Despite it's introverted nature, the Breuer building, over time, has developed a friendly relationship with its brownstone neighbors, amassing a mutual respect for each other. As Goldberger writes: "The brownstones help the Breuer building appear to exist in a world of its own." Graves's proposed demolition of the brownstones was met with outrage, and was ultimately dropped from consideration. Koolhaas, in turn, kept the brownstones while adding a contorted growth reaching out of their roofs. "They [the brownstones] were treated as an opportunity to display art within the scale of space for which it was created," OMA said in its proposal. "The greatly expanded area for the permanent collection will be housed in the existing buildings. Pre-war art displayed in brownstones will recall the original West 8th Street Whitney. Post-war art, usually much bigger, would be displayed in the Breuer building."
Japanse architect Kengo Kuma has been awarded commission to design the expansion for the Hans Christian Anderson museum in Odense, Denmark. Fending off compeition from Barozzi Veiga and Snøhetta, and Denmark's own Bjarke Ingels Group, all of whom remained until the contests latter stages. The project aims to create a new home for the author behind childhood classics The Ugly Duckling, The Emperor’s New Clothes, and The Little Mermaid. In order to achieve this, the museum's expansion will carry a fairytale theme, captured in Kuma's plan for the museum that features a large garden filled with tall trees that are encompassed by circular timber structures. Covering 64,600 square feet, these volumes will house new multipurpose spaces as well as an underground level. A "Tinderbox Cultural Centre for Children" also part of the scheme, will aim to instill a sense of empathy and imagination in visitors, echoing the themes in Christian Anderson's tales while also teaching the children of his work. Odense's mayor Anker Boye, who was also the jury chairman for the competition said: "The proposal has a unique quality that captures the spirit of both Hans Christian Andersen and Odense, has striking international calibre and is locally embedded at the same time. It is a project that I can only imagine taking place here in Odense. But at the same time, it points far beyond anything local or national. It is internationally "Odensean"." Kuma's scheme revolves partly around what the British exhibition design firm Event Communications submitted as a winning proposal earlier in the year. Jane Jegind, Odense's Alderwoman for Urban and Cultural Affairs said that this was an "unusual" procedure, but was one of Kuma's project's strengths. "In planning the project, it was important to us that gardens, building and exhibition design were envisaged as an interconnected whole that clearly captures the spirit of Andersen and brings out the essence of the City of Odense at the same time, she said. The project's funds look set to be finalized by the end of this year, with ground breaking shortly after. Kuma himself will then open both the Olympic stadium in Tokyo and the Hans Christian Andersen Museum in Odense when the two projects are due to be complete in 2020.