The fabulous Peter Marino has designed a fabulous new store for Chanel in Soho, which opened Friday for Fashion Night Out. It’s so fabulous that Chanel Global Creative Director Peter Phillips created a new makeup line paying homage to Marino’s sleek lines and the sleeker girls who hobble about the cobblestone streets surrounding the store. As for the renovation itself, it was inspired by the artsy spirit of the neighborhood and features an acrylic Chanel No. 5 bottle that stands over 10 feet high and will display video art as well as video of runway shows from Paris. The newly outfitted boutique has a gallery feel to it, complete with commissioned artworks by Peter Belyi, Alan Rath, and Robert Greene. More makeup and makeover after the jump.
Posts tagged with "Manhattan":
Yesterday, John Hill, arguably the city's most prolific architecture critic, finished up one of his latest projects, entitled "31 in 31." In addition to his usual flood of posts, Hill is chronicling one building every day in August, in preparation for a new guide book. The buildings are scattershot, ranging from the new Crocs super store in the West Village to One Bryant Park, but most of them are new and, in a way Hill always seems to manage, representative of precisely what has been going on in the city recently—not comprehensive, but authoritative. It's a rundown worth running down, but one building in particular caught our eye: the rather unassuming Wilf Hall at NYU. The project is not yet complete, but it caused quite a stir when it was proposed. Local preservationists objected to the project because it would destroy the Provincetown Playhouse, where Arthur Miller got his start, as well as the home of a number of other old, long-gone bohemian haunts. (Granted prerservationists object when NYU sneezes.) Even though the project is not located in a historic district, master faker Morris Adjmi was brought in, an architect known for his historically sensitive work, including the Scholastic Building in Soho and the High Line Building across from the Standard. Here, Adjmi appears to have pulled off a very nice set of four modern rowhouses, rather prettier ones than the building it replaced. The retained and restored facade of the Provincetown Playhouse is particularly notable for how draws attention to the historic structure, highlighting it instead of hiding it. It is a refreshing building after so much massive development by the university, from Philip Johnson's unusual Bobst Library to the downright awful Kimmel Center. It would seem this is the first project from NYU to make good on its promise to respect the scale and architecture of the Village—a promise that may not hold if its bombshell of an expansion plan is approved in the coming months and years. So what does Andrew Berman, head of the Greenwich Village Society for Historic Preservation and leading NYU antagonist think of Adjmi's building? He is not impressed, to say the least. In response to a query from the Observer, he sent over the following email:
The Provincetown Playhouse and Apartments was one of the most historically and culturally significant buildings in New York City, and should never have been demolished. It was the home not only of the world-famous theater, but of a collection of institutions which were called by historians "the cornerstone of bohemia" and "the locus of cultural activity and the gathering places of all the figures associated with the Greenwich Village Renaissance that began the era of Modernism in the U.S." The entire building had been determined eligible for the State and National Register of Historic Places, and for a mere increase of 17,000 sq. ft.of space NYU chose to demolish rather than renovate or reuse the building, though only five years earlier they had demolished several other historic edifices including the Poe House and Judson Houses just across the street to make way for yet another mammoth Law School building. To add insult to injury, NYU's promise to preserve in perpetuity about 5% of the original building was secretly compromised when, behind construction walls, they actually demolished part of the tiny theater space and kept that fact hidden, which was only revealed by vigilant neighbors and GVSHP. Is the new building less overwhelming and oppressive than many other recent NYU projects? Of course, but it would be a shame if that were the sliding scale by which we judged the university. Wilf Hall will sadly always be a monument to the university's broken promises and greed, and to the loss of yet another irreplaceable piece of New York's proud history.So much for community outreach.
The West End Preservation Society could only save two of the buildings it had hoped for, but an entire neighborhood has been preserved in the process. Back in 2007, a clutch of concerned citizens living on West End Avenue were dismayed to learn that two pairs of brownstones were bound for the wrecking ball, to be replaced by the sliver buildings much in vogue in Manhattan's narrow upper reaches over the past decade. The houses at 732 and 734 West End Avenue are currently being demolished, but 508 and 510 West End Avenue survive, and likely will for some time thanks to the efforts of the society. The LPC is now preparing to finalize plans for a new, expansive historic district—lobbied for by the preservation group—running the length of West End Avenue from 70th Street to 109th Street. The result will be two-miles of almost uniterrupted pre-war grandeur. The commission recently sent out letters to affected property owners notifying them of a September 15 informational meeting at P.S. 75 (located in the district-to-be at 735 West End Avenue). Such meetings are typically a precursor to "calendaring" a project, when it officially enters public review, a step that is now expected by October or November. Commission spokeswoman Elisabeth de Bourbon said a final map of the proposed district will be released at next month's meeting, and it will include 745 new buildings—large by most historic district standards, though the Upper West Side already boasts some 2,035 landmarked buildings. Technically, the commission will not be creating one new district but expanding five that line West End Avenue. Though the result will be one contiguous stretch of landmarks, de Bourbon said the idea was to group them in a way that would honor the individual character of each district, "its history and its rhythms." By expanding the existing districts, the commission will also protect more buildings on the side streets, further what many consider one of the most pristine stretches of pre-war architecture in the city.
Can Columbia build anything without causing a ruckus? There is, of course, the famous gym proposed for Riverside Park that triggered the 1968 riots, and more recently the huge fight over its 17-acre Manhattanville expansion. Now the Times is reporting a "teapot-size storm" surrounding the university's proposal to build a new athletic center within its complex in Inwood. According to the Gray Lady, the issues are the same as anywhere in Manhattan: light, views, and context. “It does not relate well to the community,” said Gail Addiss, 61, an architect who lives opposite Baker Field. “It’s similar to Frank Gehry architecture — large metal things whose glare is going to cause more brightness to reflect into people’s windows.”
It'll be at least 4 years before Santiago Calatrava's scaled-back, over-budget World Trade Center PATH station is completed (though as our upcoming feature on Lower Manhattan showcases, everything's been a long time coming, but it seems to have finally arrived). Still, from the start of the interminable process, we've had some of the flashiest renderings around to tuck us in at night. Now comes an illustrated video courtesy the Journal's Metropolis blog that gives us our clearest view yet of just what's planned, as well as what Calatrava meant when he told the New Yorker a while back that he was striving for something akin to Grand Central—a truly great room where the interiors, not the exteriors, would be what truly matters. If this video is any indication, despite all the cutbacks, he's succeeded grandly.
While it was nearly hot enough to fry in egg in Times Square Tuesday, things have since cooled off a bit, and not simply because the temperature dropped back into double digits. Today the city's Department of Transportation began installing in the public plazas Molly Dilworth's 18-month installation, "Cool Water, Hot Island," which will not only prettify the eight newish plazas with an abstracted heat map of the city but also reflect some sunlight, making for a more comfortable experience. Meanwhile, DOT along with the Department of Design and Construction announced that it had selected Nordic knockouts Snøhetta as the lead designer for the long-term transformation of the square. The selection of Snøhetta is not exactly a surprise, as it is one of the eight firms in the city's Design + Construction Excellence program, from which DOT had already said it would make its choice because it streamlines the design process as the firms are prequalified. Yet it was Snøhetta's experience outside the city that helped win it the commission. “It is a classic New York story that reconstruction of the ‘Crossroads of the World’ will be led by a firm with an international reputation for creative vision and excellence,” DDC commissioner David Burney said in a statement. Snøhetta's preference for public art, landscape design, and sustainability may have played a role in its winning the commission. Still, the nature of the project is rather new to the firm, most of its successes having come through buildings such as the Library of Alexandria and Oslo Opera House, though both are incredibly public in their nature, so Snøhetta should prove a good, and certainly interesting fit, as its work at Ground Zero has shown. Joining the Oslo- and New York-based firm on the design team are WXY Architecture and Design, Weidlinger Associates (engineers), Mathews Nielsen (landscape), Billings Jackson Design (industrial), and Bexel (audio-visual), all of whom are Excellence program participants. The design work is just beginning, with no time line or budget yet set for its unveiling, according to a DOT spokesperson, though the plan remains to begin construction in 2012. The firms will be responsible for improving the pedestrian experience in the plazas as well as the infrastructure for the various events held in Times Square throughout the year. "Our goal is to improve the quality and atmosphere of this historic site for pedestrians and bicyclists while also allowing for efficient transportation flow for the betterment of the city,” said Craig Dykers, head of Snohetta's New York office and its co-founder. And in more Molly Dilworth news, online art gallery Art We Love is selling a series of seven prints for 15 bucks a pop.
Since Wednesday, an aluminum woman is joyfully resting in the grass of City Hall Park. Among her well-set figurative friends are a bronze giant, an octopus man, and a couple of luminous neon creatures. The new sculptures are part of The Public Art Fund's yearly exhibit in the park, an ongoing project for more than 30 years with the aim of making visitors experience art more directly. This year’s show, named Statuesque, brings together a group of six artists from four different nations. The ten works experiment with the sculptural tradition of the human figure, and are installed along the park's pathways and on lawns. “City Hall Park is really a great backdrop for this art,” Mayor Michael Bloomberg said at the opening. “The placement invites people to get up close and personal with these more contemporary figures and sculptures.” The featured artists are Huma Bhabha, Aaron Curry, Thomas Houseago, Matthew Monahan, Rebecca Warren, and Pawel Althamer. Never displayed together before, the pieces all tend towards abstraction over realism, and texture over refinement of finish––some exuberant, many robot-like and other almost gruesome. “It is unfiltered, it is memorable and it is immediate,” chief curator and director of The Public Art Fund Nicholas Baume concluded. New for this year is a free cellphone audio tour via an iPhone app.
Our friends over at Urban Omnibus created this delightful video entitled Archipelago, a sort of cinematic corollary to the current New New York show at the site's mothership, the Architectural League. Billed as "a day in the life of five New York neighborhoods: Hunts Point, Jamaica, Mariner’s Harbor, Downtown Brooklyn, and Chelsea," the video really is amazing for how it so succinctly captures the mind-boggling diversity of the city, revealing both the familiar and obscure to even the most stalwart local in a way so seamless that the city, for once, seems truly bound together despite all its disparity. The soundtrack alone, from Mr. Softee in the Bronx to freestyling on Staten Island to the constant sirens, is irresistible. It's the fastest eleven-and-a-half minutes you'll watch for some time. Almost as fast as the city it chronicles.
It would appear the Second Avenue Subway is really, truly happening. Not to have doubted all the construction work that's gone on so far, but we have been-there-done-that about half-a-dozen times over the past century. Now, however, the 200-ton Cutter Head has arrived, the main piece of the Tunnel Boring Machine that will begin carving out the tunnels for the first phase of the new line. The MTA posted some pretty cool pics of the device, including the one above, on its Facebook page. And if that weren't socially networked enough, there's a YouTube flick of the thing being lowered underground with a soundtrack that sounds oddly like that of a softcore sex scene in some '90s movie. Second Avenue Sagas points out that this is largely "symbolic," as the real challenge, technically and fiscally, is not digging but building the lines and stations. That said, we still wonder if all this money wouldn't be better spent on maintaining service than pushing ahead with capital projects, even if it does mean their nth death. While you ponder, the flick and more pics after the jump.
On a day when the MTA announced that its budget shortfall may now surpass $400 million as last year's payroll tax is bringing in even less revenue than expected, Mayor Michael Bloomberg began his day underground. He and MTA chief Jay Walder were touring a new station underway at 34th Street and 11th Avenue, the terminus of the underway 7-Train extension. At least during boom times, the project was seen as a boon to residential development on the Far West Side. Now, with construction limited and the MTA in desperate need of money, transit advocates like the Straphanger's Campaign and the City Council continue to call for tapping capital funds—namely stimulus set-asides—to help cover the gap. And if two recent projects are any indication, maybe that's not a bad idea. Perhaps, on their way to today's photo op, Bloomberg or Walder picked up a copy of amNY. Therein, they would have seen reports by Heather Hadon detailing leaks at two recently completed MTA projects, South Ferry and Cortlandt Street stations, both of which are said to be leaking. If this is where all that capital money is going, perhaps we'd be better off with more trains, albeit dingier ones. The MTA and others insist that using capital funds is only a stop gap solution, while the MTA needs real, sustainable reform. This may be true, but it would help if the work that was getting done weren't so shoddy. What'll people think when the Starn brother's mural starts to run. Or the fancy new BRT buses catch a flat?
We've come to hate snow in the city, as it readily turns to gross, sock-soaking brown muck. But today, when we stumbled upon a scene straight out of Aspen, we were reminded just how beautiful and transformative the white stuff can be. Ducking into Muji for some last-minute holiday shopping on our way back from the Gehry theater press conference on 10th Avenue, we were delighted to find a mountain clearing where the courtyard of the Renzo Piano-designed Times building once was. From the birch trees to the unbesmirched snow, its the sort of sight you would struggle to find even in Central Park, let alone Midtown. Excuse us for getting sentimental—it must be the eggnog—but these are the sort of moments that remind us of the power and import of good architecture.
One of the roles played by the city's 59 community boards—besides issuing liquor licenses—is to oversee local planning issues, and while the input of the board is only advisory, it tends to weigh in the decision making of the City Planning Commission (as was the case at Hudson Yards earlier this week) and the City Council. The only problem is, the boards have no professional planners on staff. Manhattan has been blessed with a great deal of help the past three years, however, thanks to a fellowship program begun by Manhattan Borough President Scott Stringer, and today he announced it will hopefully be expanding to the entire city by next year. Stringer is no stranger to the plight of the community boards, as he joined his when he was still a teenager, and empowering the boards has been a central issue on his agenda. (Like the boards, the borough president's job is as much advocacy and ceremony as it is real executive power, at least since the dissolution of the Board of Estimates in 1989.) Upon taking office in 2006, Stringer launched his Planning Fellowship Program to help place planning students from the surrounding universities—Pratt, Columbia, Hunter, City College, Rutgers, NYU, and the New School—with the 12 community boards in Manhattan. While their work was part time, they helped out with technical challenges, research, and special projects that even the boards' land-use experts struggled with or lacked the time to execute, as highlighted in a story we wrote the following year. This year, two Brooklyn boards—Fort Greene and Park Slope—have picked up fellows, and Stringer, with the backing of the Bloomberg administration, which controls his and the boards' budgets, said today at a press conference that he hopes to have fellows in every board in all five boroughs by the start of the next academic year. Starting this year, the program is no longer run out of the planning department of his office but at Hunter College, which has been the lead partner on it since day one. "With all that my office has accomplished since becoming Borough President, I can honestly say that the Community Planning Fellowship Program is one of our proudest achievements to date," Stringer said in a release. "Not only has the Program focused new attention on what should be the primary role of community boards—neighborhood-based planning—but it has also helped shift the focus of a new generation of professional urban planners toward a real understanding of how community members, local government and land use experts interact and engage in discussions about the future shape of our city." And while we're happy the hear the program is expanding, it can't happen fast enough. After all, just look at the areas being served—Manhattan and two of Brooklyn's toniest neighborhoods—and it becomes clear that those boards still in need of the most help have yet to receive it.