Posts tagged with "Space":
Virgin Galactic, the branch of the British Virgin Group corporation that aims to render commercial space flight a reality, has officially unveiled the interior of its "Gateway to Space" building at Spaceport America in the New Mexico desert. The facility will play a critical role in the company’s space tourism endeavor, including as a workspace for Virgin employees and a waiting area for the families of prospective private astronauts.
The Gateway to Space building sits on the 18,000-acre Spaceport America campus and was originally designed by the international architecture firm Foster + Partners in 2011. With Virgin Galactic’s civilian space travel program beset by numerous delays, the building has served primarily as an aircraft hangar for the past eight years. The now completed two-story interior is designed to accommodate lounge space for guests on the first level and staff offices on the second. A third floor, which is still under construction, will be used as a passenger training center for three days of coaching before each flight.
While one might expect a spaceport to be full of tech gadgets and screens, the design of the passenger lounge is surprisingly warm. Labeled Gaia, and designed by the London-based Viewport Studio, the lounge makes use of natural materials and colors that ground the space in the surrounding landscape. With expansive views of the desert just outside the Gateway's double-height windows, the natural wood textures, stonework, and earth-tone upholstery contribute to the overall visual unity of the experience. Most of the seating around the perimeter of the space faces outward, giving guests prime views of the land, runway, and sky. Viewport has worked with other branches of the Virgin Group before, including as an aircraft interior designer for Virgin Atlantic.
With a high-end bar at its center and all of the components of a first-class airport lounge, Gaia promises to live up to the swanky—and completely unprecedented—experience of space tourism. Only the families of ticketed passengers, each of who will pay upwards of $250,000 for a few moments of weightlessness at the edge of Earth’s atmosphere, will have access to the lounge. Passengers themselves will also be able to use Gaia before and after their flights. Virgin Galactic aims to launch its first civilian astronauts into space in 2020.
In celebration of the semicentennial of the moon landing, the San Francisco Museum of Modern Art (SFMOMA) is holding an exhibition on space-related design that promises to be out-of-this-world. Far Out: Suits, Habs, and Labs for Outer Space opened on July 20th, 50 years to the day after Neil Armstrong became the first human to set foot on the lunar surface, and contains a variety of space suits, hypothetical space habitats, and moon-based laboratory designs.
The objects on display range in practicality from the tried-and-true to the downright quixotic. There are NASA spacesuits designed for real-life astronauts, as well as examples of Neri Oxman’s organically-grown, biomimetic work. Working with the Mediated Matter research group at MIT, she created a wearable that uses a photosynthetic membrane to convert sunlight into usable microbial material for its user. While the device has yet to be taken into outer space, its potential implications for the feasibility of long-term space travel earned it a spot in the exhibit.
Much of the work on display at SFMOMA is decidedly architectural. Architectural illustrator Rick Guidice's renderings of his Bernal Spheres and Toroidal Colonies, originally produced for NASA, depict suburban housing developments and agricultural landscapes as they might one day exist in free-floating space colonies. The exhibition also includes Mars Ice House, a collaborative project by Clouds Architecture Office (Clouds AO) and Space Exploration Architecture (SEArch) for NASA’s Centennial Challenge Mars Habitat Competition. In its design for a four-person habitat to be placed on the surface of Mars, the team proposed a 3-D printed structure that would be covered in a layer of ice to shield it from the planet’s harsh weather conditions. Visualizations of the design can be viewed in the exhibit, which will be on display through January 20, 2020.
A division of the United States Air Force known as CSpOC (Combined Space Operations Center) is faced with the task of properly identifying each of those satellites so that they can be tracked as they orbit the earth. Six weeks post-launch, that task is still not complete; only half of the satellites from the launch have been properly identified. Many of the satellites that launched together remain in a cluster and until they separate it is difficult to correctly identify each one. Prior to the holidays, we had been working very closely with the FCC (Federal Communications Commission) and other relevant space-related authorities to deploy the balloon at the right time for a safe trajectory. The FCC had asked us to wait for their go-ahead before we deploy the balloon. Since the government shutdown began, communication with the FCC has been suspended, as they are not operational at this time.When the tracking information for Orbital Reflector becomes available, terrestrial art patrons can track the installation via the Star Walk 2 app. The sky-high conceptual piece was supposed to orbit the Earth for two months, completing a rotation around the planet every 94 minutes. It remains to be seen whether the time spent in limbo will eat into that period, or if the satellite will be able to deploy before the orbit of the SpaceX rocket it’s attached to begins to decay.