Posts tagged with "Robots":
A new product design contest on Desall.com is now available: Pharmathek and Desall invite you to design the new case of the Sintesi robotized warehouse dedicated to the pharmacy world.
Pharmathek is looking for the new design of the case of the Sintesi robotized warehouse and of the automatic loader Pharmaload, installed inside the pharmacies and developed to facilitate the pharmacist and her/his collaborators in the daily management of the medicines and their data.
For more info: https://bit.ly/PharmathekContest
Upload phase: 28th June 2019 – 03rd October 2019 (1.59 PM UTC)
Client Vote: from 03rd October 2019
Winner announcement: approximately by the end of December 2019
Participation is free of charge and open to all creative people at least 18 years or older.
Pharmathek is a company that designs, produces and installs robotic storage systems for pharmacies.
Born within the Th.Kohl Group, a company with a 100 years of experience in the pharmacy sector, since its foundation the company has worked to offer its customers increasingly innovative and high-performance solutions, able to respond better and better to the needs of the contemporary pharmacy.
Among the values behind Pharmathek solutions there are efficiency, speed and reliability.
But even before that, flexibility: the Pharmathek robotic storage systems can be configured according to the needs of the individual company.
This is why Pharmathek customers include not only pharmacies but also hospital pharmacies and medicine wholesalers.
Desall.com is an open innovation platform dedicated to design and innovation, that offers to companies a participatory design tool involving in the creative process an international community coming from all over the world. To date Desall gathers more than 100000 creatives from over 210 countries and has collaborated with international brands like Luxottica, Whirlpool, Electrolux, ALESSI, Enel, Leroy Merlin, KINDER, Barilla, illy, Chicco, Mondadori and many more.
Thanks to the mingling of different cultural backgrounds and creative industries, the Desall community is able to provide high-quality project solutions for every product development phase requested by the client, from concept to product design, from naming to packaging.
"Movement was always an underlying instigator to how I look at form," explains architect Amina Blacksher, who began ballet at age six. Her work crosses boundaries and unifies seemingly disparate practices, as she now, among many other things, uses the tools and methods of an architect to investigate the place of robots in our lives and the relationship between the analog and digital. Most recently, her explorations of movement and robotics have taken the form of two arms that join humans to play jump rope.
Two industrial robotic arms from ABB, jointed similarly to a human's, swing ropes in partnership with a human while people Double Dutch amid the ropes. Custom 3D-printed grips are attached to the robotic manipulators to hold on to the ropes but also to allow for human error, like stepping on a rope, without toppling over the robots.
The Double Dutch project began at Princeton University during the Black Imagination Matters incubator and Blacksher has continued to develop the project, exploring the cultural history of jumping—from children’s games to the Maasai jumping tradition, trying to evoke that “cleansing moment” when suspended in the air.
The Double Dutch robots reveal the intelligence inherent in our bodies: the fact that children’s games possess so much kinetic knowledge that we often overlook and that there is such a profound complexity to sensing and moving through our world. "Rhythm is something we often take for granted," said Blacksher, “but even a simple circle with a jump rope is not a continuous velocity. It’s weighted, it has a rhythmic bias.” It requires choreography, something that is seemingly so "simple" for humans, children even, but incredibly difficult for robots. And these ironies and oppositions are revealing.
The Double Dutch project is part of Blacksher’s mission to help us realize new relationships to robots and a more complicated relationship to the typically divided analog and digital. It's also about normalizing what is likely to become increasingly commonplace human-robot relationships.
As an architectural problem, robots could change how we make and understand space. "No arc is absolutely the same," Blacksher said of the swings made by the jump rope robot. “I’m compiling these micro-deviations to create a pseudospace that could be 3D printed or spun." In a way, the arcs these robots make are a form of architectural drawing, but a drawing through physical space in three dimensions. This is leading Blacksher to ask: “How do you make a drawing that has a duration?”
Architecture began with hand drawing and has obviously been radically impacted by 2D CAD software, then powerful 3D software suites, and more recent technologies like virtual reality. Robotics has the power of "redefining what a drawing is," said Blacksher, moving it into 3D space and “using the body again in the generation of a drawing in a way that makes the design process exponentially more intelligent.” By using digital and physical technology in real space and establishing a unique circuit of the relationships between code, movement, embodiment, image, and space, architects might find new tools and new ways of thinking through design problems. "It’s in the relationship between the analog and digital where I’m interested in finding form."
Blacksher’s research is ongoing. Some of it will be incorporated into future classes at Columbia’s Graduate School of Architecture, Planning and Preservation, and updated Double Dutch robots will be exhibited in Los Angeles this fall. Blacksher hopes to "raise the stakes of holding robots to accountability in terms of rhythmic precision, and their relationship to space and time." She hopes we can see a future where "robots are friends, not just something purely functional."