Posts tagged with "The Museum of Modern Art MoMA":

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On View> 194X–9/11: American Architects and the City

194X–9/11: American Architects and the City The Museum of Modern Art 11 West 53rd St. Through January 2 Prompted by the United States’ entrance into World War II in 1942, Architectural Forum magazine commissioned pioneering architects to imagine and plan a postwar American city. At the tenth anniversary of the 9/11 terrorist attacks, 194X-9/11: American Architects and the City features the plans, renderings, and sculpture of Ludwig Mies van der Rohe, Louis Kahn, Paul Rudolph, and Rem Koolhaas and their ideas for cities of the future. Rarely displayed works, such as Mies van der Rohe’s collage Museum for a Small City Project (1942), above, reveal plans for cultural centers and urban life in uncertain times.
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QUICK CLICKS> Altophobia, Old Archphobia, Parkphobia, Sunset

High up. The New York Times' Edward Rothstein went out on a ledge for the paper today. The critic took on the glass boxes that protrude from the Willis Tower in Chicago known appropriately as the Ledge. The critic waxes poetic about the vulnerability of the city and the fully human sensations that occur when floating some 1,353 feet above the street. He also takes the opportunity to point out the redundancy of the Ledge's cousin, the Grand Canyon Skywalk. Tear Down. Christopher Hawthorne balked at SFMOMA's public relations campaign to portray the museum's new Snøhetta-designed wing as a wallflower respecting its Mario Botta-designed neighbor. But as Hawthorne points out in the LA Times, the new building is anything but quiet. Rather it's more a "chiseled behemoth."  Hawthorne finds the museum's affront to its Botta as part of a larger trend in the American museum world where the tendency is to drop good, but alas, old architecture in lieu of ever newer names and trends. Read: Whitney, MoMA, Barnes, to name but a few. Put a Lid on It. In a totally biased and unabashedly opinionated piece for City Watch, Jack Humphreville writes that a back room deal may have LA ratepayers of the Department of Water and Power footing the bill for a new twelve-acre park designed to cap the underground reservoir replacing the Elysian Reservoir. Humprhies argues that the $85 million park should fall under the auspices of the City and the Department of Recreation and Parks. Manhattanhenge. Gothamist reminds us that tonight at 8:17PM the full sun will set in perfect alignment with east west axis of Manhattan's street grid. Remember not to stare, mesmerized, for too long.      
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Folks Weigh In On the Future of the Folk Art Museum

Apparently the art world hates the American Folk Art Museum building! (Who knew?!) In the wake of the news that MoMA is buying the Todd Williams Billie Tsien-designed building, two of the art world's more prominent voices both bashed the building and argued it hastened the Folk Art Museum's decline. The esteemed Times critic Roberta Smith called it "unwelcoming" and argued that the museum's fate was sealed by "lackluster, visionless leadership; the weak economy; and inappropriate architecture." Smith's husband happens to be Jerry Saltz, the pugnacious art critic for New York, who went much further in a piece titled, "Architecture Killed the American Folk Art Museum." He called the building, "ugly and confining, it was also all but useless for showing art." Not everyone agrees! The ever incisive New York architecture critic Justin Davidson rallied to the building's defense, calling its facade an "alluring exception to the tough sleekness of midtown." He blamed poor fiscal management, not architecture, for the museum's woes. He added that given the building's small lot, which by necessity called for a vertical museum, "the architects didn’t just do the best they could; they did far more than anyone had a right to expect." But what will happen to this complex little building now that MoMA owns it? MoMA remains noncommittal. Late yesterday AN received a statement from Hines, MoMA's development partner for the planned Jean Nouvel tower surrounding the site. "Hines wasn't involved in the transaction, and no, it will not change our plans for the tower. That deal is all MoMA's," wrote Kim Jagger, director of corporate communications for Hines, in an email. So perhaps the building have a new life with the Modern. At this point, only MoMA knows.
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MoMA To Go House Hunting in the Burbs

The foreclosure crisis has up-ended old assumptions about the relative prosperity of cities versus suburbs. In many regions waves of foreclosures have hit the suburbs hardest. In the second iteration of their "Issues in Contemporary Architecture" residency and exhibition series, MoMA and P.S. 1 will ask five teams to design interventions for five "megaregions" facing high levels of foreclosures. Like the earlier iteration, Rising Currents, the new project, Foreclosed: Rehousing the American Dream will include a residency and public workshops at P.S. 1, followed by an exhibition and public programs at MoMA. Organized by Barry Bergdoll, chief curator for architecture and design, and Reinhold Martin, director of the Buell Center at Columbia, Foreclosed "will enlist five interdisciplinary teams of architects to envision a rethinking of housing and related infrastructures that could catalyze urban transformation, particularly in the country’s suburbs," according to a statement from the museum. The five multi-disciplinary teams will be led by Dan Wood and Amale Andros of WORKac, who will work on the Portland, Oregon region; New York's Michael Bell will examine Temple Terrace, Florida; Jeanne Gang of Studio Gang will focus on Cicero, Illinois; Hilary Sample and Michael Meredith have been assigned The Oranges in New Jersey, while Andrew Zago of Zago Architecture will work on Rialto, California. The teams will use a recent housing studies by the Buell Center as the grounding research for their work. "The museum will act as a kind of handmaiden for taking a body of research into form," Bergdoll told AN. "Images can inform the nascent national conversation." Bergdoll notes that the foreclosure crisis is still unfolding, and that many plans that could be leveraged to improve the situation, such as the national High-Speed Rail network, are being scaled back. The teams will likely propose housing, infrastructure, and landscape interventions. In a move tailor-made to generate conversation, during the launch of the workshop phase on May 7, "team leaders will present their approaches and a round table will offer a debate between various models of thinking about replanning suburbia, including that represented by the Congress of New Urbanism," according to a release from the museum. While Rising Currents attempted to address local conditions resulting from global problems, Foreclosed will address a national problem through an examination of five distinct sites across the country. "We expect the project to parallel the best intentions of the current administration," Bergdoll said. Foreclosed: Rehousing the American Dream will open at MoMA on January 31, 2012.
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Antonelli Talks To Me: Upcoming Design Show at MoMA

Senior curator in MoMA’s department of architecture and design, Paola Antonelli is also a verb. She said so herself in describing her approach to curating, in general, and particularly preparing for her upcoming summer show, Talk to Me, opening on July 24. “Emilio Ambasz once said there were different categories of curators and one is “to hunt and gather” and I definitely fall into that one, always hunting and gathering to bring back design to nurture you,” Antonelli said in an interview at her MoMA office, a glamorous perch with a sculpted felt wall and a bean bag chair to keep visitors off their toes and on their asses.

The curator described how Talk to Me would show how performance, communication, and interaction are supplanting function as the main job of design. And while we are accustomed to the many metaphorical ways that things speak to us—say, a treasured knick-knack—increasingly, they literally talk as part of their job, complete with conversational ticks. A radio, for instance, might sneeze to clear dust from its speaker. “The new generation expects things to comment about everything,” Antonelli said. “Little kids tap on t.v. screens expecting them to respond.”

In this gabfest, everything’s talking at you, from a wi fi diving rod by British designer Mike Thompson and artist Kacie Kinzer’s Tweenbots that roam the streets depending on the kindness of strangers to read their destination on a flag and point them in the right direction to appliances that announce their energy use to a low-cost eye-tracking system being developed through open-sourcing to help the paralyzed write with the movement of their eyeballs. It’s a round-up of unusual suspects. And as we have come to expect from Antonelli and her team, including curatorial assistant Kate Carmody, it will round up the silly and the sensational, the polemical and provocative (a machine showing transsexuals how to menstruate, including a dance video), the comfortingly obvious (Metro Card machines) and the always breathtaking (BIX, the display skin of the Kunsthaus in Graz by architects Peter Cook, Colin Fournier, and their Spacelab team.)

Interaction of all sorts, according to Antonelli, depends on design, and to get the message across, designers write the scripts. “I may be putting words in their mouths, but that’s my job,” she said gamely, confessing that talking interfaces and machines communicating has been a long obsession dating back to Max Headroom, the fake A.I. puppet and mascot of the cyberpunk movement of the 1980s.

But don’t take my word for it. Talk to Me MoMA already has a blog dedicated to tracing the steps, sources, and research going into the show. Antonelli wants to hear from you, too.

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MoMA/P.S. 1 Young Architects Program Winner Announced

P.S. 1 and the Museum of Modern Art have just announced that Brooklyn-based urban design and planning firm Interboro Partners are the winners of the 2011 Young Architects Program. Now celebrating its 12th year, the honor means designing what by now is widely recognized as the liveliest party space of the summer, the outdoor plaza of P.S. 1 in Queens. Interboro's design for MoMA P.S.1 (Courtesy Interboro) “Simple materials that transform a space to create a kind of public living room and rec room are trademarks of this young Brooklyn firm,” said Barry Bergdoll, MoMa’s Philip Johnson chief curator. “Interboro is interested in creating elegant and unpretentious spaces with common materials. Their work has both a modesty and a commitment quite at odds with the luxury and complex computer-generated form that has prevailed in the city in recent years.” The firm has also been selected this year as one of the eight firms participating in the Emerging Voices series at the Architectural League. Much of their work focuses on urban challenges, from completing a neighborhood development plan for Newark, the first in decades, to a temporary park at Canal and Varick streets, Lent Space, with mobile trees, seating and walls. stARTT's design for Rome's MAXXI (Courtesy stARTT) Meanwhile, in Rome, a companion program called YAP_MAXXI in an outdoor space at the entrance of the new Zaha Hadid-designed museum, was also launched. Roman architects, stARTT, have been selected as the first-up in a partnership between MoMA P.S. 1 and the overseas institution, a model of a collaboration that could easily expand to other countries in no time. StARTT’s entry “Whatami” appears to be a series of discrete and turf-covered hillocks with Hadid-like curves constructed of various recyclable materials including straw, geo-textiles, and plastic. Recycling, in fact, was a key theme this year as Interboro also canvassed local libraries, greenmarkets, senior and daycare centers to see who might be able to use the rope and other materials when summer is over.
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Quick Clicks> He′s Back, Pay Up, On Fire, Sale!

On Track. The mayor of Chicago holds sway in a big way. That's why we're keeping an eye on the ballot, and, as of today, Rahm Emanuel is back in business, reports The Chicago Tribune. Emanuel has stated that one of his first priorities is to expand Chicago Transportation Authority's Red Line. Street price. Speaking of getting around town, a new coalition called the Sustainable Transportation Campaign is reviving the idea of congestion pricing for New York City, reports Andrea Bernstein at Transportation Nation. Change of Hearth. Curling up by a roaring fire sounds idyllic on a snowy day, but do the realities of a fireplace outweigh the romance? We're still debating the subject following this piece in The New York Times. Bookmark it. MoMA's Design Store book sale is in full swing, says Curbed NY. Architecture and design classics and new releases over 50% off! Visit the stores in New York or online.
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MoMA′s Young Architects Program Heading to Rome

The prestigious Young Architects Program put on by the Museum of Modern Art and MoMA P.S.1 in New York has announced that it's teaming up with Rome's National Museum of 21st Century Arts, or MAXXI, to host a second outdoor installation at the new Zaha Hadid museum. MoMA’s chief curator of architecture and design, Barry Bergdoll who was on his way out of town for a vacation in Ethiopia before he takes up his post at Cambridge University to deliver the prestigious Slade Lectures, gave AN a call from Paragon Sporting Goods to describe the new initiative: “It’s something I have wanted to do for a while. When I went to MAXXI for their opening last year, we talked about what we could do together. You have a courtyard, I said, and while it’s not surrounded by a wall it is a big open space and they are doing programming much like what’s happening at PS1. They immediately said they wanted to do it. To use our name in the collaboration, they will be following all our guidelines and procedures. I see this as the first of several for Young Architects Programs that MoMA could get involved with globally. I want it to be localized; we are not exporting architects but trying to help grow young local talent. The five finalists in New York and in Italy will all be exhibited in both places, with just one or two judges from one group joining the other. Apart from that, the curating will remain within the home institutions. And they’ll open simultaneously.” A New York jury already announced the finalists for the MoMA P.S.1 exhibition in Queens, New York. The short list includes firms from Brooklyn, Boston, and London. A separate jury in Rome has chosen the finalists for the MAXXI installation from across Europe. Both juries consisted of MoMA, MoMA P.S.1, and MAXXI officials, but in an effort to lend a local flavor to the exhibitions, each was responsible for their own geographic area. Finalists for the Young Architects Program at the MAXXI:
  • Raffaella De Simone e Valentina Mandalari – Palermo, Italy
  • Ghigos Ideas – Lissone, Italy
  • Asif Khan – London
  • Langarita Navarro Arquitectos – Madrid
  • stARTT – Rome
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Nouvel Sanguine About Midtown Guillotine

Jean Nouvel feels like his MoMA Tower has been put under the guillotine.  The starchitect behind the lopped-off Midtown Manhattan proposal told CBS News this weekend that "It's very French to cut the head, eh?"  His 75-story tower would have rivaled the Empire State Building for supremacy over the New York skyline, standing 1,250 feet tall, but met significant opposition from neighbors worried the tower would drown their street in shadow. City Planning Commission officials voted earlier this year to allow a shortened version of the tower - chopping off 200 feet of the Pritzker Prize winner's design.  Nouvel's vision has been sent back to the drawing boards, but he says it's "not in his character" to feel discouraged.  Be sure to check out AN's cameo appearance at the end of the interview.
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Two Routes to Poster Art

Well, this is embarrassing: the MoMA and the Yale Center for British Art have nearly simultaneously come out with exhibitions on the same subject. In museum-world, isn't that like two girls showing up to a party in the same dress? Nevertheless, it’s an interesting enough topic that the repetition hardly matters. The Yale Center's "Art For All: British Posters For Transport," on view through August 15, and the MoMA's "Underground Gallery: London Transport Posters 1920s-1940s," on view through February 28, 2011, both offer a fascinating look at London’s innovative campaign to bring art into the Underground and create a strong civic identity. The two exhibits' slightly different focuses also help reduce the redundancy. The larger Yale exhibit features over 100 posters, really giving a sense of the diversity of artistic schools represented in the Underground campaign, ranging from Cubism, to post-impressionism, to Japanese woodblock prints. The MoMA show is a smaller installation, with only 20 posters, but the curators have chosen carefully to capture the zeitgeist of the city of London during those years -- its culture, its entertainment, and its fears of war.
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The Most Fun at P.S. 1?

Admittedly, we've been pretty darn obsessed with this year's P.S.1 Young Architects Program, Pole Dance. But after last week's party, the enthusiasm appears to have been justified. Not because this is the first one ever with its own interactive component, where you can log-on to the Pole Dance site and manipulate its sound (also a first) with your phone, or watch visualizations, or upload your own pictures. Not because of all the beautiful and architecturally famous people who came out, as our photos clearly document. No, this may just be the best damned pavilion in the program's decade-long history because it's the most damn fun. Your proof is after the jump.
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MoMA Gets Social

AN has a first look at MoMA’s upcoming architecture exhibition, Small Scale, Big Change: New Architectures for Social Engagement, which will include eleven projects from four continents. The show examines how architects working on small budgets can “bring a positive impact to social conditions,” according to curator Andres Lepik. All the included projects are exemplary for their level of community engagement, which often includes developing the skills of local people. For Lepik, this level of community engagement sets these projects apart from what he calls “charity architecture” or “parachute architecture.” While the American architects are fairly familiar, among them Michael Maltzan, the Rural Studio, and the Estudio Teddy Cruz, many of the international examples will be new to the MoMA audience. Lepik was also quick to stress that the projects are also beautifully designed, keeping it in line with the Modern's history. "Many of these architects are tired of architectural utopias. They're not interested in politics particularly, rather they are interested in addressing specific problems," he said. "Even with a very low budget, you can achieve a very high aesthetic standard." Small Scale, Big Change opens on October 3, 2010.