Posts tagged with "Municipal Art Society":
[UPDATE 5/5/17, MAS President Elizabeth Goldstein issued this response to UPROSE, but as one Brooklynite put it, "Jane herself must have intervened by arranging the weather to rain out today's walking tour."]
The Municipal Art Society of New York (MAS) will host its annual tribute to Jane Jacobs with a series of free guided tours around the city from May 5 to 7.
One of these tours, referred to by the society as "Jane's Walk," will explore the proposed Brooklyn–Queens Connector (BQX) waterfront light rail link. However, that tour is now coming under attack by local residents due to be served by the proposed rail service.
Elizabeth Yeampierre, executive director of Uprose, Brooklyn's oldest Puerto Rican community–based organization, has written an open letter protesting the walk. In the letter, Yeampierre asks: "What would Jane Jacobs do if she were alive today and learned that real estate developers had appropriated the Municipal Arts Society’s 2017 Jane’s Walk to promote a $2.5 billion streetcar that will deliberately gentrify communities for their own benefit?"
Yempierre’s letter is addressed to MAS’s new president, Elizabeth Goldstein, and asks that they rethink this particular tour. Furthermore, Yeampierre asks, "are your board members invested in these developments along this corridor? We hope there is no conflict of interest."
The light rail plan is not a simple one and MAS may be innocent, but its leadership and board has just been through a bruising battle with its own membership, a process that saw the firing of its last president. One wonders who is running the Society. They should not be sponsoring tours like this without first reaching out to the residents of the community in which the take place or pass through.
On MAS's website, a description of the event reads: "All of the MAS-sponsored walks combine the simple act of exploring neighborhoods with personal observations, local history, and civic engagement. A typical walk is 90 minutes and is free and open to the public."
"To help ensure the success of our new president and help her avoid the fate that befell her predecessors, I move the following: Be it resolved, that because of the handling of the recent change in leadership and other actions by the Officers and Executive Committee of the Municipal Art Society, the members of the Society cast a vote of ‘no confidence’ in the Executive Committee and the officers (with the exception of the new President who is technically an officer) and respectfully request their resignation from the Board.”The motion was seconded but ultimately the MAS Board member running the meeting would not let it come to a vote. They correctly claimed “there are not enough members as per the bylaws which states there must have 10 percent of the membership or 100 people in attendance so they could entertain the motion.” The organization claims it has 836 members, but for at least the last two weeks the MAS website membership page has been down so prospective members were unable to join and older members who had not paid their dues were turned away from the meeting at the door last night. In addition to Christy MacLear, the only other board members in attendance were Carl L. Reisner and Earl D. Weiner, the legal counsel. The Board, however, organized the meeting and had weeks to prepare for it but only had four of its 20 board members in attendance. Board Chairman Frederick Iseman and treasurer Vincent Cippola were not at the meeting and this outraged many members. In fact, Maclear seemed left out to dry by the board members and she was left to confront the angry membership in attendance. She could also not answer many members’ questions: How many board members are actually dues-paying members of the society? Why is the once-heralded Menapace Fellowship is no longer active? Why did the board vote to dismiss former president Gina Pollara less than a year into her tenure. Many of those in attendance were dismayed by MacLear’s frequent references to “the market"—her words for the civic community. So what happens next with MAS? There will be the annual meeting in May, but this future-focused event is traditionally not the appropriate venue to highlight problems. Let’s hope the board begins to take its membership concerns seriously. It may be time, as many members are asking, for the New York State Attorney General to investigate malpractice within the nonprofit and in the Board of Directors.
The Municipal Art Society of New York (MAS) has a proud history but today is a broken organization. It was founded in 1893 to modernize and professionalize city government, and in the 20th century it led the charge for better planning and historic preservation in the city. In the society’s “glory days” of the 1960s and 70s it helped save Grand Central Terminal, Radio City Music Hall, and the Jefferson Market Courthouse in Greenwich Village. It also helped win passage of the city’s landmark law. But its own website stops listing its achievements or milestones in 2012 with the convening of a planning group studying East Midtown. Since that time, the organization has sputtered to remain relevant, making controversial decisions and reinventing itself in a changing city. In a 2015 editorial, we wrote, “What was once one of the fiercest and most devoted New York City organizations that would litigate when it thought the best interests of the city were threatened, has now become a defanged real estate and developer-led organization that serves as a cheerleader for major development.”
In retrospect, the beginning of this period of uncertainty started when it moved out of the Urban Center in the Madison Avenue Villard Houses and received a multi-million dollar settlement for leaving before its lease expired. It then moved into the Steinway building on 57th Street until it was paid again to leave that building early and received yet another financial settlement. While any nonprofit would be thrilled to receive huge financial gifts like this, the MAS board relied too heavily on these on windfalls and did not continue to raise the money needed to keep the organization strong. Then, in 2014, it moved into another larger (but much needed) space in the Look Building on Madison Avenue, where the rent is a reported $600,000 a year. The board, while it has had several generous members, stopped raising the funds needed to keep the organization healthy and robust. Furthermore, it did not continue to develop a board of directors with the appropriate mix of well-connected advocates and wealthy contributors.
But financial issues are not the only problem for the MAS and its board of directors. Over the last month, we have been reporting on the board’s decision to fire its third director—President Gina Pollara—and hire yet another leader: Elizabeth Goldstein from the California State Parks Foundation. We reported on an open letter from the City Club, another civic organization (with many former MAS leaders in its leadership) that asked the board to “to defer any action with regard to President Gina Pollara,” because, it continued, to “move forward with this action would be an unhappy step backward and a display of internal governance disarray at MAS.” But the letter also asked the MAS board to “consider an independent review of governance and management structure accepting one of the following alternatives to pursue: appointment of a balanced committee of emeritus directors; retention of an outside professional consultant (such as McKinsey); or consultation with an experienced non-profit organization professional.” We agree with the City Club that it is time for the MAS board of directors to be more transparent about its actions, change how it views its fiduciary responsibilities, and rethink its board structure and decision-making process.
Finally, the MAS board has not only mismanaged its mandate to stand up for New York but should explain its management of the Gina Pollara presidency.
According to sources, Pollara asked the board when she began her term to give her a year to re-engage with the community that they depended on for funding and memberships. In the year of her presidency, she reportedly brought in nearly $1 million to the society. Pollara seemed be on track to making this happen after she canceled “The MAS Summit,” its largely irrelevant two-day non-event of tweets and advertorials for MAS board members and their friends. Instead, Pollara created a successful (and less expensive to convene) one-day summit that engaged with and discussed important and controversial issues in New York in 2016. The board has been mysterious about why it fired Pollara, and while it doesn’t have to explain all of its decisions, hiring yet another president makes one wonder if the members are serious about continuing to be a civic organization worthy of respect—and financial support. We hope Goldstein can make the society respected and relevant again, but she has serious bridges to build in the New York preservation and planning communities. And she has to have the ability to work with its board.
Dear Members and Friends, Our advocacy has usually related to actions of the City or State. We detoured briefly, and to a limited extent, at the end of December to address a critical action being taken by the Municipal Art Society. For the fourth time in approximately six years, the MAS is changing leadership. This time, at a meeting called for December 29 on a week’s notice, the MAS board approved hiring a new President to replace Gina Pollara. Gina had assumed that position in early 2016. She brought to the job her professional expertise as an architect, and recent administrative experience as executive director of the Roosevelt Memorial on Roosevelt Island. More than that, she seized upon MAS’s apparently recovered will to engage in its traditional advocacy function. She conducted a series of public policy forums. She worked to promote better governance of privately owned public spaces. She spoke out in support of the City Club’s position on Pier 55. She participated in meetings of the City Club’s Urban Design Committee. And we participated with her on MAS projects. In short, she generated a sense of institutional revival and a spirit of cooperation that the City Club warmly welcomed. The day before the MAS acted, the City Club took the unusual step—one we would not regard as a precedent to be followed routinely—of emailing the entire MAS board to express our concern over its impending action to remove Gina. We felt that precipitate and ill-considered action would set back the MAS’s ability to continue the progress that it had recently begun. In an announcement the MAS board published almost immediately after its meeting, the board said that it had hired Elizabeth Goldstein and described Ms. Goldstein‘s estimable credentials especially in the field of park conservation. We certainly wish her well. While we have appreciated Gina personally as a shining light in the MAS’s recent history, our motivation in writing to the MAS board was institutional. The MAS has a long and highly productive history and we, like the public in general, have a big stake in the MAS’s future. Two articles of The Architect’s Newspaper can be found here:https://archpaper.com/2016/12/pollara-fired-mas/ https://archpaper.com/2016/12/city-club-responds-mas-boards-special-leadership-meeting/These contain verbatim transcripts of our letter to the MAS board, and of the board’s announcement. The New York Times covered the action in an article on January 7 available at http://www.nytimes.com/2017/01/06/arts/design/municipal-art-society-abruptly-ousts-its-president.htmlBest wishes for the new year.Michael Michael S. Gruen President The City Club of New York 249 West 34th Street, #401-402 New York, NY 10001 email@example.com
Dear Friends of MAS, We want to share some important information about the future of this extraordinary organization and its essential role fighting for the responsible growth of New York City. The Board believes it is fundamentally important that we continue to strengthen MAS’ position as a central player in shaping this city’s future. MAS will continue to be an advocate for all those who love New York and understand that the pursuit of great design, preservation and livability requires both vigilance and action. Elizabeth Goldstein, nationally-known as a tenacious and remarkably effective advocate for parks, open spaces and historic preservation with deep roots here in New York, will become the next president of MAS. Elizabeth will assume her new role in February, following a brief transition period that will be overseen by our CFO, Bob Libbey. Elizabeth’s appointment was approved at a meeting of current board members and emeriti yesterday. Elizabeth grew up in the Soundview neighborhood in the Bronx and was a central player in New York’s parks, recreation and historic preservation sector for more than a decade. She served as director of planning for the City’s Department of Parks and Recreation, and later as New York City regional director of the State Office of Parks, Recreation and Historic Preservation, where she oversaw the start-up of Riverbank State Park and served on the panel that developed the public-private land use plan for Hudson River Park. Following a move to the West Coast, for the last 12 years Elizabeth has been the president of the California State Parks Foundation (CSPF), an independent organization dedicated to protecting, enhancing and advocating for California’s 279 state parks. The Foundation is tasked with building awareness about the parks system and its needs—with special focus on legislative and policy advocacy—and raising private funds for state parks projects in partnership with non-profit organizations that support the system. Elizabeth raised nearly $20 million for key capital projects, lobbied the California legislature to secure $90 million in deferred maintenance funding, and built and led coalitions that prevented closures of state parks and turned back incursions like energy lines and toll roads into state parks. Under her leadership, the Foundation dramatically increased its membership and doubled its operating budget. Prior to her role at CSPF, Elizabeth managed San Francisco’s 5,400-acre recreation and park system and initiated and executed a $400 million capital plan. That followed a tenure as the director of the National Trust for Historic Preservation’s Western Regional Office, where she managed National Trust programs in California, in addition to eight other states and two U.S. territories. The Board believes Elizabeth’s extensive experience as a passionate and forceful advocate, as well as a results-oriented executive and successful fund-raiser, make her an exceptional choice to lead MAS forward. We are very proud of the work the MAS staff has done over the past year to position MAS for success in its upcoming 125th anniversary year and beyond. As we look ahead to the future, we want to take the opportunity on behalf of the Board to thank you for your ongoing support of MAS and its advocacy on behalf of all New Yorkers, working to ensure a vital future for this great city. We could not do this important work without you. All the best in the New Year. On behalf of the Board of Trustees of The Municipal Art Society of New York, Frederick Iseman, Chairman of the Board Christy MacLear, Chair, Executive Committee of the Board