My design and the subsequent building of the Founders National Bank building of 1964 is, I think, a one of a kind and interesting example of the contemporary Oklahoma architectural scene in its mid-century period and as such should be kept if at all possible as part of the architectural heritage of Oklahoma City. Surely, an effort could be made made by the new owners to find some new and suitable usage of the building.So far, Schlosser Development Corp. hasn’t released plans to redevelop the two-acre site. The building was one of many mid-century modern icons built in the city’s Founders District, as well as several others throughout the state of Oklahoma, including Goff’s Bavinger House, which was destroyed in 2016.
Posts tagged with "Oklahoma City":
When I was in architecture school, I, like most of my contemporaries, doodled my way through lectures. In fact, I still do the same in meetings today. And as my pen inflicts the pages of whatever unfortunate sketchbook I have selected, I find myself more often than not being drawn to vandalizing the ring-binder hole punches in the margin.
Never once did a doodle around this area of any page of mine result in the design of a building. Perhaps that is why I am not an architect. A look at Rand Elliott’s Full Moon residential complex in Oklahoma suggests I missed a trick.
Elliott and his firm, Elliott + Associates Architects (EAA) have found a quite unique way to appease fire regulations and maximize a restrictive site to accommodate ten housing units. The 37-by-140-foot site at 322 North West 12th Street in Oklahoma City was, as Elliott described, “leftover” and “ignored” space.
The architect chose the site for this particular reason. “I think Oklahoma is lacking living spaces that have a wonderful personality to them,” he said, adding that discarded sites are often in great locations and have potential. “I set about to try to design something that would be distinctive, a landmark, and a real attraction to a certain group of people who want to live around creative and artistic people,” he explained.
In his assessment of the area, Elliott found that the percentage of window space available was limited. Having a series of small windows, he said, “seemed like a waste of time,” so instead he opted for an idea using an oculus 42 feet in diameter, embedded into a 60-foot-high sprayed-white concrete structure.
The oculus is oriented so that it frames views eastward, onto a 1920s modernist brick neighbor, and westward, where residents can look out at the dramatic sunrises and sunsets typical in Oklahoma. It also shelters a small garden area below.
EEA worked extensively with the city’s fire marshal’s office on the project. The unorthodox design required special attention due to the fire marshal having never encountered a proposal like this. Some design elements, such as the bridge spanning the upper level to provide more than one exit point, were born out of these discussions.
As for the housing units, Elliott explained, each one interacts with the oculus and, instead of each one being a “cookie cutter,” every unit has a unique floor plan. According to the architect, every unit offers an 180-degree view, each with a different perspective.
Work started on Full Moon roughly a year ago, and Elliott expects construction to start in the next few months, with the view to have people moving in in a year. Last year, EEA celebrated its 40th anniversary. “The best work that we’re doing is right now,” Elliott said. “They say architects produce their best work as they mature, and that’s what I’m feeling.”
2016 Building of the Year > Southwest: U.S. Air Force Academy Center for Character and Leadership Development by SOM
The Architect’s Newspaper (AN)’s inaugural 2013 Best of Design Awards featured six categories. Since then, it's grown to 26 exciting categories. As in years past, jury members (Erik Verboon, Claire Weisz, Karen Stonely, Christopher Leong, Adrianne Weremchuk, and AN’s Matt Shaw) were picked for their expertise and high regard in the design community. They based their judgments on evidence of innovation, creative use of new technology, sustainability, strength of presentation, and, most importantly, great design. We want to thank everyone for their continued support and eagerness to submit their work to the Best of Design Awards. We are already looking forward to growing next year’s coverage for you.
2016 Building of the Year > Southwest: U.S. Air Force Academy Center for Character and Leadership Development
Architect: Skidmore, Owings & Merrill Location: Colorado Springs, CO
The Center for Character and Leadership Development is a 46,000-square-foot education center located at a critical meeting point between the campus’s cadet and public areas. As an architectural focal point for the U.S. Air Force Academy’s campus—itself originally designed by SOM in 1954—the building’s dramatic 105-foot skylight aligns precisely with the North Star, creating a meaningful architectural interpretation of the Academy’s aspirations and guiding values. The Center contains a flexible gathering space for academic and social interaction; a series of collaboration, conference, and seminar rooms; offices; a library; and the Honor Board Room, where inquiries related to the Cadet Honor Code take place.
Lighting Consultant Brandston Partnership, Inc.IT/Acoustics/AV Cerami & Associates Skylight glazing Interpane Storefront glazing Viracon
Honorable Mention: Building of the Year > Southwest: American Energy Partners Fitness CenterArchitect: Allford Hall Monaghan Morris Location: Oklahoma City, OK This arched steel structure spans an existing unused concrete basement in northern Oklahoma City, dynamically transforming it into a sports and leisure hub that provides a wide variety of facilities, including two racquetball courts, a climbing wall, a basketball court, fitness studios, changing rooms, a cafe, and a running track.
In 1916, trains could pull up directly to Oklahoma City’s Ford Motor Company Assembly Plant to deliver kits of parts for cars; in 1968, Fred Jones, once an entry-level worker at Ford, bought the plant and founded Fred Jones Manufacturing Company; and as of June 2016, hotel guests can check into the very same building to browse 14,000 square feet of art. Laura Lee Brown and Steve Wilson of 21c Museum Hotels worked with Deborah Berke Partners on their sixth collaboration together to transform the assembly plant into a boutique hotel.
The building, originally designed by Albert Kahn, is on the National Register of Historic Places. Berke and her team restored or recreated many of the plant’s original features, such as the Model T showroom’s terrazzo floor, casement windows, storefront, and entry, as well as the exterior lighting and Fred Jones Manufacturing signage. The car showroom space has been reimagined as a bar and lounge, and the original train shed is an outdoor bar and dining area. Industrial and mechanical fixtures throughout the 23 guest rooms and common areas reflect the structure’s automotive history. The building’s original penthouse apartment is now a suite.
21c’s curator, Alice Gray Stites, commissioned artwork that also references the site’s industrial past with Woozy Blossom, a misting mechanical tree by Matthew Geller; James Clar’s River of Time, in which conveyor belts are covered with colored acrylic sheets to create moving panels that “flow” over a large LED clock, and other site-specific works. Rotating exhibitions will come through the hotel that highlight up-and-coming artists and the city’s own art scene.
21c Museum Hotel Oklahoma City 900 W Main Street Oklahoma City, OK Tel: 405-982-6900 Architect: Deborah Berke Partners
While cities around the country are transforming their riverfronts to encourage recreation, Oklahoma City is taking the Oklahoma River to the next level. The seven-mile-long formerly swampy stretch of land on the edge of downtown has been brought back to life through a series of dams and structures for adventure sports including kayaking, rowing, zip lines, climbing walls, hiking trails, high speed slides, and paddle boarding. The latest addition: RIVERSPORT Rapids, a 45.2 million, 11-acre whitewater rafting and kayaking center along the river; one of many attractions in a 60-acre stretch called the Boathouse District.
The whitewater center, engineered by Lyons, Colorado-based whitewater design firm S2o, is located just adjacent to the river. It includes two roughly 3,000-foot-long concrete channels (their angular lateral surfaces softened with plastic barriers), each stepping down about 24 feet. The average trip down takes about 10 to 15 minutes. Six 12,000-pound pumps send water from the bottom back up to the start, and large conveyor belts bring racers back up while still in their vessels.
“We put a Rocky Mountain experience in the Great Plains,” S2o president Scott Shipley said. His firm also engineered the London Olympic rowing center, Dorney Lake, and the U.S. National course in Charlotte, North Carolina. The nonprofit OKC Boathouse Foundation will operate the new center, offering rafting, kayaking, and tubing, among other activities.
“Oklahoma is a sports place. It’s really embraced this, and it’s helped create a renaissance here,” added architect Rand Elliott, whose Oklahoma City firm, Elliott + Associates, has designed and master planned the Boathouse District, a compilation of boathouses, entertainment venues, offices, and more, over the past 13 years. The rapids and the district were funded as part of MAPS 3, a one-cent sales tax initiative (already renewed four times since the early 1990s) that will give $777 million to new development citywide, with $60 million earmarked for the Oklahoma River.
For years, the river, once known as the North Canadian River, was an almost dry waterbed that locals joked about mowing instead of rowing. A $53 million project completed in 2004 rejuvenated the river.
Along this stretch Elliott + Associates has designed angular glass and steel buildings that line up along the river like boats about to race. They include, among other structures, the Chesapeake Boathouse, CHK Central Boathouse, Devon Boathouse, CHK Finish Line Tower, and the SandRidge Sky Trail, a zipline course that resembles a crazy straw. At night the buildings are lined with different colors of LEDs, creating a mesmerizing draw for visitors.
“We’ve poured our whole life and soul into this to make it an architectural masterpiece in that everything is connected yet still individual and interesting,” said Elliott.
But the main event is still the water sports.
“As more people move to cities, they need this kind of recreation in their lives,” said Shipley, “We can bring it to where they live and work.”
“Tinker toys” they say “grain elevator, cotton gin.” and I say yes Art in imitation of the functional The compartmentalized sphered cube holistic three-dimensional sculpture holding sculpture. Let’s say a tribute to the workplace of the farmers hip deep in their work using sheet and cast metal enhancements and to construction workers birthing steel-boned concrete poured with native stone and sand, transcendent technology saving backs, protecting the future So sons and daughters could be teachers and doctors And their progeny artists and philosophers. Is this hearing place obsolete? After founding, nursing, and sustaining numerous theater companies, those ineffable entities, neither thing nor place, nor just knots of artists contending with themselves, but also made of the eyes and ears of those who looked outside the TV sets of the last forty years, the CinemaScope, and now away from the handheld screen with tight drawn hoodie, and listened with tears and laughed out loud, actors holding in compliment, in concert with their momentary peers.Read the full poem at the Oklahoma Gazette website.