Posts tagged with "Rogers Partners":
An ambitious plan to build a park over a highway in Atlanta’s Buckhead neighborhood is moving forward after the Buckhead business district voted to create a nonprofit organization that will manage future development, according to the Atlanta Journal Constitution.
The nine-acre linear park—proposed last year and planned for a section of Georgia 400—would be designed by the two New York–based firms ROGERS PARTNERS Architects + Urban Designers and Nelson Byrd Woltz Landscape Architects. The Buckhead Community Improvement District (CID), a public-private organization that invests taxes from commercial property owners within the district into the public realm, released today an updated timeline for the project. The next five months will be dedicated toward the creation of the nonprofit, as well as the planning and design of the park. The CID has also dedicated up to $262,500 in order to sustain its contract with the design team through 2017.
“The goal would be for us to truly hand this off to the new entity where they could count on some funding from the CID to help stand them up and help attracting additional partners,” Buckhead CID Executive Director Jim Durrett said to AJC.
Buckhead Park Over GA400, the park’s current tentative name, is a push from the city to encourage walkable environments and green spaces. The park is located at the confluence of Georgia 400, Peachtree Road, the MARTA red line, and the Path400 Greenway Trail.
The current design is an open scheme with various public spaces—a Commons, a Plaza, and the Gardens—that aim to create diverse experiences through the park. It will also be built over a MARTA station (acting as a roof, almost) and will be connected to various pedestrian paths. Public engagement is expected to play a role during the design phase, as well as in the formal naming of the park.
The approval was a narrow vote, 4-3, with dissenters citing a lack of key details—including funding sources. The estimated cost of the project is as high as $245 million, with Buckhead CID officials saying they expect funding to come through both public and private sources, including MARTA when the Buckhead MARTA station goes through a redesign.
With this approval to move forward, the Buckhead CID is hopeful that pre-construction work will begin in January 2018, groundbreaking will happen by 2020, and a fully operational park will open by 2023, according to AJC.Explore the park in 3D here.
For almost a century, the City of St. Petersburg’s pier, in various incarnations, has attracted residents and tourists to Tampa Bay. Once a fishing pier, amenities were added over time: An inverted pyramid-cum-restaurant from the 1970s, reviled at first, later became a local icon. By the late 2000s, however, the pier was deemed structurally unsound and the city moved to demolish and replace the structure via a national competition.
The competition jury originally selected Los Angeles–based Michael Maltzan to redesign the pier in 2012. His bid followed the program of the original pier closely, with an event space at the terminus that referenced the iconic pyramid. Then, a group of residents organized a public referendum against the plan, claiming it did not meet the needs of the city. A little over a year and $5 million in, the city withdrew its invitation to the firm.
The setback exposed deeper questions about the relationship between the city and its beloved pier. City architect Raul Quintana praised Maltzan’s practice and noted that the plan was “ahead of its time.” The city, though, had to reckon with its heritage before it could embrace other possibilities for the pier. Quintana clarified that, even when presented with broader programs, the community still read the pier as a linear typology, though he felt that the consensus to build a quality public space was emerging. “The values today have changed. Think about what a pier could be for the 21st century. It was very, very difficult at first to get people to change their thinking.”
In 2015 New York–based architecture firm Rogers Partners won a reissued competition with its proposal for a 13-acre armature that nixes the cool-object-far-from-shore model of the old pier in favor of the pier as a premier public space and natural extension of the waterfront. “The idea of a major public expenditure to build a site for a retail destination is not really how you think about the public realm in the 21st century,” Rob Rogers, founding principal, explained. “The underpinning of our idea is that the city’s waterfront, including the pier, is all public park space.”
In collaboration with New York–based landscape architecture firm Ken Smith Workshop, the firm looked to Chicago’s Navy and L.A.’s Santa Monica piers for design and program ideas, but created opportunities in St. Petersburg for engaging with the bay-scape with programming that exceeds that of a traditional fishing or amusement pier: A one-acre coastal thicket, “a tray of landscape over the water,” provides shade and slopes close to the bay, while an outdoor educational space adjacent to a 300-foot artificial reef and naturalized beach brings people in contact with native aquatic flora and fauna. Boating and fishing facilities, hemmed by floating docks, flank traditional wide promenades, and a shallow saltwater pool next to the signature end-of-pier restaurant lets patrons cool their feet while drinking cocktails. A sloping grass lawn can accommodate between four and five thousand people for concerts, while a trolley and bike paths offer easy access to the mainland. Tampa–based ASD is the executive architect on the project.
It was crucial, Rogers elaborated, that programming created an array of nonlinear nodes, so that someone’s fifth or fiftieth visit to the pier would prove as exciting as the first. This time, the community is on board: At the most recent public meeting, the organization that opposed Maltzan’s pier plan came out in strong support of the new design.
Just as Athens’s acropolis is graced by propylaea, the St. Petersburg pier is nothing without its “pier approach.” W Architecture & Landscape Architecture entered the same competition as Rogers Partners, but didn’t get the initial commission. Several months later, founding principal Barbara Wilks explained, the city sent a second RFP to the firm that asked for the “pier approach,” a design for the upland section and the infill spit that leads up to the new pier. Part of the reason for the split, city development director Chris Ballestra elaborated, was that the city hadn’t secured the money for the approach when they hired Rogers. Although W’s work builds on a previous masterplan by AECOM, W is collaborating with Rogers to unify the material palette and to knit the two plans closely with downtown St. Petersburg.
W’s concept phase wraps next month and the project will move onto design, while Rogers Partners’ pier is in design development. Construction on the pier and the approach is expected to be complete by 2018.
From the architects: "Remembering the fallen Twin Towers through their surviving physical structural footprints, the 9/11 Memorial Museum stands witness to the tragedy and its impact."John Wardle Architects and NADAAA Melbourne School of Design Melbourne, Australia
From the architects: "The new building for the Faculty of Architecture, Building and Planning responds to the urban design values identi- fi ed in the Campus Master Plan and enhances the existing open spaces within the historic core of the Centre Precinct of the Parkville Campus. It engages with the existing landscape elements, continues the sequence of outdoor rooms arrayed across the campus, and links strongly to the intricate network of circulation routes that surround the site. The new building compliments and enhances the sense of place that the Eastern Precinct of the Parkville Campus already commands."REX Vakko Fashion Center Istanbul, Turkey
From the architects: "Turkey’s pre-eminent fashion house, Vakko, and Turkey’s equivalent of MTV, Power Media, planned to design and construct a new headquarters in an extremely tight schedule using an unfinished, abandoned hotel. Fortuitously, the unfinished building had the same plan dimension, floor-to-floor height, and servicing concept as another one of our projects, the Annenberg Center’s 'Ring', which had been cancelled. By adapting the construction documents produced for that project to the abandoned concrete hotel skeleton, construction on the perimeter office block commenced only four days after Vakko/Power first approached our team. This adaptive re-use opened a six-week window during which the more unique portions of the program could be designed simultaneous to construction."ROGERS PARTNERS Architects+Urban Designers Henderson-Hopkins School Baltimore, MD
From the architects: "The new Elmer A. Henderson: A Johns Hopkins Partnership School and The Harry And Jeanette Weinberg Early Childhood Center, together called Henderson Hopkins, is the fi rst new Baltimore public school built in 30 years. A cornerstone for the largest redevelopment project in Baltimore, it is envisioned as a catalyst in the revitalization of East Baltimore. The seven-acre campus will house 540 K-8 students and 175 pre-school children."WEISS/MANFREDI Architecture/Landscape/
From the architects: "A botanic garden is an unusual kind of museum: a fragile collection constantly in flux. As a constructed natural environment, it is dependent on man-made infrastructures to thrive. New York City’s Brooklyn Botanic Garden contains a wide variety of landscapes organized into discrete settings such as the Japanese Garden, the Cherry Esplanade, the Osborne Garden, the Overlook, and the Cranford Rose Garden. The Botanic Garden exists as an oasis in the city, visually separated from the neighborhood by elevated berms and trees."WEISS/MANFREDI Architecture/Landscape/
From the architects: "The newly-opened Krishna P. Singh Center for Nanotechnology demonstrates the University of Pennsylvania’s leadership in the emerging field of nanotechnology. Nanoscale research is at the core of cutting-edge breakthroughs that transcend disciplinary boundaries of engineering, medicine, and the sciences. The new Center for Nanotechnology contains a rigorous collection of advanced labs, woven together by collaborative public spaces that enable interaction between different fields. The University’s first cross disciplinary building, the Singh Center encourages the exchange and integration of knowledge that characterizes the study of this emerging field and combines the resources of both engineering and the sciences."Merit Awards Garrison Architects NYC Emergency Housing Prototype Brooklyn, NY H3 Hardy Collaboration Architecture Theatre for a New Audience at Polonsky Shakespeare Center Brooklyn, NY Jaklitsch / Gardner Architects Toroishiku (Marc Jacobs Building) Tokyo, Japan Louise Braverman, Architect Village Health Works Staff Housing Kigutu, Burundi Maryann Thompson Architects Pier Two at Brooklyn Bridge Park Brooklyn, NY OPEN Architecture Garden School Beijing, China PARA-Project Haffenden House Syracuse, NY Skidmore, Owings & Merrill University Center – The New School New York, NY Thomas Phifer and Partners Project: United States Courthouse, Salt Lake City Location: Salt Lake City, UT Tod Williams Billie Tsien Architects Project: Reva and David Logan Center for the Arts Location: Chicago, IL