Despite it's introverted nature, the Breuer building, over time, has developed a friendly relationship with its brownstone neighbors, amassing a mutual respect for each other. As Goldberger writes: "The brownstones help the Breuer building appear to exist in a world of its own." Graves's proposed demolition of the brownstones was met with outrage, and was ultimately dropped from consideration. Koolhaas, in turn, kept the brownstones while adding a contorted growth reaching out of their roofs. "They [the brownstones] were treated as an opportunity to display art within the scale of space for which it was created," OMA said in its proposal. "The greatly expanded area for the permanent collection will be housed in the existing buildings. Pre-war art displayed in brownstones will recall the original West 8th Street Whitney. Post-war art, usually much bigger, would be displayed in the Breuer building."
José Esparza Chong Cuy has been appointed the new curator at the Museum of Contemporary Art (MCA), Chicago. Most recently, Esparza was working in Mexico City as the associate curator at Museo Jumex. There, he co-curated exhibitions that focused on the work of Latin American artists. Previously, Esparza was a curatorial collaborator at New York's Storefront for Art and Architecture and a research fellow at the New Museum. In addition to curating, he has covered "Latin American art practices" for Domus. Esparza has a Master in Critical, Curatorial, and Conceptual Practices in Architecture from Columbia University in 2012. In a statement, MCA chief curator Michael Darling praised Esparza and his qualifications: "'When I met José over a year ago on a tour at the Museo Jumex, I was immediately impressed by his poise and intellect. With our longstanding interest in art from Latin America, we now have in José an articulate advocate for presenting the best work being made in that region. Mexico City is one of the most exciting cities in the world for contemporary art, and José's deep knowledge of that scene will immediately enrich our dialogues here at the MCA. José is also active in architecture and design circles and that knowledge, alongside his expertise in contemporary art, will find a natural fit here at the MCA where we regularly venture out into parallel fields of activity. I think he will immediately become a great asset to our community.'" Esparza will assume his post on April 18.