Posts tagged with "London":
The proposed design for the 2017 Serpentine Pavilion is conceived as a micro cosmos—a community structure within Kensington Gardens that fuses cultural references of my home country Burkina Faso with experimental construction techniques. My experience of growing up in a remote desert village has instilled a strong awareness of the social, sustainable, and cultural implications of design. I believe that architecture has the power to, surprise, unite, and inspire all while mediating important aspects such as community, ecology and economy.To read the rest of Kéré's statement and learn more about the pavilion, see the Serpentine Gallery's website here. The pavilion will be on view from June 23rd to October 8th, 2017.
I am delighted that Santiago Calatrava has chosen London for his first major project in the UK. This shows that London remains open to investment, trade and the very best talent from around the globe. This new landmark for London and the growth of this area of London will create a new cultural district for Londoners and visitors from around the world. I am also pleased to welcome Knight Dragon's continued investment in Greenwich Peninsula, providing much-needed infrastructure, shops, offices, and new genuinely affordable homes for Londoners.
At its heart this gallery reveals a rich cultural story of human endeavour that has helped transform the world over the last four hundred years. Mathematical practice underpins so many aspects of our lives and work, and we hope that bringing together these remarkable stories, people and exhibits will inspire visitors to think about the role of mathematics in a new light.Ian Blatchford, Director of the Science Museum Group, meanwhile commented:
It was a terrible shock for us all when Dame Zaha died suddenly in March this year, but I am sure that this gallery will be a lasting tribute to this world-changing architect and provide inspiration for our millions of visitors for many years to come.
When the new Design Museum in Kensington Gardens, London opened to the public on the November 24th, many aesthetically astute Brits flocked to the new "palace of culture." There they found the post-war (landmarked) relic, originally designed for the Commonwealth Institute by Robert Matthew Johnson-Marshall & Partners and opened by Queen Elizabeth II in 1962, reincarnated and open once again. However, despite director of the museum Deyan Sudjic recruiting the likes of John Pawson and OMA for the renovation, the reaction to the $104 million museum has been mixed. The exhibitions inside, though, have enjoyed a much warmer reception. The inaugural exhibit, Fear And Love: Reactions to a Complex World features exhibition design by Sam Jacob Studio and eleven diverse installations from the likes of Andrés Jaque, Neri Oxman, and OMA/AMO.
“To design the first show at the new Design Museum was both an honor and a challenge—a way to mark a new era in London’s design culture," said Jacob. "The subject of Fear and Love was always more of a mood than a statement. Our design attempts to embody this ambivalence in a way that adds mystery and imagination.”
The London-based designer has employed a 623-foot-long pleated felt curtain that articulates the installation spaces and acts as a fluid circulatory device as it meanders through the rectangular exhibition area. With breaks interspersed throughout the curtain trail, views across and into each of the installations are created, opening up what would be tight corners to form a coherent space.
While this material carries warmth with it on its journey through Fear And Love, the use of gray translucent PVC bares the opposite (and perhaps even hints at love in another sense). Working with graphic designers OK-RM, signage within Fear And Love displays information on a series of freestanding, bent steel frames of which have been given a protective, passivated finish, giving a modern and iridescent look. This aesthetic is furthered through a neon two-way mirror totem that displays the words "FEAR" and "LOVE" to those passing by the exhibition inside the museum.
Justin McGuirk, curator of Fear And Love and chief curator at the Design Museum, said: “Sam Jacob Studio’s exhibition design was central to setting the mood of Fear and Love: it creates a dream-like space that, in the most elegant way, heightens the sense of uncertainty that the exhibition explores.”Meanwhile, Chloë Leen, who spearheaded the project for Sam Jacob Studio commented: “It has been a great privilege to work with 11 designers at the forefront of shaping contemporary practice. Our design creates a unifying experience, choreographing these varied complex ideas and installations, while the spaces and moods of the exhibition design give each a distinct quality. This duality was at the heart of the de-sign challenge that the museum’s curatorial position presented.” Fear and Love runs through April 23, 2017.
“Come out Patrik, come out from under that table!” cry protesters at Zaha Hadid Architects’ London office
The anger from the protesters is directed at Patrik Schumacher and already ZHA in an open letter rebuked his words, saying: "Patrik Schumacher’s ‘urban policy manifesto’ does not reflect Zaha Hadid Architects’ past—and will not be our future." Olly Wainwright also tweeted a screenshot of an email detailing Rana Hadid, Lord Palumbo, and Brian Clarke's essential disavowal of Schumacher's remarks. (The three are trustees of the Zaha Hadid Foundation and executors of Hadid's estate).
Executors of Zaha Hadid's estate come out all guns blazing against Patrik Schumacher's comments. How much longer will he be in his job? pic.twitter.com/FVHA9yqOfr — Olly Wainwright (@ollywainwright) November 29, 2016Schumacher himself has also responded to the furore. "I was hoping to stir a discussion and got much more than what I had bargained for," he said on his Facebook page in an apologetic statement according to Dezeen. "The topics I touched upon turned out to be too touchy to touch at all in any direct or straightforward way, or so it seems." He continued, going on to say: "Like all of us, I dream of a caring, inclusive, diverse society where everybody can flourish and realise his/her potential and nobody is left behind. All I say is inspired by this longing."
Since the founding of London, the mighty Thames has been the city’s main artery, linking north and south, east and west, encouraging business, activity and recreation. But at night, the river becomes a ribbon of darkness, a place that few enjoy and at odds with the ambition to make London a 24 hour city. This project will bring light, energy, beauty and recreation to the river and at the flick of a switch, transform the city at night.Despite waxing lyrical, Rothschild's words did not impress critic Oliver Wainwright of The Guardian. "[It’s] simply not true. The river already shines with a series of conflicting color schemes that speaks more of London’s chaotic character than a curated nightly show," he said. Wainwright also poured scorn on Adjaye's proposal, remarking that the 17 pavilions the architect proposes alongside each of the bridges adds "more clutter to the streetscape." The project will be privately funded. So far, though, $11.8 million is still required. It's also worth pointing out that the infamously costly (and not yet built) Garden Bridge by Thomas Heatherwick started life in a similar vein. The shortlisted six's videos can be found below meanwhile images are in the gallery above. Blurring Boundaries Adjaye Associates with Cai Guo-Qiang, Chris Ofili, Larry Bell, Jeremy Deller, Philippe Parreno, Richard Woods, Mariko Mori, Lorna Simpson, Teresita Fernández, Joana Vasconcelos, Angela Bulloch, Thukral & Tagra, Katharina Grosse, Glenn Ligon, Doug Aitken, Tomás Saraceno, onedotzero digital consultants, Plan A Consultants, DHA, Hurley Palmer Flatt, AKT II, AECOM, Arup, Sir Robert McAlpine, Tavernor Consultancy, DP9, Four Communications, Hayes Davidson digital visualizers, Bosch, and iGuzzini.
The Eternal Story of the River Thames AL_A, Asif Kapadia, Simon Stephens, SEAM Design, Arup, GROSS. MAX., Mark Filip, Soundings, and DP9.
Synchronizing the City: Its Natural and Urban Rhythms Diller Scofidio + Renfro with Oliver Beer, Arup, Copper Consultancy, L’Observatoire International, Penoyre & Prasad, Jennifer Tipton, and Transsolar.
Thames Nocturne Sam Jacob Studio and Simon Heijdens with Studio Dekka, Daisy Froud, Elliott Wood, Jackson Coles, and Professor John Tyrer.
A River Ain’t Too Much To Light Les Éclairagistes Associés (L.E.A.), ecqi ltd. and Federico Pietrella in association with GVA Lighting Europe Limited and ewo srl.
Current Leo Villareal with Lifschutz Davidson Sandilands and Future\Pace. Atelier Ten, Beckett Rankine, Bradley Hemmings, Core Five, Futurecity, Greenwich +Docklands International Festival, MBNA Thames Clippers, Montagu Evans, Pentagram, and Price & Myers.
Winners are due to be announced in early December with work on the 17 bridges being completed in phases between 2018 and 2020.