In honor of the Day of the Dead (and to raise some money), LA's MAK Center is hosting an auction of some amazing lamps this Friday from 7 to 10pm at its Fitzpatrick-Leland House. Those designing pieces for Light My Way, Stranger include Ball-Nogues, Hitoshi Abe, Coop Himmel(l)au, P-A-T-T-E-R-N-S, Hodgetts + Fung, Ehrlich Architects, B+U and many more. We can't do these objects justice with words, so check out the slideshow. Enjoy!
Posts tagged with "MAK Center":
Out Spoken MAK Center 835 North Kings Road West Hollywood, CA Through August 12 The SCI-Arc Media Archive, comprising four decades of lectures, symposia, and events from many of the most creative contemporary architects and thinkers, is scheduled to go online this fall. In anticipation of this resource becoming publicly accessible, the MAK Center (above) presents selected material from the archive curated by architects and architectural historians, each composing a singular argument out of their selections. Focusing on Peter Cook’s record 11 talks, architect Roger Sherman presents “Cook Off,” portraying the architect as a SCI-Arc “doppelganger” and lens through which the school may consider its “alternative” status. Scholar Dr. Paulette Singley offers “Teasers, Ticklers, and Twizzlers,” a look at interdisciplinary performance and architectural research. The architect, historian, and curator Anthony Fontenot presents “City Talk,” reflecting on the evolving dialogue on cities at SCI-Arc with a monitor dedicated to excerpts from each decade. Architect Marcelyn Gow investigates the role of drawing in architectural practice with “Drawn Out,” focusing on its evolution in our era of computational design.
Every once in a while forces converge and we get an epic architecture weekend. One of those weekends is happening now. Here are some of the events going on in LA this weekend: 1.) Hollywood Wilshire Boulevard Focus Weekend, featuring free admission at the A+D Museum, Hammer Museum, Craft and Folk Art Museum, MAK Center, Fowler Museum along Wilshire Boulevard as well as events at all the institutions. All revolve around the Getty's epic Pacific Standard Time series of exhibitions. These include: A discussion called The Legacy of the California Design Exhibitions at LACMA; a talk with Deborah Sussman about Eames Designs at A+D; a panel about Mapping Another L.A.: The Chicano Art Movement at the Fowler, a discussion about Now Dig This! Art and Black Los Angeles 1960 – 1980 at the Hammer; and a about Sympathetic Seeing: Esther McCoy and the Heart of American Modernist Architecture and Design at the MAK Center. 2.) Launch of the exhibition, Architecture—A Woman's Profession at WUHO Hollywood and a Saturday panel discussion at the MAK Center, moderated by AN's Sam Lubell and featuring author Tanja Kullack as well as Barbara Bestor, Monica Ponce de Leon, Dagmar Richter, and Ingalill Whlroos-Ritter. 3.) Inglewood Open Studios, featuring visits to the studios of more than 30 artists (and a few architects) in this emerging arts district, but showing off great arts spaces like the 32,400 square foot Beacon Arts Building.
Light Pavilion by Lebbeus Woods and Christoph A. Kumpusch: Construction Drawings & In-Process Photographs at the Mackey Garage Top MAK Center at the Schindler House 835 North Kings Road West Hollywood Through August 6 The Light Pavilion by Lebbeus Woods and Christoph A. Kumpusch was created for Steven Holl’s Sliced Porosity Block project now under construction in Chengdu, China, and will be Lebbeus Woods’ first built work of architecture. A physical intervention into Holl’s rectilinear structure, the pavilion consists of a series of columns and stairs that are illuminated from with and change color, and the luminous effect will be amplified by the pavilion’s mirrored interior walls. The MAK exhibition includes construction drawings and process photographs of the installation, as well as conceptual renderings of this project, above, and other work of Woods and Kumpusch.
The MAK Center's Silver Lake/ Los Feliz house tour yesterday helped once again put to rest the fallacy that Modernist homes have to be cold boxes with no regard for their contexts. On the contrary, the homes by Schindler, Ain, Ellwood, Soriano, and Harris focus on natural materials and highlight their landscapes: framing fantastic views, incorporating secluded gardens, and opening up with cross breezes, open courtyards, and double-height windows. Our favorite houses, Schindler's Howe House (1926, just painstakingly restored by preservationist Michael LaFetra) and Ellwood's Moore House (1965), induced zen-like contemplative states with their breathtaking landscapes, light-filled interlocking spaces, and warm wood cladding. And who knew that Soriano's Schrage House (1952) had a waterfall and a killer model train setup in its garden?