Earlier this year, AN assembled a list of the most prominent projects rising in Miami. One of the developments, the Herzog & de Meuron–designed Pérez Art Museum (PAMM, formerly the Miami Art Museum), is nearing completion and is scheduled to open to the public by the end of the year. At The Architects Forum Glass+Performance on September 11th in Atlanta, key participants, including Peter Arbour of seele, Vinu Abraham of Architectural Testing, and Emil Hoogendoorn of John Moriarty & Associates will present on the ambitious design and construction process of the Miami Art Museum facade, calling the endeavor The Biggest Glass in Miami Dade County. Positioned on Museum Park overlooking Biscayne Bay, upon what has been declared the Magic City’s “last big piece of public land downtown,” the new museum’s concrete and glass structure gestures to Stiltsville, a vernacular 1930s form of architecture built on the bay. Various column-free exhibition galleries within the 200,000-square-foot, three-story building accommodate works of differing scales. The museum contains an educational complex, auditorium, and digital workspaces, along with a restaurant and store. Shaded by a canopy, the museum is situated on an elevated plinth open to a landscaped veranda and plazas. The Architects Forum is hosting a session at GlassBuild America filled with short presentations of the design, prototype testing, and construction of the museum's state-of-the-art facade. Arbour, Abraham, and Hoogendoorn will explain the multifaceted and impressive process, focusing on the use of glass as a facade material. A panel discussion and audience Q+A will take place after the presentation. Register to learn about the process behind the Pérez Art Museum's glass facades and discover more information about Session 3: The Biggest Glass in Miami Dade County: Construction of the Miami Art Museum Facades.
Posts tagged with "Miami Art Museum":
With an invaluable series of programs on the lineup at GlassBuild America: The Glass, Window & Door Expo next month, there couldn’t possibly be another reason to attend, could there? As part of the expo, GlassBuild is collaborating with the National Glass Association’s (NGA) Glass Magazine and The Architect's Newspaper, bringing over 150 architects to Atlanta for the opportunity to earn five (5) AIA CEU credits at Glass+Performance! Register now for a day of meaningful education and experience the cutting-edge technology and high-performance products the glass and glazing industry has to offer. The NGA Architects Forum’s Glass+Performance draws in top-notch designers and trade experts for a concentrated daylong symposium focused on the design, fabrication, and construction of high performance architectural and decorative glass. Highlights include a keynote address by LA design trailblazer, Neil Denari, and a preview of the new, under-construction Miami Art Museum designed by Herzog & de Meuron, in addition to three-day access to GlassBuild’s trade show floor. Attendees will be awarded maximum AIA CEU credits simply by networking with and learning from prominent presenters at the following sessions:
- Functional Appeal and Aesthetic Challenges of Glass Design for Today’s Building Facades presented by Philip Vourvoulis of Triview Glass Industries, plus special speakers.
- The Biggest Glass in Miami Dade County: Construction of the Miami Art Museum Facades presented by Peter Arbour of seele, Inc; Vinu J. Abraham of Architectural Testing, Inc.; Emil Hoogendoorn of John Moriarty & Associates, Inc.; and Stefan Hoerner of Herzog de Meuron Architects.
- Structural Glass: Ancient Material Modern Treatment presented by Michael Ludvik, PE of M.Ludvik Engineering.
Live At Glassbuild Architects Forum: Experts Talk Engineering Big Glass For Herzog & de Meuron’s Miami Art Museum
There are many reasons not to miss the new Architects Forum at Glassbuild this year. For one, Neil Denari will be giving the keynote speech. For two, members of the project team will be giving a presentation on the design, prototype testing, and construction of the facade of Herzog & de Meuron's new Miami Art Museum. This unique building features integrated plantings, multiple micro climates, and some of the biggest expanses of glass in all of Miami Dade County. The presentation will be led by Peter Arbour, a facade designer with a Master of Architecture from Yale University who currently works in the New York office of German facade builder seele. Peter has worked for Israel Berger and Associates, Dewhurst Macfarlane and Partners and RFR Consulting Engineers in Paris. Peter’s project works include 40 Bond Street, with Herzog & de Meuron; the Times Square TKTS booth in with Nick Leahy; the Tour Phare, Paris, with Morphosis; the Grand Museum of Egypt, with Heneghan Peng Architects; and the Broad Museum with Diller Scofidio + Renfro. Peter is the designer and patent holder of the Liquid Wall curtain wall system.
Last month AN compiled a list of the most high profile projects taking place in Miami, and on a recent trip to the Magic City, we had the opportunity to visit two of these sites: the shuttered Marine Stadium and Herzog and de Meuron's new building for the Perez Art Museum Miami (PAMM). While new developments flood Miami, preservationists are fighting to save and revive the abandoned Marine Stadium on Virginia Key by Cuban-born architect Hilario Candela. In 2009, the graffiti-covered venue that once held powerboat racing events and large-scale concerts, was placed on the National Trust for Historic Preservation’s list of “11 Most Endangered Historic Places.” Now that the advocacy group, Friends of Miami Marine Stadium, has won the approval from Miami City Commission for its Virginia Key Master Plan, including the restoration of the 6,566-seat stadium, the next step is winning the approval for the site plan and raising $20 million. When the Miami Art Museum started to outgrow its cramped quarters in Philip Johnson's Miami-Dade Cultural Center, museum officials and board members selected Herzog and de Meuron to design a new building (now dubbed the Perez Art Museum Miami) right on Museum Park overlooking Biscayne Bay, what Jorge Perez, real estate developer and the benefactor of the museum, has said is the "last big piece of public land downtown." "The board wanted a building that was first functional, and not just a piece of sculpture," said Thom Collins, Director of PAMM. The concrete and glass structure is a nod to Stiltsville, a vernacular form of architecture originally built on the bay in the 1930s, and will house a variety of exhibition spaces to accommodate works of different scale. "Our project was principally driven by the recognition of the fact that Miami is becoming a home for contemporary art," said Collins. "Our building now has no room for storage or conservation, or education."
After a tumultuous few years, Miami’s real estate market is on the rise once again. When the recession hit the city in 2007, new developments came to a dramatic halt and abandoned construction sites became ubiquitous. But now, a surge of new projects—running the gamut from residential and retail to hotels and cultural institutions—are cropping up around Miami with many more slated for construction in the next few years. And some heavy hitters, such as Zaha Hadid, Rem Koolhaas, Herzog and de Meuron, and Bjarke Ingels, have signed up to lend their design sensibility to Miami's changing landscape. The Miami Herald reported that the city now boasts 20 new condo towers with an additional five towers in the works for neighborhoods just north and south of downtown Miami. AN has compiled a list of the most significant projects taking shape in the Magic City. Collins Park Garage by Zaha Hadid Your typical parking garage is usually a utilitarian, aesthetically bland structure that falls short on imagination. The city of Miami, however, has been reversing this trend and has commissioned architects to elevate the run-of-the-mill car park into a one-of-a-kind piece of architecture that draws visitors. Zaha Hadid is the latest architect to put her spin on the parking garage. For Collins Park, she has designed a sleek, curving structure that offers 400 parking spaces and retail on the ground level. The car park is in the process of being built. 1000 Museum by Zaha Hadid Zaha Hadid is leaving her imprint on Miami. Next up, she'll design a high-end residential tower, One Thousand Museum, for local developers Gregg Covin and Louis Birdman, that will be located on Biscayne Boulevard in Downtown Miami across from what will be Museum Park. According to Miami Condo Investments, the luxury high-rise will consist of 83 units and will run from $4 million up $12 million. Jade Signature by Herzog & De Meuron It seems like Herzog & De Meuron always have something brewing in Miami. The firm just released renderings of their new luxury condo, Jade Signature, located right on the ocean in Sunny Isles Beach. The planned 650-foot-tall, 55-story tower, though, might be over the Federal Aviation Administration’s height limit since any building over 499-feet at that location is considered dangerous. Asi Cymbal Building by TEN Arquitectos Developer Asi Cymbal has selected Enrique Norten and TEN Arquitectos to design a new mid-rise commercial building in Miami’s Design District. The development will consists of high-end retail, parking, offices, event space, and rooftop restaurant. The developer and Curbed Miami are currently holding a competition to name the new building. Portside Miami PortMiami launched a competition in 2011 commissioning plans for a new commercial district, dubbed the World Trade Center, and just recently revealed finalist PlusUrbia’s designs, which consists of a mix of infrastructure updates and major commercial and residential development. PlusUrbia’s plan includes new cruise-ship terminals and berths, and according to Curbed, skyscrapers, an expanded marina, hotels, retail, and luxury towers. SLS Hotel by Arquitectonica and Philippe Starck The chatter in Miami is that local developer Jorge Perez of the Related Group plans on building a 132-room SLS hotel designed by Arquitectonics with interiors by Philippe Starck, in addition to 450 condos ranging in size from 720 to 1,500 square feet, in the Brickell area. The 51-story tower is currently under pre-construction and is expected to be complete in 2015. The Patricia and Phillip Frost Museum of Science by Grimshaw The new Patricia and Phillip Frost Museum of Science (formally the Miami Science Museum), designed by Grimshaw Architects, is a $273 million complex that will house galleries, a planetarium, and wildlife center. This 250,000-square-foot building, located in Museum Park, will function like a “living building” with a vegetated roof and neighboring wetlands. The project is expected to be completed by 2014. Miami Marine Stadium This modernist 6,566-seat stadium perched on the Virginia Key has been abandoned for over twenty years, but now, steps are being taken to bring it back to life. Cuban-American architect Hilario Candela’s concrete modernist stadium is the first purpose-built venue for powerboat racing in the US. A few years ago, the stadium, now listed as a National Treasure, received $3 million in funding from Miami-Dade County Commissioners to preserve the modernist stadium and also turn it back into a water sports venue with concerts. At the end of last year, the Marine Stadium site plan, which includes a “Flex Space Park” and “Maritime Center” for operations and amenities, won the city’s approval, and next it goes in front of the Miami City Commission and the Miami Sports and Exhibition Authority. Once the plan gets the green light, Friends of Miami Marine Stadium will focus their efforts on fundraising for the stadium. The Grove at Grand Bay by Bjarke Ingels Group The once popular celebrity-frequented Grand Bay Hotel will become the site of Bjarke Ingels’ two new twisting residential towers in Coconut Grove. The 20-story luxurious high-rises will feature terraces, wraparound balconies, and a roof deck with private and communal pools. The $400 million project is slated for completion in 2014. Miami Beach Convention Center The competition is heating up in Miami between two developments teams vying for the massive Miami Beach Convention Center project. According to Curbed, Rem Koolhaas, the architect on the South Beach ACE team (with developers Robert Wennett and Tishman and landscape architect Raymond Jungles), went head to head with Bjarke Ingels of the Portman-CMC team (with developr Ugo Columbo and landscape architects West 8) at a public meeting a few weeks ago to show off their designs. Both teams propose new landscaping and parks, retail space, and residential developments for the 52-acre site in addition to plans for the convention center and updating the area around City Hall. Pérez Art Museum Miami Just as Herzog & de Meuron embarks on the Jade Signature tower, the firm is nearing completion of its 200,000 square-foot Pérez Art Museum Miami (PAMM and formally know as the Miami Art Museum). The new three-story building will house interior and exterior programming space for the museum’s collections and special exhibitions; an educational complex with classrooms, auditorium, and digital workspaces; and a restaurant and store. Shaded by a canopy, the museum will sit on an elevated platform and open to a veranda and plazas. If all goes as planned, the new building will be open to the public by fall of 2013.
(Editor's Note: FXFOWLE Architect’s PR head, Karen Bookatz, offers a brief, Instagrammed account of architecture and design highlights at Art Basel Miami Beach 2012.) Don’t get me wrong: I love art and I love attending art fairs. They provide one a unique opportunity to see what’s fresh and new in the art and design industries—or whatever trade is being rep’d—every few months. For me, however, a booth is a booth is a booth. Art fairs must continue to find new ways of further distinguishing themselves or otherwise run the risk of conventionality. What Frieze did last May with SO-IL’s tent design (and to a lesser extent, Bade Stageberg and Cox’s environmental design effort for The Armory Show 2012) was a major step in the right direction. Likewise, custom installations and collaborative efforts, while public relations/marketing ventures more than anything else, have proven to be undeniably effective in creating buzz and increasing visibility for the respective firm, artist, or collaborative. (This is why I was personally so adamant about my own firm’s presence—with an architectural installation/lounge project at the Miami Project art fair—at this year’s Basel.) Untitled Art Fair | Keenan/Riley Architects The example of Frieze was most certainly a source of inspiration behind the new Untitled Art Fair, the tent of which was designed by Keenan/Riley Architects . I had the chance to chat up the founder of Untitled over sunset cocktails on Friday evening. I asked if he was considering commissioning a new tent designer for subsequent years—an RFP, or a call for proposals, perhaps? Unfortunately, this did not seem like his intention, but I nevertheless applauded his efforts. And the location of the fair—right off 5th and Ocean Drive on the beach—was off the chain. Guiro | Absolut Art Bureau Perfectly situated on the beach (between the W Hotel and the The Setai), Guiro, Absolut Art Bureau’s glowing, egg-shaped installation that—quite literally—secreted vodka for nine hours every evening, all in view of top-notch curated art and music programming, is exactly what the doctor ordered. I can’t wait to see what Absolut Art Bureau has in store for us next year. Drift | Snarkitecture There’s not much else to report on this crowd-pleasing, Louise Bourgeois-inspired installation other than restating the obvious: it was awesome and there should have been/should be more installations like it. Miami Art Museum Construction Tour | Herzog & De Meuron A first for me at—what is, now, my fourth—Art Basel: a construction site tour. I spent a beautiful Saturday morning on an intimate site tour of Herzog & de Meuron’s new project for the Miami Art Museum—which is slated to open at Basel 2013—led by Jacques Herzog, in the flesh, along with MAM director Thom Collins. Perfect structure, perfect site….perfect everything.
In a series of articles over the past week, The Art Newspaper takes an extensive look at the recently concluded art extravaganza in Miami. It reports that the scene was not as grim as last year, offering this roundup of celebrity-studded Art Basel Miami Beach: “The fair attracted its usual tribes of pop stars, fashionistas, museum directors, actresses in sky-high stilettos and dressed-down buyers, including a denim-clad Roman Abramovich, the Russian billionaire. Lily Allen was sashaying around White Cube, while John Taylor of Duran Duran showed interest in a Richard Prince collage at Gagosian.” But while on the subject of Miami and its art world, the paper reported on Terry Riley’s exit from the Miami Art Museum (MAM), and added a few interesting tidbits to the story. The paper claims that Craig Robins—a MAM trustee and the person behind developer Dacra and the Miami Design District—was surprised by Riley’s departure, given that he had just unveiled plans for the museum’s new $220 million Herzog & de Meuron–designed home. “He saw the writing on the wall. It was either get out now or commit for another five years,” said Robins. Yet Robins also suggested that Riley might not have been the right fit for a protracted building project. “Terry was brilliant,” Robins said, “but his strength does not lie in construction management.” The paper also claims that Riley was frustrated by a spending squeeze imposed by Miami-Dade County earlier this year, which resulted in a $350,000 funding cut. The museum laid off eight members of staff, and senior management saw their salaries cut by 5 percent, all of which, according to the paper, contributed to Riley’s departure from the museum. Riley, as we pointed out in our story, will focus his energy on his Keenen/Riley architecture practice.