The Getty Museum, established in 1974, has long been an authoritative research and conservation institution, as well as an education center on Grecian, Roman, and Etrurian art. In 2006, the museum’s sister site, the Getty Villa, opened in Malibu to house and showcase some of the Getty’s 44,000-piece collection, including ancient antiquities, drawings, sculpture, and decorative arts. The museum also boasts a large stock of global photography dating back from the invention of the camera through contemporary times, some of which will be on display in An Enduring Icon through October 20th.
From the Getty collections—remembering the grandeur of Notre-Dame. pic.twitter.com/uRrb6NSLmk— J. Paul Getty Museum (@GettyMuseum) April 15, 2019
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The Martin Architecture and Design Workshop (MADWORKSHOP) supports students, makers, artists, and architects in the realization of socially valuable design projects. Our thriving fellowship and education programs nurture thinkers who will make radical, sustainable, and lasting contributions to the design discourse and society at large. Merging a contemporary aesthetic agenda, ambitious fabrication techniques, and the mentorship of MADWORKSHOP’s experienced Board of Directors, the foundation offers emerging designers the opportunity to take their ideas from concept to reality.
Sofia Borges is a practicing writer, designer, curator, and educator. Sofia has an extensive background in architecture, urbanism, and the arts. She studied photography at the California Institute of the Arts and completed her Bachelors in Urban Studies at the New School University. Informed by her diverse upbringing that extended from LA to Latin America and beyond, Sofia relocated to Berlin after completing her Master of Architecture degree at UCLA. During her time in Europe, she founded the interdisciplinary design practice Affect Studio and became the architecture editor at Gestalten. Sofia has authored and edited nearly two dozen titles on architecture and design. Her most notable books to date include The Tale of Tomorrow, Rock the Shack, Hide and Seek, The Sky’s the Limit, the LA edition of the CITIx60 travel guide series, and Give Me Shelter. Sofia returned to her home town of Los Angeles in 2014, joining the faculty at the USC School of Architecture and launching Colorblock Studio. In Fall of 2016, she joined MADWORKSHOP as their new acting director.
Succulent Walls tackle how architecture can respond to Southern California’s precarious relationship to water and lack of disaster preparedness. The work of a Master of Architecture (M.Arch.I) Research Studio taught by Heather Roberge, this collaboration between Mary and David Martin's MADWORKSHOP and UCLA Architecture and Urban Design prototypes a series of residential water catchment systems. By integrating a system for easily installed water storage and food production into the residential vernacular, the class of eleven graduate students hopes to transform our laissez-faire attitude towards this critical and finite resource into one of proactive self-sufficiency. Five group projects were distilled into two super-group designs that will be showcased at the LA Design Festival.
Students: Christopher Doerr, Daniel Greteman, Ian Rodgers, Caroline Watts, Jenny Zhou, Nichole Tortorici, Talia Landes, Xiangkun Hu, Xihan Lyu, Xinwen Zhang, Yiran ChenVideo teaser: https://vimeo.com/342820070. ABOUT MADWORKSHOP Mary and David Martin’s MADWORKSHOP is a design education foundation. The foundation supports technological craftsmanship through university partnerships and an immersive fellowship program. With a focus on socially conscious projects, MADWORKSHOP supports radical, sustainable, and lasting contributions to design discourse and society at large. Find out more about MADWORKSHOP: http://madworkshop.org
It’s not often that Los Angeles moves to demolish one of its 1,158 Historic-Cultural Monuments (HCM), a list of relics that includes Simon Rodia’s Watts Towers, Frank Lloyd Wright’s Hollyhock House, and three of the city’s majestic Moreton Bay Fig trees. But if developers Townscape Partners had their way, their Gehry Partners–designed 8150 Sunset project could do just that.
The controversial three-tower 8150 Sunset development aims to bring 229 apartments—including 38 low-income homes—and 60,000 square feet of commercial programming to the site of the Lytton Savings bank, a commercial structure with a folded concrete roof designed by local architect Kurt Meyer in 1960, an advocate for architectural preservation in L.A.
Designated HCM no. 1137 on the HCM list, Lytton Savings was recognized in 2016 after Gehry’s project was initially proposed. If demolished, it could be the first time a city monument is intentionally destroyed in 27 years, following the demolition of the A. H. Judson Estate—HCM no. 437—in 1992. The site of the Judson Estate, a mansion designed by George H. Wyman, the architect of L.A.’s Bradbury Building, remains empty to this day. In 1985, the deliciously gaudy Philharmonic Auditorium—HCM #61—in Downtown Los Angeles was also reduced to rubble and remained vacant until 2017.
This troubling legacy haunts Steven Luftman and Keith Nakata, two preservationists fighting to save Lytton Savings. They have been trying to work out a way to relocate the structure, though a new site and funds to relocate the 180-foot-long building have yet to materialize.
“It's a long shot, but it's important to make a try,” Luftman explained while highlighting the lengthy and complicated effort, adding, “The biggest obstacle to moving it is the building’s sheer size.” A recent 180-day grace period to create a plan to move the building expired on April 30, clearing the way for the developers to seek a demolition permit.
Like many buildings in Los Angeles, Lytton Savings has a hotly contested history that goes back to its prior incarnations. The structure was built atop the site of the former Gardens of Allah, a collection of bucolic hotel villas frequented by famous personalities, including F. Scott Fitzgerald, Greta Garbo, and Ronald Reagan.
Frank Gehry, however, has no nostalgia for Meyer’s bank. “I came to L.A. when the Gardens of Allah were still there and was witness to [Bart Lytton] tearing them down,” Gehry said. “The way it was done was ruthless.”
Gehry explained that he was bothered by “the history of [how Lytton Savings] got there” and that he “didn't feel compelled to fight to keep it,” adding, “I offered to live with it, but the client did not want to.”
“Four of my buildings have been torn down without anyone asking,” Gehry added. “It’s kind of a better way to have it happen.”