Posts tagged with "SCAPE Landscape Architecture":

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Damon Rich and Kate Orff are awarded 2017 MacArthur “genius” grants

Damon Rich, founder of the Center of Urban Pedagogy (CUP) and co-founder of design studio Hector, and Kate Orff, founder of SCAPE, have been honored with 2017 MacArthur Fellowships. Awarded annually by the John D. and Catherine T. MacArthur Foundation to individuals across a range of fields, the award gifts its fellows a no-strings-attached $625,000 stipend over five years. Unlike other awards, its fellows aren't selected based on an existing body of work so much as "extraordinary originality" and "a marked capacity for self-direction," according to the Foundation's website. Rich certainly demonstrates both. Trained as an architect at Columbia University, in 1997 Rich founded CUP, a New York City-based nonprofit that develops programs to help community development organizations and public school students address public policy and social justice issues  like zoning, tenants' rights, infrastructure design, and more. From 2008 to 2015, Rich served as the chief urban designer and director of planning for the City of Newark, New Jersey. During his tenure, he worked with local advocacy groups to redevelop the city's waterfront as an accessible urban parkway dotted with environmental installations, a process still embroiled in city politics. He also formed a coalition of city-wide organizations to revamp Newark's obsolete zoning and land-use regulations for the first time in over fifty years. In 2015, Rich co-founded the design studio Hector with Jae Shin. The firm is currently involved in the redesign of Mifflin Square Park in Philadelphia in addition to ongoing work in Newark and San Francisco. As part of the Philadelphia project, Hector has formed a coalition of local advocacy groups and city agencies to inform the final design, which may incorporate a Buddhist temple, a number of public eateries, and ongoing community programming. Forming these kinds of coalitions has become the backbone of Rich's work. "This is one of the most diverse neighborhoods in Philadelphia, with Cambodian, Laotian, Vietnamese, and Bhutanese residents, and many more from a range of backgrounds," Rich told The Architect's Newspaper (AN). "Design groups need to have the cultural competence to treat people like they're people, and bring the spirit and identity of the place into physical form." Rich also serves as an adjunct associate professor at Columbia University's GSAPP program, where he teaches architecture and urban design. While he didn't specify how he would use the award, Rich reflected on what it might mean to the next generation. "In public sector work, I'd hope to be one voice standing up for our often beleaguered municipal planners, and encourage youth that this is a career path they might want to be a part of," Rich said. "I hope this award points to the fact that even though planning departments are very old technologies, there's still a fundamentally exciting and engrossing potential in any forum where we come together and shape the places we live in." Kate Orff is the first landscape architect to ever be awarded the MacArthur prize. Her work at SCAPE has risen to great prominence, with upcoming commissions including participation in the U.S. Pavilion at the 2018 Venice Architecture Biennale. Her emphasis on ecological stewardship, however, sets her apart from peers. Orff cares deeply about the effects of climate change on the urban fabric, as well as the long-term effects design can have on biodiversity and ecosystem wellness. Her approach also puts some of this responsibility on the users of public spaces, encouraging park-goers and community members to participate in environmental stewardship. One cornerstone project that helped put Orff's work on the map was a collaboration with photographer Richard Misrach. In 2012, the two set out to document and quantify the outfall of industrial sites along a chemical corridor known as the "American Ruhr" in the Lower Mississippi River Valley. The resulting book, Petrochemical America, examines the environmental, economic, and public health consequences of pollution in southeastern Louisiana. SCAPE's project for President Obama's Rebuild by Design competition after Hurricane Sandy proposed a series of oyster reefs on Staten Island's North Shore that would act as wave breakers and water filters, as well as serve as an outdoor classroom to educate youth on marine and coastal ecology. Most recently, SCAPE has completed a design for Lexington, Kentucky's Town Branch Commons. Their design highlighted the site's underlying porous limestone in a linear park that stretched through the city. "I really feel we need to mobilize and understand the best available science, apply it to the built environment, and to anticipate the next 50 years or the next 100 years," Orff said in her feature on the MacArthur Foundation's website. "I think we have a huge role to play, not just to beautify but literally to reset ecosystems, to reconnect people to each other through these social spaces that also can perform ecological services."
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New renderings revealed for SCAPE’s revamp of downtown Lexington, Kentucky

New York–based SCAPE Landscape Architecture has released new images of an urban park in the heart of Lexington, Kentucky. The city, working with the Bluegrass Community Foundation, has spearheaded the project which will completely transform one of Lexington's main public spaces. The Town Branch Park is part of the larger Town Branch Commons project—originally featured in The Architect's Newspaper's October 2016 issue—which proposes to uncover Lexington's long-buried Town Branch Creek. By revealing the waterway, the city will gain a new large-scale green space, complete with natural and artificial water features. The park will become a major part of the Town Branch Greenway, which connects existing downtown parks. The downtown portion of the Greenway is also being designed by SCAPE. When complete, the system of bike and pedestrian trails will stretch over 22 miles. “Every great American city has a great park,” said Kate Orff, founder and partner at SCAPE, in a press release. “We are very excited for this park to put Lexington in a competitive environment and further enhance the quality of life. This richly textured, activated park space is going to be a big draw for families and businesses.” SCAPE's initial design for the project was picked in a design competition in 2013. Now that the project is moving forward, SCAPE has amassed a team that includes AECOM, Lord Aeck Sargent, Gresham Smith Partners, Element Design, and Beiderman Redevelopment Ventures.
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Group unveils plans by SCAPE for verdant Gowanus Canal

First came the factories. Then, decay and abandonment followed by an alphabet soup of toxic waste and three-eyed fish (maybe). Now, one nonprofit has plans to transform the Gowanus Canal, one of the country's sickliest waterways, into a park and ecological corridor for western Brooklyn. Last night the Gowanus Canal Conservancy unveiled its verdant vision for Gowanus Canal–adjacent areas of Brooklyn. In collaboration with New York's SCAPE Landscape Architecture, the group's Gowanus Lowlands: A Blueprint for NYC’s Next Great Park outlines possible plans for a park along the waterway in anticipation of a master plan that will be developed over the next six to nine months. For those who don't know, the entire 1.8-mile Gowanus Canal is a Superfund site, a heavily polluted channel that cuts through the tony neighborhoods of Park Slope, Cobble Hill, Carroll Gardens, as well as Red Hook and Gowanus. In lieu of the raw sewage and malodorous trash that currently dot the waterway, Lowlands imagines boaters and picnics, performance venues and cafes, and other amusements set between attractive walking paths and arrays of native flora that will knit neighborhoods together. Grassy hills and meadows will line the edge of the canal, while mitigation basins, bioswales, and sponge gardens will filter runoff and provide habitat for local wildlife. The plan was developed with neighbors' input over the past two years, and this year the Conservancy hired SCAPE to develop the Lowlands idea. The plan dialogues with the Canal's Superfund cleanup, local and state environmental remediation efforts, as well as a potential city rezoning that could encourage more development.
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2016 Best of Design Award for Temporary Installation: Rounds by SPORTS

The Architect’s Newspaper (AN)’s inaugural 2013 Best of Design Awards featured six categories. Since then, it's grown to 26 exciting categoriesAs in years past, jury members (Erik Verboon, Claire Weisz, Karen Stonely, Christopher Leong, Adrianne Weremchuk, and AN’s Matt Shaw) were picked for their expertise and high regard in the design community. They based their judgments on evidence of innovation, creative use of new technology, sustainability, strength of presentation, and, most importantly, great design. We want to thank everyone for their continued support and eagerness to submit their work to the Best of Design Awards. We are already looking forward to growing next year’s coverage for you.

2016 Best of Design Award for Temporary Installation: Rounds

Architect: SPORTS Location: Lake Forest, IL

Rounds is a temporary plywood theater pavilion created for an artist colony just north of Chicago. It was the winner of the Adrian Smith Prize, which is sponsored by Adrian Smith + Gordon Gill Architecture and included a $15,000 production grant and a ten-person, design-build residency for three weeks at Ragdale. Departing from the bandshell structure and stage most commonly deployed in this setting, Rounds establishes a dynamic and playful performance surface. Small-scale curves in the ring’s ribbon-like design act as lounge spaces while mid-scale waves serve both as covered stage areas and portals to the inner space of the ring. The largest undulation is designed for the main stage area, which can be broken down into smaller parts and distributed around the ring for several concurrent performances.

Additional support for the project was provided by Syracuse University School of Architecture and W.E. O’Neil.

Build Team Greg Corso, Molly Hunker, Jordan Nelson, Nick Zukauskas, Kevin Lenhart, Preston Welker, Sean Morgan, Dabota Wilcox, Jon Anthony, Monika  England, Kokeith  Perry, Sarah Beaudoin

Engineer Arup

Landscape Architect Rosborough Partners Fabrication Consultant Knowhow Shop Exterior Finish Stuc-O-Flex Honorable Mention, Temporary Installation: Floating The Waller

Architect: Ten Eyck Landscape Architects Location: Austin, TX

This installation of 200 empty illuminated inner tubes floating on Austin’s Waller Creek was conceived to highlight the need for improving water quality, ecological health, and public accessibility in urban waterways.

Honorable Mention, Temporary Installation: Town Branch Water Walk

Architect: SCAPE Landscape Architecture Location: Lexington, KY

The design intervention is not a physical landscape, but a communication tool conceived with the Lexington, Kentucky, Downtown Development Authority. A self-guided podcast tour of the Town Branch Culvert gives a broad understanding of the biophysical area, reveals the invisible waters beneath the city, and demonstrates the impacts each resident can have.

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SCAPE turns Lexington, Kentucky’s long-buried water into an asset

Most Lexingtonians don’t know it, but the porous limestone landscape under their feet—called karst—created their bluegrass identity. The basic water that flows through karst reportedly makes their grass grow green, their racehorses grow strong, and their bourbon taste smooth. So when downtown Lexington held a competition to revitalize and re-pedestrianize the concrete, car-driven downtown, New York–based SCAPE Landscape Architecture chose to reveal and celebrate its geology. As SCAPE founder and partner Kate Orff said, the Town Branch Commons Corridor project is “a reinterpretation, a transformation of the karst landscape into public space.”

The ambitious project, which just received a major $14.1 million funding boost from the U.S. Department of Transportation, will carve pedestrian and bike paths through the heart of Lexington, creating new green spaces and linking with regional trails at both ends. To create freshwater pools—SCAPE calls them “karst windows,” in reference to similar naturally occurring formations—the design will tap old culverts (essentially large pipes) that previously kept Lexington’s karst water out of sight.

The trail will be narrow in some areas, but wide for the Karst Commons, a new public plaza and park at the project’s northern end that will feature multiple “habitat rooms,” an amphitheater, and recreation areas. The park can flood safely in a deluge. “There’s no site here, it’s a hybrid project,” said Orff. “Sidewalk here, empty lot there, parking lot there… The thread of water means each entity has to somehow come in contact with it and embrace it.”

The road to realizing the project—now in schematic design—has been long. After winning the 2013 competition, SCAPE worked with the University of Kentucky and the Lexington Downtown Development Authority to foster public support. They created a large model of the city’s hidden Town Branch Creek, paired with self-guided podcast tours, that generated excitement and helped propel the project. The karst, citizens realized, was part of the bluegrass identity they hold dear (and market to tourists). “Here it’s all about finding a unique identity framed around a cultural and geological history of a place,” said Gena Wirth, SCAPE design principal. “What’s replicable is the multipurpose infrastructure that unites the city, its story, and its systems.”

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Crucial updates on New York–area coastal resiliency projects, two years in

On Friday, Rebuild By Design (RBD) hosted a conference at NYU to check in on the progress on the region's ten coastal resiliency projects. Landscape architects, engineers, architects, and government officials representing the six initial winners and four finalists spoke on behalf of their team's ideas. Although each project is different in scale and scope (factors which correlate, not surprisingly, to the level of funding that each received), and all are at different phases of implementation, projects from Bridgeport, CT to Hoboken, NJ reflect a desire to build back, but better: Plans enhanced oceanfronts, baysides, riverbeds, and low-lying areas with graywater remediation, waterside parks, berms with bicycle paths, and oyster beds, and other amenities to enhance both resiliency and waterside quality of life. Consistent challenges emerged, too. Foremost was the challenge of implementing projects that require input and approval from multiple government agencies with varying jurisdictions and priorities. Community engagement is key to each project, with many teams noting that initial designs were modified in accordance with the input of property owners, business leaders, and residents. Construction on the first phase of the projects is expected to be complete by 2022. Although each project will undoubtedly make its area more resistant against 100-year floods, the most ambitious projects were the buffer of berms and floodwalls on Manhattan's shoreline that stretches from East 25th Street around the southern tip of the island, and Living Breakwaters, a series of wave-breaking rock-and-oyster-colony formations placed off the south shore of Staten Island. Carrie Grassi, deputy director for planning at the NYC Mayor's Office of Recovery and Resiliency spoke first about the Manhattan-based project. (formerly known as the BIG U). The project has two phases: Firstly, the East Side Coastal Resiliency Project (ESCR), whose team is led by AKRF with design and planning input from ONE, (RBD competition winners) BIG, and Mathews Nielsen. Secondly, the Lower Manhattan Coastal Resiliency Project, or Two Bridges, led by AECOM and Dewberry, with design and planning by ONE and BIG. Grassi noted that the team wanted to make phase one, 2.5 miles of waterfront, and waterfront-adjacent space, primarily for people to enjoy: "We want to create something that we can live with for the 99 percent of the time that we aren’t flooding." One of the challenges of implementing the ESCR was establishing an unprecedented joint task force between Community Boards 3 and 6. At public input sessions, residents asked that designs focus incorporating the berms into bridges, like at the Delancy Street pedestrian bridge, near where the Williamsburg Bridge touches down in Manhattan. Plans also called for kiosks and vendors under the FDR Drive overpass near Stuyvesant Cove; residents were worried that the darkened area would be uninviting during the winter months, so the design was modified. “All of these conversations were about tradeoffs," Grassi explained. "[We considered] the community's priorities and what was needed to advance the project and make decisions.” The draft scope of work is out, and a draft Environmental Impact Statement (EIS) is being developed. Next steps include "drilling down on the design," and the environmental and land use review, although the design leaves the opportunity for additional bridges to be constructed at a later date. $335 million of the project's funding comes from HUD's Community Development Block Grant Disaster Recovery (CDBG-DR) Program and $170 million in capital funds from the city. Construction is expected to begin in June 2017. The Two Bridges portion is being financed with an additional $176 million (CDBG-NDR) and $27 million from the city. Alex Zablocki, a senior program manager at the NYS Governor's Office of Storm Recovery and Pippa Brashear, director of planning and resilience at SCAPE/Landscape Architecture, closed the presentations with updates on Living Breakwaters, a stormproofing plan for the South Shore of Staten Island. SCAPE's design calls for network of submerged and partially-submerged concrete-and-recycled-glass breakwaters that will be planted with oysters. Living Breakwaters, Brashear explained, creates double resiliency by both mitigating the impact of shore-bound waves and "enhancing ecology" through natural water filtration (the project is partnering with the Billion Oyster Project, an initiative to re-seed oyster beds in the New York Harbor). To SCAPE, the strategy was not about keeping water out through walls and barriers, but about reducing the impact of flooding in the vulnerable Tottenville neighborhood. https://vimeo.com/91648619 Plans call for a rocky habitat shoreside with semi-enclosures for kayaking.  The video above, from 2014, explains the coastal interventions in-depth. Between winning the RBD competition in 2014 and now, SCAPE has surveyed the coastline—above and underwater—extensively, and construction is expected to begin in the second quarter of 2017.
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Foster + Partners and SCAPE unveil plans for massive office complex on the Red Hook waterfront

Thor Equities has released renderings of a Foster + Partners–designed waterside office complex in Red Hook, Brooklyn. The four-story, timber frame buildings will host 600,000 square feet of workspace divided over open-plan, 100,000-square-foot floor plates, plus 23,000 square feet for restaurants and retail. The 7.7-acre development will offer the public waterfront access via an esplanade and courtyard, and harbor views from rooftop terraces. New York–based SCAPE/Landscape Architecture is executing the landscape plan. The project, says Thor, is designed to meet the needs of TAMI (technology, advertising, media and information) tenants. It's a somewhat nebulous definition, but according to a 2014 report by real estate services company Cushman & Wakefield, the sector is the strongest force behind activity in New York, ahead of even the financial sector. One of the neighborhood's challenges, though, is the lack of subway service: The F/G at Smith-9th Street is about 13 blocks away. The developers anticipate that workers will arrive by foot, water taxi, or bike, and that tenants will offer employees alternative transit accommodations, like shuttle bus service to the subway. Melissa Gliatta, Thor's chief operating officer, was bullish on other options. Gliatta trumpeted the transit potential of the Brooklyn-Queens Connector (BQX), a proposed streetcar that would run through Red Hook and could begin service in 2023, although the contentious, developer-driven project is still in its nascent, public input phase. Thor's press release for the development assumes a done deal: "A planned Brooklyn-Queens streetcar will also serve the neighborhood." (Dang, well, so much for that stakeholder consensus.) Academics like Adam Friedman, the director of the Pratt Center for Community Development at Pratt Institute, voiced concerns about this, and similar developments taking shape in the borough. Speaking with Bloomberg News, Friedman noted that developers need to "pace themselves," lest new properties sit vacant. "Every developer thinks that theirs is the one that is going to be successful. That’s just the nature of the culture.” Construction is set to begin this summer. Not cost estimate is available as of yet.
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Court trouble continues for the MAD-designed Lucas Museum of Narrative Art

The saga of the MAD Architects–designed Lucas Museum of Narrative Arts (LMNA) continues as a federal judge denies the City of Chicago’s motion to allow construction to begin. Judge John W. Darrah has decided to maintain the injunction which is delaying the start of construction of the $400 million museum on Chicago’s lakefront while there is still a case against the project. His decision came a day after city lawyers filed a motion to allow the start of construction and expedite the case brought by Friends of the Parks. Earlier this month Judge Darrah agreed to allow the case to move forward after the city presented a motion to completely dismiss it. This latest decision is being seen as a sign that the case is one step closer to going to trial. The lawyers for the City of Chicago argue that the court’s decision to hear the case “in no way establishes that they are entitled to the extraordinary remedy of a preliminary injunction.” The city also noted in the motion that it believed that the case was not a matter for a federal court to hear in the first place, as it is a city and state-law issue. The City also argues that the preliminary injunction was instituted before the Chicago Park District voted to approve the lease for the land, the Chicago Plan Commission voted to approve the project, and before the City Council approved the amendment to change zoning for the site. Now that the project has been approved by all the necessary city offices, the City wants the injunction lifted, allowing for the project to move forward while the case is settled. The case brought by Friends of the Parks was filed in November 2014. It claims that the negotiations between the Parks District and the Lucas Museum regarding the use of the public land would violate the Due Process and Equal Protection Clauses of the U.S. Constitution, was ultra vires (beyond their legal power) under Illinois law, and violated the Illinois Public Trust Doctrine. The lakefront has long been the site of discussion and litigation concerning its use and public access. Most notably stated by Daniel Burnham in regards to his 1909 Plan of the City, “First in importance is the shore of Lake Michigan. It should be treated as park space to the greatest possible extent. The lakefront by right belongs to the people… not a foot of its shores should be appropriated to the exclusion of the people.” Also in the City motion was a warning that Chicago was at risk of losing the museum to another city. Similar issues concerning the use of park land were the initial reason for the museum leaving San Francisco for Chicago. The motion points out, “The preliminary injunction thus threatens the very public interest it is bound to protect: the loss of the LMNA would deprive the City of a world-class museum and all the attendant educational, cultural, and economic benefits, as well as depriving the City of a more beneficial use for the museum site than the current asphalt parking lot.” The “current asphalt parking lot” refers to the surface lot used for the Chicago Bears’s Soldier Field football stadium on the site. Judge Darrah stated that he would have a decision regarding lifting the injunction so that construction could start by mid-April. Beijing-based MAD Architects is working with architect of record VOA Studio from Chicago, and Studio Gang Architects and SCAPE/Landscape Architects for the landscape design.
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Jeanne Gang’s fire station brings civic design to deep Brooklyn neighborhood

Chicago-based Studio Gang is designing a modern fire station for the Brownsville community in Brooklyn. The two-story, precast concrete structure, to be built on a vacant lot at 1815 Sterling Place, includes bright red accents as the facade pulls away from the street plane. The so-called Fire Rescue 2 facility "is intended to become a tool for training, enabling FDNY Company 2, an elite force of firefighters and specialized rescue workers serving the people of New York for nearly a century, to stage and simulate a wide range of emergency conditions in, on, and around the building," according to a project description from Studio Gang. This training program inspired Jeanne Gang, the firm's principal, in designing the building. "During emergencies, the Company must often utilize voids in buildings," the firm stated, "whether creating them to let heat and smoke out of a structure or locating them as a means of escape." The structure's design responds with its own voids demarcated in red that reveal windows, staircases, and a second-floor terrace. The facade of the 19,000-square-foot structure will be built of precast concrete and red glazed terracotta tiles. The 46-foot-tall structure is meant to respond to the scale of neighborhood buildings. Gang organized the fire house around a central interior that "enables the team to practice rescue scenarios that mimic conditions common to the city." The space is a sort of modern recreation of balconies, bridges, doorways, ladders, and stairs that the firefighters might encounter in the city. The void dually allows air and light to penetrate deep into the structure, enhancing the living quarters for the firefighters. While the facade's jagged geometry and bright color conveys the structure's purpose and sense of urgency, the interiors are designed to help firefighters cool off. Inside, a kitchen forms the hub of social life for the firefighters, adding another layer of heat to the project's design. Plenty of green space, including a backyard and open-air porches, allows the firefighters to cool off when not on duty. Studio Gang is working with SCAPE / Landscape Architecture on the project. The building also includes several sustainable gestures such as a green roof, geothermal HVAC system, and a solar hot-water system. Fire Rescue 2 is programmed to include office space, dormitories for firefighters, a kitchen, exercise rooms, training space, and storage. "With its adaptable spaces, environmental approach, and civic scale, the new Rescue 2 firehouse is both a neighborhood fixture and important piece of infrastructure, supporting a highly trained corps who safeguard those who call New York home," Studio Gang stated. Permits for the project were filed in October 2015, according to real estate watch-blog New York YIMBY. The project is estimated to be complete in 2017. In July 2015, the design was honored with an Award for Excellence in Design from the New York City Public Design Commission. Elsewhere in New York, Studio Gang is working on a major expansion to the American Museum of National History and an embattled condo tower along the High Line called the Solar Carve. The firm has opened a New York office to handle the increased workload. Also, don't miss AN's exclusive interview with Jeanne Gang while kayaking the Chicago River here.
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Architects confront global warming at Columbia GSAPP’s Climate Change and the Scales of Environment

On Friday, December 4th—while hundreds of officials gathered in Paris for the COP21 UN climate change conference—scholars, historians, scientists, architects, and designers came to Columbia GSAPP’s Avery Hall for a similarly urgent conference, “Climate Change and the Scales of Environment.” The urgency lies in the fact that buildings are accountable for approximately half of energy consumption and CO2 emissions in the United States today. At the December 4 conference, the range of experts discussed this issue across multiple scales—ranging from a single molecule to the planet as a whole. At what scale should architects engage? And how do the different scales tie together? Dean Amale Andraos explained to AN that using these disciplinary questions of scale to enter a cross-disciplinary discussion on climate-change kept the conversation focused.

HISTORY

The first topic of the day, History, was moderated by Reinhold Martin (Columbia GSAPP) and included presentations from Daniel A. Barber (University of Pennsylvania, Architecture), Deborah R. Coen (Barnard College, History), Gregg Mitman (University of Wisconsin, History), and Eyal Weizman (Goldsmiths, University of London, Visual Cultures). Addressing different moments in history, the speakers collectively unveiled how ecological understandings dictate societal development. 

POLITICS

The second topic, Politics, was moderated by Laura Kurgan (Columbia GSAPP) and included talks from Michael B. Gerrard (Columbia University, Earth Institute and School of Law), Saskia Sassen (Columbia University, Sociology), Richard Seager (Columbia University, Lamont-Doherty Earth Observatory), and Christian Parenti (New York University, Liberal Studies). Each presentation addressed environmental failures, which Kurgan called “sobering,” and the related risks facing architects, planners, and builders. Before heading to COP21 to represent the Marshall Islands, Gerrard told the audience in Wood Auditorium, “Architects might be legally liable for failure to design for foreseeable climate change.”

UNCERTAINTY

Jesse M. Keenan (Columbia GSAPP and CURE) moderated Uncertainty, which included talks from Radley Horton (Columbia University, Earth Institute and NASA Goddard Institute for Space Studies), Adrian Lahoud (Royal College of Art, London, Architecture), and Kate Orff (Columbia GSAPP and SCAPE). The presentations unveiled each profession’s individual roles and how they overlap. Horton works with quantitative climate science; Lahoud uses the qualitative method of narrative; and Orff works in both realms. Keenan concluded, “Architects and planners are mediators. They are helping make that translation to define values and vulnerabilities and to weigh what that really means.”

VISUALIZATION

The final section, Visualization, was moderated by Mark Wasiuta (Columbia GSAPP) and included presentations from Heather Davis (Pennsylvania State University, Institute for the Arts and Humanities), Laura Kurgan, Emily Eliza Scott (ETH Zurich, Architecture), and Neyran Turan (Rice University, Architecture). Again, the presentations covered a wide spectrum of curation, ranging from Davis’s discussion of subject-object relationships to Kurgan’s video visualization of climate change data, EXIT, currently on display at COP21. Wasiuta, said in the panel discussion, “Laura’s work produces a different type of knowing, or knowability. Fascinating, the idea of curating a dataset: curating as the construction of a political form.” The day’s presentations ended with keynote speaker Dipesh Chakrabarty (University of Chicago, History). Chakrabarty’s talk, “The Human Significance of the Anthropocene” was a fitting way to pull together the wide-ranging but interrelated disciplines contributing to the conference. Videos of the conference will appear on Columbia GSAPP’s YouTube channel in the coming weeks.
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Bernheimer and Dattner start work on BAM building as construction in Brooklyn’s art district kicks up a notch

As Downtown Brooklyn's skyline grows taller, denser, and a bit more interesting, construction is whirring along in the BAM Cultural District just across Flatbush Avenue. The latest project to break ground within the area is bringing the borough new cultural institutions, affordable housing, and well, architecture. It's the Brooklyn Cultural District Apartments. The 115,000-square-foot structure was designed by Bernheimer Architecture and Dattner Architects with some landscaping accoutrement by SCAPE. The mixed-use building includes a restaurant along with the Center for Fiction and space for the Mark Morris Dance Group. Above the building's cultural podium are 109 apartments, 40 percent of which are below market-rate. "Extensive glazing at the lower floors highlights the cultural components and activates the pedestrian experience," Dattner explained on its website. "In-set balconies and double-height terraces articulate the upper base and tower." The Brooklyn Cultural District Apartments is intended to flow into the collection of high-design buildings and public spaces that are appearing one after the other on numerous sites around it. The building's restaurant, for instance, flows into Ken Smith's Arts Plaza which itself flows into the slightly cantilevering Theatre For a New Audience by Hugh Hardy of H3 Hardy Collaboration Architecture. Between the new apartment building and the existing theater and plaza is yet another planned building—a 200-room hotel with a jagged facade by Leeser Architecture. There's one more big project to mention on the block: FXFOWLE's 52-story mixed-income residential tower that is quickly ascending into Brooklyn's skyline. On the other side of Fulton Street from the tower is the BRIC Arts Media House, another Leeser project. Adjacent to all of this is the site of Francis Cauffman's very artsy and wavy medical center that is currently under-construction. And across Lafayette Avenue is TEN Arquitectos' 32-story, mixed-use residential tower that is beginning to make its ascent.
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SCAPE’s Kate Orff to take over GSAPP’s Urban Design Program

Kate Orff, the founder of SCAPE Landscape Architecture, will head up the Urban Design Program at Columbia University's Graduate School of Architecture, Planning, and Preservation. Fast Company reported that Orff will step into her new role in June, succeeding Richard Plunz who has lead the program since 1992. Orff is currently an associate professor at GSAPP and has become well known for her pioneering use of oysters to clean waterways and support coastal resilience. In June, SCAPE's Living Breakwaters plan to protect Staten Island with a reef of oysters was awarded $60 million in the Department of Housing and Urban Development's Rebuild By Design competition. And then in November, the project won the 2014 Buckminster Fuller Challenge.