The Monte d’Oiro Wine Tasting Room competition is part of the Bee Breeders competition series set in Portugal and is a collaboration with Quinta Do Monte D’Oiro, a family wine project located in the Lisbon Wine Region. Quinta do Monte d’Oiro has been known for its idyllic wine-making conditions since the 17th century, with a privileged terroir, resting on clay-limestone soils and the influence of Atlantic winds. This unique combination has created wines with a great freshness, elegance and balance for years. For the Monte d’Oiro Wine Tasting Room competition, the family vineyard is looking to create a wine tasting room where people can gather around a table and enjoy both the magnificent wines and the magnificent views of the vineyard. Designs for the tasting room should be inviting and impressive, without seeming out of place on the family vineyard. As the Quinta do Monte d’Oiro has expressed an interest in construction, winning designs will need to create a space that is unique to the vineyard - with the potential to become the property’s iconic landmark - while still remaining sensitive to the natural surroundings. PRIZES 3 winning proposals, 3 special award recipients and 6 honourable mentions will be selected. Bee Breeders will award a total of US $7,000 in prize money to competition winners as follows: 1st Prize - US $3,000 2nd Prize - US $1,500 3rd Prize - US $500 + 6 honourable mentions “Competition Client's Favourite” Award - US $1,000 BB Student Award - US $500 BB Green Award - US $500 COMPETITION SCHEDULE Advance Registration: JANUARY 22 - MARCH 3 Last Minute Registration: MARCH 4 - MAY 5 Closing date for registration: MAY 5, 2020 Closing date for submission: JUNE 12, 2020 (11:59pm GMT) Announcement of the winners: JULY 7, 2020
Posts tagged with "Portugal":
Next week is an exciting one for the architecture community in the Portuguese capital Lisbon. First, there will be an opening for the new Amanda Levete-designed Museum of Art, Architecture, and Technology (MAAT) and the city will host The Form of Form, its fourth architecture triennale. The museum is located in the district of Belem, a beautiful site, on the city’s city waterfront and adjacent to the recently renovated Central Tejo power station. The MAAT and power station will form a cultural campus. The new museum, directed by former MoMA curator Pedro Gadanho, will act as a kunsthalle (not a collection of objects or archives, but a generator of new projects and exhibitions). The MAAT will focus on contemporary culture through visual arts, new media, architecture, technology, and science. Levete's design will allow visitors to walk over and under the building. The Triennale will open on Wednesday, October 5 and take place in nearly a dozen sites around the city. The Architect's Newspaper will be there covering all the events and openings.
Chicago's Graham Foundation today announced nearly half a million dollars in grant funding for “groundbreaking” architectural projects by organizations, including the first major career survey of architect David Adjaye, an urban planning program in Ukraine, and architecture festivals in Norway and Portugal. The Graham Foundation, whose director Sarah Herda sits on AN's editorial advisory board, will award $496,500 to 49 projects that “chart new territory in the field of architecture.” The award recipients were plucked from a pool of over 200 submissions representing 22 countries. The Adjaye show, titled Making Place: The Architecture of David Adjaye, opens September 19 at the Art Institute of Chicago and will be “the only North American venue for this globally focused exhibition,” according to the Art Institute. Other grant recipients include a plan to exhibit sound sculptures designed by Harry Bertoia at Chicago's Experimental Sound Studio, the Storefront for Art and Architecture’s biannual World Wide Storefront event, and the 2016 Oslo Architecture Triennale. The announcement follows the Graham's “grants to individuals” program, which in May awarded $490,000 for architectural research to 63 projects. Here's the full list of recipients, organized by category: EXHIBITIONS [23 awards] Art Institute of Chicago (Chicago, IL) Chicago Design Museum (Chicago, IL) Columbia College Chicago-Museum of Contemporary Photography (Chicago, IL) Elmhurst Art Museum (Chicago, IL) The Jewish Museum (New York, NY) MAK Center for Art and Architecture, Los Angeles, at the Schindler House (West Hollywood, CA) Materials & Applications (Los Angeles, CA) Monoambiente (Buenos Aires, Argentina) Museum of Contemporary Art Chicago (Chicago, IL) Museum of Modern Art (New York, NY) National Trust for Historic Preservation (Washington, DC) Oslo Architecture Triennale (Oslo, Norway) Parasol Unit Foundation for Contemporary Art (London, England) Serpentine Gallery (London, England) Slought (Philadelphia, PA) Socrates Sculpture Park (Long Island City, NY) Southern California Institute of Architecture (Los Angeles, CA) Swiss Institute (New York, NY) University of California, Berkeley-Berkeley Art Museum and Pacific Film Archive (Berkeley, CA) University of Chicago-Neubauer Collegium for Culture and Society (Chicago, IL) Video Game Art Gallery (Chicago, IL) Yale University-School of Architecture (New Haven, CT) FILM/VIDEO/NEW MEDIA [2 awards] Wavelength Pictures (London, England) The Wende Museum of the Cold War (Culver City, CA) PUBLIC PROGRAMS [12 awards] Archeworks (Chicago, IL) Architectural League of New York (New York, NY) Association of Architecture Organizations (Chicago, IL) CANactions (Kiev, Ukraine) Chicago Architecture Foundation (Chicago, IL) Chicago Humanities Festival (Chicago, IL) Experimental Sound Studio (Chicago, IL) The Frank Lloyd Wright School of Architecture (Scottsdale, AZ) Lampo (Chicago, IL) Ohio State University-Knowlton School of Architecture (Columbus, OH) Storefront for Art and Architecture (New York, NY) Van Alen Institute (New York, NY) PUBLICATIONS [12 awards] Anyone Corporation (New York, NY) Art Papers (Atlanta, GA) California Institute of the Arts-REDCAT (Los Angeles, CA) Columbia University-Graduate School of Architecture, Planning and Preservation (New York, NY) LIGA-Space for Architecture (Mexico City, Mexico) Lisbon Architecture Triennale (Lisbon, Portugal) MAS Context (Chicago, IL) Primary Information (Brooklyn, NY) The Renaissance Society (Chicago, IL) Rice University-School of Architecture (Houston, TX) Walker Art Center (Minneapolis, MN) Zone Books (Brooklyn, NY)
The 2014 arcVision Prize, an international architecture award for female designers, was bestowed upon Ines Lobo. The Portuguese architect emerged from a short list of 21 nominees representing 15 countries. Lobo has focused the majority of her practice on her native country, where she also teaches at the Autonoma University in Lisbon. Since founding her own firm in 2002, Lobo has been most prolific in the public realm, designing the Art and Architecture Facility for Evora University and a number of secondary schools throughout Portugal. Anna Heringer of Switzerland, Shimul Javeri Kadri of India and Cecilia Puga from Chile were also tabbed for special mention. Brazilian architect Carla Juaçaba was the recipient of the inaugural arcVision Prize after Italcementi created the award in 2013.
With the purpose of conferring the city of Porto, Portugal a new global identity, architects Pedro Bandeira and Pedro Nuno Ramalho have propositioned for the relocation of the Maria Pia Bridge from its original location on the River Douro to the city center. Plans indicate that the bridge’s framework could be easily dismantled and, though it may seem absurd, the proposal comes with a clever solution. Also called Ponte Dona Maria, the railway bridge was built in 1877 by Gustave Eiffel—the same designer of the Eiffel Tower—but has not realized its original purpose since the early 1990s. Constructed entirely of wrought iron, its double-hinged crescent arch once supported the Lisbon-bound train for 1,158 feet at a height of 200 feet across the River Douro. When built, it was the world’s longest single-arch span. The architects sense that the railway bridge has “lost its scale and dignity; it is hidden and forgotten.” By repositioning it in the center of Porto, the bridge would redeem its visibility and gain significance as a work of art. Remarkably, the undertaking could be easily implemented, with a budget of less than 10 million euros, by disassembling and reassembling the surprisingly light structure within five months. While Bandeira and Ramalho's railway bridge relocation concept may be on track to “bring a new monumentality to the city, the bridge would be a monument of the deindustrialisation, where the materiality of the nineteenth century gives place to the contemporary immateriality,” their proposal failed to win over the Portuguese Council of Architects, whose competition sought schemes for urban regeneration. Nevertheless, the duo contends the move could serve as a spark for urban renewal.
At its 37th session held from June 16 to 27, 2013 in Phnom Pehnh and Siem Reap-Angkor, Cambodia, the UNESCO World Heritage Committee added 19 sites to the World Heritage List. The new additions bring the list to 981 noteworthy destinations. To be included on the World Heritage List, sites must be of exceptional universal significance and satisfy at least one out of ten selection criteria, which are frequently improved by the Committee to reflect the advancement of the World Heritage notion itself. The following cultural sites have been inscribed on the World Heritage List. · Al Zubarah Archaeological Site, Qatar · Ancient City of Tauric Chersonese and its Chora, Ukraine · Bergpark Wilhemshöhe, Germany · Cultural Landscape of Honghe Hani Rice Terraces, China · Fujisan, Japan · Golestan Palace, Iran · Hill Forts of Rajasthan, India · Historic Centre of Agadez, Niger · Historic Monuments and Sites in Kaesong, Korea · Levuka Historical Port Town, Fiji · Medici Villas and Gardens in Tuscany, Italy · Red Bay Basque Whaling Station, Canada · University of Coimbra – Alta and Sofia, Portugal · Wooden Tserkvas of the Carpathian Region, Poland & Ukraine · El Pinacate and Gran Desierto de Altar Biosphere Reserve, Mexico · Mount Etna, Italy · Namib Sand Sea, Namibia · Tajik National Park, Tajikistan · Xinjiang Tianshan, China
The Venice Biennale may be the most visible and glamorous architecture exhibition in the world, but it is not the only one on the design calendar. In fact, these exhibitions have been proliferating around the globe in the past ten years and several have not made it past their inaugural year. One of the best of the newer architecture exhibits is the Lisbon Triennale, which is about to host its third exhibition opening September 12, 2013. The Lisbon event, like any new kid on the block, is more youthful and full of new ideas and features many architects who are appearing on the international stage for the first time. The theme of the upcoming Triennale is Close, Closer and is directed by English curator Beatrice Galilee along with Liam Young, Mariana Pestana, and Jose Esparza. The curators are proposing that during the event architecture will be portrayed as a living, social, and artistic force, charting cultural, political, scientific, and aesthetic territories. They propose to do this by examining "the multiple possibilities of architectural output through critical and experimental exhibitions, events, performances, and debates across" the beautiful city of Lisbon. The exhibition does not open for another three months, but the curators are already preparing the creation of a 40-square-meter, hyper-real, scale model for the Treinnale. One of the curators, Laim Young, is running a workshop for students and young architects to build this model before the opening of the triennial. The workshop will take place between July 29 and August 9 in Lisbon. It will not just create a model, but will provide an immersive experience described as an "intense sensory experience of the future urban habitat, which the visitor is welcome to walk through and explore." What better way to spend ten days this summer than working on a large-scale model in Lisbon?
On any typical day, the pedestrianized Rua Luís de Camões in the small Portuguese town of Águeda is a charming place to experience the city, but this July, a cultural festival called AgitÁgueda (Stir Agueda) rolled out the green carpet, suspended hundreds of colorful umbrellas overhead, and invited residents to see the city in a whole new light. All through July, many of the town's narrow streets were covered in parasols suspended from strings attached to buildings, casting a playful array of shadows on the street below and gently swaying in the breeze. Photographer Patricia Almeida called the sight "Umbrella Sky" on her visiting, capturing the amazing density of umbrellas shimmering overhead. In addition, lampposts were striped with matching colors, pink, yellow and green benches lined the thoroughfares, and a green turf layer was rolled out in the middle of the street, making the whimsical scene on the street resemble a direct snapshot from a Dr. Seuss children’s book.
Portuguese architect Eduardo Souto de Moura has won the 2011 Pritzker Prize, according to several reports. The Porto-based architect worked for the country's other Pritzker winner, Alvaro Siza, but has had a prolific career on his own since opening his office in 1980. Not widely known outside Portugal, Souto de Moura designed the new stadium in Braga in 2004, which, like much of his work, has strong, highly legible forms. There he blasted granite from the site that was later crushed to make concrete for the building. "During the past three decades, Eduardo Souto de Moura has produced a body of work that is of our time but also carries echoes of architectural traditions," jury chair Lord Palumbo said in a statement. "His buildings have the unique ability to convey seemingly conflicting characteristics--power and modesty, bravado and subtlety, both public authority and a sense of intimacy--at the same time."