Speculation about the future of Park Slope's local cinema, the Pavilion Theater, is finally giving way to more concrete plans. The Real Deal reported that Hidrock Realty, who bought the Prospect Park West property in 2006 for $16 million, will likely overhaul the neighborhood movie theater and turn it into 24 residential units including 8,000 square feet of commercial space. The developer also owns the adjacent vacant lot. Architecture Outfit released two possible schemes for the theater back in December, but now real estate blog 6sqft revealed that the architect of record is Morris Adjmi, whose trademark style creating contextual yet modern buildings has made him a favorite with the Landmarks Preservation Commission—think the popular Wythe Hotel he completed in 2012. As part of the Park Slope Historic District, the exterior of the art deco theater will be preserved, but the interior, which isn't landmarked, could undergo a substantial renovation. A spokesperson for Hidrock told the Real Deal that a "sophisticated and "reasonably sized" theater could possibly replace the Pavilion. However, the cinema's lease through 2022, which includes the option of a 10-year renewal, could be a not-so-small hiccup in the fruition of Hidrock's plans for park-side, luxury housing.
Posts tagged with "Park Slope":
With the great big residential boom in Brooklyn, the typical housing stock (brownstones, apartment complexes, and the like) has grown scarce steering developers to set their sights on the properties most readily available and ripe for conversion: churches, schools, banks, hospitals, libraries, and even municipal buildings (who needs amenities or services, anyway?!). Now, two of Brooklyn’s landmarked movie theaters—The Brooklyn Heights Cinema and Park Slope’s Pavilion Theater—have been scooped up by different developers who have proposed residential conversions. The Pavilion Theater, with its Moorish brick facade and old-fashioned marquee, first opened in the early 20th century and has had several incarnations, first as the Marathon Theatre, and then as the Sanders Theatre in in 1928. The historic cinema, however, has seen better days: According to 6sqft, the interior, which does not have landmark status, is in ramshackle condition, and has been said to have had a bed bug problem in the past few years. Developer Ben Kafash, who purchased the theater three years ago, plans to revamp the building and transform it into housing. New York City firm Architecture Outfit released two schemes, perhaps in anticipation of an obligatory review by the Landmarks Preservation Commission at some future date. One proposal turns the theater into a 6-story residential apartment complex (preserving the facade), building new apartment units facing the circle, Bartel-Pritchard Square, and adjoining a row of contemporary townhouses, outfitted with protruding windows, along 14th Street. The second scheme keeps the entire theater and replaces a one-story building at 190 Prospect Park West with new construction. The one-story, white brick building, formally housing the cozy Brooklyn Heights Cinema, has been sold to local developers Madison Estates and JMH Development for $7.5 million. The theater closed its door this past August and had been in operation for over four decades, way before Lena Dunham was buying up property in the historic neighborhood. While the new owners have yet to reveal plans for the modest structure, the Daily News said it is likely to be converted into a low-rise condo or condo building. If Brooklyn Heights residents want to see a movie, they will just have to mosey on down to DUMBO where the two-screen movie theater is moving to.
Owner-built interior explores the transition from two dimensions to three.For his latest venture, The Montrose in Park Slope, Brooklyn, whisky bar proprietor and former contractor Steve Owen (with partners Michael Ferrie and Alex Wade) wanted a rough, industrial look evocative of an Old World distillery. "He was coming at it sort of from an antique perspective, as a pastiche," said B. Alex Miller, partner at Taylor and Miller Architecture and Design. "We were thinking of it in a different way." Taylor and Miller, who had worked with Owen on several projects when he was a practicing contractor, noticed the prevalence of wood herringbone patterning on the walls and floors of the spaces Owen was inspired by. "We'd done some other herringbone studies," said Miller. "We said, 'This is something that's often done in a high-end scenario. Let's pare it down to the barest of essentials, just do it out of 2-by-4 pine, do it in grain on the walls.'" The design of The Montrose became, said Miller, "a very basic exercise in transitioning from a two-dimensional to a three-dimension pattern," in which individual boards were pulled away from the wall in the z direction. Working in Rhino, the architects explored multiple iterations of the form, including the different textures created when a unit was defined as a single stick versus a two-board L. The ceiling, along which boards are arrayed lengthwise, also received a three-dimensional treatment. "There were some really interesting relationships in the ceiling," observed Miller, "almost like a musical score." Though the herringbone patterning was developed almost entirely on the computer, Taylor and Miller wanted to avoid the sense of an overly precise, machine-made space—hence the use of standard lumber. "We're often looking at very basic materials, at how to do it in a repetitive way so that the human intervention is felt," said Miller. "We wanted to make it a little more than a highly fabricated, laser-cut, pristine sort of thing." Owen built The Montrose's interior himself. "Because he was a friend, and a contractor, we could remove a lot of the documentation that would normally be required," said Miller. In fact, Owen soon abandoned the digital models Taylor and Miller passed along. "Once he figured out the system, we were able to give him just data points, just coordinates," said Miller. "It was a feedback loop: he was interpreting what we gave him. He said, 'Okay, just give me the z data off the wall.' We joked that he was seeing the Matrix a little bit." The installation itself was "dumb, in a good way," said Miller, requiring nothing more than nails and the occasional screw. "When we're doing something like this that we know is hyper-labor-intensive, it can't be complicated from an install point of view. There's nothing overly polished; it's just dirty." That messiness is exactly what Miller most appreciates about the finished product. "When we go in there now, some of the curves are a little bit rough," he said. "You can see these—they're mistakes, frankly, but I love the space because of it. This is not a highly precious thing, this is not a highly sculptured piece. It's someone interpreting our concept."
Right as the New York City Housing Authority goes public with its controversial plan to allow developers to build high rises in the middle of public housing developments, the Brooklyn Public Library is taking a similar approach with the hope of mitigating its ongoing financial struggles. The New York Times reports that the library plans on selling off the land beneath two of its branches—The Brooklyn Heights Library at Cadman Plaza and the Pacific Library on Fourth Avenue—to developers who will then tear down the buildings and carve out space for them on the ground floor of their new residential towers. But a number of local residents aren’t pleased with the Library's plans and are concerned that these modern, high-rise iterations will lack that unique community feel and cultural character found in the existing libraries. Once the Pacific Branch, built in 1904 as the first Carnegie library in Brooklyn and designed by architect Raymond Almirall, is torn down, the closest library for patrons in the Boerum Hill and Park Slope neighborhoods will be located in Two Trees' 32-story apartment tower designed by Enrique Norten of Ten Arquitectos, which will also house arts space for BAM and 651 ARTS.
Last night was a night of tough decisions. ArchNewsNow threw its tenth anniversary party at the Center for Architecture and DOT Commissioner Janette Sadik-Khan gave the Mumford Lecture at City College—on opposite ends of town at the same time. Impossible to do both, our Publisher Diana Darling partied down with ArchNewsNow and we headed for the Mumford Lecture, sending hearty congratulations to ArchNews editor Kristen Richards. Despite missing the party, the trip Uptown was well worth it... The event got off to a slightly late start. City College's urban design director, Professor Michael Sorkin couldn’t resist announcing that the transportation commissioner was stuck in traffic. Like so many Sadik-Khan events, high-ranking officials, like City Planning Commissioner Amanda Burden, sat alongside bike-helmet-in-hand supporters. “She has reimagined our streets as places rather than appliances,” Sorkin said by way of introduction. At the podium Sadik-Khan was her usual irreverent and direct self, giving more of a presentation than a hard-core academic lecture. She tossed off casual tidbits of advice to students (practicing judo with your boss is a good way to release inter-office tension—she practiced with a former boss, not her current one). At another point when an audience member asked about the city’s plans for public restrooms she deadpanned, “Starbucks.” But on the subject of safety she was dead serious. She said that until the current administration, “Our streets were looked at through a 1950s ethos” of a car-centric culture. “We’re one of the premier walking cities but it's often dangerous to walk," she said. The commissioner quoted Mumford who called car accidents a “ritual sacrifice in worship of speed.” Though fatalities in the city are at their lowest level in 40 years, she still sees a need for more “retrofits" of the streetscape. To that end the DOT is developing wayfinding signage for pedestrians that will be launched next year. The commissioner concluded by pegging sustainability to safety: “We can't get people on bikes unless they feel safe.”
Parking Slope. A parking lot in Park Slope, Brooklyn could soon sprout an 11-story, 166-room hotel designed by Doban Architecture (pictured above). Curbed stopped by a community meeting last Thursday and reports Hotel Grand Prospect has extended the neighborhood an olive branch in the form of a 400-car parking garage which has won over some community members. The project is still in its early phases and traffic and environmental studies have yet to be completed. (More at Curbed.) Superstreet. North Carolina State University just published a study about a time-saving (for cars) intersection layout called the "superstreet." While researchers show the layout reduced automobile travel times and improved the car-crash rate, the aerial view shown on the NCSU page looks far from super in terms of multimodal transportation options. No sidewalks or crosswalks (and a super-low density neighborhood) could easily outweigh the "superstreet" benefits. (Via Urban Planning Blog.) Lost Brother. Located in the middle of the East River, North Brother Island and its quarantine hospital have been abandoned for 48 years resulting in some amazing ruin photography. Richard Nickel, Jr. at the Kingston Lounge has posted a series of photos from the island along with its history. Owned by the New York City Parks Department, Brotherly Island is closed to the public and is a protected nesting ground (Via Gothamist.) High Speed Fighting. California's battle for High Speed Rail races on. Secretary of Transportation Ray LaHood wrote in to contest an anti-High Speed Rail editorial in the Washington Post last week. LaHood opposed the notion that the west corridor isn't dense enough to support the proposed rail system. The fight won't be over for a long time, so stay tuned. King. Happy Martin Luther King, Jr. Day! Check out AN's recent coverage of the planned $20 million upgrades to the National Civil Rights Museum in Memphis at the Lorraine Hotel where King was assassinated in 1968.