Posts tagged with "OMA":
This post is part of our years-long running Eavesdrop series (think page 6 for the architectural field). It’s your best source for gossip, insider stories, and more. Have an eavesdrop of your own? Send it to: eavesdrop[at]archpaper.com.
In related Related Group news, The Architect's Newspaper is hearing that when OMA submitted its plans for the three-tower Park Grove condo complex in Miami’s Coconut Grove, the initial submission was hilariously below par. Because OMA had not done very much housing, the original RFQ contained some of Rem Koolhaas’s earliest conceptual housing schemes. When the designs for Park Grove were delivered to Related, they had no closets and the kitchens were too small. It took a collaboration with a local, condo-experienced architect to get them up to speed. It worked out, however, Park Grove is now over halfway done: Two Park Grove and the Club Residences recently topped off, and One Park Grove is expected to break ground in 2018.
Even if the Redskins keep their name and leave D.C., the city is taking steps to ensure the area around RFK Stadium offers ample space for residents to play, too.
Events D.C., the city's semi-independent convention and sports authority, has unveiled plans to replace the ocean of surface parking that fronts the soon-to-be-demolished stadium with recreation space and a food market. The whole scheme, pictured in the gallery above, is designed by New York–based OMA.
The estimated $500 million proposal includes three ballfields (two for baseball, one for youth soccer), a 350,000-square-foot recreation and sports complex, and a 47,000-square-foot market selling groceries and concessions. According to the Washington Post, the sports center will host bowling, go-kart, and video-game facilities; a memorial to Robert F. Kennedy will be installed nearby, as well. To tie the programming together, three pedestrian bridges will connect the site to Kingman and Heritage islands.
“The RFK Stadium Armory-Campus—currently under-utilized—is poised to be transformed into a vibrant place that connects D.C. to the Anacostia River," OMA partner Jason Long told the Washington Business Journal. "Working together with Events D.C., we have formulated a plan that strategically locates new facilities that will draw people to and through the site, while refining the vision for larger redevelopments in the years ahead.”
As the 190-acre site is owned by the federal government, federal and local agencies must approve the plan before any shovels hit the soil. Half of the project will be funded by Events D.C. while the city, hotel tax revenue, and team leases will pay for the rest.
Although the Redskins moved to the suburbs years ago, the team is scoping sites for a move—maybe to D.C., or maybe not, if the team refuses to change its racist name. Regardless, the D.C. Zoning Commission gave its initial blessings to the BIG-designed stadium last month, and the commission is expected to give its final okay for the project at its February meeting. Right now, Major League Soccer's (MLS) D.C. United plays at the stadium, and it will continue to play tournaments on-site until the new stadium is complete in 1–2 years.
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OMA designed three buildings nestled between Miami Beach’s famous Collins Avenue and Indian Creek Drive in Mid-Beach. The project is a significant contribution to the Faena District, a $1.2 billion project covering six blocks and integrating dynamic cultural, residential, hotel, retail, culinary, and public environments.
OMA’s structures are all governed by independent programs: the Faena Forum with flexible theater uses, the Bazaar that retrofits a historic hotel with curated retail and event programming, and a state-of-the-art car park. Shohei Shigematsu, partner at OMA and the director of its New York office, led design efforts on the project.
A central focus of the new district is the Forum, which opened on November 27. The building is composed of two volumes—a cylinder and a cube—that are similar in size and can be combined or subdivided to support any type of production, from projects and commissions to performances, exhibitions, and events. A circular stair that descends from an impressive 46-foot cantilever denotes the main entrance. This leads up into the lobby of the building, which the architects elevated in response to concerns over rising sea levels. The design move freed up ground-floor space for loading functions and helped to provide a canopy along Collins Avenue. The architects explained that this extended the public domain into and under the building. Shigematsu said the formal strategy of the Forum’s radiused, cantilevered facade was inspired by the firm’s research into urban planning principles. “The Forum’s circular plan enables the public domain to expand, activating pedestrian movement within the district,” he said. “A 45-foot cantilever allows the landscaped plaza to slip under the Forum along Collins, providing a dramatic sense of arrival.”
Faena Forum 3300-3398 Collins Avenue Miami Beach, FL Tel: 305-534-8800 Architect: OMA
- Architecture Studio (France)
- Dominique Perrault Architecture (France)
- MAD Architects (China) & DGLA (France)
- nAOM (Franklin Azzi Architecture, Chartier Dalix, Hardel-Lebihan Architectes) (France)
- OMA (The Netherlands)
- PLP Architecture (UK)
- Studio Gang (USA)
This post is part of our years-long running Eavesdrop series (think page 6 for the architectural field). It's your best source for gossip, insider stories, and more. Have an eavesdrop of your own? Send it to: eavesdrop[at]archpaper.com.
Sources close to the juries for two recent invited competitions tell The Architect's Newspaper that in both cases, smaller firms—SHoP and OMA—were chosen over Bjarke Ingels Group (BIG) because the jurors believed that the firm's top dog, Mr. Ingels himself, might be more focused on the WTC 2, the Google headquarters, the project formerly known as the Big U, and the Hyperloop. They are concerned that he might not have time to pay much attention to other, smaller projects. The suspicions may come as a surprise to Rem Koolhaas, for whom Ingels worked in his early career.
In recent years, the world has seen a proliferation of performance centers that, according to a mysterious consensus, consist of more or less an identical combination: a 2,000-seat auditorium, a 1,500-seat theatre, and a black box. Overtly iconic external forms disguise conservative internal workings based on 19th century practice (and symbolism: balconies as evidence of social stratification). Although the essential elements of theatre- stage, proscenium, and auditorium- are more than 3,000 years old, there is no excuse for contemporary stagnation. TPAC takes the opposite approach: experimentation in the internal workings of the theatre, producing (without being conceived as such) the external presence of an icon.Construction on the project has so far taken four years and the Performing Arts Center is due to officially open in 2017. OMA won the commission to design the center in 2009. Rem Koolhaas and David Gianotten are the two partners working on the project.