Quinn is slated to begin gathering the blood this January by stationing small laboratories in cities across the world, all set up to match medical and ethical standards, according to The Guardian. Every person who donates blood will be able to contribute a short video message about their reasons for joining the effort. Refugees will have the opportunity to share their past traumas and bring attention to those still in crisis. Odyssey will go on tour around the world after its initial stint at the New York Public Library. The accompanying footage will be displayed across public screens and billboards throughout the host cities. In addition, the artwork will be displayed inside a steel-framed pavilion designed by Sir Norman Foster and backed by the Norman Foster Foundation. Foster noted the difficult yet poignant task of creating a traveling structure for this invaluable piece of art: “Art can raise issues of equality and inequality. That has to be one of the functions of art,” he said. “In Odyssey we had a challenge: to create an environment that will work with the two frozen cubes of blood and be able to adapt to radically different locations and climates. This challenge is primarily architectural but is also an environmental one. “In a way, perhaps that diversity of situations also highlights the diversity of the refugee crisis; it is not confined to one continent, nor to one kind of people. It’s universal—much like our humanity. We are all the same, under the skin.” Anyone can donate blood or money to the project. Visit bloodcube.org for more.
I am giving my blood to Odyssey to help refugees. Join me by getting involved with @bloodcube_org, a major public artwork by @marcquinnart in collaboration with @theirc. My blood, your blood and refugee blood are the same. #ourblood pic.twitter.com/bUMJRVvczF— Sting (@OfficialSting) October 23, 2018
Posts tagged with "New York Public Library":
Today the Landmarks Preservation Commission (LPC) added two stunning rooms in the main branch library to its roster of interior landmarks.
The New York Public Library’s (NYPL) main branch in Midtown Manhattan is a definitive New York building. The structure, built on the site of a former reservoir, commands a block-wide slice of 42nd Street between 5th and 6th avenues. Architects Carrère & Hastings spared no detail, especially on the inside, where a happy Beaux Arts explosion of arched windows, rosettes, ceiling murals, skylights, and brass chandeliers have sheltered writers and learners since 1911. It’s officially known as the Stephen A. Schwarzman Building, and its grand interior is mostly unprotected.
One of the best-known rooms, the Rose Main Reading Room, was designated today, as well as the Bill Blass Catalogue Room. These spaces will join the main entrance and primary public spaces that lead up to the main rooms as interior landmarks. (The building's exterior was protected 50 years ago.)The designation comes in the middle of a renovations spell at the library. With architects at the Dutch firm Mechanoo, the NYPL has just started work on the Mid-Manhattan Library, an adjacent branch, while renovations on the Schwarzman Building by the same architect have yet to be announced. The Schwarzman Building's main room and catalogue room, both on the third floor, re-opened to the public last year after extensive revamps that brought a dead-on replica of the original sky mural to the catalogue room.
The LPC convened in July to discuss those two rooms, but held off on a vote at that meeting. Although seven parties spoke in support of the designation last time, there was no public testimony at today’s meeting.
In a unanimous vote, commissioners affirmed the importance of library's signature rooms—and not just for the architecture. “The details, the ornament, the ceiling paintings, all of that is so remarkable,” said Commissioner Adi Shamir-Baron. In her estimation, the two blocks of interior space create a “rare condition” that makes the two rooms an "extraordinary and singular civic space and reminds us what civic space actually is, which is a place and ethic that honors and elevates the spirit of the individual and the collective.”
For one volunteer advocacy group, however, the designation doesn't go deep enough. The Committee to Save the New York Public Library (Save NYPL) wants the commission to consider 11 other rooms—essentially the whole building—for landmarking, and has submitted a petition with 2,000 signatures to the LPC for consideration.
Save NYPL, the same group that campaigned against the library's proposed Norman Foster renovation, cited how Carrère & Hastings knitted the rooms together via decorative motifs. In his testimony, Save NYPL President Charles Warren claimed that “[a] piecemeal approach to interior designation does not adequately respect this design and leaves some of New York’s most sublime manifestations of Beaux-Arts interiors unprotected.”
As precedent, he pointed out that the interiors of McKim Mead & White’s Boston Public Library are completely landmarked.In a phone call with The Architect's Newspaper (AN), Warren noted the effort all stakeholders took to get to today's vote, and he confirmed that Save NYPL will re-submit a Request for Evaluation to the LPC for the other rooms in the hopes they will be considered (calendared) and designated. He praised today's vote but explained his group's decision on the grounds that only full landmarking can protect the building. "The library claims it is a great steward," Warren said, "but they've carried out some changes that are questionable" like installing track lighting in the carved wood ceiling of the Gottesman Exhibition Hall, and removing the perimeter skylights in the Celeste Bartos Forum. Though the monumental exterior is recognizable to most New Yorkers and beyond, the building's all in the details. Save NYPL's vice president, preservation activist Theodore Grunewald, asked the LPC to preserve the reading room's pneumatic tubes, among other less-than-obvious—but still significant—features. In a prepared statement, NYPL President Tony Marx evaluated the LPC's decision. "The New York Public Library applauds today's vote to officially designate the Rose Main Reading Room and Bill Blass Public Catalog Room as New York City interior landmarks. For over a century, we have been proud, dedicated stewards of these architectural and civic treasures, and will continue to preserve and protect them with the respect and care that they require and deserve. We thank the Landmarks Preservation Commission for partnering with us in our mission to ensure that these beautiful, unique rooms inspire visitors now and for generations to come."
A new exhibit explores the construction and preservation of the New York Public Library main branch building
The New York Public Library (NYPL) has opened a new exhibition, Preserving A Masterpiece: From Soaring Ceilings to Subterranean Storage, that documents the history of the 105-year-old Stephen A. Schwarzman Building. Carrying significant historical pedigree, the building currently has three rooms that have been granted NYCLandmark protection: Astor Hall, the main stairway and the McGraw Rotunda. Running through September 18, the exhibition will focus on the ongoing restoration of the Rose Main Reading Room.
Preserving A Masterpiece will be located on the third floor of the Schwarzman Building and boast more than 75 photos, most of which have never been revealed in public. The images—which go all the way back to 1902—will shed light on the building's past as well as current preservation efforts. The structure makes use 530,00 cubic feet of marble and the massive scale of its structure is on full display in early images.
Behind the scenes photography will explore the two-year restoration of the ceilings in the Bill Blass Public Catalog Room and Rose Main Reading Room, as well as the 50 foot scaffolding that was used to carry out the work. Further images will show the construction of a second level of collection storage underneath Bryant Park and the new 55,700-square-foot level of the Milstein Research Stacks, which is due to bring the library's capacity to approximately 4.3 million volumes.
In addition to this, two ornate plaster rosettes from the Rose Main Reading Room ceiling will be on display. Interestingly, when one was pulled down during an inspection to test the ceiling's strength, more than 430 pounds of weight was required, proving that the ceiling has maintained its structural strength during its 100-year lifetime.
“The Library is proud to be a dedicated, great steward of all of its buildings, including and especially the iconic and historic 42nd Street Library and its beloved reading rooms,” said NYPL President Tony Marx. “Looking at photographs of this building from its beginnings to its current state is a powerful reminder of what makes it so special, so extraordinary, and so important.”