The MIT-based Mediated Matter Group, founded by architect and designer Neri Oxman, is well known for its groundbreaking explorations at the nexus of 3-D printing, design, and what Oxman refers to as "material ecology," a term that covers projects ranging from a CNC-fabricated scaffold coiled with silk thread produced by 6,500 silkworms to a solid wooden chaise adorned with 3-D printed, multi-colored cells. Now, the group has released footage of their latest project involving a swarm of robots, dubbed Fiberbots, capable of rapidly fabricating freestanding fiber-reinforced tubes. Over the course of 12 hours, the Fiberbots autonomously produced a series of approximately-15-foot fiber structures. The 16 tubes are four inches in diameter, each using an estimated 1.2 miles of fiberglass thread. In total, over 80 miles of fiberglass were spun for the entire installation. “Fibreglass can provide energy-efficient, green, sustainable solutions for building enclosures,” said Neri Oxman in a statement to Dezeen. “It has relatively low embodied energy due to its composition and can be shaped to carry loads in multiple directions.” Mediated Matter Group tested their new device in Cambridge, Massachusetts, in an outdoor environment to gauge the Fiberbot’s durability. The design team fastened a series of external monitors to the robots to allow for a real-time response to external stimuli that adjusted fabrication variables to swings in temperature and or wind speed. The body of each Fiberbot is identical, consisting of electronics and a software drive enclosed in an inflatable silicone membrane. The Fiberbot is topped by a curved robotic arm that continuously wraps a mixture of fiberglass thread and photocurable resin around the existing structure. The materials for the structure are located at the base of the tubular forms and are siphoned upwards towards the robot's nozzle. Each robot navigates the freestanding structure through the compression and inflation of its surrounding silicone membrane. The membrane expands while the robot fabricates a new fiberglass segment, and subsequently retreats within the tube as that segment solidifies. This process follows a pre-programmed trajectory to ensure that none of the tubes inadvertently collide. According to the Architect Magazine, Mediated Matter Group is currently researching how to scale up their technique into full-scale architectural prototypes. However, there are significant hurdles to overcome in developing the fiberglass forms into load-bearing, interlocking frames.
Posts tagged with "Neri Oxman":
Eavesdrop from Venice We were wondering if we would see any celebs in Venice this year—perhaps Brad Pitt and Neri Oxman would be strolling the Giardini, or maybe Kanye West would show up at the Arsenale. But instead, AN editors ran into none other than legendary comedian and actor Chevy Chase, who was spending the week at the Biennale. Chase was in town because his old friend, photographer Peter Aaron, was showing a series of pictures about pre-Civil War Syria. Aaron’s wife wasn’t able to make the trip, so Chevy—an old college friend—came with him. The pair was spotted dining with the Architectural League’s Anne Reiselbach at a small osteria in the San Polo neighborhood. What national pavilion at the Venice Biennale seemingly featured more Americans than the U.S. Pavilion? The Dutch! With GSAPP’s curatorial program—including Mark Wasiuta, Felicity Scott, and Dutch Pavilion curator and CCCP grad Marina Otera—talking to themselves and their friends, as well as Beatriz Colomina in bed with other (mostly New York) friends, it seemed more like a U.S. academy than the actual U.S. pavilion. Now that Eva Franch i Gilabert is packing up her paella pans and heading to Brexitland, the Storefront for Art and Architecture needs a new director. It is currently assembling a list of prospective directors from over 100 applicants. A new director will need to be in place by early fall. In the world of architects’ archives, two of the biggest have recently been promised to major collecting organizations, and we will reveal them shortly. Stay tuned. People's Park No More
The University of California, Berkeley recently announced intentions to make good on a 70-year-old plan to convert the university’s People’s Park into a student housing site. The school hopes to replace the notorious park—site of the 1969 “Bloody Thursday” police violence incident—with new student housing structures containing up to 1,000 beds. The move will displace many of the people currently living in and around the park, which officials have likened to a “daytime homeless shelter.” Plans for the site are still in the works, but the university is considering dedicating a portion of the site to supportive housing and social services. The housing is due to be completed by 2022, according to a UC Berkeley spokesperson.
The Cooper Hewitt, Smithsonian Design Museum has announced the winners of the 2018 National Design Awards, recognizing ten individuals and firms who have used design to shape the world for the better. This year’s winners include: Lifetime Achievement: Writer, educator, and designer Gail Anderson has taught at the School of Visual Arts in New York for the last 25 years, and is an active partner at the multidisciplinary Anderson Newton Design. Anderson has written or co-authored a total of 14 books on popular culture and design, and formerly served as the senior art director at Rolling Stone. Design Mind: Landscape architect, award-winning author, and Professor of Landscape Architecture and Planning at MIT Anne Whiston Spirn. Spirn was recognized for her longtime advocacy for balancing urbanism with nature, as well as her continued direction of the West Philadelphia Landscape Project. Corporate & Institutional Achievement: Design studio Design for America, which empowers communities to solve local problems through design. Architecture Design: WEISS/MANFREDI was recognized for the way their projects consistently bridge the gap between architecture, art, and the surrounding landscape. The firm’s been on a roll lately, having picked up several cultural commissions and an invite to exhibit at this year’s Venice Architecture Biennale. Communication Design: Digital identity and experience firm Civilization was recognized for its ability to create empathetic connections and commitment to working with companies who are advocating for the greater good. Fashion Design: The Los Angeles-based fashion designer Christina Kim was recognized for her use of traditional hand working techniques and sustainable business practices. Interaction Design: Architect and designer Neri Oxman was recognized for her experimental material usage and continual boundary-pushing forms. Oxman leads the Mediated Matter Group at the MIT Media Lab, a group whose work frequently bridges the gap between art and technology; their most recent project, Vespers, is a contemporary reinterpretation of the death mask typology that uses living microorganisms. Interior Design: The Miami-based Oppenheim Architecture + Design was recognized for its sense-invoking interiors that are often inspired by local vernacular. The firm has realized projects all over the world from towers in Dubai to the Williamsburg Hotel in Brooklyn, but like many of the other winners, Oppenheim balances their projects within the surrounding natural environment. Landscape Architecture: Boston-based landscape architecture firm Mikyoung Kim Design was honored for its vast body of public work, much of it focused on improving urban resiliency. The firm has tackled projects large and small around the world, from the Chicago Botanic Garden Learning Campus to the Songdo International Plaza in Incheon, South Korea. Product Design: Minneapolis-based Furniture designer and manufacturer Blu Dot was recognized for its playful and modern stylings (including some less-than-functional objects). The National Design Awards have been recognizing exemplary names in the design world since 2000. Nominees must have seven years of professional experience under their belt, while the lifetime achievement nominees must have at least 20 years of experience. Caroline Baumann, director of Cooper Hewitt, will announce the winner of the Director’s Award at a later date, to be given to an outstanding patron of the design world. This year’s awards ceremony will be accompanied by National Design Week, which will run from October 13 through the 21st.
The rumor mill is buzzing around the purportedly budding relationship between Boston-based architect and artist Neri Oxman and actor Brad Pitt. According to Page Six, Oxman met Pitt when he was referred to her for guidance on an architectural project. Since then, the two have developed what the publication called a "professional friendship." Celebrity gossip mag US Weekly took it a step further, claiming the two have been secretly rendezvousing for months, with Brad even tagging along on Oxman’s professional trips across the globe. The Israeli-American Oxman, a professor at MIT and founder of design group Mediated Matter, is known for her forward-thinking approach to architecture and design that fuses natural, biological forms with the growing capabilities of digital fabrication. Oxman has produced acclaimed pieces such as “The Silk Pavilion,” a CNC-fabricated scaffold coiled with silk thread produced by 6,500 silkworms, and “Gemeni” a solid wood chaise crafted to resemble a cocoon, adorned with cells of varying colors and rigidity. Her ventures into 3-D printed wearables also include a design for Björk's Vulnicura tour, a movable mask that mimicked the musician's own bone and tissue based on scans. Oxman’s work is exhibited widely, including at MoMa, San Francisco's Museum of Modern Art, and the Centre Pompidou. This is not Pitt’s first flirtation with the world of architecture. The Hollywood star met and befriended Frank Gehry in 2001, leading to an internship focused on computer-aided design at the international architect’s Los Angeles office. Since then, Pitt has gone on to found Make it Right, a non-profit focused on delivering environmentally-friendly housing to post-Katrina Louisiana. During this venture, Gehry designed a duplex in New Orleans’ Lower Ninth Ward, his only residential project in the state of Louisiana. While Pitt has dabbled in architecture and design, he has nothing on Oxman’s impressive record of academic and design accolades, including the 2016 MIT Collier Medal, the Textiles Spaces 2015 Award, and the 2014 Vilcek Prize. Whatever the truth about their relationship is, Oxman is probably too good for Pitt.
The Architectural League's Emerging Voices lecture series, now in its 30th year, has reliably identified important new talent through a juried selection process. This year's group reflects a number of important currents in contemporary practice in North America. In recent years, a number of young Mexican firms have been showcased, and this year's group includes three practices, Ambrosi Etchegaray, Atelier ARS, and CC Arquitectos, which represent that country's proud tradition of stark and rooted modernism. Boston, long seen as conservative place to work, is represented by two young firms, Merge Architects, and Neri Oxman. A can-do pragmatism and urbanistic grit informs Philadelphia's ISA, and the pioneering digital designers Aranda/Lasch, based in New York and Tucson, are rapidly moving from installations and furniture to significant freestanding buildings. The emergence of landscape architecture and landscape urbanism is reflected in the design and research of Miami's Studio Roberto Rovira. For a full schedule of the Emerging Voices lecture series, visit the League's website. Full profiles of each firm will be available in the March East Coast edition of AN.
A new pavilion created by the Mediated Matter research group at MIT’s Media Lab explores the intersection between material technology, computation, and biological and digital fabrication on an architectural scale. Inspired by the silkworm’s ability to create a 3D cocoon out of a single, 1 km thread, a team of researchers led by architect Neri Oxman created a fibrous, CNC-fabricated scaffold made from 26 polygonal panels and laid out in silk thread. They then let loose 6,500 silkworms onto the frame to fill in the gaps and reinforce the structure. The structure’s silk armature was created by an algorithm, based on site-specific solar trajectories and research on the worms’ behavior, which was then built upon by the worms’ on-site reaction to the structure’s geometries and environmental factors, including heat, light, and density. The worms were attracted to darker and denser areas, leaving a large aperture in the pavilion’s southeast side and producing some areas thicker than others. Mediated Matter’s research with the Silk Pavilion opens up new possibilities for the creation of functionally graded material objects (think the varied, porous interior of bone as opposed to the homogeneity of concrete), fibrous systems for the construction of habitable space, and bio-synthetic structures that are capable of interacting with heir environments. Like their (ideal) mechanical counterparts, these small, squishy 3D-printers can self-replicate. While the silkworms were removed from the pavilion before they could transform into moths, once they metamorphose, those 6,500 grubs could produce 1.5 million more, which in turn could construct 250 additional pavilions.