Posts tagged with "Libraries":
As Justin Davidson wrote in New York Magazine, "Staircases can be wonderful, providing drama, seating, exercise, and hangout spaces all at once—but they must never be the only option. Holl’s design, as sensitive as it is in many ways, fails to take that mandate seriously." In a statement to Gothamist, Public Library President and CEO Dennis M. Walcott said, “Our goal is to be inclusive and provide access and opportunity to all.” The library plans to move the fiction stacks to another location in the library and provide the community with updates as they come.
Don't worry! If disabled people want books from those inaccessible areas (ugh fine) they'll just have staff go get them! Because they'll just never hire disabled librarians! What a perfect solution for everyone!!!— Angie Manfredi (@misskubelik) October 4, 2019
Let the shelves be open, and the public admitted to them, and let the open shelve strike the keynote of the whole administration. The whole library should be permeated with a cheerful and accommodating atmosphere.I would say that Holl has unknowingly fulfilled Dana’ s goal and maybe consciously paid homage to Piranesi. The cheerfulness of Holl’s library is—in spite of his knowledge of the persistence of doubt and uncertainty in our world–due to strong light coming in from the huge windows (modulated by metallic curtains) and enhanced by artificial lighting; LED and canisters lights provided by Dove and other companies. Answering Piranesi and some Cubists intents, there are theatrical views in addition to Holl’s fully tectonic field: A bold, slanting north/south white form resembling a beam (but is in actuality the underside of the egress stair clad with sheetrock) moving through a portion of the building is perpendicularly met by a curved mass and sheaved with bamboo, allowing for flickering light and shadow earth color effects, like early Cubist still lifes and landscapes. The photos above by Paul Warchol show how the library presents an ambiguous spatial field; the fragmented mass is a typical Cubist formal language. One other especially noteworthy interior view is the vaulting of the children’s area into an atrium space. The children’s area is across to the south, shielded by a curved vault of rounded steel tubes bent with metal decking spanning between, as observed by Justin den Herder of Silman, the engineering firm who helped realize the job. This structural element is also clad with bamboo panels allowing for a billowing curvature. The teen section is tucked away on the 5th level, off the atrium, and, above, on the roof deck, is the small outdoor theatre for lectures and cafe treats. Other contributors to Holl’s design were Michael Van Valkenburgh’s landscaping and Julianne Swartz’s optical devices. Van Valkenburg was hired to design a much more complicated scheme but the budget was sharply reduced, allowing only for several Honey Locust trees. Swartz’s four sculptural lenses were placed strategically along, and inside, the library to control views, echoing the playfulness of the sixties-era lens boxes designed by Mary Bauermeister. According to Swartz, “I make sculpture because it relates to the body.” This, in extension, is incredibly fitting for a design by Holl, since his work is ultimately tied to phenomenology. Alongside Holl’s sublime measures of the atrium, is his human scale and measurement throughout. Libraries around the globe have proliferated recently; they’re increasingly offering more than borrowed books. Is it too much to say, that our new community library in Queens, complete with its 50,000 books, now provides usefulness and beauty, equal to any of these others or even greater than some?
The complaints have focused primarily on the structure's external appearance, which currently resembles something less graceful than a flagship library branch. It has been compared to everything from a naval destroyer to a fall-out shelter, with some simply calling the building “ugly,” and have laid the blame at the recladding led by Toronto's Teeple Architects. Others have been quick to contrast the Edmonton design to its neighbor to the north, Calgary’s brand new public library, which opened to great fanfare late last year. Executed by Snøhetta and DIALOG, the Calgary project was popular with the general public and remained consistent from renderings through realization, leaving some Edmontonians to wonder what went wrong in their own city.urging patience for the public. The building’s appearance, they insist, will improve as it comes closer to completion. Protective materials will be removed, lights will be switched on, people will fill the space, and the full effect of the original design as represented in the drawings will be realized.
“It’s going to be amazing,” Martinez told Global News Canada. She may very well be right, and the controversy at hand may be little more than a distant memory by February, but at this stage in construction, residents can do little more than trust the process.