New York's inaugural design week, held from May 10 through 21, was a comprehensive, two-week celebration of all things design across Manhattan island, as well as parts of Brooklyn. Showcasing the latest from industry stalwarts to emerging and independent designers—local, domestic, and international—AN culled its top picks of New York Design Week products from the ICFF show floor, Wanted Design exhibitions, showroom launches, and all events in between. The Low Collection 13&9 Design The multidisciplinary Austrian design studio debuted at Wanted Design with a collection of furniture, wearable fashion and accessories, a cinematic video, and a music album. With the Low Collection (pictured above), Corian is formed into several seating styles that combine with storage vessels, all at ground level. Suitable for outdoors, furniture heights can be modified to generate a unique landscape. Cartesian Chair Alexander Purcell Rodrigues Named for Descartes's coordinate system, the Cartesian chair is made from aircraft-grade aluminum with an anodized finish for extreme durability. Mathematically generated, subtle texture on the back is realized via parametric design tools. Stool 60 Special Editions Artek Originally designed by Alvar Aalto in 1933, Artek celebrates 80 years of production with special updates by guest designers including Mike Meiré, Tom Dixon, Commes des Garcons, Mads Norgaard, and Nao Tamura. Special Edition by Brooklyn-based designer Tamura features screen-printed tree rings directly onto the seat to unify the lifespan of a tree with the longevity of Stool 60. Regent Street Mirror Avenue Road Debuting its second collection with Avenue Road, Yabu Pushelberg launched seven new pieces with its production partner for 2013. Regent Street is a full length dressing mirror with a functional, glass-topped shelf, supported by a polished nickel frame. Minikitchen Boffi Made from Corian with a solid teak chopping board, Boffi's mobile, outdoor kitchen unit can be repositioned easily on swiveling castors. It also features space for a mini-refrigerator, small cutlery drawers, electrical appliance sockets, and a pull-out worktop. Maharam Shell Chair Project Carl Hansen Carl Hansen has collaborated with Maharam textiles on the Maharam Shell Chair Project to celebrate the 50th anniversary of CH07's design. For this special collection, 20 of Wegner's Shell Chairs will feature a range of re-edition designs from Wiener Werksẗatte and Alexander Girard, as well as collaborations with Hella Jongerius and Paul Smith. Tuareg Foscarini The frame of Ferruccio Laviani's Tuareg floor lamp is marked by three metal tubes that house fully adjustable LED light sources. At 82 inches in height and 50 inches in width, it is available in Orange and Black. Curl Luceplan Industrial designer Sebastian Bergne designed Curl with adjustable white, LED technology which allows users to change the light temperature quickly and easily. And with no established base, the fixture can be set in any position for endless configurations of ambient light. Pleat Box Marset Featured in the "Design: Istanbul–Turkey" showcase at Wanted Design, the Pleat Box lighting pendant is designed by Mashallah Design in collaboration with Barcelona ceramicist Xavier Mañosa. Recycling various enamels produces a white ceramic, brown, black, terracotta or gray exterior and is finished with a glossy white or gold interior. Røros Tweed Blanket Snøhetta Debuting this spring, Mountainfold, Color Noise, and Islandskap are Snøhetta-conceived patterns on Norwegian-manufactured Røros Tweed. On Mountainfold, the design was derived from the famous mountain peak in Dovre, Norway (and the firm's namesake), and is available in six colorways. Heze Trove Geometric, circular patterns are rendered in blurred strokes on wood veneer, matte foil wallpaper, PVC-free Type II Redeux, embossed Type II Marquee, or in bamboo and rice textures for windows. A 12-foot by 67-inch panel shows no vertical repeats. Exquisite Wink Wolf-Gordon For its booth at ICFF, Wolf-Gordon commissioned 10 leading designers and artists to demonstrate the benefits of Wink, a clear, dry-erase coating that can be applied to any smooth surface. Featured sketches and designs in the "Exquisite" installation came from Snarkitecture, Ali Tayar, karlssonwilker, Michael Graves, Boym Partners, Myles Karr, and Ben Katchor.
Posts tagged with "Snøhetta":
Snøhetta has been selected to design the Qasr Al Hukum Downtown Metro Station in Riyadh, Saudi Arabia, which will operate as a transfer point between two metro lines and a bus network. The Norwegian architecture firm's design covers the station with a large stainless steel bowl, distinguishing it from the metropolitan framework, providing shade, and conducting light deep underground with its reflective surface through a central oculus. At night, light from retail shops and the subway platform shimmers across the metal's surface. A garden occupies the center of the main pedestrian circulation area, which includes concourses and escalators that connect the lower platforms to the street. This oasis is an effort to convey the value of natural resources in the country’s desert environment. The station stands prominently above ground with distinct entrances at the center of the bowl and at the Eid Mosque to the southwest. These aspects are connected materially and spatially by palm trees and irrigation channels running toward Mecca. Zaha Hadid is also taking part in the Qasr Al Hukum Downtown Metro Station development and is designing the King Abdullah Financial District (KAFD) metro line. The Riyadh Public Transportation network is the world's largest urban transport program in development.
As cities across the country struggle to bring new life to aging athenaeums and cash-strapped local libraries, the AIA has honored six outstanding examples of library design in this year’s AIA/ALA Library Building Awards. In the past we have seen a Walmart transformed into a library, a controversial starchitect renovation in New York, and an interactive, LED light-show—now take a look at these honored projects. From democratic design in the nation’s capital to a stunning Beaux-Arts restoration in St. Louis and high-tech solutions in North Carolina, this year's winning projects present a range of answers to the challenges facing our fading repositories. The jury for the biannual award included Jeanne M. Jackson, FAIA, Chair, VCBO Architecture; John R. Dale, FAIA, Harley Ellis Devereaux; Charles Forrest, Emory University Libraries; Kathleen Imhoff, Library Consultant; J. Stuart Pettitt, AIA, Straub Pettitt Yaste and John F. Szabo, Los Angeles Public Library. Anacostia Neighborhood Library Washington, D.C. The Freelon Group From the AIA: The small-scale residential context provided the inspiration for the design of this new branch library, located in a low-income, underserved neighborhood in Washington, D.C. The project not only fulfilled programmatic needs but also provided a stimulus for community pride and economic development. The residential scale is reflected in the library design as a series of pavilions for program areas that require enclosure: the children’s program room, the young adults’ area, support spaces, and public meeting rooms. The remainder of the level one plan is high, open space for the main reading room, stacks, computers, and public seating areas. A large green roof structure provides shelter over all program areas. Central Library Renovation St. Louis Cannon Design From the AIA: Cass Gilbert’s grand Beaux-Arts library, now 100 years old and a St. Louis cultural landmark, was in need of a transformative restoration that would increase public access and modernize it for the 21st century. On the interior, the centrally located Great Hall is surrounded by five wings, four dedicated to public reading rooms and the fifth, the north wing, to a multistory book depository closed to the public. The transformation of the north wing truly rejuvenated the library and brought it into the next century. Old book stacks were removed, and a new “building within a building” was inserted. Now, a multistory public atrium provides an accessible and welcoming entry. The new “floating platforms” surround the atrium without touching existing interior walls. Glass-enclosed upper levels house the collection with compact high-density bookshelves. The windows of the north wall, now clear glass, bounce natural light deep into the interior and provide striking views. New York Public Library, Hamilton Grange Teen Center New York City Rice + Libpka Architects From the AIA: The center, located on the previously empty third-floor space of Harlem’s Hamilton Grange branch library, designed by McKim, Mead and White, is NYPL’s first full-floor space dedicated to teens. In an effort to attract and engage neighborhood youth, the 4,400-square-foot space challenges the norms of library design. The light-filled floor is divided into specific zones that foster small-group interaction and socialization. Visibility is maintained across the entire floor. Two programmatic elements—a 20-foot-diameter Media Vitrine and a bamboo bleacher—occupy the center of the space and work to define the seven zones between and around them. The vitrine’s open-top glass enclosure upends the notion that multimedia spaces must be dark, hyperisolated rooms. The bleacher allows views out to the street from the existing high south-facing windows and provides a sunny hang-out for a range of group sizes. Custom L-shaped lounge benches bracket this space and can be rolled away to allow for other uses and activities. James B. Hunt Library Raleigh, North Carolina Snøhetta and Pear Brinkley Cease + Lee From the AIA: An $11 million reduction in the budget for this library during the schematic design phase prompted the design, construction, and client teams to formulate a range of new ideas to maintain functionality and quality. The building would need to be highly programmed and reasonably versatile as well as comfortable and stimulating to visitors. One innovation was the introduction of an automated book delivery system (ABDS), which effectively reduced the total area of the building by 200,000 gross square feet and allowed more space for collaboration and technology. The ABDS is supported by user-friendly browsing software that matches and even enhances the traditional pleasure of browsing a collection. Oak Forest Neighborhood Library Houston NAAA + AWI + JRA From the AIA: This 7,600-square-foot modern brick and glass structure opened in 1961. Fifty years later, there was still great nostalgia for the library’s mid-century modern design, but the building no longer met the standards of the Houston Public Library system or the needs of the surrounding neighborhood. The 2011 renovations and additions respect the character of the existing library and enhance its accessibility and functionality. The original building’s restored signature green tile mosaic still graces the parking entry area on the north, but now the neighborhood is welcomed by a tree-shaded second entry and outdoor reading room framed by new dedicated adult and teen areas on the west. The original tile mosaic and globe light canopy of the old circulation desk were restored to create a toddler-sized reading nook. Each age group—from toddlers through teens and adults—now has appropriate facilities, furnishings, and technology. A new lobby and circulation space, lit by a continuous shaded clerestory, occupies the seam between old and new and unites the two entries. South Mountain Community Library Phoenix richärd+brauer From the AIA: The building integrates the varied uses of a contemporary public library with the needs of a state-of-the-art central campus library, allowing each to function both independently and collaboratively. The design is modeled after that of an integrated circuit, providing insulation between disparate functions and promoting interaction and connection between like functions and spaces. The simple massing of the building is attenuated to focus views on the surrounding mountains and provide shade and transparency. The site was once home to fertile agricultural valleys and citrus groves, and the building consciously merges interior and exterior spaces to connect to the area’s rich history. A series of rooftop monitors and light shafts flood natural light into the first-level core. The rain screen, formed of bent planks of copper, calls to mind the pattern of an abstracted bar code. Variegated cedar strips reinforce the digital aesthetic of the building. Further echoing the design of a circuit board, building systems are organized and expressed within an internally lit independent distribution soffit.
Norwegian/American firm Snøhetta has been enlisted by Temple University to design a new 350,000-square-foot library on the main campus in the northern section of Philadelphia. Craig Dykers, co-founder of the Oslo-based firm, will speak at the University during the 2013 Temple Architecture Week. Next City reported that Snøhetta has yet to release renderings, but they scored an interview with Dykers following his lecture at Temple, where he said "increasingly, universities are realizing that libraries can also be windows, gateways into the campus and immediately connected to the academic life of the place." (Photo: Courtesy Wikipedia.)
For an authentic tour of Manhattan, try following a map of love and hate, bizarre relationships, or perhaps even lost gloves. Author Becky Cooper brings a collaborative art project that has inspired many New Yorkers to share their varied emotions about the city. Mapping Manhattan: A Love (and Sometimes Hate) Story in Maps is the book featuring 75 maps filled in by strangers, hopeless romantics, and street vendors, among others. To celebrate the publication of Mapping Manhattan, CultureNOW is hosting an event to benefit Summer 2013 Internship Programs on Monday, April 15 from 6:00-8:00pm at architecture firm Snøhetta's offices. Inspired by Italo Calvino’s Invisible Cities, Cooper went from Marble Hill to Downtown and distributed thousands of letterpress-printed outlines of the borough and asked New Yorkers to complete the maps and mail them back to her. At the time, little did she know that people would reveal so much about themselves to her and that her P.O. box would be overflowing with a cartography of illustrated autobiographies. Cooper told the New York Post she sought out "people who were open to the world—without headphones, curious." She was able to get down to the nitty gritty and uncovered true accounts of the city. The book also collects maps from notable New Yorkers including Man on Wire aerialist Philippe Petit and New York Times wine critic Eric Asimov, and several more. Cooper’s inspiration began while studying at Harvard and after she completed a 2007 internship at CultureNOW, a nonprofit formed after 9/11, where she created a map of Manhattan’s public art spaces. Tickets are available for purchase online, or for more information email email@example.com or call 212.604.0900.
Today, New York City broke ground on the new paving/plaza/seating design for Times Square, created by Snøhetta. Dark pavers inset with reflective stainless steel discs will provide a muted backdrop for the area's frenzy of light and crowds. Monumental benches, with concealed electrical infrastructure for events, will provide a variety of seating, lounging, and viewing options. Moreover, the project signals the Bloomberg administration's desire to make its pedestrian plazas permanent.
With only 75 weeks left in New York Mayor Michael Bloomberg's administration, cyclists the city over will inevitably be concerned about the next mayor's stance on bike lanes and street designs lest initiatives put in place under Bloomberg fall from grace. One need only to recall Marty Markowitz's parodic tricycle stunts poking fun at bike lanes or former NYC DOT commissioner Iris Weinshall's efforts to remove a protected bike lane from Brooklyn's Prospect Park West to realize that the concern is not unfounded. At yesterday’s regularly-scheduled City Planning review session, former Bogotá Parks Commissioner Gil Penalosa was invited to give a pep talk, placing a particular emphasis on bike lanes. He warned an audience filled with commissioners and planning staff that as the weeks wind down before the mayor leaves office, they'd better get cracking at PR and permanence: the public needs to become even more familiar with the bike network and the infrastructure needs to become permanent—and striped bike lanes won't cut it! Penalosa now runs the Toronto-based non-profit 8-80 Cities, which espouses the philosophy that if a city is safe for 8-year-olds and 80-year-olds then it will be safe for all citizens. While the philosophy is applied to sidewalks as much as bike lanes, it is particularly interesting when applied to the great strides made in New York's bike network under current DOT Commissioner Janette Sadik-Khan. Take 8th or 9th avenues in recent years as an example. You might not be too concerned if your kid or grandma pedaled along the green-painted, protected bike lanes in Chelsea, where the lanes runs between the sidewalk and a planted median, and is further buffered from car traffic by parked cars. But moving toward Midtown, the street shifts and bike are moved into narrower striped bike lanes or sharrowed streets at the Port Authority Bus Terminal with no separated bike lane at all. Fortunately in this case, the city recently announced that 8th and 9th avenues will be treated with protected bike lanes between 34th Street and Columbus Circle, filling in the missing teeth. Clearly some of Sadik-Khan's surgical approaches to curb traffic, increase safety, and make way for pedestrians and cyclists are working their way toward permanence, with Snøhetta's Times Square redesign being most extraordinary example. But Penalosa warned that an incremental approach to building a bike network is like the city building a soccer field in phases: We'll put up one field goal this year, then part of the field next year, and hopefully we'll get to the other goal before the next administration decides its a waste of money and abandons the plan. And with the city's 10,000-bike-strong Citi Bike bike-share system to be launched as soon as August, a complete bike network will be more important than ever. Penalosa said that the bike network as it stands is a very substantial start that has opened people's eyes. Cities the world over are pointing to New York's plan as an example, and some, like Chicago, are taking it even further. But he noted that without a network of protected bike lanes and lower traffic speeds, bike infrastructure will struggle to reach its full capacity beyond those who are already established cyclists. If the city wants to coax more people into the system, Penalosa said, then they need to feel safe. So, could all of New York's bike lanes be erased? While it seems unlikely today, one only needs to look to Penalosa's home base in Toronto where several pro-environment mayoral candidates on the left couldn't get their act together to protect strides made by former Mayor David Miller. The conservative candidate Rob Ford won the mayoral election promising to end the "war on cars" brought about by increased cycling. "Not even in his wildest nightmares did Miller think that Rob Ford would be elected," Penalosa said by phone from Toronto. "There's a point when the stars are aligned, when you have the right mayor and the right politicians, but you never know if the next mayor is going to be the same."
Collaboration: The Art and Science of Facades Symposium: Thursday, July 26, 8:00 a.m. to 5:00 p.m. UCSF Mission Bay Conference Center, San Francisco Workshops: Friday, July 27, 9:00 a.m. to 6:00 p.m. California College of the Arts, San Francisco This week in San Francisco architects and engineers at the forefront of facade design and fabrication will gather to present their latest work and research. Sponsored by The Architect's Newspaper and Enclos, the first-day line-up for Collaboration: The Art and Science of Facades includes Craig Dykers of Snohetta as the keynote speaker along with presentation by leaders at SOM, Thornton Thomasetti, Firestone Building Products, IwamotoScott, Future Cities Lab, Gensler, Kreysler & Associates, Gehry Technologies, Buro Happold and more. On the second day, participants receive hands-on practical instruction through workshops with industry leaders. Those attending both days will receive 16 AIA Continuing Education credits. One day left to register! For registration click here. Can't make it out West this week? Check out the next call for papers: AN's Facades + Innovation Conference, October 10-12, Chicago. Download PDF.
BOFFO is an arts and culture non-profit fostering collaborations between artists, designers, communities, and theorists to inform and engage the public in participatory arts programs. In late May, it launched a show house at a Lower East Side public school building turned apartment house, called The Madison Jackson. It turned out to be a clever draw getting people to a neighborhood that is lower and farther east than more popular sections of the LES. I speak from familiarity as I live in a perch overlooking the venue. The glam show house is unusual for a neighborhood comprised largely of public housing blocks next to tall towers that formerly were union cooperatives and as close to socialist housing as we’ve had in NYC. This large swath of housing allows for only a small number of storefronts or buildings that can easily convert to restaurants, retail, business, or other services and that means little ambient, walk-in traffic. And that makes BOFFO’s ambitious efforts all the more unusual. The Madison Jackson is developed by the Sung family with Michael Bolla of Douglas Elliman. The six-story building with 110 units, priced around $750 per square foot, is now being pitched to wealthy observant Jews, with added features including a 24-hour kosher and vegan food service and a pool with designated single-gender swimming hours. In this context, BOFFO was a welcome way to get a peek into this building that has been under start-and-stop construction for about 15 years, ever since PS 12, designed by Charles Snyder in 1908, held its last class. Artist/designer Andrew Yes curated four spaces in four ground-floor bi-level apartments around the themes of Nature, Future, Play, and Work. On entering, visitors were greeted with an interactive light installation, “Cloud” by Focus Lighting, which leads you down a corridor and links the four themed rooms. Infrared sensors process movement beneath 200 tubes and up-lighting on the ceiling, shifting color in 12 different configurations. In the Work room, a geometric jungle gym of green and chrome dominates the space. Actually, it’s a modular storage system by Ghiora Aharoni Design Studio for USM Modular Furniture that has been set on a reflective floor and outfitted with artist books by Printed Matter. Also featured in this room is the Clown lamp by Jaime Hayon switched on by touching the gold-dot “nose” on a head-shaped white ceramic base. The Play apartment is dominated by Tom Fruin’s Maxikiosco peaked-roof house of colorful panes, framed by Crouscalogero (Estiluz) balloon lights. To get to it though, you must first pass through colorful Pox balls by LMNOQ extruding from the walls and a rubber band stairwell installation by Margarita Mileva. Upstairs is a “Victorian” dollhouse by Snøhetta. In the Nature room, a forest of upside-down hanging trees by Ovando floral design is set against a tropical bird mural by Pablo Piatti for Tres Tintas Barcelona. Alex Gil of Spacecutter has created the “Monolith” dining table circled by chairs that create a solid box when they are pushed into place, as if a virtual tomb. Assorted cutlery in ceramic and in metal by Melissa Gamwell combine conventional shapes and unorthodox shapes, including hammerheads. Mark Talbot’s “Tile Fungus” forms a living cityscape in white bas relief. A highlight of the Future is upstairs in a virtual bedroom by Pryor Callaway. Here, mannequins and beams of laser light make you wonder if sleep will even be possible when you move into your apartment at The Madison Jackson.
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A preview of the collaboration behind the entryway to Ras Al KhaimahSnøhetta’s 656-foot-tall Gateway tower, 93 miles east of Dubai, will mark the entrance to the new planned capital city of the United Arab Emirates, Ras Al Khaimah. Inspired by the surrounding desert and mountain landscape, the project’s undulating form will bring almost 3 million square feet of mixed-use space to the city, which is being master planned by Netherlands-based firm OMA. Snøhetta has designed a prototype of the building’s white-scaled skin in collaboration with Dubai-based lightweight composite manufacturer Premier Composite Technologies (PCT). The RAK tower, which is slated to hold a hotel, will be structurally clad with prefabricated panels attached to its concrete slabs without additional substructure. The design requires panels to be insulated and include the external skin as well as internal doors, windows, and a grid for a plasterboard interior finish. More than 1,000 panels will be needed to realize the design, but Snøhetta and PCT began with one 26-by-13-foot prototype. The design plays to efficiency: Finished panels clad with geometric ceramic shapes will be hoisted onto the tower by crane and connected to each other with a watertight bolted connection to save money and time; a composition of glass fiber and epoxy resin composite surrounding a structural foam core and insulation is designed for decreased solar heat gain. Because the tower rises and twists from lower, horizontal forms at its base, the panels must have a complex bi-axial shape, so using easily moldable composites made sense from a design standpoint as well. PCT uses a 5-axis milling machine to create molds with multiple-axis forms and intricate shapes. Snøhetta worked with PCT’s design engineers to develop the RAK Gateway’s conceptual facade designs, analyzing 3-D images for structural performance. The team then translated CAD files into CAM files to manufacture molds. The components, which are laminated on the CNC-milled molds and oven-cured under a vacuum, have a tolerance of less than 1 millimeter. Holes are also molded into each element, ensuring accurate placement of attachments before the panels ever reach the building. As part of the collaboration, Snøhetta translated the Gateway’s shapes into a design for PCT’s booth at 100% Design London. Watch architect Thomas Fagernes discuss the design below in a video about PCT: Video courtesy RIBAJournal.com
Last Friday, AN went to the 9/11 Memorial, without a press pass, an official tour guide, or a hard hat. We went as a neighbor and experienced the place as any other visitor might. First, we attempted to get our ticket online. After checking the availability on Tuesday, we dithered, and by Wednesday online tickets were gone. But at the temporary exhibition space on Liberty Street, and a manager told us that a $20 ticket to the museum would get us into the memorial without reservations. After skipping the exhibition, we went through a series of checkpoints akin to international travel at JFK. The experience was a sobering reminder of one of the many aftereffects resulting from the attacks. Everything metal had to be removed and placed into an x-ray machine, but shoes did not have to be taken off. The staff at the metal detectors were stern and efficient. The line moved swiftly. At the following two or three additional checkpoints, administrators became friendlier. On entering the plaza, the public was set free. Watching the crowd interact with the space was almost as intriguing as memorial itself. Boy scout troops scampered, parents called out, as the crowd headed toward the South Pool where they clustered for a first glimpse. The recreational mood dissipated as the crowd dispersed and began to walk around the pool. The scale began to take root and voices lowered. By the time they reached Snøhetta's pavilion, more than a few visitors seemed disoriented. Several gazed through the glass at original World Trade columns and wondered aloud if this was in fact where the towers once stood. Others explained that the pools were the footprints. Again, the crowd regrouped and conversed, before separating and drifting off to the next pool. The light on the original column was in fact among the warmest light on the plaza. The the pool's lighting felt as cool as the water itself--stark but not sterile. The lamppost columns spread throughout the plaza in slim vertical gestures, so that the temporary incandescent washing the World Trade columns provided an oddly warm punctuation to the entire site.
Mayor Bloomberg’s vision for a pedestrian-friendly Times Square is about to be written in stone. On September 27, Snøhetta gave Community Board 5 a preview of things to come at the Crossroads of the World, and they look a lot more permanent than lawn chairs and painted pavements. Principal Craig Dykers presented designs for dark and darker pavers that largely eliminate any bias for an automotive Broadway, stepping the plaza streetscape up to sidewalk grade and adding elongated benches to indicate long-gone traffic patterns. In homage to New York noir, the designers have also embedded nickel-sized reflectors adding a hard bit of glitz to the dark stones that will not compete with the glam above. According to an email from Seth Solomonow, Press Secretary at the NYC Department of Transportation: “This long-planned redesign will restore the aging utilities below the street, which itself hasn’t been rebuilt in more than 50 years and still has trolley tracks beneath the asphalt. On the surface, this simple, flexible design will clear obstructions and support the growing number of programs occurring in Times Square, which more than 350,000 people visit every day.”