Posts tagged with "Perkins + Will":
City of Chicago reveal plans to combine public libraries and housing, and the architects behind them
Perkins + Will has revealed renderings of its new mixed-use complex in Miami Beach, which will anchor one of Miami’s liveliest corners, Alton Road and Lincoln Road Mall. The new structure will house a boutique hotel, European-style food market, retail spaces, and a 450-car parking structure.
Lincoln Road is already home to many modern buildings, such as Frank Gehry’s New World Center and Herzog & de Meuron’s 1111 Lincoln Road, which is part of the appeal according to Jose Gelabert-Navia, Managing Principal on the project. “We love doing projects in Miami Beach, because the architecture is already modern, contemporary, and cutting edge,” he said.
1212 Lincoln Road aims to speak to that tradition and engage the area’s walkable nature, providing a grand exterior staircase for access to the market and a second-floor balcony with views of the pedestrian mall.
1212 Lincoln Road is scheduled to begin construction in 2017. The design team is led by Design Director and Principal Pat Bosch alongisde Alejandro Branger, Damian Ponton, and Carlos Vilato and Kricket Snow is the Project Manager.
Architect: Perkins + Will Client: Crescent Heights Location: Miami, FL Completion Date: 2018
Out of 46 submissions, the Dallas Chapter of the American Institute of Architects has selected four projects to receive its 2016 Built Design Awards. This year’s recipients were selected by a jury composed of internationally renowned architects Matthew Kreilich, AIA, design principal and partner at Snow KreilichArchitects in Minneapolis; David Lewis, AIA, a founding principal at LTL Architects in New York; and Sebastian Schmaling, AIA, founding principal at Johnsen Schmaling Architects in Milwaukee. The final award recipients were selected based on each project’s unique response to its cultural, social, environmental, programmatic, and contextual challenges. “The 46 entries submitted for Design Awards this year were commended for their quality and representation by the jury,” said Michael Friebele, associate AIA, 2016 AIA Design Awards chair and senior associate at FTA Design Studio. “The six awarded projects were recognized as not only the best in design, but also for their unique range of program and context, a direct reflection of the expertise behind our jury this year. We are pleased to honor and celebrate the recipients and their contribution to the elevation of design in our community.” The jury also recognized two additional projects with citation awards.
1. Fire Station No. 27, Perkins+Will (Dallas)
Fire Station 27 was designed to re-establish a proper civic presence and foster a strong connection to the surrounding community that is often lacking in this building type. Responding to a compact site, Fire Station 27 was the City of Dallas’s first multistory station in over one hundred years. It consists of 23,600 square feet with two levels above grade and one level of parking below grade with capacity for 15 personnel per shift.
Jurors commended the project’s success as an urban infill building, as well as its strong organizing concept and celebratory story wall.
2. Prospect House, Max Levy Architect (Dripping Springs)
At this rural wedding and event center, celebrations are accommodated inside, outside, and on a big screened-in breezeway. Above the main hall is a huge wind vane whose mast extends down into the room and supports a 12-foot-diameter ring that turns with the breezes, connecting festivities inside with the world outside.
Jurors celebrated the thoughtful, restrained design, its elemental quality, and the overall modesty and simplicity of the project.
3. Hilti North America Headquarters, Gensler (Plano)
In the new Hilti North America Headquarters, the client’s top priority was celebrating the culmination of Hilti’s people and products. Not only was the entire office built exclusively with Hilti construction tools, over 26,000 modified Hilti products were woven into the architecture of the space—all intended to generate and showcase a pride in the product and the people who design, create, and market it.
Jurors praised the project’s clear concept, clean detailing, and the creation of shared spaces that foster interaction and collaboration.
4. Houndstooth Coffee and Jettison Cocktail Bar, OFFICIAL (Dallas)
The design for Houndstooth Coffee and Jettison Cocktail Bar was driven by the building’s dual function as a bar and a coffee shop and their shared connection. The design centers on an elemental concept of day to night, with Houndstooth filling the larger, sunlit space, and Jettison occupying the intimate back corner. High ceilings create openness in the coffee shop and a “floating” wood-clad volume, referred to as the cloud, serves as the central focal point, drawing the eye up while balancing the space and concealing the mechanical system. Jettison Cocktail Bar takes the inverse of the cloud design with a lowered ceiling and a central void looking into the painted gold trusses that have the character of a chandelier.
Jurors appreciated the elegant yet playful interiors, the creative use of light, and the duality of the distinct spaces.
Projects receiving Juror Citations are:
5. House at Rainbo Lake, Max Levy Architect (Henderson County)
Located in a swampy forest along a lake, this weekend retreat houses an extended family of sportsmen and nature enthusiasts. Each room is a separate building, and a screened in porch connects each building. Color is instrumental to this design, and coloration of exterior materials merges with the site.
Set within a transitioning East Dallas neighborhood, this project bridges the traditional forms of the existing surrounding homes with a modern, high-density prototype. These duplex units embrace the length of the property and are designed around visual connections to a series of carefully composed outdoor spaces.
- Strengthen the talent pipeline by increasing outreach, awareness, and exposure to young African-American children. Often, architecture is not presented as a viable career path to the underrepresented youth. We can do this by mentoring and K-12 outreach.
- Reshape recruitment teams to represent a cross-section of genders, ages, and races in order to attract the more diverse candidates we want.
- Partner with Historically Black Colleges and Universities (HBCUs) to proactively recruit and mentor students. We are in the planning stages of creating such a program.
- Examine community college and university transfer requirements to attract community college students to accredited programs.
- Engage in the purposeful and deliberate recruitment by firms and colleges for diverse students. If schools and firms don’t demonstrate their interest and value in a diverse community on their website and recruitment collateral, many candidates will not apply because they “don’t see themselves represented.”
- Publically highlight the merits and importance of a more diverse profession to create more relevant architecture to improve the “image” problem the profession has of being a “rich person's profession."
- Gender Diversity 2015: 45 percent Female, 55 percent Male (Female: up 1 percent from 2014)
- Racial Diversity 2015: 26 percent Non-White, 74 percent White (Non-White: up 3 percent from 2014)
- Principals 2015: 25 percent female
- Associate Principals 2015: 32 percent female
- Associates/Senior Associates: 38 percent and 44 percent female respectively
- Career Fairs: A local team of Perkins+Will staff participates in an annual regional career fair of the HBCU’s by geographic location, pairing the HBCU and P+W office closest to the school.
- Annual Office Visit: Perkins+Will will host HBCU students for a half day office visit including office tour, project presentations, and resume/portfolio review.
- Lecture Series: Working with HBCU leadership, Perkins+Will will develop a lecture series to be curated around relevant architectural practice and design. The lectures will be delivered on each HBCU campus on a rotating basis and virtually across the others. Through a lecture series we can harness the vast wealth of knowledge and expertise within Perkins+Will and other firms.
On an early May day, Perkins+Will Seattle gave The Architect's Newspaper a tour of their new offices in downtown Seattle, the first of their global offices designed to incorporate their in-house healthy materials initiative research. The Seattle office moved east in April from their prior space on First Avenue above the Seattle Art Museum, to Minoru Yamasaki’s 1977 Rainier Tower on Fifth Avenue. The relocation gave Perkins+Will the opportunity to live-test their healthy materials initiative—putting their research on toxic building chemicals into action on themselves. In 2009, Perkins+Will developed a precautionary list of harmful building materials, compiling governmental agency information about building chemicals that may harm our environment and ourselves.
“We wanted our workspace to reflect who we really are, and to some extent use ourselves as a little test lab. Can we walk the walk?” said Ed Palushock, associate and senior project designer at Perkins+Will who heads up the firm’s Material Performance Research Lab.
“There were a bunch of people who did some research and started recognizing, hey, these chairs that we’re putting in the space have flame retardants [in them] that have a fallout for people’s health. Or, we’re using copper on exterior roofs, and noticing some research being done about elevated copper levels in runoff water. Some copper is good, but too much copper is not so good,” said Palushock. “The goal was to take ourselves out of the equation.”
The Perkins+Will Vancouver office led the Seattle office design, working with Perkins+Will’s Seattle team. The precautionary list informed how the firm approached their new space on a micro level: 32 of the 34 products and finishes met the firm’s healthy materials standards. The vetting process involved a bit of investigation, as some product manufacturers’ ingredients lists were proprietary or incomplete. (Two products that didn’t meet the architecture firm’s requirements: A chromium alloy plating process used to lend a chrome finish to products, and the solar shades. The firm found out after installation that the shades contained 15 percent PVC.)
There was a slight up-charge for specifying healthier materials. “But once [these materials] become an industry standard, it will level the playing field,” said Oliver Wuttig, an architectural designer at Perkins+Will. “The more we ask manufacturers about these products, the less it becomes a commoditized item.”
The Seattle office spans two floors. The main office is 16,500 square feet while a lower level houses a 1,400-square-foot materials library and model shop. But even with close to 120 employees working in the office, the main level—with most of the surfaces white and soft gray—is bright and spacious due to an open, square-shaped floor plan. Workstations with employees organized by teams, a corner kitchen, and meeting and conference rooms run along the perimeter with direct access to natural light and views of downtown and Puget Sound. The firm also has phone rooms for privacy. “We sit people together who are working together,” said Palushock. “Every month or every other month there is a switching around in the office.”
At the core are elevators and an entryway featuring white perforated branded metal screens backlit by LEDs. Along the outer core walls, the firm can display projects and hold critiques. There’s also a social component to the design. Each corner of the office is reserved for flexible workspaces—a kitchen in one corner can double as a meeting room for the whole office. “The kitchen engages people and gets them from their desk, said Wuttig.
The sustainable building industry has made headwinds in the past decade—the United States now has an abundance of certification opportunities such as LEED, the Living Building Challenge, and Cradle to Cradle—the presence of toxic chemicals in products is a persistent issue. “We have wiring lined in polyvinyl chloride (PVC), but it can contain endocrine disruptors like phthalates and Bisphenol A,” Palushock explained. A safer alternative to PVC may be polyvinyltulene (PVT). But it’s not ready for market. “It’s one thing to design a building in terms of the orientation and use healthy materials, but the question is, what are those healthy materials?” he continued.
Perhaps we lag behind Europe on the healthy materials front because of our legal framework and mentality. As Palushock put it, Europe’s approach is to “prove this material is not harmful” while in the U.S., it’s “safe unless deemed otherwise.”Resources General Contractor: Turner Construction Company Lighting Consultants: Candela Corporation and Stantec Electrical Consultant: Evergreen Electric HVAC, Plumbing Consultant: American Mechanical Corporation
International bike-part manufacturer SRAM was an early arrival at Chicago’s flashy new Google-anchored tech campus, 1KFulton. In summer 2015, SRAM’s global headquarters and a staff of 150 moved into a full 72,000-square-foot floor, one of the most captivating office interiors in town, designed by Perkins+Will.
Behind the reception desk, an undulating, recycled-wood topographical wall conjures a mountain range in the Tour de France, while an adjacent video wall plays actual race footage; a 1,000-square-foot outdoor wraparound deck rolls off of the kitchen and cafe area, looking south over the city; locker rooms and custom racks for desk-side parking encourage employees to bike to work; and a one-eighth-mile bicycle test track weaves through the office.
Perkins+Will was challenged in the client brief to emphasize brightness, openness, connectivity, interchangeable workspace, and, of course, the bicycle. “SRAM asked for a product that supported a unique blend of office and manufacturing space that would be fun and not too precious,” said Fred Schmidt, global leader of interior design for Perkins+Will. Meeting spaces range from conference rooms to informal breakout spaces, and the private office is virtually abolished.
Rough concrete pillars are fixtures of Hartshorne Plunkard Architecture’s shell and core work for the 1KFulton redevelopment, and Perkins+Will’s design responds with polished concrete floors, exposed ductwork, and industrial lighting. “We went in knowing this had been a cold storage warehouse with hard surfaces,” said Perkins+Will’s Chicago interior design director, Tim Wolfe, “and so looked for ways to accent that durability.”
Beyond simply slapping a logo on the wall, branding was extended through coherent material use—earthy, raw, and homey—and a fixed color scheme of saturated red paired with neutrals. “We didn’t drown the place in red,” Wolfe added, “but there’s always at least a suggestion of it at every turn.”
The eye-popping test track is a carryover from SRAM’s old space nearby, but it is much longer, more design-forward, and better integrated with workspaces. The track is used for verifying bike component concepts, but no one is clocking scorching lap times: It is equally a footpath for employees.
In fact, there’s really no comparing SRAM’s previous headquarters to its current one. It was smaller, darker, split among three floors, and “super low-tech,” according to vice president of marketing, David Zimberoff. “And the furniture was not designed with intent.” To that point, Schmidt knew the furniture needed to be able to “withstand piles of derailleurs as easily as it did stacks of paper.” Among the key end products were stronger desktops, moveable stations, and sit-to-stand workbenches. SRAM’s own staff innovated the desk-side vertical-pole bike racks.
“I’ve never worked with a company where their physical space so completely encompassed their identity,” said Schmidt. SRAM has defied any rulebook for corporate interiors; that much is clear.