The 37-acre Artpark in Lewiston, New York, straddles the Niagara River and Canadian border and has been showcasing public land art, installations, and performances for over 40 years. Now, the Artpark & Company board of directors has tapped SO-IL, urban designers and landscape architects West 8, and theater and digital design consultants Charcoalblue to create a master plan for the park that will modernize it for the 21st Century. The Artpark was, from its conception, an artificial landscape, as it was built in a quarry on top of waste material from the construction of the Niagara Power Plant, a hydroelectric plant nearby. The new master plan takes what works about the extent park and enhances it, while overlaying three key design principles, according to West 8. The first principle is “revealing a new nature,” or using strategic cuts to sculpt the landscape of the park and create programmatic areas using the cuts or plateaus created. Viewing platforms for land art will be created this way, surrounded by walking paths. An outdoor amphitheater is at the heart of the master plan and will be created by scooping out a deep depression and molding “mound” seats for the audience around the center stage, set against the bank of the adjacent river. The second principle, “amplifying environments,” means hills and galleries will be treated to capture views of the surrounding Niagara river and gorges, as well as the rest of the Artpark. New bridges, paths, and viewing platforms will also be integrated. The third, and most esoteric principle is “modulating frequencies,” or tuning the park’s programming to the seasons. Different performances, and new outdoor performance spaces, will build on the concerts offered in the summer and offer year-round reasons to visit. The new master plan is the fruit of a study commissioned in 2017, and will be funded by private donors, the Ralph C. Wilson, Jr. Foundation, and Empire State Development, as the Artpark is part of the New York State Parks system. Artpark is welcoming public feedback from residents and parkgoers and will be fielding questions about the new plan at a public forum at 6:00 p.m. on June 5 inside the Mainstage Theater.
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Three finalists have been invited to develop their ideas for new public spaces at a former General Motors site in Indianapolis. The developer Ambrose Property Group partnered with Exhibit Columbus and the Central Indiana Community Foundation to identify a shortlist of studios to develop specific areas of Waterside, a massive $1.4 billion redevelopment of the 103-acre former GM stamping plant site. The shortlisted teams are: 1) Hood Design Studio with Thomas Phifer and Partners and Arup; 2) SCAPE with SO-IL, Guy Nordenson and Associates, James Lima Planning + Development, Art Strategies, Nelson\Nygaard, and Manuel Miranda Practice; and 3) Snøhetta with Moody Nolan, Arup, HR&A, Art Strategies, and Chris Wangro. According to the announcement, the finalists were selected based on their experience working on projects of a similar size and scale as well as for their design acumen. Waterside was announced last year by Ambrose as a new downtown district on the site of the former GM plant that has sat in disuse since the motor company declared bankruptcy almost a decade ago. (The same site was also being proposed as a potential Amazon HQ2 hub by Indiana officials). It would include 1,350 residential units, 620 hotel rooms, 2.75 million square feet of office space, and 100,000 square feet of retail with a projected development timeline of 15 years. The Waterside Design Competition zeroes in on the adaptive reuse of 25,000 square feet of the Albert Kahn–designed Crane Bay; the design of a public plaza around Crane Bay; and a pedestrian connection across the White River to link the site to Indianapolis's urban core. The three teams will present their design philosophies and approaches to the public on June 12 in Indianapolis. Later in October, they will present their conceptual schemes, and the winner will be decided by a jury of community stakeholders and national experts.
This past fall, Dong-Ping Wong of Food took over a storefront near his firm’s Chinatown office to launch a radical pop-up educational and hangout space he called Office Hours. Along with workshops and other programming, Wong led an audio livestream, Food Radio, where he invited over 50 guests—artists, architects, designers, musicians publishers, and more—for nearly 40 conversations. Now, all the broadcasts have been archived and are ready to be listened to anytime on Food’s website. Office Hours’ mission from the get-go was about inclusion, education, and action across race, class, and age facilitated by an open door policy, workshops throughout the day, and Food designers going out to round up local kids and teens at the library. Hardly recorded in a isolated soundproof room, the Food Radio conversations took place in the back of the pop-up's narrow storefront space, and during the broadcasts you can hear Wong and his guests chatting with people coming in and out who might’ve come to say hi or listen live, or just to see what this new space on the street was all about. By bringing together a broad swath of architects, curators, politicians, and others, Wong wanted to show people, especially younger generations, that making a career out of creative work was possible and to highlight the experiences of creative people who local children might identify with. As New York state assembly member Yuh-Line Niou told Wong, she believes it's necessary to “tell young people not to self-select out,” that just because they haven’t seen people of their background—children of immigrants, people of color, people of various class origins—yet in fields that they might find interesting, or this is “the first time they’re seeing it,” that it remains possible for them to follow these paths, and, perhaps more importantly, make their own. Many of these guests really got their starts by daring to do something that no one else had done, Wong explained. “We've seen a lot of our guests using a lack of familiar model as a springboard to do something totally unique," Wong said. "Sometimes you just have to make stuff when nobody asked you to.” The expansive and radical proposition of Food is to make new possibilities for others. While all of the conversations were original and informative, some standouts include those with architects Toshiko Mori and Tei Carpenter of Agency—Agency, mother and daughter (though with their own, separate firms), for their first family interview; creative director Heron Preston, who has collaborated with Kanye West (Wong has, too) and Virgil Abloh; SO-IL co-founder and principal Jing Liu; Oana Stanescu, who ran Family with Wong; and Christopher Leong and Dominic Leong of Leong Leong. Many of the conversations were both seriously casual and casually serious, much like the whole project. Mori and Carpenter, for example, explored a range of topics: what they did that week; how they each got their start; how to learn from one another as architects across generations; how they’re approaching their careers differently; being Asian women in the field; the responsibility of architects to engage and communicate across disciplinary and political lines; the field’s need for a “diversification of moral practice;" and that perennially impossible problem many of us face: knowing when to say no. Since Office Hours has gone off the street and there’s no chance to drop in any more, these recordings offer an opportunity to connect, listen, and share across disciplines, time, and geography and are an imperative intervention to shift the conversation on architectural practice and, simply, remind everyone to believe in their own power and creative drive.
Ilias Papageorgiou has stepped away from SO-IL, after having been a partner at the New York–based firm for five years. During Papageorgiou's tenure, SO-IL developed itself into an internationally recognized design firm, completing projects in Paris, Seoul, and Milan, working with Mini Living, Versace, the Guggenheim Museum, and other clients. SO-IL's more recognizable projects include the Kukje Gallery, the Frieze Art Fair pavilion in Chicago, Pole Dance in New York, and the Jan Shrem and Maria Manetti Shrem Museum of Art in Davis, California. To add to this list of accomplishments, SO-IL published its "visual and textual manifesto," entitled Solid Objective: Order, Edge, Aura, co-authored by Papageorgiou in 2017. Jing Liu and Florian Idenburg, SO-IL cofounders, will be staying at the firm. Papageorgiou, an Athens-born architect, is a graduate of Aristotle University in Thessaloniki, Greece, and Harvard University's Graduate School of Design. Papageorgiou is an adjunct assistant professor at Columbia University's School of Architecture and Planning, having previously taught at Tulane and University of Thessaly in Greece. Papageorgiou is starting PILA, an Athens and New York–based architecture firm.
Last Night I Dreamt I Was a Robot Selfies on Parade Dadwhyareyousonegative No, these are not leaked track titles from Beyoncé’s next album. They are songs from Practicing Spaces, a mixtape that collects the work of other, much less well-known musicians who have one conspicuous thing tying them together: they’re all architects. Readers may know Michael Meredith of MOS Architects and Florian Idenburg of SO – IL from their work in their day jobs, but by night, these architects unleash their true passions, plug in the amp, and let the music play. Melissa J. Frost, a designer and studio instructor at California State Polytechnic University, Pomona, compiled and produced the mixtape after a conversation with Eric Bunge of nArchitects made her realize that several of her architect friends had bands on the side. “Eric was saying that he tries to get together to play music with Florian Idenburg and Michael Meredith, and he still has a practice space in his basement,” Frost said. She quickly tracked down music from other figures in the field, like Michael Young, her master’s thesis advisor at Princeton, and Wendy Gilmartin, a colleague at Pomona. Some of the tracks are deep cuts that date back to youthful experimentations. Daniel Barber, now an associate professor at the University of Pennsylvania School of Design, closes out the tape with the oldest inclusion, a recording from the stage of Lollapalooza 1995, where he performed as part of the band Blowhole. Others are evidence that some architects are actively writing, recording, and performing music. Neil Denari’s track, Music For One, comes fresh from 2018. The tape pulls from over a dozen different acts, but they all hew to a similar aesthetic. Many are non-vocal, with electronic and guitar instrumentation and meandering song structures. “I think, like, a more instrumental or abstracted relationship to a song is inherently connected to spatial awareness or spatial perception,” Frost hypothesized. “I do think there are aesthetic connections between each person's individual song, and their individual work,” Frost said. “I think with most of them it’s extremely obvious…Michael Meredith’s kind of pared down electronic awkward sampled song really looks like their, I think they call it, their 1983 Atari-style drawings.” Frost released the tape as part of her IIIII Columns project, an online platform where she has published other work that falls outside traditional disciplinary boundaries, like a harm-reduction guide for performance venues or “a catalog of marxist modernist home goods.” The mixtape, which is being published in a limited run on physical cassette tapes, “is supposed to be kind of difficult to get ahold of,” said Frost, but she is planning a series of listening parties across the country. Frost, a musician herself, declined to include her work in the mix. “It was a little too weird to put myself on it,” she said, “so I decided not to.” To order the mixtape, visit the IIIII Columns site here. Tracklist: Michael Meredith - Dadwhyareyousonegative Tim Durfee - Selfies on Parade Eric Bunge - Cellar Kazys Varnelis - Stillwater James Graham & Stephen Nielson - Last Night I Dreamt I Was a Robot Neil Denari - Music For One Mariana Ibañez, Simon Kim - Hate 1,2 (stop the violence) Wendy Gilmartin - White Midnight Florian Idenburg - Track 12 Enrique Ramirez - Lullaby From The West Coast Sleepers Benjamin Bratton - Texture 4 George Crumb Michael Young - If it Falls Apart Alfredo Thiermann - Land in the Sky Matt Olsen - Motion Block Esther Choi - track 3 Daniel Barber - Needlefoam
Earlier this year, when architect Dong-Ping Wong branched out to start his own firm, he found himself going through name after name but none seemed to have the right ring. Finally, the word “food” occurred to him. Ridiculous at first, it wouldn’t leave his head, and so it stuck. Food, the firm, was born. Food, said Wong, is “something that everyone has an association with and a relationship to.” It is something people “can come together around.” Food as an architecture firm name, he points out, is unfortunately also very hard to Google. But that hasn't stopped them from working on projects for clients ranging from the Museum of Modern Art (MoMA) to Kanye and Kim Kardashian West. But it's their most recent project, Office Hours, where the name's magnanimous universalism really shines through. For Office Hours, Food has taken over a storefront on East Broadway in New York’s Chinatown for three weeks of programming centered around an online radio station (to be distributed in more permanent format later) as well as various community projects and events. All manner of creative people, like chef Angela Dimayuga, artist Jon Wang, designers Chen Chen and Kai Williams, SO-IL partner Jing Liu, DJ Venus X, and creative director Heron Preston have come through and spoken on the air. As the website for Office Hours notes, the events, like actual office hours, also serve as an “open invitation.” People can come in and listen, and youth are particularly encouraged. In fact, Food members have stopped by the public library on more than one occasion to invite kids and teens in and people have come in off the street to do work or check out the "reading room." Office Hours is committed to promoting people of color and those who live in the largely-immigrant neighborhood. As the project description notes, “In New York City, one in four Asian Americans live below the poverty line…Unsurprisingly, many young people that grow up in this environment self-limit what they see themselves being able to do.” The purpose of Office Hours, in part, is to expand this range of vision and imagination by introducing youth to the whole array of future possibilities for themselves. The space, which is laid out with some wiggly custom-made gray plywood tables held up by Ikea desk legs, has hosted happenings for all ages—from drawing lessons to impromptu happy hours. Office Hours continues through November 16 and all are invited to intend. The schedule and the live stream are available on Food's website.
This fall, the Cutchogue New Suffolk Library will be hosting an exhibition on the modernist homes sweeping North Fork, a beach community on New York's Long Island. A New Wave of Modern Architecture on the North Fork will catalogue the work of six architects and firms who have completed modernist projects across the enclave. Columbia art history professor Barry Bergdoll previously curated Frank Lloyd Wright at 150: Unpacking the Archive at the Museum of Modern Art. A New Wave of Modern Architecture on the North Fork will open with a wine and cheese reception on September 7 and will run through September and October at the library’s rotating exhibition space, the Upstairs Gallery. The architects featured will include SO-IL, Shenton Architects, Joseph Tanney and Robert Luntz from Resolution: 4 Architecture, who specialize in prefabricated modern homes, William Ryall of Ryall Sheridan Architects, Richard Gluckman of Gluckman Tang Architects, Allan Wexler, and John Berg of Berg Design Architecture. New York design firm 2x4 will be designing the exhibition, and the Friends of the Cutchogue New Suffolk Library, a group of patrons and businesses who support and help program events at the library, will be hosting the event. While the bulk of the exhibition will cover work in the area designed after the year 2000, homes by Tony Smith and the sharply-angled houses of Charles Moore will be mentioned on a text panel at the show's entrance.
Exhibit Columbus has announced the winners of the 2018-2019 J. Irwin and Xenia S. Miller Prize competition. The five winning firms will be featured in the Docomomo US and Exhibit Columbus 2018 National Symposium, titled Design, Community, and Progressive Preservation, taking place September 26 through 29. Firms will then return on January 19 to present their design concepts to the community. Each firm is tasked with constructing site-responsive installations that interact with Columbus’s midcentury modern heritage, with the final works opening to the public on August 24, 2019. This is the second year that the Miller Prize has been awarded. Here are the five winning firms: Agency Landscape + Planning With work that ranges from the Chicago Riverwalk to a two-year examination of the post-Hurricane Sandy landscape, Cambridge-based Agency has a deep commitment to ecological and social mindfulness. Agency is currently leading the White River Vision Plan, a year-long strategic plan for redeveloping 58 miles of southern Indiana river. Bryony Roberts Studio New York-based Bryony Roberts Studio uses design to bring intangible heritage and social histories to contemporary audiences, often through distinctive collaborations. As a participant in the 2015 Chicago Architecture Biennial, Bryony Roberts brought the South Shore Drill Team to Ludwig Mies van der Rohe’s Federal Center for an electrifying performance that used careful choreography to mirror the lines of the iconic modernist plaza. Frida Escobedo Studio Fresh off her commission to design the 2018 Serpentine Pavilion in London’s Kensington Gardens, Mexico City-based Frida Escobedo creates sophisticated structural forms using vernacular materials and methods, including concrete block, brise-soleil, and post and beam. MASS Design Group Based in Boston, and Kigali, Rwanda, non-profit MASS Design Group believes that architecture is never neutral, and that it has the power to heal. The firm’s work includes both research and design. This spring MASS Design Group unveiled the National Memorial for Peace and Justice in Montgomery, Alabama. SO-IL With work that creates “structures that establish new cultures, institutions, and relationships,” New York-based SO-IL created L'air pour l'air for the second Chicago Architecture Biennial in 2017, a project that brought the firm to the Garfield Park Conservatory, where they encased an ensemble of wind instrument players in air-filtering mesh enclosures, designed to clean the air through breathing.
Brooklyn-based SO-IL and Cleveland’s JKurtz Architects have been chosen to design Cleveland’s new Martin Luther King, Jr. branch of the public library system. The team was selected by the Cleveland Public Library (CPL) Board of Trustees on June 15, beating out other big-name teams including MASS Design Group with LDA Architects, and Bialosky Cleveland with Vines Architecture. The winning scheme is laden with design flourishes that nod to King’s legacy and seek to bring people together. “We looked to Dr. King’s words for our inspiration. The table of brotherhood led us to our vision—a table large enough to host all communities,” said co-founder of SO-IL Jing Liu during their presentation before the board. “What we made here is not a static symbol but a place where people come together and interact.” The “table of brotherhood,” a metaphor from King’s famous “I Have a Dream” speech, will be physically embodied at the new branch by a large, multi-use table at the heart of the team’s plan. A staircase up to an elevated area will reference King’s “I’ve Been to the Mountaintop” speech and patrons can find the library’s future collection of Anisfield-Wolf books; those that recognize racism and celebrate diversity. A “virtual garden,” interactive “Freedom Map” podium, a “Living Wall” that projects rearranging words, and a “Virtual Garden” are all in the works for the new museum. “SO-IL + JKurtz proposed a functional, beautiful space that speaks to Dr. King’s vision of social justice and equality. The Board found the design inventive and creative, with many features that can make this branch world-class,” said Maritza Rodriguez, President of the Cleveland Public Library Board of Trustees in a statement. The city is now in negotiations with the architectural team, and no construction date or budget have been made public yet. The old Martin Luther King, Jr. library will stay open until the new branch is finished.
On May 11, Arts South Australia’s design jury revealed the design proposals from the six shortlisted teams selected in the Adelaide Contemporary International Design Competition, a planned art gallery and sculpture park in Adelaide, Australia. The 160,000 square-foot Adelaide Contemporary will house a significant portion of the Art Gallery of South Australia’s 42,000 piece collection, which currently only has a fraction on display due to a lack of space. The museum will draw upon its substantial Aboriginal collection to create the Gallery of Time, which will combine indigenous pieces with European and Asian works. This shortlist's designs follow. Adjaye Associates & BVN’s design draws upon Aboriginal vernacular architecture through the use of a surrounding canopy, providing shade in one of the more arid corners of the country. With the canopy screening significant portions of the four elevations, the design will largely use skylights and balconies to filter natural light into the central atrium and stairwell. With a twisting, serpentine layout, Bjarke Ingels Group (BIG) & JPE’s proposal is inspired by Aboriginal sand painting, which often embeds abstract natural elements within a landscape. Through the use of rooftop landscaping, the team hopes to integrate their design with the adjacent Botanic Garden. David Chipperfield and SJB Architects’ is the only timber structure proposal. The principal elevations are composed of wooden screens, and the structure is topped by sloped roofs. In a statement, Diller Scofidio+Renfro & Woods Bagot describe their proposal as a “matrix of unique spaces unbound by disciplinary categories range in size, height, infrastructure, and light quality.” The bulk of exhibition space is located on the second story, which is cantilevered over an outdoor gallery and public square. Hassell & SO-IL incorporate a central plaza into their design proposal, which the team describes as an attempt to bring “nature, art, and people together.” The central plaza serves as a circulation node and public square connecting the gallery’s semi-independent spaces, which are further laced together by a draped, metal brise-soleil. Khai Liew, Ryue Nishizawa & Durbach Block Jaggers proposal consists of a sweeping, perforated canopy supported by a series of pilotis. Beneath the canopy, the site is split roughly evenly between park and curatorial space, the latter presenting sweeping views of the adjacent Botanic Garden. Arts South Australia’s design jury will meet again in May, with a winner expected to be announced in June.
Welcome to AN Interior's inaugural top 50 interior architect and designer list, featuring emerging and established firms across the U.S. While these architects' and designers' talents certainly go beyond interior work, they are deftly pushing the boundaries of residential, retail, workplace, and hospitality spaces and cleverly reimagining the spaces we inhabit. Ensamble Studio Boston, Madrid With a distinct focus on the process of making, Ensamble Studio leverages material technologies to produce dramatic spaces and forms. 64North Los Angeles Multidisciplinary studio 64North provides branding, interiors, website, and product design services. Architecture is Fun Chicago
As the name implies, Architecture Is Fun produces playful designs, frequently working with children’s museums; it won AIA Chicago’s 2017 Firm of the Year award. UrbanLab Chicago, Los Angeles
UrbanLab’s highly graphic design sensibility brings together smart solutions and visual identity in projects ranging from small storefronts to urban infrastructures. Design, Bitches Chicago, Los Angeles
The irreverent work of Design, Bitches employs layers of color, light, and material to build engaging interior spaces across Southern California. LADG Los Angeles
LADG produces uncanny forms and clever spaces by leveraging common construction materials.
Toshiko Mori Architect New York
Tacklebox’s interiors are filled with “ordinary” materials deployed in unexpected ways, recontextualizing the quotidian.
Michael K Chen Architecture New York
MKCA’s puzzle-like built-ins make the most of tiny living spaces. NADAAA New York, Boston
NADAAA’s work engages with high-tech material investigations and form finding. LOT New York, Athens
The influence of LOT’s Greek office is clear in its mellow, refined interiors and the firm’s furniture line, Objects of Common Interest. MOS Architects New York
The highly intellectual work of MOS plays on contemporary and historical architectural philosophies. Norman Kelley Chicago, New York
A self-described superficial practice, Carrie Norman and Thomas Kelley explore the concepts of play, illusion, and flatness, all within an often tongue-in-cheek understanding of historical precedent. Snarkitecture New York
Part think tank and part design firm, every INABA Williams project is rooted in an in-depth research process.
Elliott + Associates Architects Oklahoma City
Rand Elliott has been focusing the country’s attention on Oklahoman design for the past 40 years. SPAN Architecture New York
SPAN creates high-finish spaces full of carefully chosen materials and details. Home Studios New York
Home Studios produces polished, finely detailed commercial and hospitality interiors filled with fine wood, stone, and metal detailing. Architecture in Formation New York
AiF brings together eclectic styles for a wide range of projects, from large hospitality to urban lofts.
Only If— New York
Only If— fuses smart geometries with clever materials for striking interiors.
Ezequiel Farca + Cristina Grappin Los Angeles, Mexico City, Milan
Ezequiel Farca and Cristina Grappin draw from their collaborations with Mexican artisans and use local materials to create contextual works for high-end clients. Bureau Spectacular Los Angeles
The comic book sensibility of Bureau Spectacular delves beyond the superficial with spaces that encourage the occupants to live a less ordinary life. Barbara Bestor Los Angeles
Between her many residential and commercial projects across L.A. and her book, Bohemian Modern: Living in Silver Lake, Barbara Bestor is an influential force on Southern Californian design.
Johnsen Schmaling Architects Milwaukee
Johnsen Schmaling translates the beauty of the rural upper Midwest into site-specific residential projects.
Morris Adjmi Architects New York
Carefully proportioned spaces and forms—and a sensitivity to history— define Morris Adjmi’s elegant work.
Neil M. Denari Architects Los Angeles
Teaching at UCLA in addition to running his practice, Neil Denari is a perennial thought leader in the space where technology and architectural form meet. WORKac New York
With clever twists on typical programs, WORKac’s interiors are unexpected and playful. archimania Memphis
The progressive Memphis-based firm is taking a leading role in redefining what architecture can be in the Southeast through its numerous projects and help in redeveloping its city’s waterfront.
Shulman + Associates Miami
Shulman + Associates draw on the history, materials, and culture of South Florida to formulate vibrant, innovative commercial and residential interiors. Clive Wilkinson Architects Los Angeles
Focusing on workplace and educational facilities, Clive Wilkinson has helped define the aesthetics of contemporary creative professional and learning spaces.
The workspaces designed by Studio O+A express its clients’ stories and personalities, pushing the envelope of the modern office.
New Affiliates New York
New Affiliates works in “loose forms and rough materials” to create elegant spaces.
Biber Architects New York
James Biber approaches every project with a fresh vision, letting design and function guide the form.
Olson Kundig SeattleOFFICIAL Dallas
With a dedicated interiors studio, Olson Kundig has redefined the Pacific Northwest architectural typology.
OFFICIAL designs bright interiors with pops of color and custom furnishings. The two-person studio also has its own furniture line.
Aidlin Darling Design San Francisco
Materials are at the forefront of and celebrated in each project by Aidlin Darling Design. Leong Leong New York
Brothers Christopher and Dominic Leong use broad, decisive formal moves to organize space into crisp, refined interiors. Alexander Gorlin Architects New York
For the past two decades, even when minimalism reigned, Alexander Gorlin has been layering colors and patterns with great success. Craig Steely Architecture San Francisco
Craig Steely celebrates the tropical locales of his projects with interiors that reflect and embrace the native flora.
Aranda\Lasch New York, Tuscon
Truly experimental, Aranda\Lasch explores pattern and fabrications as easily as space and form.
Andre Kikoski Architect New York
Known for creating everything from architectural interiors to furniture and finishes, Andre Kikoski consistently delivers refined designs. SO-IL New York
Airy and ethereal, yet highly programmatic, the formal and material exercises by SO-IL are unmistakable. Peter Marino Architect New York
Leather-clad Peter Marino is the go-to for sumptuous interiors in high-end retail and hospitality around the world. Slade Architecture New York
Slade’s lighthearted approach brings together form, color, pattern, and material. Charlap Hyman & Herrero Los Angeles, New York
Bold interior forms with a refined material palette typify the work of RISD graduates Andre Herrero and Adam Charlap Hyman.
BarlisWedlick Architects New York
BarlisWedlick produces super-efficient, passive projects without neglecting aesthetics. Schiller Projects New York
Schiller Projects works through analytic research to design everything from architecture to branding.
2017 Best of Design Award for Civic - Cultural: Jan Shrem and Maria Manetti Shrem Museum of Art Architect: SO-IL with Bohlin Cywinski Jackson Location: Davis, California Defining the museum as a landscape of cultivation, the design of the recently established Manetti Shrem Museum at the University of California, Davis, captures the Central Valley’s spirit of optimism, imagination, and invention. “Cultivation” has a divergent etymology, on one hand rural, on the other, urban-bourgeois. The overarching “Grand Canopy” seeks to embrace both contexts, extending a rolling form patchworked with aluminum beams over both site and building. An environmental silhouette, the design provides identity and awareness to multiple constituencies. "The project makes me optimistic for architecture in the U.S. —intelligent and rigorous architecture that is also delightful and humanist at the same time. I love how the building connects an intimate experience to the scale of the landscape around it." —Eric Bunge, principal, nARCHITECTS (juror) Contractor: Whiting-Turner Structural Engineer: Rutherford & Chekene Mechanical Engineer: WSP Lighting: Fisher Marantz Stone Canopy Engineer: Front Honorable Mention Name: Chrysalis Designer: MARC FORNES / THEVERYMANY Place: Columbia, Maryland Chrysalis is an amphitheater, but it is first a pavilion in a park, a tree house, and a placemaking public artwork, ready to be activated at any moment. Here, temporary occupations are staged under a series of cascading arches that vary in size and function: a structural system that gives form to play.