Get out your calendars. As The Chicago Architecture Biennial draws near to its October 3 debut, the festival's organizers have released a list of events and public programs that should help fill out your social schedule into December. You can peruse the whole list of events on the biennial's website. Features include lectures by Pritzker Prize–winning architects (like Thom Mayne); tours of Frank Lloyd Wright's SC Johnson Campus (which just opened for tours for the first time since its construction in 1950); and a film series exploring "architecture through the lens of cinema." The full list of biennial participants was released last month.
Posts tagged with "Lectures":
Austria comes to Los Angeles with a lecture series dubbed “Viennese Week in LA.” The talks will take place at SCI-Arc as part of the Wolf D. Prix/COOP HIMMELB(L)AU design studio. Prix himself is the headliner, with a lecture on Raimund Abraham happening on March 5 at 7:00p.m. In “Visions in Exile or: Before we were so rudely interrupted,” Prix will talk about his mentor and friend’s influence on the early works of COOP HIMMELB(L)AU. He will also probe the digitization of architecture practice, asking how architects like Abraham would have designed using the tools available today. On Monday, March 3 at 7:00p.m., architect Gregor Eichinger will talk on “Remembering the Future.” Eichinger co-founded Eichinger oder Knechtl in Vienna in 1985 after studying architecture at the Technical University in Vienna. He has been design principal and CEO of Eichinger Offices, also in Vienna, since 2005. Eichinger has taught at a number of international schools of architecture, including SCI-Arc, the Academy of Fine Arts Vienna, the ETH Zurich, and, most recently, the Academy of Applied Arts in Munich, Germany. Also tonight at 7:00p.m., multimedia artist Peter Kogler will present “Light and Flat.” Educated at the HTL Bau + Kunst in Innsburck and the Academy of Fine Arts in Vienna, Kogler has taught in France, Austria, and Germany. His work has been exhibited around the globe. Friday, March 7 at 7:00p.m., structural engineer Klaus Bollinger will speak on “Open Systems and Structural Design.” Bollinger received both his undergraduate degree and his PhD in Germany before establishing Bollinger + Grohmann, now with offices in Frankfurt am Main, Berlin, Vienna, Paris, Oslo, and Melbourne. The firm provides structural design services on both architectural and civil engineering projects, often collaborating with internationally-renowned architects. Bollinger, who has taught in Vienna and Frankfurt, is a member of the European Academy of the Sciences and Arts. For more information, see the SCI-Arc website. Lectures are free and are broadcast live here.
One of the most important components of any architecture school is its semester-long lecture series. It's a chance for schools to bring in voices from outside their building and communicate to students a broad range of approaches and ideas percolating in the culture and profession. Many schools send out posters of these lectures to other schools across the country to announce their programing and these are posted on hallway walls for all to see even if they are thousands of miles away on another coast. But now City College of New York's Spitzer School of Architecture has taken the next step and is simulcasting its lectures live online for the public to view. Old lectures will be archived and viewable any time. This semester City College is focusing its lectures on Rethinking Kahn and have scheduled a distinguished line up of Louis Kahn scholars including Stanislaus von Moos this Thursday, February 28 speaking on Kahn’s urban projects. On March 7, Ken Frampton will be speaking on monumentality in Kahn’s work. March 21 will feature Gina Pollara who will lecture on New York's FDR Memorial on Roosevelt Island and its construction. After that Robert Twombley and William J.R. Curtis will lecture. On the Friday after William Curtis’ lecture, there will be a discussion between William Curtis and George Ranalli and Rethinking Kahn.
Wednesday night at Van Alen Institute, AN’s own Julie Iovine will moderate a panel discussion on the Institute for Architecture and Urban Studies. The IAUS, at first affiliated with the MoMA and Cornell University, was dedicated to research, education, and discourse on architecture and urbanism. Artists, architects, and historians collaborated on projects that would shape architectural discourse for decades—Koolhaas’ Delirious New York was born out of his time at the Institute. The discussion will center on Suzanne Frank’s new book IAUS: An Insider's Memoir, with fellow Institute alumni Diana Agrest, Suzanne Stephens, and Frederieke Taylor.
Last night was a night of tough decisions. ArchNewsNow threw its tenth anniversary party at the Center for Architecture and DOT Commissioner Janette Sadik-Khan gave the Mumford Lecture at City College—on opposite ends of town at the same time. Impossible to do both, our Publisher Diana Darling partied down with ArchNewsNow and we headed for the Mumford Lecture, sending hearty congratulations to ArchNews editor Kristen Richards. Despite missing the party, the trip Uptown was well worth it... The event got off to a slightly late start. City College's urban design director, Professor Michael Sorkin couldn’t resist announcing that the transportation commissioner was stuck in traffic. Like so many Sadik-Khan events, high-ranking officials, like City Planning Commissioner Amanda Burden, sat alongside bike-helmet-in-hand supporters. “She has reimagined our streets as places rather than appliances,” Sorkin said by way of introduction. At the podium Sadik-Khan was her usual irreverent and direct self, giving more of a presentation than a hard-core academic lecture. She tossed off casual tidbits of advice to students (practicing judo with your boss is a good way to release inter-office tension—she practiced with a former boss, not her current one). At another point when an audience member asked about the city’s plans for public restrooms she deadpanned, “Starbucks.” But on the subject of safety she was dead serious. She said that until the current administration, “Our streets were looked at through a 1950s ethos” of a car-centric culture. “We’re one of the premier walking cities but it's often dangerous to walk," she said. The commissioner quoted Mumford who called car accidents a “ritual sacrifice in worship of speed.” Though fatalities in the city are at their lowest level in 40 years, she still sees a need for more “retrofits" of the streetscape. To that end the DOT is developing wayfinding signage for pedestrians that will be launched next year. The commissioner concluded by pegging sustainability to safety: “We can't get people on bikes unless they feel safe.”
If you’re an architect interested urban planning issues or a city planner interested contemporary architecture relationship to the city this is a lecture series for you! Created and organized by the Pratt Institute’s Program for Sustainable Planning and Development features planners and architects engaged in rethinking contemporary Preservation, sustainability, and urban design. Invited lectures include; Jirge Rigau a Puerto Rican preservationist, Andrew Genn project director of New York’s comprehensive waterfront plan and a young Mississippi architect Whitney Grant who founded the Jackson Community Development Center. They will all be addressing the fundamental questions facing today’s cites and attendees will be encouraged to ask questions of the lecturers. It takes place in room 213 of Pratt’s Manhattan campus at 144 West 14th Street and it starts with drinks at 5:30. The lectures are free and open to the public. SUSTAINABLE WATERFRONT Andrew Glen Waterfront Action Plan; Maritime and Industrial Uses and Areas February 25, 2011 Mike Marrella Vision 2020 Comprehensive Waterfront Plan April 1, 2011 Alan Belensz New York State Climate Action Plan April 29, 2011 PRESERVATION: A GLOBAL STORY Jorge Rigau The Problems of Preserving Paradise March 4, 2011 Castern Paludan-Müller Cultural Heritage: Roots, Relations, Rationales, Rights, Redemption April 8, 2011 VISIONARY URBAN DESIGN Jonathan Kirschenfeld Typologies of Social Engagement March 11, 2011 Paul Guzzardo New Ways to Smear the Street with Our Extended Epistemology March 3, 2011* Whitney Grant Suspended Mid-City March 25, 2011 Aaron Levy Redefining Artistic Advocacy April 15, 2011
As architecture grows more technical and technologically dependent, it can become harder for designers to navigate the sea of new programs and computer code. Columbia University GSAPP professor David Benjamin is here to help, offering a panel discussion Monday night about the future of computing and design, “Post Parametric 2: Demo.” The program is the second event in a series that brings expert programmers and researchers together, providing a unique opportunity for architects to learn from people outside their profession. “The first event last fall, "Post Parametric 1: Data," focused on how our new era of massive data might affect computing and design,” Benjamin said in an email. “Monday’s event involves five innovators demonstrating new technologies and speculating on the future directions for computing and design.” The event, which is co-sponsored by the Columbia Department of Computer Science, aims to enliven dialogue about the relationship between computation and design. Benjamin believes that by creating a sustained discussion about issues of technology, a complex, insightful dialogue will develop. The subject matter of the discussion will address current technologies but will primarily look to the future by bringing upcoming innovations to the table. “By future, I mean near future,” Benjamin said. “The series addresses how we might be designing in architecture in ten years.”
On December 2, Werner Sobek, IIT professor and founder of Werner Sobek Engineering and Design, delivered the third annual Franzen Lecture for Architecture and the Environment at the Cooper Union. Sobek, who is also head of the Institute for Lightweight Structures and Conceptual Design (ILEK) at the University of Stuttgart, discussed experiments at the institute to develop an inflatable-fabric-structural-envelope-system-prototype, or “sausage” to be economical. Our eyewitness reports that after much exposition about inflatable fabric membranes, New York architect Toshiko Mori, who moderated the discussion, offered that she had sat on Werner's inflatable sausage, because he wanted her to test the resistive properties to make sure it could withstand the pressure. Tittering spread through the audience, said our witness, who admitted that he lost track of the discussion. Yes, folks, this is what passes for randy double entendre in the academy.
On Wednesday night, the Guggenheim brought together the women behind the man, and apparently the myth of Frank Lloyd Wright, in a program titled “The Architecture of Wright: Wright, Women & Narrative." Co-organized with the Beverly Willis Architecture Foundation, the lecture was accompanied by the premiere of A Girl Is A Fellow Here: 100 Women Architects in the Studio of Frank Lloyd Wright, a 15-minute documentary film produced by the Foundation. Throughout his career, Wright employed over 100 women architects and designers, and the film focuses on the lives of six of these women, including Marion Mahony, Isabel Roberts, Lois Gottlieb, Jane Duncombe, Eleanore Petterson, and Read Weber, who worked alongside Wright during his prolific career from his Oak Park offices to Taliesin West.Through their work and words, the film reveals what each woman learned from their time with Wright, what they took with them, and how they went on to become established architects in their own right. From splitting wood, to laying shingles, drafting, and designing, women were treated as equals under Wright. Given the opportunity of training and practice, the film shows, these women went from apprentices to partners and owners of their own firms, creating thousands of projects across the country. While the film focused more specifically on the women and their role in the history of modern architecture (which unfortunately, for the most part, was overlooked until this documentary), the accompanying discussion, led by Suzannah Lessard with Carol Gilligan and Gwendolyn Wright, was structured around Wright. Using the documentary as a catalyst, the lecture delved into deeper issues of architectural narrative and how Wright’s autonomy often overshadowed his collaborative relationships, in this case, with the women he employed. The film is scheduled to be released in mid-July, and will soon be available on the Beverly Willis Architecture Foundation’s website.
Architect and friend of AN Jeremiah Joseph writes in with this report of the March 27 WORKac lecture, "Shovel Ready," at Parsons. Amale Andraos and Dan Wood, of the 2008 PS1 Warm-Up pavilion fame, tag team presented their work to a standing room only crowd. With a range of projects, from buildings to urban proposals, the duo showed the office's penchant for both intelligence and wit. Like many young offices most of WORKac's work is still in the realm of unbuilt projects, but with five competitions already completed in 2009 this office has no intention of waiting around casually for the work to knock on their door. Of the work presented, two New York buildings showed off the office's intelligent concepts executed through reduced forms. They push the ideas, but are careful to not allow overly exuberant design blur the intent of their work. The Headquarters' for Diane von Furstenberg in the Meatpacking district showed their aptitude for laying out simple concepts that are translated, quite directly, into built reality. The project uses the stair, one of the most commonplace and yet ceaselessly studied elements in architecture, to turn what could be a mundane office building into an object of both clarity and poetry. Starting at the ground floor entry the stair slips up through the old warehouse building to reveal in single moment the sky above. A relatively simple move, but deftly handled, it flips the reading of the building's dark brick exterior by lighting the interior and yet at the same moment pulls visitors sense of the space up, through, and out the roof. In their proposal for the Kew Gardens Library in Queens (a project soon to start construction) WORK ac inverts the interior methods of the Diane von Furstenberg HQ by wrapping an existing building with a new facade and roof. Expanding the building's footprint towards the street they apply a new double-bent gull wing roof covered with flora. The new form, boosting the height of the building and allowing clerestory lighting into the interior, is clad at the upper portion of the facade with pre-cast concrete panels and new, open curtain wall down to the street. It is important to credit New York City's Design and Construction Excellence program for allowing WORK ac produce a project like this. It may be a bit self-serving to suggest this project gives hope to the architecture community that it will be able to continue producing good/smart/important work during a time of economic turbulence. But with the likely (and potentially healthy) collapse of the opulent condo market, the program sends a positive message to the community-at-large that quality design benefits everyone, not just the wealthy few. Of the work shown it was interesting to see that to date WORK ac is strongest in their urban proposals. The Green Belt City competition for Las Vegas started off with clear-minded analysis of the site issues. By the middle of the presentation they revealed their OMA pedigree, a tendency to tackle problems as the witty prankster who actually does know best. Yet at the end they zoom past overly reduced forms and slight of hand design moves to produce something both smart and beautiful. With their final project, a preview of a competition yet to be made public, they showed an amusing foray into the world of paper architecture. The project, a tower in lower Manhattan, was commissioned as a real world study of an urban condition, but the architects believe they, the client, and the architecture community are best served by going for broke. With an appropriate suspension of disbelief they stack and pin-wheel a series of slabs composed of archetypal sections of the city's urban fabric onto a hyper-eco-energy-friendly core. Although little of this piece itself is feasible, WORK ac likeably reveals untapped potentials in tower design and brings to light the potential for subtler, real-world solutions that would be just as relevant and powerful. With the amount of work produced so far it is a good bet WORKac will continue to generate engaging architecture. A risk the office faces is becoming typecast as new eco-architects. Although this may help bring attention, and put work on their boards, it would be too narrow of a category for their talent. An exhibition on WORKac is on view at Parsons The New School for Design, 25 East 13 Street, Second Floor, through April 18. A second exhibition, called 49 Cities, will be on view at the Storefront for Art and Architecture, 97 Kenmare Street, starting on April 14.