For those in the A/E/C practices, there is little doubt about the greatest gift of all: time. While AN can't source that elusive asset for you, we have assembled a collection of material goods that are designed to make life a little more elegant, efficient, and even fun. Happy holidays to all! Elements Collection J. Hill's Standard A fresh take on Irish cut crystal, this barware is marked by cuts and textures of varying depth, creating a graphic language. Designed by Scholten & Baijings. Ossidiana Alessi Fabricated out of cast aluminum, this old-school, new-style espresso makers comes in three sizes. Designed by Mario Trimarchi. Bauhaus Chess Set Chess House No prancing steeds or earnest foot soldiers here: Wood cubes, spheres, and cylinders comprose this 1923 chess set. Designed by Josef Hartwig. Glass House Snow Globe The Glass House You'll never have to battle the traffic on I-95 or shovel the snow at this finely crafted miniature masterwork. Flo Bedside/Desk Light Lumina Italia Rotate the head of this minimalist light fixture to focus the LED beam where it's wanted. In varnish-coated aluminum and steel, the fixture is also available in clamp, wall, floor, and grommet styles. Designed by Foster + Partners. FollowMe Lamp Marset Cordless and rechargable via USB, this oak-handled lamp shines a diffuse light through its polycarbonate shade. Designed by Inma Bermudez. Prismatic Scarves notNeutral From the product-design branch of Los Angeles-based architects Rios Clementi Hale Studios, these thirty-inch-square silk scarves are based on color studies for a competition project. Paul Strand: Master of Modern Photography Yale University Press Featuring more than 250 plates, this book by Philadelphia Museum of Art curators Peter Barberie and Amanda N. Bock chronicles the career of the seminal photographer. Louise Fili, Perfetto Pencils Princeton Architectural Press Graphic designer Louise Fili celebrates Italian typography with these two-tone pencils; related items include notecards and a book. Qlocktwo W Watch Biegert & Funk In this reactionary design to a digital world, a grid of 110 letters illuminates the time in text form. And it's multi-lingual: The watch communicates in English, German, French, Spanish, Italian, Dutch, and Arabic. Brut Nature 2006 Louis Roederer Of his design for the packaging for this vintage, Philippe Starck says, "The contents are so potent I decided to design a bottle that was stripped of any superfluous embellishment." Shape of Sound Artifice Books Architect Victoria Meyers examines the dynamic relationship between architectural forms and materials and acoustics in this amply illustrated book. Snøhetta Limited Edition, XO Contemporary Cognac Braastad Adding Scandinavian cool to a classic French product, the graphic design team at Snøhetta uses subtle metallic colors and hand-lettering to reinvigorate the image of the stodgy spirit. Archaeologist Chopstick Rests Spin Ceramics Impeccably details and finished, these glazed clay pieces are both naturalistic and abstract in form. Eight pieces to a set; designed by Na An.
Posts tagged with "Lighting":
As part of New York City's quest to cut carbon emissions by 80 percent by 2050, Queens councilman Donovan Richards has introduced legislation that would force commercial buildings to switch their lights off after their occupants head home. The Daily News explained that the councilman's bill would limit light usage in 40,000 buildings across the city. Under this legislation, if those buildings don't flip the switch, they will be fined $1,000. Richards said he got the idea for his turn-the-lights-off-bill after visiting Paris which enacted a similar measure in 2012. While Richards can't quantify the exact impact of his legislation, the Paris plan removed about a quarter million tons of greenhouse gas emissions from the air. The next question is obviously: What happens to New York City's skyline at night? Well, not much said Richards. He told Capital New York that the legislation would not apply to "iconic landmarked locations and buildings and zoned areas." The same goes for small business and storefronts, holiday displays, and buildings that need lights for security.
[beforeafter][/beforeafter] The Massachusetts Department of Transportation wants to transform a gritty site underneath Interstate 93 in Boston into a public space that people actually want to visit—or at least park their car. BostInno reported that the $6 million project, called “Infra-Space 1”, is part of MassDot’s wider initiative to give new life (and lighting) to vacant lots underneath the city’s elevated infrastructure. [beforeafter][/beforeafter] Curbed Boston noted that the initiative has already 235 “well-lighted” parking spots. “Infra-Space 1” will upgrade an eight-acre, notoriously-dangerous site in Boston’s South End neighborhood. Now, obviously, a planned 175-car parking lot doesn’t necessarily scream urban renewal, but there are aspects of this project that could actually activate the space. The plan is essentially to first clean up the site and then prep it for possible programmatic elements. Alongside the parking lot, which has 24/7 security, the DOT wants to install “innovative” lighting systems and create an environment for art installations and performances. As BostInno noted, MassDot is fairly bullish on what else is possible at the site. The completion of the project would also include a plaza, green space, a sports facility, dog park, and a connection to an eventual section of the Boston Harborwalk.
Once again, top-drawer design talents—Ronan and Erwan Bouroullec, Konstantin Grcic, Ingo Maurer, Nendo, and Daniel Libeskind among them—claimed the limelight at the last Salone del Mobile. More than 300,ooo attendees navigated the halls of the Rho exhibition center, while closer to the center of Milan, satellite shows and exhibitions drew crowds to more avant-garde events. Here's a selection of our favorite pieces. Rival Artek While created as a work chair for the home office, this swiveling seat has a distinctive presence. Fabricated of birch, in high- and low-back styles; leather and fabric upholstery. Designed by Konstantin Grcic. Flying Flames Ingo Maurer Repositionable downlights and dimmable LED “candles” are held by magnets to a ceiling-mounted canopy that contains an integrated electronic ballast. Designed by Moritz Waldemeyer and Ingo Maurer and team. SU Collection Emeco These simple stools are offered with seats of reclaimed oak, recycled polyethylene, or an eco-friendly “concrete” material, atop legs of anodized aluminum or wooden legs. Designed by Nendo. 22nd Floor Moroso Folded steel and aluminum comprise an all-in-one seating and table unit. Varying the palette of textiles and surface materials creates a custom design. Designed by Tord Boontje. Carbon Fiber Chair Coalesse Weighing less than five pounds and capable of supporting 300 pounds, this stacking chair takes full advantage of the technical properties of carbon fiber. Designed by Michael Young. Shanty Summer BD Barcelona Design Each of the corrugated door panels fronting this cabinet opens in a different direction. Available in several color schemes. Designed by Doshi Levien. Paul Smith & Maharam Carl Hansen & Son Modern classics including the Wing Chair, the Shell Chair, CH28, and the CH163 sofa all receive the signature striped treatment. Textiles by Paul Smith & Maharam; chair designed by Hans Wegner. Paragon Artemide A body of extruded aluminum in matte black or anodized grey finishes, this blade-like floor fixture uses a dimmable LED lamp. Designed by Daniel Libeskind. N=N05 Casamania Breaking apart the components of a traditional sofa, this chair’s seat and backrest float separately, but are linked together by a thin exposed framework. The integral side table is made of ash wood. Designed by Luca Nichetto and Nendo. Big Will Magis This wheeled work or dining table extends to seat eight. The witty wheel-like pair of legs slide for easy expansion. Designed by Philippe Starck. Tuareg Foscarini This tubular fixture’s three LED light sources adjust 360 degrees and can be operated independently, allowing it to be used as a reading lamp, wall lamp, or floor lamp. Designed by Ferruccio Laviani.
Medical clinic in the Dallas suburbs features a contemporary facade of perforated metal panels.When Legacy ER commissioned 5G Studio to design an emergency care facility in Allen, Texas, the architects seized the opportunity to define an emerging building type. One of a growing number of freestanding emergency care centers (FECCs) popping up across the United States, the Legacy ER in Allen combines an emergency room and urgent care clinic under one roof. The Allen facility is the second collaboration between the care provider and 5G Studio, who also designed Legacy ER's FECC in Frisco. "Based on the Frisco project they saw it as a strength to their brand to design an outstanding facility," said partner Yen Ong. "Architectural identity is one of their brand hallmarks." Inspired both by traditional domestic architecture and the image of a physician's robe, Legacy ER - Allen's sculptural zinc facade punctures the monotony of its suburban surroundings. In Allen, "like in any suburban context, you have McMansions and little to excite you," said Ong. "We took the opportunity to reflect on the identity of the organization, and to try to create an episodic architectural intervention into that suburb." The architects looked at the site's context and saw a lot of single-family homes with pitched roofs. "We said, 'Let's start there,'" recalled Ong. "We began to take the idea of the sloped roof, but reflect it in a modern and a new way." They experimented with the form, and hit upon the idea of building a robe—like the physician's white coat—to enclose the program. The robe lifts at strategic points to create entrances and a mezzanine-level conference room. As at the Frisco facility, the designers chose zinc for Legacy ER - Allen's envelope. "In Frisco, we convinced Legacy ER that zinc is a good reflection on their brand," said Ong. "It's sustainable, very durable, and malleable. It had all the qualities we want and allows a lot of aesthetic freedom." Zinc holds up well under Texas's regular hailstorms. "What we found in the first building is that even if the hail scratches or dents it, it's surprising how resilient it is—it doesn't look like a damaged car body," said Ong. Ong also notes that zinc, despite its cool grey color, conveys an impression of warmth, an important consideration for a facility that serves people in crisis. In Frisco, 5G Studio found that the brightness of the interior lights at night rendered the exterior as dark and closed. To avoid a similar problem at the Allen clinic, they perforated the cladding and installed an efficient lighting system behind it. "The zinc panels essentially become light fixtures, emitting diffuse light on the exterior," said Ong. Gradients in the perforations insure a uniform distribution of light across the plane, to prevent glare. During the day, the perforations allow daylight to filter in through overhangs on the west and east sides of the building, where high-performance glazing (fritted or placed high for privacy) provides additional protection against solar gain. Both the cladding itself and the roofing challenge the notion that advanced forms necessitate advanced construction techniques. "The zinc itself employed a very typical assembly; the roofing is standard metal roofing," said Ong. "We purposefully selected the very common method of standing seam metal roofing, but express it in a different way. We felt like the achievement on the exterior is not, 'Here's a sculptural form with an advanced cladding system.' It's to reinvent a standard assembly system." In contrast to Legacy ER - Allen's dynamic facade, the building's interior features blurred edges and soft natural light. The dissimilarity is meant to embody the two sides of the physician's nature. "We know that the physician owners are very competent, but, more importantly, they are human, and they are very good people. We wanted to reflect that duality in the facility," said Ong. "To achieve that we employed two different architectural languages: on the exterior, the building has very sharp geometry, which is reflective of the physician's professionalism and their ability. On the interior, there are gentle curves, and the daylight is diffuse. It's very gentle on the inside." Legacy ER took a risk in selecting a cutting-edge design for a medical clinic located in the Dallas suburbs, said Ong. "As much confidence as our client had coming into the relationship with 5G Studio, we didn't know how far we could push this next project. Frisco was nowhere close to this," he said. But the gamble paid off, and the result is a building that, beyond boosting Legacy ER's brand, sets a new standard for healthcare design. "We felt like this piece will challenge the perception that healthcare architecture is a subset of practice so burdened with technical requirements that it's nothing more than healthcare architecture," said Ong. "We hope to contribute to the notion that healthcare architecture is just architecture."
Through Saturday night, a public art project by LAND studio is turning Cleveland’s downtown malls into canvases for light displays including sweeping rainbows, iridescent discs, and high-definition projections. “Light Up Cleveland!” runs August 7–9 and is sponsored by a slew of companies and nonprofits. You can see a map and full schedule of events on ahacle.com. The installations include The Global Rainbow, which is visible from miles away, Jen Lewin’s responsive Pool of variegated stepping stones, and Drawing Lines—a maze of ropes strung up across the Cleveland Public Library's Eastman Reading Garden. Artist collective Obscura Digital will project high-resolution light works on the side of the city’s Public Auditorium, using 3D video mapping for a tactile and mesmerizing effect. LEDs abound in downtown Cleveland this weekend, which project coordinators LAND studio say reflects a growing excitement about ongoing efforts to revitalize the city's urban core. “AHA! is the perfect opportunity for people from all over the region to come downtown and enjoy the beauty of our city in a way we have never seen it before,” said LAND’s Ann Zoller in a statement. Earlier this year Chicago Mayor Rahm Emanuel announced plans to mount a similar exhibition along the Chicago River. That proposal was widely criticized as “frivolous,” though city officials maintain it would boost tourism. UPDATE Tuesday Aug. 12: See below for an added gallery of photos from the event, copyright Frank Lanza via LAND Studio. Featured artists include Yvette Mattern, Obscura Digital, Jen Lewin, and Iván Juárez. LAND Studio says the event brought thousands of visitors downtown over the weekend.
More than one year after Reed Kroloff announced he would leave his post as director of Michigan’s Cranbrook Academy of Art, the illustrious arts campus and museum has plucked an art museum director from the West Coast to fill his shoes. Christopher Scoates has worked with California State University Long Beach since 2005. A native of England, he has a Master of Fine Arts in Photography from Cranbrook and more than 25 years of experience in universities and art schools. As a curator he has organized exhibitions bringing together music, lighting, and various media for shows that have traveled the country. “Cranbrook Academy of Art's rich legacy and history of innovation have made it one of the top institutions of graduate education in the visual and fine arts,” Scoates said in a statement. “Together, the Academy and Museum share a commitment to new art and new ideas, and I look forward to developing new partnerships, alliances, and audiences that will extend both the Academy and Museum programs far beyond the walls of the campus.” His appointment takes effect August 1st. Cranbrook is a top ranked, graduate-only program in architecture, design, and fine art famous for its Saarinen-designed campus and small class size—just 150 students per year. (Disclosure: Kroloff serves as an editorial advisor to The Architect’s Newspaper.)
The architecture of Johnston Marklee's recently-unveiled Menil Drawing Institute has wowed most observers and critics, including our own. But an equally significant element of the $40 million project is its lighting, a combination of innovation and subtlety, natural and artificial light. Much of the lighting design will be about transition, since visitors will be transferring from the bright Texas sun, measuring about 18,000 foot candles, into a drawing-friendly environment measuring only about five foot candles. The scope begins outside the building, with slanted exterior plate steel rooflines that extend beyond the building, modulating outdoor light while also shifting the building from an institutional scale to a more intimate one. Aggregate concrete pavers on the ground are rough, less reflective, to create a more muted light. Inside, qualities of light "choreograph and orient you through the buildings," described Johnston Marklee principal Sharon Johnston. Light will react differently with varied surfaces, and in different settings. In the "living room," at the front of the building, light will be "volumetric," said lighting consultant George Sexton, combining vertical and horizontal lighting planes to provide more depth.When necessary, display rooms will have artificial light sources, which will be as inconspicuous as possible. But inside the study room natural light will be introduced via a sail cloth, which will allow for the perception of changing light conditions. "We wanted, in the tradition of The Menil, to use intelligent materials and to use the way light and architecture come together to create a wide range of experience but not through super elaborate means. We want it to have a very natural, elemental feeling about it," said Johnston.
At ICFF 2014, mature design reclaimed the stage. With other exhibit opportunities for up-and-coming designers—WantedDesign and Sight Unseen Offsite, along with the Industry City venue in Brooklyn—established manufacturers set the tenor of the show this year. Further cementing the show's place near the top of the trade show hierarchy, many of the exhibitors that displayed their wares at Salone del Mobile in Milan a few short weeks ago were also present in New York. Here are six products that stood out to AN among the rows of exhibitors. Blu Dot Swish Desk A split-level sliding top and drawer stretch the storage capacity of this neo-modern, white-ash desk. Legs in white or grey. Marset Ginger Topped by a shallow, cup-like shade of oak or wenge veneer, the fixture uses a LED light source; also available in floor and table models. Designed by Joan Gaspar. Foscarini Spokes Concealed at the top and bottom of the fixture, LED lamps cast light upwards and downwards, casting shadows from the metal, cage-like shade. Designed by Vicente Garcia Jimenez and Cinzia Cumini. Bensen Tokyo Chair With aesthetic lineage extending to Danish and Japanese design, the slightly torqued armrests of this solid wood chair are key to its contemporary presence. In black ash, walnut, white ash, and white oak, with a leather seat. Designed by Niels Bendtsen. Fritz Hansen Analog Table Merging square, circle, and oval into an inviting, unique form, the legs of this table are angled to allow more comfortable seating. In five colors and finishes, it is suitable for home or office use. Designed by Jaime Hayon. Rimadesio Self Up Classic dressers, nightstands, and sideboards are revitalized in lacquered glass and aluminum frames and feet. Available in 62 colors. Designed by Giuseppe Bavuso.
From Andre Kikoski to Leo Marmol to David Mullman, top architects spill the beans on their favorite products—glazing, surfaces, and finish materials. Lasvit Liquidkristal A molded-glass sheet suitable for interior and exterior applications, the relief pattern is continuous between panels. “In Sophie’s restaurant at Saks Fifth Avenue in Chicago, we installed a wall of digitally-engineered Liquidkristal by Lasvit. The optical effects of cascading ripples of glass create playful reflections, painterly distortions, and elegant abstract patterns that are beautiful in their subtlety and striking in their boldness.” —Andre Kikoski, Andre Kikoski Architect, New York City Lutron Dorma Digitally controlled commercial lighting-control and monitoring system. Compatible with dimming ballasts. “Lutron and its EcoSystem node allows for multiple lighting atmospheres that enable us to create unique spatial environments, while saving our clients money on their electrical bills.” —Ricardo Alvarez-Diaz, Alvarez-Diaz & Villalon Architecture and Interior Design, Miami/San Juan Duravit Happy D.2 Offered in pedestal, console, and surface-mounted models; with or without tap platform. “We love the simplicity and rounded corners of the Happy D.2 sink from Duravit. It has enough presence to stand on its own as a wall-mounted unit, but can sit happily atop an elegant modern vanity as well. It’s our go-to sink!” —Susan Doban, Doban Architecture, New York City Heath Ceramics Sun Valley Bronze Seven in-stock collections of field, trim, and dimensional tile; custom orders accepted. LEED eligible. “We love the handcrafted, high-quality products that Heath creates; its wonderful tile adorns many of our projects, and we share a set of core design principles that celebrates the efficiency and elegance of modern design.” —Leo Marmol, Marmol Radziner, Los Angeles Luceplan Trama Available as suspension and ceiling/wall model, in 20-inch or 25-inch diameter. Aluminum with polycarbonate diffuser. “The Luceplan Trama fixture gives lots of beautiful light and it’s amazingly easy to change the bulb. For us, it’s often the vendor that is as significant as the product; nothing is more important than good service and help when you need it.” —David Mullman, Mullman Seidman Architects, New York City Vorwerk Re/Cover Green SPVC-free, roll-based floor covering. High slip-resistance. Offered in 30 solid colors and patterns. LEED eligible. “Engineered textiles sourced from sustainable materials—like the Re/Cover line by Vorwerk—is what made us select Relative Space as a design partner at Barclays Center.” —Ayumi Sugiyama, SHoP Architects, New York City Nawkaw LiTHIUM Concrete and Masonry Stains Suitable for use on masonry and pre-cast concrete surfaces, the stain is offered in 40 colors, as well as metallic and reflective finishes. “For exteriors where we can’t match the brick color or where some stucco or coating has been applied to the masonry, one of products that we like a lot these days is LiTHIUM by Nawkaw. It’s similar to paint, but it’s not a film; it actually forms a chemical bond with the surface of the masonry.” —Jerry Caldari, Bromley Caldari Architects, New York City Hansgrohe Croma Green Showerpipe Assembly includes both Raindance S 150 AIR Green 1-jet showerhead and Croma E 100 Green 3-jet handshower. “In hotel renovations, we see a trend to replace the traditional bathtub with a shower. The Croma Green Showerpipe, with its all-in-one, outside-the-wall design is easy to install and service—things which are always a concern, especially in the hospitality sector. The handshower is not only great for guest bathing, but also ideal from a housekeeping perspective.” —Foreman Arden Rodgers, TVS Design, Atlanta
A nonprofit in Detroit is calling on artists and designers “to breathe new life into the historical viaducts at Second and Cass Avenue in Midtown.” In partnership with the New Economy Initiative, Midtown Detroit, Inc. will sponsor public art and light installations in the TechTown District of Midtown Detroit. Accepted proposals win $75,000 per viaduct. The deadline to apply is Wednesday, April 30. Applicants can propose interventions for one or both viaducts. Apply here. The two viaducts, located between Baltimore and Amsterdam Streets in TechTown, were fully operational railroad bridge grade separations. Originally constructed in 1934, they’ve fallen into disrepair. While Detroit’s been happy for international design attention in recent years, this competition has a residency requirement. It’s open to “all professional artists, architects, designers, design firms and/or teams consisting of these entities located in the following eight southeast Michigan counties: Genesee, Lapeer, Livingston, Macomb, Oakland, St. Clair, Washtenaw and Wayne.” Non-residents can join a design team as long as the project lead can prove physical residency in southeast Michigan. Read the full list of guidelines here.
Punctured and illuminated, an oil silo on the Helsinki coastline has been recast as a permanent art installation. Silo 468 was commissioned in part to commemorate the city's 2012 appointment as a World Design Capital. Madrid-based Lighting-Design Collective were brought to the Finish city for the drastic transformation project. A pattern of perforations coats the former silo. Horizontal bands of perforations wrap around the exterior, intersected by irregular vertical streaks whose path follows that of the patterns of rust that once consumed the metal exterior. By day sun pierces through to dapple the interior of the space with ever-shifting shadows. On the outside of the structure LED lights nestled in each opening produce shimmering effects that mirror the play of light on the surface of the surrounding water. Once night falls the building acts as a canvas for a dramatic light show generated by the area's prevailing winds, a move that is not without precedent in lighting design. The ebb and flow of this display is meant to recall the movements of flocks of birds that frequent the seaside location. Harnessed by custom software that responds to its environment, the organic engine driving the light shows means that no pattern will ever repeat itself. The red paint that coats the inside of the building tinges the light show in order to create a distinct viewing experience for visitors to the inside of the building. Located in Kruunuvuorenranta district, the 52 foot silo is visible from central Helsinki.