Posts tagged with "Storefront for Art and Architecture":

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The Storefront for Art and Architecture’s most recent exhibition features 42 “closed worlds”

The ubiquitous white box gallery is an attempt to construct a valueless neutral space that has become an internalized universal cliché that says “art.” The Storefront for Art and Architecture was designed by Steven Holl and Vito Acconci to be a space physically open to the city and the street that would fight back against to the usual sealed and closed world of the art gallery. But a new exhibition at The Storefront, titled Closed Worlds, takes on the architectural, design, and engineering of closed systems. It creates an exhibit that is itself a closed world of multiple closed worlds. One enters directly off the Kenmare Street sidewalk and enters a space that is expansive and claustrophobic at the same time. Its creator and curator Lydia Kallipoliti, along with an impressive research group that includes exhibit designer Natasha Jen from Pentagram, have created an exhibition that highlights 41 historical prototypes of closed worlds and weaves their integration into the reality of today’s daily life. In fact, despite the open façade of the Storefront, the exhibition is almost claustrophobic. Take, for example, the 1976 New Alchemy Institute's “Ark for Cape Cod.” Fearing an imminent ecological collapse and famine due to run away capitalism, the group designed an interior environment to support a small colony of people. Its design, once only seen in journals like the Whole Earth catalogue, can now be found in quiet, rural Northern California, Vermont, and the survivalist compounds in Eastern Oregon. The exhibition also features Some World Games, a virtual reality ecosystem by Farzin Farzin that serves as a contemporary 42nd prototype. The project was selected as the winner of Storefront’s Closed Worlds Competition. Closed Worlds is one of the most thoughtful and challenging exhibitions in recent memory of the Storefront and worth leaving the sidewalk. It closes on April 9.          
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This 3D topographic installation raises questions on the high cost of housing in New York City

Besides the overcrowded L and the overabundance of Starbucks/Chase Banks, one of New York's favorite things to kvetch about is the rent: it's too damn high. Now, through Wage Island, an installation created by a New York–based interaction and information designer, it's possible to see in 3D how much housing really costs in this city. https://vimeo.com/138549946 Ekene Ijeoma's Wage Islands sprang from the designer's conversations with Fast Food Forward, a labor advocacy organization that's pushing for a higher minimum wage for fast food workers. Compelled by the group's commentary on how difficult it is for minimum wage workers to pay for housing, Ijeoma put his designer's training to work, correlating median monthly housing costs of each neighborhood with the amount one would have to earn to afford to live there. "This created a poetic way of creating empathy between minimum wage workers and citizens they serve; making the issue about everyone," Ijeoma mused. He collaborated with a team of six to execute the GIS modeling of New York City, design and build the model, and program the Arduino board that controls the islands' topography. Wage Islands was commissioned for Measure, the Storefront for Art and Architecture’s exhibition that ran from August 14 through September 19, 2015. The map's elevations are comprised of over 500 pieces of laser-cut acrylic. Elevations are derived from median monthly housing costs in different neighborhoods, with $271 on the low end and $4,001 at the top. The islands are situated in a tray filled with blue-black water. The user can adjust the amount of water in the box by scaling wages up from the city minimum of $8.75 per hour to a high of $77 per hour. The tallest peaks represent the most affordable neighborhoods; those who make at least $77 per hour have the luxury to choose Manhattan's tony Tribeca or Brooklyn's Brownsville, one of the city's poorest neighborhoods. Precision, and reflection on the real world factors that go into determining affordability, is scuttled in favor of highly evocative representation. New York is a renter's city: Less than a third of residents own their own homes. When asked what data was used to gauge median rents, Ijeoma explained that "this was more about looking at New York City together and not separating the different neighborhoods and people from the larger issue." He used the American Community Survey's (ACS) median monthly housing costs as a stand-in for median rents, although ACS data covers both housing costs incurred by homeowners and renters. 69 percent of New Yorkers rent, not own, so the choice to rely on this ACS dataset is unclear. The American Housing Survey, however, has fine-grained data on renters for major metro areas.)

Like Fannie and Freddie, Ijeoma pegs affordability to spending no more than 30 percent of one's income on housing. That's sensible advice, but more than half of New Yorkers are, by this measure, rent burdened, spending over 30 percent of their income on rent.

Affordability guidelines are generally broken down by the number of bedrooms per unit as a proxy for household size. Instead of looking at average rents across neighborhoods, or rents for units of one particular size, Ijeoma dismissed those nuances as irrelevant for this project, as "[the data] would've more or less looked the same because of the geo-spatial interpolation and translation into 3D."

Currently, Ijeoma is doing a stint at Orbital as a designer-in-residence, where he's working on a mapping project that covers a broader swath of America, as well as a project that addresses social media–engaged phone-zombies who blunder through the streets of New York.
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Taking Buildings Down: Storefront provokes ideas on the built environment in new competition

Perhaps following up on its Halloween Party this year that explored the theme "DEMO," as in DEMO-lition among other words sharing the root, the Storefront for Art & Architecture has launched a competition called "Taking Buildings Down," where “removal is all that is allowed.” The competition takes what is usually considered to be a violent act and calls upon “anyone interested in articulating visions for the future of our built environment” to submit proposals for “the production of voids; the demolition of buildings, structures, and infrastructures; or the subtraction of objects and/or matter as a creative act.” The intent of the “competition of the competition of competitions” is to elicit ideas about demolition, to provoke criticism, and to speculate. Judges include Jeff Byles, author of Rubble: Unearthing the History of Demolition; architect and professor at Yale University, Keller Easterling; associate professor and associate dean at the New School’s School of Media Studies and adjunct curator of new media arts at the Whitney Museum of American Art, Christiane Paul; and principal of  Selldorf Architects, Annabelle Selldorf. Monetary prizes will be awarded to first, second, and third place winners; winning entries and “any additional entries deemed to be worthy of publication” will be published by Storefront for Art & Architecture. Entries are due on January 20th. More information, including specific eligibility and criteria, can be found here.
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Vote for your favorite Critical Halloween costumes in Storefront for Art & Architecture’s annual competition

Each year, the Storefront for Art and Architecture hosts a Halloween Party in New York called "Critical Halloween." Themes have ranged from "Corporate Avant-Garde" to "On Banality, On Metaphor," and the costume contest is the highlight of the night, as party-goers relive the Avant-garde tradition of building fantastic architectural costumes. This year, the theme as "DEMO-", giving dressers-up an open field for ideas, including democracy, demolition, demographics, and even Nicholas DE MOnchaux or MaDEMOiselle. With Halloween receding into the past, it's time to vote for your favorite costume. Vote here and make sure to cast your vote for AN Senior Editor Matt Shaw, pictured below, and his "you figure it out," knowledge-DEMOlishing costume non-sequitur "DEMO? I thought you said DEVO!?" COSTUME COMPETITION PRIZES This year the DEMO jury announced the awards at midnight. The jury was comprised of: Keller Easterling, Winka Dubbeldam, Andres Jaque, and Beatrice Galilee. The jury awarded seven prizes in the following categories: Best Overall Costume “Building Cuts: The Ghost of Matta” Steven Holl Architects Best Individual Costume “Archzilla” Evalynn Rosado – Weiss/Manfredi Best Duo/Couple Costume “Permitted and Unpermitted” Adam Frampton and Karolina Czeczek – ONLY IF Best Group Costume “Les Demoiselles d’Avignon” Francisco Rocha, Joana Bem-Haja, Joana Torres, and Sandra Shizuka Special Prize for Best Demolition Costume “The Fall of the Berlin Wall” Leong Leong Special Prize for Best Demonstration Costume “Smoke” Studio Dror Special Prize for Best Democracy Costume “Democracy, The Puppet of Capital” Miguel de Guzman and Ines Esnal Vote for our editor Matt Shaw here.
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Storefront’s Critical Halloween to explore the idea of “DEMO” at a historic Lower Manhattan firehouse

This October, the Storefront for Art and Architecture will host its annual Critical Halloween party in tandem with its ever-fascinating costume competition. The event will be held at the historic DCTV firehouse and engine bay in Lower Manhattan and will have a "DEMO" theme, with a prize for the best costume. Critical Halloween is a place to party, engage in intellectual debate, dress up in the most outlandish way possible, acting as a "space for expression of radical thought." During its tenure the event has quickly become the scene and welcome excuse for many to meet up, dance, talk and engage in one of the most celebratory nights of the year. This time the event is running the theme "DEMO"—a term that has multiple uses, being an abbreviate, prefix, verb and a noun. Hence, "DEMO" is the theme of dress partygoers are invited explore and examine ideas pertaining to contemporary issues and discourses in art, architecture and design focusing on those in need of a "dose of DEMO." From acts of collective will (DEMOnstration) to institutional erasure (DEMOlition), the notion of DEMO is one that penetrates many aspects of our contemporary society and that often inspires trepidation among those who produce culture. Tickets are $50, being found here and doors open at 9:00 p.m. on Saturday, October 31.

As for the prizes, awards will go to the following categories:

  • Best Overall Costume
  • Best Group Costume
  • Best Individual Costume
  • Best Duo/Couple Costume
  • Special Prize for Best Demolition Costume
  • Special Prize for Best Demonstration Costume
  • Special Prize for Best Democracy Costume

DEMOcratic Peoples Choice Award: Storefront will partner with Hyperallergic to host a Democratic People’s Choice Award. During the week following the event, online audiences will be able to vote on for their favorite Critical Halloween costume through Hyperallergic.

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David Adjaye exhibition, Ukrainian urban planners among winners of new Graham Foundation grants

Chicago's Graham Foundation today announced nearly half a million dollars in grant funding for “groundbreaking” architectural projects by organizations, including the first major career survey of architect David Adjaye, an urban planning program in Ukraine, and architecture festivals in Norway and Portugal. The Graham Foundation, whose director Sarah Herda sits on AN's editorial advisory board, will award $496,500 to 49 projects that “chart new territory in the field of architecture.” The award recipients were plucked from a pool of over 200 submissions representing 22 countries. The Adjaye show, titled Making Place: The Architecture of David Adjaye, opens September 19 at the Art Institute of Chicago and will be “the only North American venue for this globally focused exhibition,” according to the Art Institute. Other grant recipients include a plan to exhibit sound sculptures designed by Harry Bertoia at Chicago's Experimental Sound Studio, the Storefront for Art and Architecture’s biannual World Wide Storefront event, and the 2016 Oslo Architecture Triennale. The announcement follows the Graham's “grants to individuals” program, which in May awarded $490,000 for architectural research to 63 projects. Here's the full list of recipients, organized by category: EXHIBITIONS [23 awards] Art Institute of Chicago (Chicago, IL) Chicago Design Museum (Chicago, IL) Columbia College Chicago-Museum of Contemporary Photography (Chicago, IL) Elmhurst Art Museum (Chicago, IL) The Jewish Museum (New York, NY) MAK Center for Art and Architecture, Los Angeles, at the Schindler House (West Hollywood, CA) Materials & Applications (Los Angeles, CA) Monoambiente (Buenos Aires, Argentina) Museum of Contemporary Art Chicago (Chicago, IL) Museum of Modern Art (New York, NY) National Trust for Historic Preservation (Washington, DC) Oslo Architecture Triennale (Oslo, Norway) Parasol Unit Foundation for Contemporary Art (London, England) Serpentine Gallery (London, England) Slought (Philadelphia, PA) Socrates Sculpture Park (Long Island City, NY) Southern California Institute of Architecture (Los Angeles, CA) Swiss Institute (New York, NY) University of California, Berkeley-Berkeley Art Museum and Pacific Film Archive (Berkeley, CA) University of Chicago-Neubauer Collegium for Culture and Society (Chicago, IL) Video Game Art Gallery (Chicago, IL) Yale University-School of Architecture (New Haven, CT) FILM/VIDEO/NEW MEDIA [2 awards] Wavelength Pictures (London, England) The Wende Museum of the Cold War (Culver City, CA) PUBLIC PROGRAMS [12 awards] Archeworks (Chicago, IL) Architectural League of New York (New York, NY) Association of Architecture Organizations (Chicago, IL) CANactions (Kiev, Ukraine) Chicago Architecture Foundation (Chicago, IL) Chicago Humanities Festival (Chicago, IL) Experimental Sound Studio (Chicago, IL) The Frank Lloyd Wright School of Architecture (Scottsdale, AZ) Lampo (Chicago, IL) Ohio State University-Knowlton School of Architecture (Columbus, OH) Storefront for Art and Architecture (New York, NY) Van Alen Institute (New York, NY) PUBLICATIONS [12 awards] Anyone Corporation (New York, NY) Art Papers (Atlanta, GA) California Institute of the Arts-REDCAT (Los Angeles, CA) Columbia University-Graduate School of Architecture, Planning and Preservation (New York, NY) LIGA-Space for Architecture (Mexico City, Mexico) Lisbon Architecture Triennale (Lisbon, Portugal) MAS Context (Chicago, IL) Primary Information (Brooklyn, NY) The Renaissance Society (Chicago, IL) Rice University-School of Architecture (Houston, TX) Walker Art Center (Minneapolis, MN) Zone Books (Brooklyn, NY)
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Eavesdrop> The Bell Rings In Silence: Gossip swirls over changes at AIANY

There was one question on everybody’s mind in New York this spring: What happened to Rick Bell? On March 27, without warning or explanation, the former executive director of AIANY and the Center for Architecture tendered his resignation, effective immediately, which AIANY’s board of directors promptly accepted. The unforthcoming announcement stirred up a steamy fountain of rumor and conjecture—very little of it fit for printing—over what could have precipitated Bell’s speedy departure, and AIANY’s continued reticence on the matter (there seems to be a gag order in place among its staff) hasn’t done anything to lessen the sheer salacious heights to which the gossip has climbed. Bell, for his part, doesn’t seem to be very phased by the upheaval. Eavesdrop spotted him at the Storefront for Art and Architecture’s annual benefit party—held this year in the unfinished lobby of the Rafael Viñoly–designed 432 Park Avenue—wearing a T-shirt that read “I Am Still Alive” and smiling like the cat that ate the canary. Also like a cat, Bell has landed on his feet. On May 8, New York City Department of Design and Construction Commissioner Feniosky Peña-Mora announced that the agency had hired him as its executive director of design and construction excellence. Meanwhile, in an interesting game of musical chairs, the AIANY appointed David Burney, who recently left his post as commissioner of the DDC, as its interim executive director.
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HUD Secretary Julian Castro to headline IDEAS CITY 2015 in New York City

Julian Castro, the United States Secretary of Housing and Urban Development, has been announced as the keynote speaker for the third annual IDEAS CITY festival in New York.  IDEAS CITY is a biennial street fair that “explores the future of cities with culture as a driving force.” It will launch its third annual rendition on May 28th–30th on the Bowery. Castro will address this year’s theme of “The Invisible City,” highlighting the parts of the city that go unseen, or the forces that are driving change that are not always easy to map. Castro was appointed Secretary of HUD in July, after gaining notoriety as not only an up-and-coming Democratic mayor of San Antonio, who has been mentioned as a possible Vice Presidential candidate in the 2016 race, but also as a strong advocate and innovator in urban policy with a design slant. From the IDEAS CITY website:

As three-term mayor of San Antonio, Julián Castro was known for innovative governance. His “Decade of Downtown” program campaigned for new investments in San Antonio’s city center and older communities and brought in $350 million of private sector money, generating more than 2,400 housing units. In 2010, Castro was enrolled in the World Economic Forum’s list of Young Global Leaders and named by Time magazine as one of its “40 under 40” list of notable leaders in American politics. At the 2012 Democratic National Convention, he became the first Latino to deliver a keynote. Castro took office as the sixteenth Secretary of the US Department of Housing and Urban Development on July 28, 2014.

This year’s festival promises to be an energetic follow-up to the previous years under the direction of Joseph Grima, who has been involved in no less than three Biennials in the last year, including Chicago’s Architecture Biennial and Biennale Interieur in Belgium. IDEAS CITY is also a partnership of The New Museum (Founder), The Architectural League of New York, Bowery Poetry Club, The Cooper Union, Storefront for Art & Architecture, The Drawing Center. Some of the other events that stand out are: —IDEAS CITY Street ProgramInstitute for Public Architecture: Total ResetKurt Andersen, Carmen Yulín Cruz, and others: MAYORAL CONVERSATION: Finding The Invisible CityRhizome: AIRBNB Pavilion: Stay With MeKim Stanley Robinson, Bjarke Ingels: Make No Little Plans: A CONVERSATION IN TWO PARTS:Part 1. Toward A Plausible UtopiaMunicipal Art Society, Architizer: Pitching the CityManny Cantor Center, Laura Nova: Moving Stories
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Vote for your favorite “Irrelevant” costume from Storefront’s Critical Halloween!

The New York City architecture community was never more colorfully "irrelevant" than last Friday on Halloween as they responded to the Storefront for Art and Architecture themed party, I-RELEVANCE. There were nearly 600 designers and friends in all sorts of passé and outmoded theme costumes. They competed for three awards: Best Critical Costume, which was won by "Pure Shit" from Robert A.M Stern Architects; Best Group Costume, which went to to "The Money Shot" by SO-IL; and Best Individual Costume went to "Landscape Urbanism" by Matt Choot. One more award, the "People's Choice" award, is still pending an online vote. Head over here to view the costumes and vote for your favorite through November 7 at 5:00p.m. EST. I served as costume juror along with Roddy Schrock, Campbell Hyers, Sebastian Errazuriz, and Eva Franch. For a look at the colorfully irrelevant costumes photographed by Yuko Torihara, go here or check out Storefront's Facebook page.
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Boo! It’s time for the Storefront for Art & Architecture’s Halloween Party!

critical-halloween-2014 Imagine an annual party for architects that has been voted "Ten Hottest Halloween Parties to Die For” in the New York Observer and a “Top Pick Halloween Party” in Time Out New York? It’s the annual Storefront for Art and Architecture Critical Halloween party, taking place this year at 80 Greenwich Street in Lower Manhattan. The party (with a live band and open bar) has always had a theme: Banality, Metaphor, and Corporate Avant-garde in years past. This year's theme dwells on one of the most feared ghosts of art and architectural production: I-Relevance. There will be awards for Best Group Costume, Best Individual Costume, and Best Critical Costume. And if you want to see what past attendees have conjured in the way of costumes, check out these galleries from the Storefront. All guests who are interested will be invited to also enter an online photo costume competition that will be hosted by Hyperallergic following the event, which will allow the public to vote on our annual "People's Choice Award." Tickets for Critical Halloween are $50.
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Architects Join the Circus: Crowd-funded “Architectural Circus” tours the Northeast

The Circus for Construction has taken its gallery-meets-event space on the road this fall, bringing a mix of dialogue and exhibitions on contemporary art and architecture practices, via a custom-built truck, to several east coast cities. After winning a competition by Storefront for Art and Architecture last May, this traveling Circus— conceived by Ann Lui, Ashley Mendelsohn, Larisa Ovalles, Craig Reschke and Ben Widger— got its wheels thanks to a successful Kickstarter campaign. The design team— involved in every step of the process from conception to build out— transformed a 25-foot-long trailer and pick-up truck into the mobile Circus after six weeks of construction in August. Designed to adapt to different sites and programming needs, the truck is outfitted with exterior panels that serve a dual purpose as peg boards and shading components, while interior aluminum frames can be adjusted to increase the height of the space to allow for large-scale works and also for projecting images in the evening. The Circus began its journey in East Boston, and then headed north, to Buffalo, where it parked on the grounds of the abandoned Silo City, and invited local speakers to discuss “Buffalo’s Radical Re-imagining.” Next up, they’ll make stops in Downtown Boston (where AN's own Bill Menking will speak about the Architecture Lobby), and Ithaca. If this three-ring circus hasn’t rolled up to your city yet, you can stream the workshops, lectures, and live events on Circus TV, available on the project's website.
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Storefront for Art and Architecture to Unveil “Letters to the Mayor” Next Week

The Storefront for Art and Architecture will unveil its new exhibit, Letters to the Mayor, this Tuesday, April 29th. According to Storefront, "Letters to the Mayor presents fifty letters written by international architects to the political leaders of more than 20 cities around the world. Each letter provides a space of reflection for the architect to present ideas and methodologies and express some of the concerns and desires that might contribute to action within political spheres." At the opening, Storefront will announce the winners of its “Competition of Competitions,” which invited interdisciplinary teams to “formulate their visions of the future of architecture and cities in the form of a competition brief.” For more on the competition and the exhibit visit storefrontnews.org.