This past Saturday inaugurated the MOMA PS1's 19th Warm Up summer music series and its accompanying installation, the latter of which is appropriately dubbed Weaving the Courtyard. It was designed by Mexico City-based Escobedo Solíz Studio and its relatively simple design—at least compared to last year's water-filtering giant—was selected as part of the museum's Young Architects Program. Weaving the Courtyard features all the "urban beach" amenities you would expect: a large reflecting pool, wooden plank walkways, a mist machine, and large sandy "beach" in the main courtyard. The installation's brightly hued ropes plug into the formwork holes of the MoMA PS1's concrete walls. With its use of humble materials, and its origins with a young Mexico City-based architects, the project's simplicity and provenance definitely—by coincidence or otherwise—evokes Alejandro Aravena's "Reporting from the Front" theme for the Venice Biennale. While this reporter is concerned revelers will try to climb the ropes, in the meantime they certainly overlay a delightfully complex geometry over the courtyard's views toward surrounding architecture and the sky.
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Goldstein, Hill & West Architects (GHWA), in partnership with developer Chris Xu, just unleashed a 79-story residential tower on Long Island City, Queens. At 963 feet tall, the tower will be 305 feet taller than its neighbor, CitiGroup's 50-story One Court Square, already one of the tallest buildings in the neighborhood. The ground floor will sport 19,721 square feet of retail, while 774 apartments will be spread over 759,412 square feet of residential space. Xu bought the 79,000-square-foot site for $143 million from Citigroup in July 2015, YIMBY reports. This is not the New York–based firm's first high rise: GHWA is behind Long Island City's 42–12 28th Street, a 57-story residential tower, as well as 605 West 42nd Street, a glassy 60-story residential tower "detailed in a clean modernist idiom." Walking down Jackson Avenue, it's hard not to notice all the new high rises going up in the neighborhood. Walking down Jackson Avenue in the late afternoon, though, and it's hard not to be blinded by the sunlight that reflects from all those new buildings. The so-called Court Square City View Tower is a mere four blocks from MoMA PS1, and, although there's no word yet on when construction will begin, visitors to PS1 this summer will be thankful for the central feature of Escobedo Solíz Studio's Young Architects Program installation. The colorful rope canopy promises to shade visitors from skyscraper sunburns, giving a whole new meaning to Warm Up.
Mexico City–based Escobedo Solíz Studio is the winner of the 17th annual MoMA PS1 Young Architects Program (YAP) in Queens, New York. Escobedo Solíz Studio, beat five finalists to design a temporary urban landscape for the courtyard of the 2016 Warm Up summer music series. Weaving the Courtyard, will open at MoMA PS1 in Long Island City in early June. According to the architects, the installation will be “neither an object nor a sculpture standing in the courtyard, but a series of simple, powerful actions that generate new and different atmospheres.” The canopy departs from the last few object-based interventions, such as Wendy, Hy-Fi, and COSMO. A vibrant, colorful landscape will be created by using the formwork holes in the walls to anchor colored bands. Water will again be an experiential component, as a wading pool will allow visitors to cool off in fresh water. “This year’s finalists of the Young Architects Program explored a range of approaches, materials, and scales to effectively question the MoMA PS1 courtyard as an arena for escape. Escobedo Solíz’s ingenious proposal speaks to both the ephemerality of architectural imagery today but also to the nature of spatial transactions more broadly. From the evocative woven canopy that will engage visitors overhead to a reflective wading pool, Weaving the Courtyard sensitively brings together elements of MoMA PS1’s Warm Up Series with an exuberant collection of zones and environments,” said Sean Anderson, Associate Curator in MoMA’s Department of Architecture and Design, in a statement. Klaus Biesenbach, MoMA PS1 Director and MoMA Chief Curator at Large added, "This year marks the 40th anniversary of MoMA PS1 and the 17th joint annual competition brought together by the Architecture and Design Department at MoMA and MoMA PS1. The Mexico City-based team will work on a colorful, celebratory intervention that takes its point of departure to be the existing geometric concrete forms in the courtyard of MoMA PS1 simultaneously creating an urban beach of sand, water, and vibrant colors.” https://youtu.be/aH72lU4AGpU The other finalists for this year’s MoMA PS1 Young Architects Program were First Office (Andrew Atwood and Anna Neimark), Ultramoderne (Yasmin Vorbis and Aaron Forrest), COBALT OFFICE (Andrew Colopy and Robert Booth), and Frida Escobedo. An exhibition of the five finalists' proposed projects will be on view at MoMA over the summer, organized by Sean Anderson, Associate Curator, with Arièle Dionne-Krosnick, Curatorial Assistant, Department of Architecture and Design, MoMA.
MoMA has announced five finalists for the 2016 Young Architects Program. The winner will design and build an installation in MoMA PS1's courtyard during the summer Warm Up performance series. The honor is considered one of the most prestigious platforms for emerging architects in the United States and internationally. Notably, there are no New York architects on the lists this year. This is the program's seventeenth year. To choose the finalists, editors of architecture publications and deans of architecture schools nominate around twenty established architects working in a new style or with new methods, current students, and recent architecture school graduates. Practitioners and curators from the art and architecture worlds winnow the field down to five finalists. First Office / Andrew Atwood and Anna Neimark, Los Angeles ESCOBEDO + SOLIS / Lazbent Pavel Escobedo Amaral and Andres Soliz Paz, Mexico City ULTRAMODERNE / Yasmin Vobis and Aaron Forrest, Providence, Rhode Island COBALT OFFICE / Andrew Colopy and Robert Booth, Houston, Texas Frida Escobedo / Mexico City Last year, Madrid- and New York–based Andres Jacque Architects/Office for Political Innovation won the competition with COSMO, a living machine that makes the water filtration process visible. The whimsical installation commented on sustainability as well as architecture as the product of global networks. COSMO was sourced from generic parts in Spain, shipped to New York, and assembled onsite.
Each year, the MoMA/PS1 Young Architect’s Program features an exciting design by an up-and-coming architect in the courtyard for the Warm-Up series. This year Madrid- and New York–based Andres Jaque and his Office for Political Innovation will build a huge, roving sprinkler system called COSMO that will surely liven up the event. However, it is different from years past: It will be built in Spain and shipped over by boat. Why? “Architecture is no longer about sign or form,” Jaque told AN. “It is about social networks, and how materials move through those networks. Architecture is nothing if it doesn’t engage these networks.” The design for COSMO is made from off-the-rack parts that are not altered in anyway as they are assembled on site. They remain as generic as possible so that they can be reused more easily. “We are designing them so that we don’t have to cut them. If we cut them we would be minimizing their reuse potential.” This could mean making something locally, or shipping it globally. It is a rethinking of what something means to be local. Much of COSMO could be made anywhere in the world. The parts are put together with wires, which are also reusable. The novel tectonics of COSMO are derived from the new, specific ways that the generic parts are put together. When the parts are allowed to have life after architecture, they take on 2nd and 3rd lives elsewhere. “It is a new way to relate to the land,” Jaque said, “It is an alternative to consumption. We want to give things more lives. It is a different culture of materiality that we want to bring to PS1.” Irrigations systems have been a recurring theme in Jaque’s work. He sees them as one of the original and most complete, open source knowledge systems. Since the 1940s, the collective intelligence of irrigation systems have been evolving so that anyone can use the technology. This radical way of thinking about objects and their networks is something the Spanish architect has researched extensively over his career, since growing up. “My family comes from Madrid but also from Aquitaine in France. Both parts of my family had their lives divided between cities and countryside. In France I remember spending summers looking and playing with the centered pivot irrigation systems that my uncle had in his farm,” said Jaque. “I also saw the way he transformed them and exchange parts of it with his neighbors. I guest it all started with that. It was part of a neighbors-based economy.” COSMO is not the first PS1 project to give afterlife to building materials. Past winners such as SO-IL, CODA, HWKN, and Interboro Partners have used ready-made parts that can be re-used after the summer, such as scaffolding, ping-pong tables, skateboard decks, and a host of other objects. “Billion Oyster Pavilion,” one of the 2015 Figment pavilions on Governor’s Island, is specifically designed to be thrown into the New York Harbor later this summer, where it will take on new life as an oyster habitat. According to Jaque, bringing in parts from all over the world is actually better for the environment. This new, global way of producing an architecture is actually more energy-efficient and causes less emissions, due to the sheer volume of freight that a boat can handle compared to a truck. So shipping tires from Turkey is better for the environment than bringing them from somewhere in the U.S., since New York has a harbor. The team also found irrigation pyramids in Spain, where they were more easily procured. The parts are expected to arrive in New York sometime in May, and should be ready for the June 27 opening Warm-Up.
The New York City and Madrid-based architecture firm Andres Jaque Architects/Office for Political Innovation has released a wonky video explaining its mobile, water purifying installation which recently won MoMA PS 1's Young Architects Program. The futuristic-looking structure, called COSMO, is comprised primarily of suspended hoses that will filter 3,000 gallons of water over the course of four days. Check out the video above to see how COSMO will work its magic. But before you do, just a quick heads up that there are some black-and-white photos of naked people hanging out on a beach at the top of the video. (Honestly, it's probably pretty SFW so don't worry.) [h/t The Dirt]
MoMA and MoMA PS 1 have announced the winner of the 2015 Young Architects Program from a shortlist of five firms: Andres Jacque Architects/Office for Political Innovation. Based in Madrid and New York, Jacque's firm will build COSMO, a large structure made of irrigation tubes and planted zones, which will make the process of water filtration visible to PS 1 visitors. The structure will contain 3,000 gallons of water which will take four days to complete the cycle of purification through the structure. Seating and performance areas will be located underneath the suspended structure, which, when illuminated at night, will become a beacon in the neighborhood. The project is intended as a prototype, which could be recreated anywhere in the world to create fresh drinking water. "This year's proposal takes one of the Young Architects Program's essential requirements—providing a water feature for leisure and fun—and highlights water itself as a scarce resource," said Pedro Gadanho, a curator of architecture and design at MoMA, in a statement. "Relying on off-the-shelf components from agro-industrial origin, an exuberant mobile architecture celebrates water-purification processes and turns their intricate visualization into an unusual backdrop." COSMO will open in late June as a part of the annual Warm Up summer party series at MoMA PS 1. The Young Architects Program has become on the world's leading showcases for emerging architectural talent.
MoMA PS1 has announced the five finals for the 2015 Young Architects Program pavilion for the annual Warm Up performance series. The program is considered one of the most prestigious showcases for emerging architects in North America. This year's finalists hail from New York, Miami, Los Angeles, and Toronto. Andres Jaque / Office for Political Innovation of New York and Madrid, Spain. brillhart architecture from Miami. Erin Besler of Los Angeles. The Bittertang Farm of New York. Studio Benjamin Dillenburger from Toronto. The jury for the Young Architects Program included Glenn Lowry, Director, The Museum of Modern Art, Kathy Halbreich, Associate Director, The Museum of Modern Art, Peter Reed, Senior Deputy Director, Curatorial Affairs, The Museum of Modern Art, Barry Bergdoll, Curator, Department of Architecture and Design, The Museum of Modern Art, Pedro Gadanho, Curator, Department of Architecture and Design, The Museum of Modern Art, Klaus Biesenbach, Director, MoMA PS1 and Chief Curator at Large, The Museum of Modern Art, Peter Eleey, Curator, MoMA PS1 Pippo Ciorra, Senior Curator, MAXXI Architecturra, National Museum of XXI Century Arts (MAXXI), Rome, Jeannette Plaut, Director, YAP CONSTRUCTO, and Marcelo Sarovic, Director, YAP CONSTRUCTO
The MoMA PS 1 jury process that selected the “100 percent organic pavilion Hy-Fi” for its 2014 pavilion may have been a contentious group. The museum announced last month that David Benjamin, the principal of Brooklyn-based firm The Living, would design the temporary structure. But several sources have told Eavesdrop that one of the short listed firms (Collective-LOK, PARA-Project, WOJR, over,under, Fake Industries Architectural Agonism, LAMAS, Pita + Bloom) was in fact told that it—not Benjamin—had won the design competition. The architects were told to come to a PS 1 meeting to discuss moving forward as the winner, but after waiting for an hour they were told that a member of the jury was not there and the meeting could not take place. They waited patiently for another hour until they were asked to go home and wait—“don’t call us, we’ll call you.” Later that week, a MoMA official contacted the firm and told them that, actually, Benjamin and his firm had been selected as the winner of the coveted summer pavilion—oops, sorry. It was, of course, a devastating blow. So devastating that the architects are not willing to talk about the episode. So MoMA will go forward with the “organic” brick pavilion. Benjamin employer Columbia University reported in its May 15 GSAPP newsletter that “Kanye West and GSAPP faculty member David Benjamin (M.Arch ‘05) are working on a ‘strictly confidential’ project.” Though other sources claim that this project involves a “new type of movie theater and 3D entertainment experience,” can we expect Benjamin’s partner to take part in PS 1’s usually rollicking summer party to inaugurate the pavilion?
EXPO 1: New York MoMA PS1 22-25 Jackson Avenue Long Island City, NY Through September 2 EXPO 1: New York is an art festival dedicated to the environmental and sociopolitical challenges of the 21st Century that runs through September 2. In addition to occupying the entirety of MoMA PS1’s Long Island City home, the show encompasses exhibitions at other venues throughout New York City, including the Rain Room at the Museum of Modern Art and the VW Dome 2 at Rockaway Beach. The festival is centered on the idea of what its curators call “dark optimism.” The exhibitions, installations, and prototypes featured in the festival suggest the end of an era plagued by climate change, economic suffering, and political strife, and the beginning of a new, brighter future. Highlights include the legendary artist-environmentalist Ansel Adams’ photographs, Meg Webster’s site-specific ecosystem Pool, and Olafur Eliasson’s glacial ice installation Your waste of time in the basement of MoMA PS1.
In an effort to secure financial backing for the city's cultural institutions, New York City Councilman Jimmy Van Bramer, who is the chair of the city council’s Cultural Affairs and Libraries Committee, has locked in $3 million of city budget funds to expand MoMA PS1. The funds will be used for the museum to specifically acquire the small apartment building at the rear of its current Romanesque Revival school building at 22-25 Jackson Avenue in Long Island City, Queens. Van Bramer has revealed that the purchase will allow the museum to expand its exhibition space. The museum is deciding if it will shift its offices from the main building to the apartment structure. The funding has been apportioned to the museum in capital funds as part of the city’s 2014 budget, which was confirmed last month. Councilman Van Bramer also allotted budget funds for some other arts organizations in his Queens district including The Noguchi Museum, which will receive $600,000 in capital funds for a new generator to replace one damaged by Hurricane Sandy flooding, and SculptureCenter, which will receive $300,000 in funding. According to DNA Info, the councilman said “It’s a real imperative to expand our cultural institutions, expand their foot prints, increase funding for them and allow them to do more of what they already do well—produce art that brings lots of people to the neighborhood, who then spend money in the neighborhood.”
Hurricane Sandy not only caused considerable damage to the Rockaways, but it also exposed the vulnerability of New York City’s waterfront communities to future storms and changing weather patterns. Today, the American Institute of Architects New York, along with NYC Department of Housing Preservation & Development, L+M Development Partners, Bluestone Organization, Triangle Equities, and Enterprise Community Partners, announced a new design competition for "resilient and sustainable development in the Rockaways." The group called on architects to come up with different strategies for how cities can build more thoughtfully in areas prone to flooding. Following the June 14th deadline for submissions, a jury will preside over the proposals. The jury will announce four finalists in July—each of which will receive a stipend of $30,000 to continue to hone their ideas. The winner will be revealed on the one-year anniversary of Hurricane Sandy, and will be granted an additional $30,000 for their work. The Rockaways have been the focus of a number of competitions, including MoMA PS 1's EXPO 1: NEW YORK, that asked artists, designers, and architects to submit 3-minute videos that provide ideas for making the Rockaways more sustainable.