The Louvre has put the kibosh on a controversial sex sculpture that was set to go up in its next-door neighbors' garden. The Domestikator is an architectural sculpture created by Dutch collective Atelier Van Lieshout in 2015, depicting two red humaniform buildings engaging in what can only be described here as a lewd act. The sculpture was scheduled to be exhibited in Paris' Tuileries Gardens as a public-facing element of the FIAC contemporary art fair in October, but has just been withdrawn after protest from the Louvre, the gardens' neighboring institution. Jean-Luc Martinez, the Louvre's acting director, sent a letter of explanation to Le Monde in which he wrote that the work "risks being misunderstood by visitors to the garden." Seeing as the sculpture would have been located near a playground and within direct eyesight of the museum's patrons, it is altogether easy to imagine the board meeting leading to this decision. It may seem even less surprising after a much more vitriolic response quashed the installation of a giant Paul McCarthy sculpture (resembling what can only be described here as a "hidden accessory") as it rose in one of Paris' central plazas. With AN's steadfast commitment to a neutral tone, we will not (at this time) take a firm stance on the controversy beyond noting that Domestikator is painted a very nice red, employs massing creatively, and we wish we were writing this under the light of its tower room window. Atelier Van Lieshout has offered its own take on the sculpture in slightly more subtle terms than might be expected: "The act of domestication ... often leads to boundaries being sought or even crossed. It is this difficult balance that Atelier Van Lieshout seeks to address." The description on its website makes a slightly bolder statement: "It symbolizes the power of humanity over the world and pays tribute to the ingenuity, the sophistication and the capacities of humanity, to the power of organisation, and to the use of this power to dominate the natural environment." In this context, the roles occupied by the buildings take on a bit of a different light ... definitely involving a tad more subordination. The collective's founder, Joep Van Lieshout, originally planned to live within Domestikator for the duration of the festival, creating "a series of objects in collaboration with invited artists." AN's imagination is running wild with exactly what those objects might have been. After the festival's planner's attempted to find alternate locations for the structure and failed, it appears the installation has been entirely dropped from the program. The sculpture is being de-installed today from the RuhrTriennale (an arts festival) in Bochum, Germany.
Posts tagged with "Louvre":
China is no stranger to unashamedly ripping off landmark Western structures—the country has replicas of the Eiffel Tower and several renditions of the White House. However, this time they have copied one of their own architects, I. M. Pei, with a 1:1 duplicate of the Louvre in a Shijiazhuang theme park. The latest addition to the country's collection of replica Parisian architecture lies among overgrown shrubs and unkempt grass in an obscure amusement park in Hebei province. Perhaps unsurprisingly, it sits adjacent to an ancient Egyptian Sphynx. China has already created "Little Paris" in Yuhang, Hangzhou, Zhejiang (East China), which features more mock-Parisian style architecture replete with Tower de Eiffel (though not the real one, obviously). Is this latest piece of "mockitecture" a tipping point or a simply one of more to come?
If you like French decorative arts you should make your way this summer to the Louvre's newly restored and reinstalled 18th century Decorative Arts Galleries. The collection is housed in 35 galleries spanning 23,000 square feet. Over 2,000 design pieces "in object-focused galleries and period-room settings" are on display. The architect for the restoration was Michel Goutal, the Louvre’s senior historical monument architect (with technical assistance provided by the Louvre’s Department of Project Planning and Management). In addition, there is an American connection to the restoration of the galleries. The American Friends of the Louvre (AFL)—who famously helped restore a "secret" Versailles water garden several years ago—played a vital role in the renovation by raising $4 million in support of the project and one of its key period rooms, the restoration of l’Hôtel Dangé-Villemaré drawing room. This space has not been exhibited in its entirety since its 19th-century acquisition by the Louvre. The AFL also raised funds for the restoration and first ever public presentation of a magnificent cupola painted by Antoine François Callet which will be installed in the galleries and for the English-language edition of the book of the Louvre’s decorative arts collection whose publication will celebrate the opening.