brings together one of Chicago’s favorite artists with one of its favorite architects. Scheduled to debut during EXPO’s vernissage on September 13th, Jeanne Gang and her office Studio Gang Architects have teamed up with artist Nick Cave to produce a new performance piece. Entitled Here Hear, the collaboration will have performers “intersect and respond to a field of dynamic, custom-fabricated objects.” Dressed in Nick Cave’s fantastical "Soundsuits," performers will enact Cave's latest choreographed Up Right Chicago as well as his HEARD performance. All of this will presumably take place in an environment designed by Studio Gang, all to the music of Chicago Jazz musician Kahil El Zabar. “Up Right Chicago is a call to arms, head and heart, with each performance preparing the initiates’ mind, body and spirit to face the forces that stand in the way of selfhood,” said Cave in a press release. “Through movement, ritual and song, performers enter a world they have complete control over, like warriors of their own destiny.” The new Up Right Chicago performance involves ten “initiates”—members of the community—as well as ten “practitioners,” including Cave and his partner Bob Faust. “Like Cave’s works, the objects blur the boundary between audience and performer,” said Gang. “People will engage with the objects, making them performative and expanding the collaboration to the city of Chicago.” After the first performance, the show will be moved to the outdoors to Navy Pier’s Polk Bros Performance Lawn to be performed on September 16th as part of the Chicago Architecture Biennial. EXPO has also hinted that there may be additional performances, saying a full schedule will be released later in the summer.
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Watch Studio Gang’s “Hive” installation rise at the National Building Museum

Hive, an exhibition by Studio Gang, will be this year's Summer Block Party installation at the National Building Museum. While it opens July 4, you can watch its progress from the comfort of home, courtesy a work zone cam on the Museum's website. Built entirely of more than 2,700 wound paper tubes, the installation features three interconnected, domed chambers that reach 60 feet in height and mimic insect hives. Its tallest dome features an oculus over ten feet in diameter; it will filter in light to create light and shadow patterns. The tubes, which are made out of sustainable material, have a reflective silver exterior and a magenta interior that contrasts sharply with the Museum’s historic 19th-century architecture and Corinthian columns. Hive's form is inspired by other iconic built structures, including Eero Saarinen’s Gateway Arch and Brunelleschi’s Dome at the Florence Cathedral in Italy, as well as natural forms like a spider web. The smaller chambers also feature tubular instruments ranging from simple drum-like tubes to chimes. The installation creates pockets of spaces within the vast Great Hall, allowing different programs to occur within each area. Its modification of sound, light, and scale aims to challenge the way humans interact with spaces and installation sculptures. Hive will go on display from July 4, 2017, to September 4, 2017. Visit nmb.org to find the web cam and for further information on special exhibitions and programs.
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Studio Gang will design enormous, acoustically-attuned domes for the National Building Museum

Studio Gang will install a human hive in the halls of the National Building Museum this summer. The Chicago- and New York–based studio will erect thousands of wound paper tubes to create three domed rooms, the tallest of which will stretch 60 feet into the air. The tubes, a sustainable building material, range in height from a few inches to ten feet. The installation, aptly named Hive, will anchor the D.C. museum's Summer Block Party, a series of temporary commissions inside its Great Hall. Previous participants include James Corner Field Operations (2016), Snarkitecture (2015), and BIG (2014). “When you enter the Great Hall you almost feel like you’re in an outside space because of the distance sound travels before it is reflected back and made audible,” said Studio Gang founding principal Jeanne Gang, in a prepared statement. “We’ve designed a series of chambers shaped by sound that are ideally suited for intimate conversations and gatherings as well as performances and acoustic experimentation. Using wound paper tubes, a common building material with unique sonic properties, and interlocking them to form a catenary dome, we create a hive for these activities, bringing people together to explore and engage the senses.” The firm's installation will compress the capacious Great Hall, with its imposing Corinthian columns, into intimate spaces for conversation, playing musical instruments, or cooperative building activities for children (and adults so inclined). The tubes also feature reflective silver exteriors and vivid magenta interiors, creating a spectacular visual contrast with the Museum’s historic nineteenth-century interior. Hive will be on view from July 4–September 4, 2017. Check nbm.org for more information about the exhibition and related programming.
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Jeanne Gang is designing her first project in Canada, a mixed-use tower in Toronto’s Yonge + St. Clair

Chicago architect Jeanne Gang has been hired to design her first project in Canada, a residential tower in Toronto’s Yonge + St. Clair neighborhood, with retail space at street level.
The client is Slate Asset Management, which owns ten properties in the neighborhood and is working to rejuvenate it with public art, vibrant streetscapes, and first-rate design. Slate and Gang’s office, Studio Gang, announced this month that the residential tower will be at the southwest corner of Yonge Street and Delisle Avenue. The project is the latest in a series of high-profile commissions by Slate, including an eight-story mural by international street artist Phlegm. The tower will be Studio Gang’s first building in Canada, and it’s part an effort by Slate to reimagine Yonge + St. Clair. Known for her Aqua Tower in Chicago, one of the world’s tallest buildings by a woman-led design team, Gang received a MacArthur Foundation “genius” award in 2011. She has been named to receive an honorary fellowship from the Royal Architectural Institute of Canada in May. The ceremony will be part of the Institute’s Festival of Architecture in Ottawa from May 24 to 27, and Gang will give the festival’s keynote address. “Yonge + St. Clair is on its way back. Having occasion to bring Studio Gang’s first project in Toronto to the neighborhood signals to the rest of the city that we would like to create something special here,” said Brandon Donnelly, Vice President of Development at Slate Asset Management, in a statement.
“As our practice’s relationship with Canada grows, we’re excited to explore Toronto and to understand the unique DNA of the Yonge + St. Clair neighborhood,” said Gang. “We hope to design a building that will strengthen relationships within the neighborhood and the city.”According to the development team’s announcement, Studio Gang will work with Slate to organize a “public consultation” this spring to gather community input before making a design submission to the city. According to the developers, the final building will be primarily rental, with retail space at grade, in keeping with Slate’s long-term vision for the area. While the design for the building has not been finalized, Donnelly said, a couple of decisions have already been made.“It’s not going to be a typical all-glass tower,” he said, citing a need to introduce material variety into Toronto’s skyline. “We want to push boundaries in terms of sustainability and building efficiency, which means we are thinking carefully about the building envelope and its materials.” The Studio Gang commission will be the first ground-up tower in the area by Slate, which controls all four corners of the intersection of Yonge and St. Clair.The decision to commission Studio Gang was made after a selection process that emphasized design methodology, site context, and Slate’s aspirations for world-class architecture and a fresh vision.
Yonge + St. Clair is a transit-rich area with a subway and dedicated streetcar tracks, but it is also a short walk from some of the city’s most admired neighborhoods and a ravine system that offers direct access to quiet green space. The juxtaposition of natural and built environments is expected to serve as inspiration for the project. “There is a hill that crests at Yonge + St. Clair, which means the... site acts as both a pedestal and a view terminus from way uptown,” said Donnelly “The challenge will be to develop a building worthy of being showcased, but we feel confident that we have the right team in place to do just that.”
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Studio Gang completes a second public boathouse along the Chicago River

As the first snow of the season fell, a large crowd gathered along a quiet bend in the South Branch of the Chicago River. Jovial groups of teens, community members, and public officials were all there for the opening of the Eleanor Boathouse at Park 571 in the South Side neighborhood of Bridgeport. The boathouse is the second designed by Studio Gang Architects and the final of four boathouses planned for the Chicago River.

The boathouses are part of a much larger movement within the city to connect the public with the underutilized river. Though the river is still heavily polluted—two half-sunken boats can be seen up river from the Eleanor Boathouse—the city is quickly improving its resources along the shore. The boathouses specifically provide space for rowing teams to train, kayaks to be rented, and people to directly access the water.

“The Eleanor Boathouse supports the larger movement of ecological and recreational revival of the Chicago River,” Chicago Mayor Rahm Emanuel said at the opening. “For too long, Chicago residents were cut off from an asset in our own backyard. So today, we are transforming our rivers from relics of our industrial past to anchors for our neighborhoods’ futures.”

Like Studio Gang’s earlier iteration, the Eleanor Boathouse takes its form from the rhythmic movements of rowers. Divided into two structures, undulating rooflines allow for clerestories, which bring soft light into the project. The lofty interior of the 13,171-square-foot boat storage structure can hold up to 75 boats for use by several rowing teams, clubs, and organizations. The other structure is a 5,832-square-foot field house that contains a multipurpose community room, main office, open seating area, restrooms, and showers, and can accommodate 57 “erg” machines, which simulate rowing movements for training purposes. A dark zinc facade wraps most of the project, while one face of the boat storage building is a custom green gradient window screen.

While Chicago’s winters can be brutal, the boathouse is already under heavy use. Rowing teams train in the river nearly year-round and there is also classroom and activity space for after-school and community programs. “This connects us to the origins of the city. The river is the first reason that the native peoples and eventually Fort Dearborn were settled here,” said Studio Gang’s Managing Principal Mark Schendel at the opening. “And it is that potential to come back to that amazing resource and put citizens back on the water. It is the type of project, as architects, we love to do.”

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Jeanne Gang unveils new interiors for the American Museum of Natural History

This morning, architect Jeanne Gang of Chicago-based Studio Gang and exhibition designer Ralph Appelbaum unveiled their latest designs for the new Richard Gilder Center for Science, Education, and Innovation. Focusing on the museum's interior spaces, Gang and Appelbaum shared plans for the new Insectarium, Butterfly Vivarium, Invisible World's Immersive Theater, and newly revealed Collection Core. The 21,000-square-foot glass-walled Collection Core will form the heart of the center, housing 3.9 million specimens, or approximately 10 percent of the museum's specimen collection. It will feature observation areas so visitors can see scientists at work, storage spaces, rare collections, and other items previously not on view. "We started with what's already there," said Gang. "The Collection Core is located right there in the building, but no one can see it. By extending it and working with Ralph [Appelbaum] we could make it something people can experience and show more of the museum's content." In the Insectarium, the first museum gallery dedicated to insects in more than 50 years, and the new permanent Butterfly Vivarium, a combination of live species and interactive, high-tech exhibits will help educate the 5 million people who come through the museum each year. In addition to the new education facilities, which will include learning labs, classrooms, and age-specific zones, the 9.520-square-foot Invisible Worlds theater will recreate authentic science visualizations to illustrate organisms and processes that are too small, too fast, or too distant for humans to perceive in real life. Slated to open in 2020, the 235,000-square-foot center has generated a buzz with its organic, futuristic design, inspired by glaciers and canyons. To achieve this unusual design, Gang and her team created a model out of a block of ice. "It was a freezing winter and the software tool was too slow so we got this block of ice and poured hot water from a tea kettle into the block and that helped inspire the form," Gang said. "We've also been working with a lot of scientists and this became a way we could easily digitize and represent the design." Gang cites "flow" as a guiding principle for the overall renovation and addition. The Gilder Center will contribute to better wayfinding throughout the museum, which is notoriously difficult to navigate. Thirty new connections across the 10 existing buildings will enhance visitor experience and allow for the curators to offer better storytelling. "It's very much an "innie" building," Gang told AN. "It draws people into the exhibits, into the other buildings, and into the park itself." Additionally, the project is on track to receive LEED Gold with natural lighting and heat and water saving strategies. "The verticality of the space is the key sustainability feature because it's providing natural light deep into the museum and we can also use the verticality to create displacement ventilation so that the natural stack effect can occur," Gang said. Technology and flexibility were integral to the design with interactive media displays, micro cameras, and more. "Nothing here will be frozen in time," explained museum president Ellen V. Futter. "The design has the ability to constantly evolve in accordance with how we as people change the way we learn and encounter new information."

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