Posts tagged with "MAD Architects":

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New renderings unveiled for Lucas Museum ahead of groundbreaking

MAD Architects and the Lucas Museum of Narrative Art have unveiled a trio of new renderings for the $1 billion project in advance of a formal groundbreaking ceremony taking place in Los Angeles’s Exposition Park this morning. The renderings come as work on the spaceship-like structure is set to begin in earnest, capping off over a decade of uncertainty for the Lucas Museum following high-profile public battles between the budding institution and several potential host cities, including San Francisco and Chicago. The proposed museum was redesigned several times over the course of these battles before a dual-lobed, elevated structure pitched to Los Angeles was accepted there late last year. Lucas Museum board president Don Bacigalupi told the Los Angeles Times, “The building itself will certainly be an icon of 21st century design,” adding, “And as we operate the museum, we’re looking at 21st century technologies and also, how the museum views art.” The 300,000-square-foot complex is due to rise roughly 115 feet high and will be divided into two main masses along the ground and first floors, with the levels above connected to create continuous gallery spaces. The bulbous museum complex will be located atop former parking lots that will give way to 11-acres of new parklands designed by Mia Lehrer+Associates (MLA). The building itself will be topped by two-acres of landscaped areas in an effort to add even more greenery to the site. Despite the fact that the new museum will be located beside multiple transit stops, the complex will contain a whopping 2,425 parking stalls located in a subterranean garage. Renderings for the complex depict new views of the building’s lobby areas showing vaulted waiting and ticketing areas flanked by glass tube elevators. A new rendering for the building exterior shows a more streamlined massing for the structure, while a new view of MLA’s work depicts walkways and seating areas bordered by expanses of scrubby bushes and tall deciduous trees. The structure is expected to be complete by 2021.
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Architecture abounds at Design Miami 2017

The 14th edition of Design Miami will take place in Miami Beach from December 6-10, 2017, with a series of gallery highlights, auxiliary events, and design curios that will highlight architectural elements and lesser-known pieces from designers both old and new. Highlights include a solo show of furniture designed by Swiss architect Albert Frey for his own Palm Springs home, completed in 1949; a dining table by Chinese architect Ma Yansong of MAD, part of his MAD Martian collection, and an immersive “Isolation Sphere” by French architect Maurice-Claude Vidili from 1971.

New York’s Patrick Parrish Gallery has collaborated with MIT’s Self Assembly Lab to present a series of experimental robotic fabrication displays, including a 3-D calligraphy process that makes objects in a gel suspension. Salon 94 will show a monumental 11.5-foot-tall concrete bench titled Core by London-based designer Philippe Malouin. Clothing brand COS brings their successful Milan bubble installation to Miami this year, this time titled “New Spring Miami.”

The annual Panerai Design Miami/ Visionary Award goes to Mwabwindo School, a collaborative educational project in Zambia by Joseph Mizzi’s 14+ Foundation. The project is designed by Selldorf Architects and will feature original artwork by Rashid Johnson and newly-commissioned furniture by Christ & Gantenbein.

Other talks that are part of Design Miami include  about queer space with Rafael de Cardenas and Aaron Betsky, and “Spatializing Blackness,” with USC architecture dean Milton S.F. Curry, architect Sir David Adjaye, artist/designer Amanda Williams, artist Hank Willis Thomas, and Watts House Project cofounder Edgar Arceneaux.

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Mirage houses, Mongolian blob museums, and other updates from the architects of Instagram

At The Architect’s Newspaper, we’re plain addicted to Instagram. Sure, we love seeing Brutalist concrete through “Inkwell” or “Ludwig” filters, but there’s also no better place to see where architects are getting their inspiration, how they’re documenting the built environment, and where they’ve traveled of late. Below, we bring you some of the best Instagrams of this past week! (Also, don’t forget to check out our Instagram account here.) A new exhibit on the historical iterations and potential of scaffolding went up at the Center for Architecture, and Shohei Shigematsu of OMA was the exhibition's lead designer. https://www.instagram.com/p/BZmIjN-hQh0/?taken-by=centerforarch A short hop across the East River, the Noguchi Museum is gearing up for the October 25 opening of Gonzalo Fonseca's architectural sculptures, many carved from stone. https://www.instagram.com/p/BZ1f0wpHH1F/?taken-by=noguchimuseum SO-IL's Florian Idenburg paid a visit to a panopticon prison in Haarlem, Netherlands called Kijk in de Koepel. His visit was timed perfectly with two news bits that had us chuckling this week: One upsettingly real (Jeremy Bentham's literal severed head displayed in an upcoming exhibit), and the other pure satire (meet Synergon). https://www.instagram.com/p/BZoAOCVn8AC/?taken-by=florianidenburg Andrés Jaque, founder of Office for Political Innovation, posted the opening of his new exhibit titled Transmaterial Politics, which opened at Tabacalera Madrid on September 28. Poppy and probing as always. https://www.instagram.com/p/BZpq6FJAz4E/?taken-by=andres_jaque MAD Architects threw us back to their Ordos Museum in inner Mongolia, a mass of organic and rigid forms cloaked under an undulating shell of metal tiles. Without wanting to, we will imagine it springing to life at night and prowling the Gobi Desert under a shrouded moon, much like Gehry museums (wherever they live). https://www.instagram.com/p/BZnkPdyFNdq/?taken-by=madarchitects Geoff Manaugh, author of BLGBLOG, visited the extremely Instagrammable Mirage by Douglas Aitken in the California Desert which is clad with mirrors both inside and out. https://www.instagram.com/p/BZ4WEW5j_M1/?taken-by=bldgblog The DesignPhiladelphia conference shared their city's redeveloped Navy Yards, landscaped by James Corner Field Operations. https://www.instagram.com/p/BZy-YJzF9WA/?taken-by=designphilly This last one is short and sweet, and we tell you this only because of the crushing guilt that would consume us otherwise. Winka Dubbeldam ate a grasshopper. https://www.instagram.com/p/BZ0lE02BVh9/?taken-by=winkadub That’s it for today, hashtag archilovers and quote-on-quote gallerinas. See you next week for more drama.
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MAD Architects releases new renderings of the Lucas Museum’s public loggia

NBC Los Angeles has released another collection of new renderings for the MAD Architects–designed Lucas Museum of Narrative Art. While The Architect’s Newspaper published several of these new renderings back in May, the latest release includes three new images depicting the public loggia located between the building’s two main entry pods. The renderings depict a series of bubbling masses rising from the surrounding parklands with what appear to be metal panel-clad bubbles and domes stretching up out of the ground. At one end of the loggia, the bubbles conceal a restaurant space; on the other, they shelter entries to a library and digital classrooms. At the center of the loggia, the building’s mass rises to its crescendo, where it is capped by a central oculus. The dome’s descending pendentives frame the complex’s two main, glass-clad entrances. One end of the loggia contains entrances to an amphitheater while the other end leads to the museum’s principal entrance. The oculus above is framed in glass curtain walls, allowing visitors to see below from above. The inside of the entry spaces is clad in wood paneling, similar to MAD Architects' treatment for the Harbin Opera House in Harbin, China. The Lucas Museum is expected to begin construction in September of 2018 and open in 2021.
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Lucas Museum receives final approval, moves toward 2018 groundbreaking

The Los Angeles City Council voted this week to grant final approval for the MAD Architectsdesigned Lucas Museum of Narrative Art. The most recent iteration of the project—sited in Los Angeles’s Exposition Park, across the street from the University of Southern California, George Lucas’s alma mater—represented the third attempt to find a home for the itinerant museum-to-be. Previously, Lucas and his wife Mellody Hobson, who is the chairperson for DreamWorks Animation and a driving force behind the project, had tried for two separate sites, first in the San Francisco Presidio and later in Chicago’s Jackson Park. Both efforts were rebuffed by community activists. Last fall, the Lucas Museum board of directors made another push for California by selecting two potential sites in the Golden State, with a site on San Francisco’s Treasure Island and one in L.A.'s Exposition Park competing for the $1 billion museum. The Los Angeles site was chosen earlier this year amid much public fanfare on the part of elected officials. Some, however, fear the project will bring increased gentrification to the working class neighborhoods surrounding the park. The proposed 300,000-square-foot complex will rise five stories—roughly 115 feet—and contain a movie theater, lecture hall, library, restaurant, and digital classroom spaces, all in addition to its galleries. The boat-shaped structure, according to renderings, will be lifted off the ground via two large piers containing the ancillary programs mentioned above. Three floors of continuous gallery spaces will span above the piers, with a planted rooftop terrace capping off the entire complex. The museum will be underpinned by a 2,425-stall parking complex located underground and will be surrounded by nearly 11 acres of new parkland. The museum’s collection, according to the Lucas Museum website, will be divided into three categories: Narrative Art, Art in Cinema, and Digital Art. The museum will also make its debut with a $400 million endowment. The unanimous approval from the L.A. City Council paves the way for the museum to break ground in 2018. The museum is expected to open in 2021.
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New renderings revealed for Lucas Museum in L.A.

MAD Architects’ proposed designs for the Lucas Museum of Narrative Art in Los Angeles have undergone a slew of design changes, according to documents filed with the Los Angeles City Planning Commission (LACPC). The documents, first reported by Urbanize.LA and filed in advance of a forthcoming meeting between the project’s backers and the LACPC set for May 11, come roughly five months after the museum board chose Los Angeles’s Exposition Park as the preferred site for the new $1 billion complex. L.A. was chosen in January over a parcel on San Francisco’s Treasure Island. The two California cities were briefly in competition with for the complex after backers abandoned an earlier pitch made for Chicago, Illinois. Now, as the project moves toward its projected 2018 construction kick-off, developers for the project are making their way through L.A.’s dense building approval process. The planning document calls for the construction of a 115-foot-tall museum, education, and leisure complex that will contain a restaurant, movie theater, lecture hall, digital classrooms, library, and event spaces in addition to gallery spaces. The project—unlike the proposed bids for San Francisco or Chicago—will contain a massive amount of parking: 2,425 stalls contained within a three-level subterranean garage. The 300,000-square foot complex will be organized with a collection of ground floor open spaces that connect to an 11-acre, park-like site. A rendering contained within the document indicates that the complex has tightened up, programmatically-speaking, and occupies a both a wider footprint and tighter envelope than before. The complex will be organized within an arrangement of dual, three-story piers topped by a continuous, two-level gallery block. The ground floor of the southern pier will contain archives and offices, with educational spaces on the second floor, and the library on the third. The northern pier will contain a pair of theaters and a main entry pavilion for the museum. A rendering included in planning documents shows a sinuous, metal-clad structure topped with trees and planted areas. The renderings differ somewhat from earlier designs and include the addition of a new underground space located below the project site. Construction for the project is expected to begin in 2018 and complete in 2021.
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New details emerge for L.A.’s Lucas Museum of Narrative Art

The board of directors for the Lucas Museum of Narrative Art (LMNA) recently chose Los Angeles as the latest—and potentially final—site for its troubled museum proposal.

The decision marks the third attempt by the LMNA museum board to find a location for the nearly $1 billion museum—resulting in multiple design schemes by MAD Architects. The LMNA will house a growing and expansive collection of graphic art, including works by Zaha Hadid, Edgar Degas, and Pierre-Auguste Renoir, among others.

MAD Architects’ initial designs for a site north of San Francisco were rebuffed in 2015 after community outcry. The LMNA team made a try for a site in Chicago in 2016, only to eventually scrap the plans in the face of fierce opposition to the project’s proposed location on the Chicago’s lakefront by a local community group. Most recently, LMNA’s board made parallel pitches for two sites in California: one on San Francisco’s Treasure Island and another in L.A.’s Exposition Park.

L.A. won out this round, gaining another cultural amenity for a site already home to the Los Angeles Memorial Coliseum, California African American Museum, California Science Center, and the Museum of Natural History of Los Angeles County. The new museum, if built, will also be located along the city’s Expo Line light rail line, and will help—along with a forthcoming Gensler-designed Los Angeles Football Club soccer stadium—extend a leg of transit-oriented development from a growing entertainment and hotel district in the South Park neighborhood nearby to one of L.A.’s core working class neighborhoods.

In announcing its decision, the Lucas Foundation’s board of directors extolled the virtues of the urban park and its surrounding neighborhood, saying in a statement: “While each location offers many unique and wonderful attributes, South Los Angeles’s Promise Zone best positions the museum to have the greatest impact on the broader community, fulfilling our goal of inspiring, engaging, and educating a broad and diverse visitorship.”

In an effort to preserve the park’s green spaces, the selected scheme will include public open space on its rooftop. Renderings for the proposal show the curvaceous museum located in a leafy, park setting topped with tufts of greenery. The museum also appears to gingerly touch the ground by coming down in a series of large, discrete piers.

It’s still unclear what sorts of developmental hurdles the museum will need to surpass prior to construction, but the project clearly has a fan in L.A. Mayor Eric Garcetti, who after learning of the decision, remarked to the Los Angeles Times, “It’s a natural place to have this museum in the creative capital of the world and in the geographic center of the city. It’s a banner day for L.A.”

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BREAKING: Los Angeles chosen as new site for MAD Architects’ Lucas Museum

The Board of Directors for the Lucas Museum of Narrative Arts elected this afternoon to pursue Los Angeles as the latest site for their troubled museum proposal. The decision marks the third time the museum board has attempted to find a site for the $1 billion, MAD Architects-designed scheme. The firm's initial San Francisco proposal was rebuffed in 2015. The team made a try for a site in Chicago, only to scrap the plans in the face of fierce opposition to the project by a local community group known as Friends of The Park. Instead, Los Angeles's Exposition Park, home to the Los Angeles Memorial Coliseum, California African American Museum, California Science Center, and the Museum of Natural History of Los Angeles County will now potentially host Lucas's namesake museum. The Los Angeles proposal was selected after the museum team made parallel pitches for a second site on San Francisco's Treasure Island and one in L.A.'s Exposition Park. The new museum, if built, will be located along the city’s Expo Line light rail line, within proximity of the forthcoming Gensler-designed Los Angeles Football Club soccer stadium, and would cap a park already brimming with global cultural and entertainment destinations. In announcing their decision, the Lucas Foundation's board of directors extolled the virtues of the urban park and its surrounding neighborhood, saying, "While each location offers many unique and wonderful attributes, South Los Angeles’s Promise Zone best positions the museum to have the greatest impact on the broader community, fulfilling our goal of inspiring, engaging and educating a broad and diverse visitorship." In an effort to preserve the green spaces of the park, the selected scheme will include public open space on its rooftop. Renderings for the proposal show the curvaceous museum located in a leafy, park setting topped with tufts of greenery. The museum also appears to gingerly touch the ground by coming down in a series of large, discrete piers. It's still unclear what sorts of developmental hurdles the museum will need to surpass prior to start construction, but the project clearly has a fan in L.A. mayor Eric Garcetti, who after learning of the decision, remarked to the Los Angeles Times, “It’s a natural place to have this museum in the creative capital of the world and in the geographic center of the city. It’s a banner day for L.A.” This article appears on HoverPin, a new app that lets you build personalized maps of geo-related online content based on your interests: architecture, food, culture, fitness, and more. Never miss The Architect’s Newspaper’s coverage of your area and discover new, exciting projects wherever you go! See our HoverPin layer here and download the app from the Apple Store.
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BREAKING: MAD Architects reveals alternate proposals for Lucas Museum in San Francisco and Los Angeles

Weeks after dropping a long-stalled bid for a Chicago location, MAD Architects and the Lucas Museum of Narrative Art have released a collection of renderings for competing schemes aimed at finding the wandering, proposed museum a welcoming home in either Los Angeles or San Francisco. The firm’s proposal for the Chicago location was scrapped earlier this summer after fierce community opposition to the project, to be located on a coveted site along the city’s waterfront in Grant Park. Despite strong support from the city's political class, the $700-million scheme, reminiscent of a futuristic, pitched tent, was ultimately killed by a lawsuit filed by the local community group known as Friends of The Park. The new proposals, being shopped simultaneously between California’s two largest cities, are being presented as pedestrian-friendly, public spaces for each respective city. Both are arranged with expansive second-floor gallery and exhibition spaces that are lifted up on massive piers that allow for park and pedestrian areas to stretch underneath each complex. Each would be 265,000 and 275,000 square feet of overall interior space, with roughly 100,000 square feet of that dedicated toward gallery functions. The Los Angeles Times states that the overall project cost, including a future endowment for the museum, could potentially top $1 billion.  The San Francisco proposal for is being pitched for the city’s Treasure Island and is being incorporated into the SOM-designed master plan for the island community’s waterfront. The building’s rigid-looking exterior skin, punctured by two expanses of glass swoops, culminates in what—based on renderings released by the firm—appears to be a large auditorium space. Aside from the wavy building, these renderings also depict the building’s surrounding ground floor areas as being hardscaped plaza with pedestrian connections to the surrounding waterfront areas. The Los Angeles proposal, on the other hand, would be located in the city’s University of Southern California-adjacent Exposition Park. Located along the city’s Expo Line light rail line and within proximity of the forthcoming Gensler-designed Los Angeles Football Club soccer stadium, the proposal would cap the slew of other cultural and entertainment destinations in the park. Despite the light rail proximity, the scheme includes a 1,800-spot underground parking garage that the San Francisco locale does not. Also unlike the San Francisco proposal, the Los Angeles scheme would include public open space on its rooftop. Renderings for the proposal show the museum located in a leafy, park setting with people lounging on the knolls surrounding the structure. For now, as always, the schemes continue to be just that: hopeful proposals. Time will tell if one or the other scheme gets selected for either city and, more importantly, if one eventually gets built. A decision regarding the location is expected to be made within the next two- to four-months.
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Studio Gang and OMA among architects competing to redesign Tour Montparnasse in Paris

A list of seven firms (three French and four international) have been selected by the Ensemble Immobilier Tour Maine-Montparnasse (EITMM) as part of the second round of a competition to redesign the much-maligned Montparnasse Tower in Paris. Built in 1973, the 690-foot (59 story) high-rise has been the regular subject of scorn from Parisians and architects alike. Now Dutch studio OMA; British practice, PLP; French architect Dominique Perrault, and Chicago firm Studio Gang among others are in the running to take on the tower's redesign. Known as the Tour Montparnasse, the building changed city planning policy after its completion 33 years ago. Buildings in the French capital were banned from rising above seven stories two years after it was constructed, a policy that has allowed the skyscraper to remain as Paris's tallest building. The full list of firms vying to re-imagine the tower can be found below: The list of seven came from a list of more than 700 firms that entered the first phase of EITMM's competition. In a press release, one stakeholder said the seven agencies were selected for their "reliability, expertise, audacity and their understanding of the challenges we face." Now the competition has briefed the chosen seven with submitting a proposal that will supply a "powerful, innovative, dynamic and ambitious new identity to the famous Parisian landmark, whilst integrating the challenges of usage, comfort and energy performance to the highest levels." These proposals are due in March 2017. The competition's third stage will see this list whittled down to two finalists from which a winner will be announced in July next year. The project is due to cost $326 million with one-third of this being privately financed by Tour Montparnasse's co-owners. Construction is set to start in 2019, being completed by 2023. Jean-Louis Missika, deputy to the Mayor of Paris, in charge of urban planning, architecture and economic development for the Greater Paris project, said: "We are delighted with this varied and audacious selection of architects which promises a great diversity of ideas, approaches, and innovations for the transformation of the Montparnasse Tower, the initial stage in the renovation of the whole area."
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MAD Architects reveal designs for China Philharmonic Hall in Beijing

Beijing-based MAD Architects has revealed plans for the design its latest project, the China Philharmonic Hall. The 286,000-square foot music hall is located on a 2.86-acre property in Beijing’s Central Business District and has been designed in collaboration with acoustics expert Yasuhisa Toyota in an effort to create a state-of-the-art music venue for China’s capital city. Toyota was also an acoustics designer for the Walt Disney Concert Hall in Los Angeles, the Philharmonie de Paris, and the Suntory Hall in Japan, and is known as a master in the field. The concert hall, surrounded on two sides by vegetation and a lotus pond, is designed to be approached through park areas and act as an urban refuge. In a press release from the firm, Ma Yansong, founder and principal at MAD Architects, describes the project as a place of respite in what is otherwise a hub of trade and commerce, saying, “We wanted to create a pure and sacred oasis in the midst of the bustling city.” He added, “From the moment you enter the building, you will be taken to another time and space.” Like many of MAD Architects’ recent projects, the building’s functional interior spaces—a 1,600-seat concert hall, a smaller 400-seat rehearsal hall, recording studio, library, gallery, offices, and rehearsal rooms—are all amassed together at the center of an otherwise airy and porous building. Flowing around the central building mass is a sinuous exterior facade made of translucent white panels that contain circulation and gathering spaces. The venue’s main concert hall is designed with a terraced seating arrangement made up of wooden platforms and is capped by a series of billowing white forms that are, according to the architects, inspired by the petals of the lotus flower. These surfaces will be used for projections during performances—all part of the effort to have a transformative effect on the venue's harried urban occupants. The project is scheduled to begin construction this year and is expected to be completed in 2019.
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MAD Architects transforms a house into a playful, airy kindergarten

Beijing-based MAD Architects has completed work on the new Clover House kindergarten, the firm’s first project in Japan. The project deconstructs an existing catalog home, peeling away everything except its structure in order to expand the building’s footprint. Located in the Aichi Prefecture of central Japan, the school is operated by a pair of brothers who wanted to establish a facility that could be as comfortable as a home. MAD Architects principal Ma Yansong cites this impetus as the project's driving force, explaining in a press release, “It was important to create a kindergarten that felt like a home, and give the kids the best possible house to grow up in, one that promotes their learning and creativity.” The new bulbous, faceted structure billows around the preserved structural frame, which is now an informal space divider. One corner of the new house swoops down as it meets a new catenary-arched entrance while a second-floor slide descends onto an expansive playground. The interior spaces of the school weave through and climb over the remains of the existing home, with staircases bringing classrooms and play spaces onto what would have been the roof of the existing building. As with MAD Architects’ recent Xinhee Design Center in Beijing, China, the designers were inspired by the analogous relationship between bones and flesh that the existing beams and new covering reproduce: The roughly-hewn beams of the existing house play against the smooth blonde wood and gypsum articulation of the new interior spaces. The new skin, soft with plaster, is punched through by geometrically-shaped windows flood that flood the interior with light. Outside, the monolithic exterior is clad in white vernacular asphalt shingles.