Washington University in St. Louis' Alberti Program for youth architecture has been given a major boost from the St. Louis–based design and planning firm PGAV Destinations in the form of a pledge of $125,000 and volunteer time. https://player.vimeo.com/106140248 The Alberti Program, started in 2006, is administered by the Sam Fox School’s College of Architecture and Graduate School of Architecture and Urban Design, and engages students in fourth through ninth grade from regional schools. With a focus on architectural problem solving and sustainability, the program’s goal is to reach the most diverse demographic of students possible. So far the program has worked with students from 145 elementary, middle, and high schools throughout the St. Louis area. Of those, one third of the schools are located in communities with per capita yearly income of less than $18,000. Free to participants, program runs on weekends throughout the academic year and on weekdays during a summer session. The contribution form PGAV will provide new resources to students, and insure the program can continue to operate at no cost to participants as it is distributed over the next five years. PGAV Destinations specializes in cultural and amusement design, with projects ranging from aquariums and museums to theme parks and casinos. The pledge from PGAV is part of the offices 50th anniversary, and will include dedicated volunteer time from the offices designers along with the monetary contribution. The volunteer time will include guest speaking, office visits to the firm's St. Louis headquarters, as well as classroom instruction. Along with general support for the program the $125,000 will help with costs associated with field trips, lecturers, and executing hands-on projects produced by the students.
Posts tagged with "St. Louis":
In what has become a recurring irony, the poor taste of 20th century corporations has been saving the day for historic buildings across the country. Now as companies like Walgreens and CVS rehabilitate dilapidated banks into drugstores, St. Louis might be getting its first look in decades at a historic Isamu Noguchi designed ceiling hidden above a drop ceiling in what's now a U-Haul truck rental warehouse. Unbeknownst to many, what currently appears to be a clumsy brick and metal paneled warehouse at 1641 South Kingshighway Boulevard in St. Louis, is actually a gem of mid-century Modernism. The building that now holds the U-Haul storage and rental center was originally designed by St. Louis architect Harris Armstrong in 1947 as the headquarters for the Magic Chef American Stove Company. The structure was hailed as a masterpiece of International Style design, which included an ornate curvilinear lobby ceiling designed by none other than the famed Isamu Noguchi. It was not long before Magic Chef would move away and the building would become a clinic established by the Teamsters Union. Eventually left empty in the late 1960s, U-Haul, the current owners, would come to acquire the building in the late '70s. U-Haul would subsequently attempt to repair the now-decaying building and bring the space up to code, though with little-to-no mind towards preserving the aesthetics or architectural features of the building. It would be these very same inexpensive, and sometimes incomplete, fixes that would eventually be the saving grace of the building. Now, at least 20 years since a drop ceiling was added—covering the Noguchi designed ceiling—and metal paneling was added to the exterior of the building—covering its glass facade—it seems that at least some of the building will be returned to its former glory. As reported by local public radio station 90.7 KWMU, U-Haul is planning to uncover the figural ceiling in the spring of 2016. This news comes as a relief to many that remember the original space, believing the ceiling had been destroyed. And though U-Haul has made no indication that they would be restoring the entire building, this move makes it clear that the building could someday be restored. According to circuit court documents from the early '90s, it is very likely that the original windows are still under the metal paneling that now covers the building. In the 1980s, U-Haul was attempting to stop leaking windows with caulk to no avail. As an affordable solution, metal paneling was installed as a rain screen and a visual barrier into the building which holds customers’ stored items. This solution was not immediately accepted by the city’s Building Commission and Heritage Commission, and a series of hearings and appeals were held before the company was allowed to proceed with installation. The Heritage Commission called the plan no less than grotesque in their recommendation to stop the panels from being installed. "The proposed siding will create a design which is not compatible with the style and design of surrounding improvements and which is not conducive to the proper architectural development of the community. The proposed siding would also constitute an unsightly, grotesque or unsuitable structure in appearance, detrimental to the welfare of the surrounding property and residents." Though St. Louisans won’t be getting back their Modernist oven store just yet, it is encouraging that U-Haul is recognizing the worth of a designed space. With every uncovered ceiling or facade, the city gets one step closer to having a piece of its once lost architectural history back.
According to the American Public Transportation Association, a public transit advocacy group, there are more than 90 cities in the United States that are actively considering implementing streetcar systems. Of those 90, over a quarter are in the Midwest. Though all in different stages of planning, development, and construction, a handful are well underway, with service beginning as early as 2016. Kansas City and Cincinnati are both in the process of live testing their newly manufactured cars, while Milwaukee debates expanding its current plans. Though hundreds of cities across the country once had streetcars, by the 1960s most had been dismantled with the rise of the private automobile and public bus systems. The current renaissance of streetcar construction is often attributed to cities interested in bolstering downtown transit options, and encouraging more ecologically sustainable modes of transportation. Downtown Kansas City, Missouri, may be the first of the new Midwest streetcar lines to open in early 2016. Dubbed the RideKC Streetcar, the light blue electric trolleys will services a 2.2-mile street along Main St. The system will have four cars running between 16 stops for 18 hours a day. Similarly to streetcars of the past, electricity will be drawn from overhead wires. Unlike past services, the new cars will be wi-fi enabled and free to ride. This first leg of construction is being positioned as a first step in a much larger plan to link the entire Kansas City region with multi-model integrated transit system. Detroit’s new streetcar system will be unique in that it was masterminded by a private non-profit organization. The M-1 Rail, to open by 2017, draws on the economic power of small and large businesses along its route, philanthropic institutions, and a close tie with city government to realize a complex funding and administrative system for the public-private venture. At one point the project was envisioned to expand to a 9 mile route, with more involvement from regional transit partnerships. After multiple feasibility studies it was found that, for economic reason, the 3.3 mile current route was more viable, with possibilities of expansion in the near future. The path to building streetcar systems is often far from smooth. With resistance from state and local governments, it took Cincinnati voters electing new city councilors and rejecting multiple anti-rail ballot initiatives to realize their new transit system. With discussions starting in earnest in 2007 and construction starting in 2012, it will be nine years in the coming when the system finally opens in September 2016. The 3.6 mile loop will service the Over the Rhine neighborhood and the downtown, highlighting the original intent of the system to encourage development in both districts. The Over the Rhine neighborhood, a member of the National Register of Historic Places, has been experiencing a renaissance in the last 10 years, after decades of struggles with crime and declining population. In the case of Milwaukee’s streetcar project, set to open in 2018, the resistance has not been coming from the government as much as from a small group of vocal opponents, who have taken issue with the $124 million project. Though, with a recent failure of a petition to stop further expansion of the already approved first leg of the system, the opposition seems to have dried up. The majority of the funding for the Milwaukee Streetcar is coming from U.S. Department of Transportation grants and Tax Incremental Financing (TIF) Districts. The city and the federal government are betting on the street car to relieve vehicle congestion and pollution while raising property values along the route. Anticipating the rail’s impact on downtown Milwaukee, a 44-story residential tower by local architects Rinka Chung is planned to begin construction in 2016. The base of the project will integrate a streetcar stop along with shopping and office programs. Though it may have been 50 years since many U.S. cities have had street cars, the next five years will see large moves to reverse that situation. Along with KC, Cincinnati, Milwaukee, Detroit, St. Louis, MO, and St.Paul, MN, are making moves to implement their own streetcar systems. With the rise of the suburbs and automobile travel often being blamed for the decline of the streetcar, it would seem that this new trend might be pointing towards yet another indicator of the tendencies of contemporary city dwellers. A greater environmental consciousness, neighborhood investment, and a shifted understanding of economic stability, define the values of a young population that streetcar systems across the Midwest, and the entire country, hope to leverage into success.
The St. Louis Science Center is adding its first new major exhibition space in 25 years with the 2016 summer opening of GROW, a permanent interactive agriculture exhibit. The exhibition design by Oakland, California–based Gyroscope will be complemented by a pavilion designed by HOK founder Gyo Obata along with St. Louis–based design firm Arcturis. The Agriculture Pavilion, the main interior space of the project, takes formal cues from typical farming implements, such as plow blades or scythes. The building will house exhibitions, event space, and a set of underground classrooms forming the Ag Learning Center. The 50,000-square-foot, $7.3-million-dollar, project focuses on the latest in agricultural technology, economics, science, and culture. Many of the 40 planned exhibits, much like their topic, will change seasonally, highlighting the growing and harvest cycles of the Midwest. “This will explore new ideas, new thoughts, and new ways of looking at things. And they’ll change with some level of frequency,” explained Bert Vescolani, CEO and president of the Science Center, in a statement. The main focus of exhibits in this space will be on agronomics and the relationship of produce, commodities, and consumer practices affecting the food supply. Every aspect of the pavilion is also designed to contribute to the learning environment, to include bathrooms which graphically interpret water resources. The project sits on the former site of the now-deflated Exploradome, and will include indoor and outdoor exhibits. Along with working farming equipment such as tractors and automated milking machines, live chickens, honey bees, and a working greenhouse will allow visitors to get their hands dirty learning about backyard farming. The greenhouse will include hydroponics and aquaponics, using live fish in a closed system of feeding, fertilizing, and growing food. The Fermentation Station will highlight the farm to mug journey of beer, in a working brewery, along with cheese and wine making. Other spaces include an orchard, two beehive areas, a seed library, large scale photographic farming map of Missouri and Illinois, and a Rain Cloud Room, where it rains every day, rain or shine.
Founder and Chair of the Pulitzer Arts Foundation, Emily Rauh Pulitzer, announced today that Cara Starke, the director of exhibitions at Creative Time, will step into the role of director at the St. Louis–based cultural institution, beginning this July. During her years at Creative Time, Starke spearheaded some of the organization's more elaborate, large-scale projects and exhibitions, including this past summer's popular installation, A Subtlety, by artist Kara Walker. “Cara’s approach to the work and operations of an arts institution is exceptional. She has a keen understanding of the evolving role the arts play in our lives and in our communities—a vision that is well in line with the Pulitzer’s tradition of pushing the boundaries of the arts experience,” said Pulitzer in a statement. Prior to her tenure at Creative Time, Starke cut her teeth as the assistant curator for the department of media and performance art at the Museum of Modern Art, where she helped organize several exhibitions, such as Olafur Eliasson's Take your time and Doug Aitken's Sleepwalkers. The Tadao Ando–designed Pulitzer building is currently undergoing an expansion to add 3,700 square feet of public space—complementing the 7,500-square feet of existing galleries—to carve out new areas for exhibitions and programs. Starke will take over for Kristina Van Dyke who has served as director since 2011 and worked with Mrs. Pulitzer in the conception of the institution's expansion. "The Pulitzer is a remarkable space that brings together intellectual experimentation and thoughtful contemplation with a commitment to local audiences and experiences that extend beyond the institution’s walls,” said Starke in a press release. “With the recent expansion, the Pulitzer has increased opportunities to offer unexpected, profound, and innovative approaches to artistic and cultural expression. I am honored to lead the Pulitzer into its next phase as an open and inspired space for art and culture.”
Missouri's football fans are savoring plans for a new NFL stadium in downtown St. Louis, but it remains unclear if the HOK-led designs will be enough to keep the Rams from leaving. In January fans of the St. Louis Rams got new reason to fear their football team might depart when owner Stan Kroenke announced plans to build an HKS-designed 80,000-seat stadium in the Los Angeles suburb of Inglewood. Twenty years after the NFL team left L.A. in the first place, they may well move back—but not if St. Louis officials and fans have their way. New renderings released in March give more substance to plans that could woo the Rams into staying: a football and soccer stadium on the banks of the Mississippi River designed by St. Louis–based HOK. The National Football League has said no team relocations will happen this year, but either stadium plan could be ready for construction in 2016.
ARO, KieranTimberlake, Mack Scogin Merrill Elam make shortlist for Washington University in St. Louis
Washington University in St. Louis on Monday announced the three finalists competing to design a new building for its Sam Fox School of Design & Visual Arts. The three teams vying to design Annabeth & John Weil Hall are: Architecture Research Office (ARO), KieranTimberlake, and Mack Scogin Merrill Elam Architects. The building is part of the university's arts and architecture campus, a collection of limestone-clad structures ranging from Beaux Arts style structures dating to the St. Louis world's fair of 1904 to more modern additions by Fumihiko Maki. The Sam Fox School campus is visually set apart from the university's predominantly Collegiate Gothic Danforth Campus. No renderings or specific timelines are available yet, but a previous announcement of the project said the university aimed to complete construction within the next five years. The new building is part of the university's 10–15 strategic “Design for Excellence” campus plan. New York City–based ARO has designed academic buildings for universities including Tulane, Brown, and Princeton, as well as renovations to Donald Judd's home and studio in Soho. KieranTimberlake has worked with Yale, Rice, and Tulane universities. In the firm's home base of Philadelphia, it has helped revamp Dilworth Park with architectural greenhouses serving as entrances to the city's subway system. Atlanta's Mack Scogin Merrill Elam Architects count among its higher education clients Yale, Carnegie Mellon, and Clemson universities, and the firm was shortlisted to design a new U.S. embassy in Beirut (that job ultimately went to Morphosis). As part of the selection process, each firm will deliver a public presentation in Washington University's Steinberg Auditorium, an early building by Maki dating to 1960 when he was a professor at the university. The event dates are: Monday, March 23, 1:15p.m: Mack Scogin Merrill Elam Architects Monday, March 23, 4p.m: KieranTimberlake Tuesday, March 24, 1:15p.m: Architecture Research Office (ARO)
St. Louis could become the latest city to join the wave of bike sharing programs already prevalent in cities from Washington, D.C. to Portland, Oregon. Great Rivers Greenway—a special taxing district created in 2000, when St. Louisans devoted a tenth-of-a-cent sales tax premium to for the creation of trails and parks—issued a request for qualifications in December. Now a feasibility study from bike sharing firm Alta Planning + Design says the city's ready for a two-year roll out of 60 stations with 540 bikes, with 30 additional stations and 250 bikes to follow. Details are still up to local stakeholders, but but NextSTL's Alex Ihnen called the system's implementation “imminent,” adding “There’s zero reason a St. Louis bike share system won’t be successful.” Alta operates or has consulted for 10 bike sharing programs across the country, including New York City's Citibike, D.C.'s Capital Bikeshare and Chicago's Divvy. (View a list of suggested station locations here, compiled to balance community input with equal access to stations among low-income communities and neighborhoods of color.) As with those systems, stakeholders in St. Louis will have to establish an ownership structure (likely nonprofit) and raise money before any pedals start turning. Foundations, public financing, and private sponsorships are all options for the $2.7 million to $4.2 million needed for launch and capital costs. That likely means an operational system is a few years away. But supporters are not deterred. “The time is right to explore a bike share program in St. Louis,” said Elizabeth Simons, assistant project manager at Great Rivers Greenway. “Based on the rise of commuter cycling in St. Louis—along with the feedback we are receiving from the community—there appears to be a pent-up demand for a bike share system.” According to Great Rivers Greenway's study, phase one would be a strip of development running west from Downtown St. Louis to Washington University, followed by future stations in neighborhoods to the north, south and west. The study reports more than 60 percent of St. Louis residents said they were either likely or very likely to use a bike share.
After years of, ahem, false starts, it's looking very possible that the NFL will be returning to Los Angeles. According to the LA Times, St. Louis Rams owner Stan Kroenke, who bought 60 acres next to the Forum in Inglewood last year, has announced plans to build an HKS-designed 80,000-seat stadium and a 6,000-seat performance venue as part of the 300-acre Hollywood Park site. He's teaming up with Stockbridge Capital Group on what's being labeled the "City of Champions" Revitalization Project. Stockbridge is now building a mixed-use development there with developer Wilson Meany and designers Mia Lehrer + Associates, Hart Howerton Architects & Planners, BCV Architects, SWA, and others. The Rams left Los Angeles in 1994, while the Raiders took off for Oakland the next year, leaving the city teamless for almost two decades. Kroenke has been outspoken about his unhappiness with his club's current stadium, the Edward Jones Dome, and St. Louis is expected to give the owner a new offer by the end of this month. If that doesn't pan out, the new stadium (and the surrounding "City of Champions" Revitalization Project) could be on the Inglewood ballot later this year, and the scheme could be complete by 2018. Inglewood recently reopened the Forum, so momentum is building. Meanwhile efforts for stadiums in Downtown LA and City of Industry remain on hold until another team steps in.
On View> Drawings by Hadid, Tschumi, Gehry, Libeskind, and Koolhaas are being exhibited right now in St. Louis
Drawing Ambience: Alvin Boyarsky and the Architectural Association Mildred Lane Kemper Art Museum Washington University in St. Louis 1 Brookings Dr, St Louis, MO Through January 4th The Mildred Lane Kemper Art Museum in St. Louis is currently exhibiting early drawings from some of the world’s leading architects including Zaha Hadid, Bernard Tschumi, Frank Gehry, Daniel Libeskind, and Rem Koolhaas. The works come from the private collection of the late Alvin Boyarsky who chaired the Architectural Association School of Architecture (AA) in London from 1971 to 1990. The collection includes about 40 prints and drawings from the architects, and nine limited-edition folios published by the AA. Those folios include works from Peter Cook, Coop Himmelblau, and Peter Eisenman. “Drawing Ambience offers a rare glimpse into a pivotal moment in architectural history and the imaginative spirit of drawing that was and continues to be instrumental to the development of the field,” said the Kemper Museum in a statement. The exhibit was co-organized with the Museum of Art Rhode Island School of Design and will travel to Providence in April. This is the first public museum exhibition of Boyarsky’s collection.
The Rockefeller Foundation has announced a second batch of cities in its 100 Resilient Cities Challenge. The foundation launched the challenge last year as a way to support resiliency measures in cities around the world. This includes support to hire a Chief Resiliency Officer. One year after the first 32 cities were selected, another 35 have been added to the list, including six in the United States—Boston, Chicago, Dallas, Pittsburgh, St. Louis, and Tulsa. To see the full list, visit the 100 Resilient Cities Challenge website.
Encountering the City: The Urban Experience in Contemporary Art Kemper Art Museum at the Sam Fox School of Design & Visual Arts Washington University in St. Louis 1 Brookings Dr., St Louis, MO Through January 4, 2015 Encountering the City: The Urban Experience in Contemporary Art, an exhibition arriving at the Kemper Art Museum in St. Louis, explores artists’ responses to the contemporary built environment. Paintings, sculptures, photography, and videos from internationally renowned artists in addition to those exhibited in the museum’s own collections, are presented by a sampling of artists including Franz Ackermann, Isa Genzken, Jakob Kolding, Sarah Morris, Gary Simmons, and Wolfgang Tillmans. The exhibit focuses on the link between art and architecture and allows the artists to showcase their response to rapidly evolving environments, whether psychological or concrete, through different forms of media. Among them, Gary Simmons’ Plaza Inferno Grid (2008) illustrates a dystopian future in the wake of class and race issues in American society, while Jakob Kolding’s How to Build a Universe that Falls Apart Two Days Later (2014) analyzes planning versus completed architectural spaces. Encountering the City seeks to give visitors an insider’s view of the artists’ reactions to their own perceived architectural environments.