Posts tagged with "Milan":

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International Architects Call On Milan’s Mayor To Reinstate Stefano Boeri

Stefano Boeri—the talented architect, politician, and former editor of Domus—was summarily dismissed this week from his position as Councillor for Culture, Fashion, and Design for the city of Milan. Boeri, who for several years has tried to bring architecture and design into official decision making process, has apparently butted heads with Milan's Mayor Giuliano Pisapia and has been pushed out the door. He has, according to one observer of Italian politics, clashed with the mayor "over how much he spent on an exhibition," who may be using the country's budget woes as an excuse to sack a potential political opponent. Boeri was coordinating the upcoming Milan Year of Culture and is not gong without a fight. A petition signed by host of major architects, artists, and cultural workers is being distributed to the press to put pressure on the mayor to bring Boeri back into government.
Dear Mayor Pisapia, It is with regret and disappointment that we learn that Stefano Boeri was dismissed from his position as Councillor for Culture, Fashion and Design for the city of Milan. Thanks to the energy and commitment of Boeri, and despite the deepening of the gravest crisis to have faced Italy since the postwar years, since 2011 Milan has succeded in projecting an image of renewed cultural vibrancy and dynamism onto the international stage. Thanks to Boeri's many initiatives—citywide events such as Book City and Piano City, or international exhibitions of internationally renowned artists such as the Marina Abramovic, Picasso, Bramantino, Alberto Garutti and Jeff Wall—Milan had finally succeeded in reaffirming itself forcefully on the international stage as an epicentre of art, design, fashion and culture. This unmotivated dismissal deprives Milan of one of its greatest assets—an individual who possesses the intelligence, energy, motivation and global network of relationships needed to make Milan an unrivaled protagonist of the European cultural scene of the 21st century. Stefano Boeri is one of Italy's foremost cultural exponents: he has taught in universities in Italy and abroad, curated exhibitions, designed buildings and written books that have been translated into many languages. As such, this unmotivated dismissal seems to us inexplicable. In this moment of grave crisis, we urge you to put personal differences aside and, for the good of the city, reconsider your decision. Yours sincerely, Marina Abramović - Artist, New York Iwan Baan - Photographer, Amsterdam Tatiana Bilbao - Architect, Tatiana Bilbao Architects, Ciudad de Mexico Daniel Birnbaum – Director, Moderna Museet, Stockholm Petra Blaisse - Landscape Architect, Inside Outside, Rotterdam Erica Bolton and Jane Quinn - Directors, Bolton Quinn, London Ronan & Erwan Bouroullec - Designers, Paris Maurizio Cattelan - Artist, Milan Yung Ho Chang, MIT, Head of the Department of Architecture, Cambridge Teddy Cruz - Architect, Teddy Cruz Architects, San Diego Chris Dercon – Director, Tate Modern, London Elizabeth Diller - Architect, New York Jimmie Durham - Artist, Berlin Okwui Enwezor - Curator, Munich Amos Gitai - Film Director, Tel Aviv - Paris Joseph Grima - Editor in chief, Domus, Milan Zaha Hadid - Architect, Zaha Hadid Architects, London Nikolaus Hirsch - Dean, Städelschule Frankfurt Li Hu - Architect, Beijing Bjarke Ingles - Architect, Bjarke Ingels Group Architects, Copenhagen Rem Koolhaas - Architect, Rotterdam Koyo Kouoh - Art Editor, Dakar Armin Linke - Photographer, Berlin Ross Lovegrove - Designer, London Qingyun Ma - Architect, Shanghai Michael Maltzan - Architect, Michael Maltzan Architecture, Los Angeles Giancarlo Mazzanti - Architect, Mazzanti Arquitectos, Bogotà Shelley McNamara & Yvonne Farrell - Architects, Grafton Architects, Dublin Mohsen Mostafavi – Dean, GSD Harvard, Cambridge Alexei Muratov - Journalist, Moscow Jean Nouvel - Architect, Paris Hans Ulrich Obrist - Co-director, Serpentine Gallery, London Julia Peyton Jones - Director Serpentine Gallery, London Bas Princen - Photographer, Amsterdam Edi Rama – Artist and politician, Tirana Anri Sala - Artist, Paris Tomas Saraceno - Artist, Berlin Milica Topalovic - Architect, Zurich
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Doha Tower named world’s best by Council on Tall Buildings

The Council on Tall Buildings and Urban Habitat held its 11th annual awards symposium Thursday, bestowing architect Helmut Jahn and structural engineers Charles Thornton and Richard Tomasetti with lifetime achievement recognition and awarding Doha Tower the title of 2012’s Best Tall Building. Ateliers Jean Novel’s cylindrical landmark for the burgeoning Qatar capital is the first tall building to use a diagonal grid of reinforced concrete columns in a cross shape. This innovation leaves open the central core, creating a stunning space at the tip of the tower that makes perhaps the best use of the building’s intricately detailed facade. In the Illinois Institute of Technology’s Hermann Hall, CTBUH also awarded one building in each of four geographical regions with Best Tall Building awards, with each recipient presenting  their work. The Absolute World Towers in Mississauga, Ontario took home the Americas award. Architect Ma Yansong remarked that high-rises increasingly resemble machines, but his work aims to make tall buildings more human. See AN's past coverage for more on all the award-winners. SOM’s Al Hamra Firdous Tower in Kuwait City and Progetto CMR’s Complesso Garibaldi Tower 2 in Milan received honors as featured finalists. Jahn, whose 40-year portfolio of built work includes the Sony Center in Berlin, Liberty Place in Philadelphia and the MGM Veer Towers in Las Vegas, said some architects forget that very tall buildings have a responsibility to reflect the character and spirit of the cities whose skylines they alter. During the question portion of the morning presentations, he also lamented the loss of architects “who would just throw their drawings at the client,” calling for less “pussyfooting” and more boldness in design today. In another crowd-pleasing moment, Charlie Thornton said engineering is essentially simple when it is not obfuscated by self-important professors. “We need to get rid of calculus teachers,” he said. “They are destroying future engineers.” “I’m not very popular with engineering schools,” he added. Thornton’s name has become practically synonymous, as has his partner Richard Tomasetti’s, with tall building engineering. Before the days of BIM and Catia, Thornton said, he would calculate building stresses on yellow legal pads during long flights. $5 million of computer calculations later, he said, his longhand calculations would be within 10 percent.
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!melk in Milan

!melk, a brand new landscape architecture and urban design firm, is set to join Arata Isozaki, Daniel Libeskind, and Zaha Hadid, among others, for CityLife, an enormous development planned for the historic Fiera di Milano neighborhood in Milan.  The New York-based !melk, which was founded less than a year ago when Jerry van Eyck left West 8 and teamed up with Evan Rose, won an international competition to design a multi-level piazza, sculpture park, and butterfly garden/pavilion situated within Libeskind’s master plan.  CityLife will include skyscrapers by Isozaki, Libeskind and Hadid, as well as a museum of modern art, commercial center, housing complexes, and a new subway station.  !melk collaborated on its submission with the London-based landscape architect Gustafson Porter as well as One Works and Arup in Milan. Though !melk is a new venture, its principals have plenty of experience.  Jerry van Eyck was a partner at the award-winning Dutch firm West 8 for 17 years.  Most recently he was the project manager for development on Governor’s Island, but left the firm, in part, to pursue more US-based projects.  Ironically, !melk’s first big endeavor puts him back across the pond.  Urban designer Evan Rose is a former partner of San Francisco-based SMWM (recently merged with Perkins + Will) who built up their New York office. The CityLife project, under development by a handful of companies, is one of the largest urban interventions underway in Europe, of which more than 50% will be park space.  Isozaki’s skyscraper, Il Dritto (the Straight One), will be the tallest structure in Italy.  The project will also include waterways that suggest the canals of Lombardy.  Milan Mayor Letizia Moratti, announced !melk’s victory on October 27.   The other finalists were Agence Ter (France), Latitude Nord (France), Proap (Portugal), Latz + Partner (Germany), Rainer Schmidt (Germany), Atelier Girot (Switzerland) and Erika Skabar (Italy).
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La Serenissima Strikes Again

Is Italy returning to medieval-era warfare between city-states Milan and Venice? AN’s own Julie V. Iovine reports from Milan that Milanese and Lombardy officials are more than a bit miffed that Venice is proposing to start its own design fair in 2011, seeking to steal the spotlight from the nation’s long-established epicenter of design. Milan has been displaying its prodigious output for nearly half a century at the annual Salone Internazionale del Mobile, and sporadically at the Triannale’s Palazzo del’Arte. But Carlo Guglielmi, the president of Cosmit, which runs the Milan fair, said that Venice’s sophisticated biennale exhibition and marketing organization would like “to pick off a little bit of the Salone for its avant-garde furniture, and from the Triennale for culture.” The annual Milan event attracts more than 300,000 visitors and brings in, according to Italian newspaper Corriere della Sera, at least 7 million euros a year for the local Lombardy economy. Siphoning some of that wealth into Venetian coffers would be a blow to both the Milanese pocketbook and to its powerful design community. Venetian officials are said to be giving a serious look to the proposal, which would add another high-style biennale to its roster of well-known art and architecture events. Whether the dueling design capitals can reach a peace accord over the matter remains to be seen.
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Ritorniamo

The good life.The good life. (Courtesy Riva) 
Last fall, the editors of The Architect’s Newspaper spent a week in Venice reporting on the architecture biennale. One of our fondest Venetian memories—the few times we could afford them—was moving around La Serenissima in water taxis.  As we’ve noted before, the Venetian water taxi is the world’s most elegant form of public transportation: hand-made wooden motor boats with tuck-and-rolled leather seating, customized canvas hoods, and spit-shined wooden hulls and decks. Well, the editors are headed back to Italy, this time for Milan’s Saloni di Mobile.

Known as the saloni, the famed furniture fair is a weeklong whirlwind of parties, prosecco, and over-the-top-expensive furniture. While the taxis in Milan sadly resemble their New York  cousins (no romantic excursions to and from the Fiera Rho), the Riva Boat Works—the maker of most of the Venetian water taxis—is coincidentally featured in a current exhibition at the Milan triennale’s Serie Fuori Serie that highlights Italian designs from “experimental research to mass market.” Curated by Silvana Annicchiarico and Andrea Branzi, with installation design by Antonio Citterio, the show should be a knockout. And we intend to be there to reminisce about our luxurious Venetian rides of last fall.

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More Mint Milano

Following our report on the Porta Nuova project, developed by Hines in Milan, Grimshaw has released new images of their Exhibition Hall, an anchor in the development’s Garibaldi section. The Exhibition Hall features a dramatic metal skin draped over the building’s roof and walls, which peels into ribbon-like forms to reveal the structure within. The building follows the contours of the site, creating an “urban sculpture,” according to a statement by the architects. The piazza-facing entrance is fully glazed, revealing the activity inside and helping to animate the public space. A top floor restaurant will lead to a large roof terrace with commanding views of the Alps. Like all of Porta Nuova, the Exhibition Hall will be built to LEED standards.