America's top architecture and design schools are filling out their lecture series line-ups with leading thought leaders in landscape architecture and design. Coast-to-coast, AN has selected six of these can't-miss lectures that delve into issues such as climate change, urban beautification, the ecology of memory, and more. Check out the events below: PRODUCTIVE RESURGENCES: the Garden of the XXI Century Speaker: Teresa Galí-Izard Harvard GSD, Gund Hall 112 October 28, 12:30 to 2:00 p.m. Teresa Galí-Izard is an associate professor at Harvard GSD as well as a landscape architect. Previously, she was the chair of the landscape architecture department at the University of Virginia and is currently the principal of the firm Arquitectura Agronomia. Her work explores the “hidden potential of places” and she seeks to “find a contemporary answer that includes non-humans and their life forms through exploring climate, geology, natural processes, dynamics, and management.” LAEP Lecture Series and Film Screening with Lynden B. Miller Speaker: Lynden B. Miller 112 Wurster Hall, University of California Berkeley October 30, 6:30 to 8:00 p.m. In 1982, Lynden B. Miller rescued and restored The Conservatory Garden in Central Park. A public garden designer in New York City, she has contributed work to over 45 public projects in all five boroughs, such as Bryant Park, The New York Botanical Garden, and Madison Square Park. Her 2009 book, Parks, Plants, and People: Beautifying the Urban Landscape won the Horticultural Society 2010 National Book Award. This lecture will feature a screening of the new documentary Beatrix Farrand’s American Landscapes, which follows Lynden B. Miller as she explores the life of Beatrix Farrand, America’s first female landscape architect. Speakers: Kim Wilkie, Daniel Vasini, and Andrea Cochran Scandinavia House 58 Park Avenue, New York, NY October 7 and 21, November 4, 6:30 to 7:30 p.m. While the first lecture in this series has already passed, the second and third are coming up. On October 21st, Daniel Vasini will give a talk titled Landscape Transformations, highlighting innovative projects such as Governor’s Island, for which his firm West 8 won an international design competition to complete the 87-acre master plan. On November 4, Andrea Cochran will take the stage with a talk titled Immersive Landscapes, in which she will discuss how she blurs the lines between the built and natural environment in her work. Kate Orff: Unmaking the Landscape Speaker: Kate Orff Scholastic’s Big Red Auditorium 120 Mercer Street, New York, NY October 22, 7:00 p.m. Kate Orff is the founder of SCAPE, a landscape architecture and urban design practice based in New York City and now New Orleans. She is also the director of the MSAUD program at Columbia’s GSAPP. In this series of lectures, The Architectural League of New York invites leading practitioners and educators to outline new ways of thinking and acting in the professions of architecture and landscape architecture in the wake of the climate emergency. Lewis J. Clarke Landscape Architecture Lecture: Sara Zewde Speaker: Sara Zewde Burns Auditorium, North Carolina State University Boney Dr, Raleigh, NC October 16, 6:00 to 7:00 p.m. Sara Zewde is the founding principal of Studio Zewde, a design studio operating at the intersection of landscape, urbanism, and public art. Zewde holds a master’s of landscape architecture from Harvard GSD and a master’s of city planning from MIT. She will discuss how narratives embedded in the ecologies of memory offer opportunities for landscape architecture in today’s context of changing climate and political tensions. Green Infrastructure & Livable Cities Speaker: Jack Leonard Rutgers University Room 112, 93 Lipman Drive, New Brunswick, NJ October 16, 4:00 p.m. Jack Leonard is an assistant professor of landscape architecture and director of the Sustainable Urban Communities Program at Morgan State University’s School of Architecture + Planning. He is also a principal of JGL Design Associates. This lecture will raise questions such as how we define “livability” in urban communities, as well as how we can focus on green infrastructure as playing a role in the social, cultural, and economic revitalization of urban communities.
Posts tagged with "Landscape Urbanism":
Seven design variations are applied across 17 custom wooden benches, fabricated by Mark Richey Woodworking.Sited above a vehicular tunnel and therefore bereft of old growth trees, the Plaza at Harvard University, with its aggregate porcelain paving and curvaceous, sculptural benches, stands in stark visual contrast to the school’s notably shady yard and north campus. Designed by Stoss Landscape Urbanism, the plaza serves as a multi-functional space for staff, students, and the local community. A large part of accomplishing this goal fell to the unique seating solution, a collection of custom-designed, wooden slat benches that aim to increase the function and user comfort of the public space. Some of the benches are meant for lounging with no back and a low seat height, while others are higher with full seat backs. Some twist in the manner of a Victorian tete-a-tete settee, while still others support a touchdown working posture. Stoss's design for the benches, sliced like a loaf of bread, was achieved in Rhino with a Grasshopper plugin. The parametric modeling tool was instrumental in defining the benches' complex geometries. "At every change, the curves meet two general sections so there's a morphology of that form work," said Erik Prince, an associate at Stoss who worked on the plaza. "The wooden slats are an incremental radial splay of the overall geometry so every rib has a unique angle to it." The design team produced a 3D model for each of the 17 benches. Since the benches were manufactured based on information contained in the digital files, a substantial portion of time was spent developing accurate models that could be extrapolated for the fabrication process. "It was a deep model, so even the smallest changes would cascade throughout the design," said Greg Porfido, chief operating officer at Mark Richey Woodworking, which fabricated the benches. Further intricacies of the manufacturing process came from the slight change in the angle of each rib to accomplish the complex twists and turns of unique forms. The centermost rib stands vertically erect, while those radiating out to either side increasingly angle outward along the length of each bench, culminating in as much as a 30 degree lean at each end. Mark Richey Woodworking fabricated the ribs on a 5-axis CNC mill. The sharp angles of the intersecting slats, which have parallel reveals, were achieved with mitered connections fixed with epoxy and mortise and tenon joints. Once fastened together as a "bread slice," they were laid over a metal substructure and screwed from beneath. Removable metal caps on both ends conceal drivers for LED base lighting, power and data hookups, and deliver a smooth, clean edge. Reflecting on the process of parametric design and fabrication, both Stoss Landscape Urbanism and Mark Richey Woodworking were in agreement about the success of the process and the outcome of the project. "It's a great way to communicate, but it requires a very collaborative approach," Porfido said. "The stakeholders have to have trust in the process; otherwise it doesn't work."
Seemingly sliced into the asphalt of a Brooklyn street beneath the Manhattan Bridge is an unexpected glass-filled "tattoo" designed by landscape architect Paula Meijerink, founder of Boston-based WANTED Landscape. Meijerink is among eight landscape architects featured in Material Landscapes, a recently opened exhibition at the Sheldon Art Galleries in St. Louis running through January 21st, 2012. Work from the eight firms including D.I.R.T studio, dlandstudio, Stoss Landscape Urbanism, Legge Lewis Legge, PEG office, Kaseman Beckman Advanced Strategies, and ESKYIU is presented in photographs and drawings. Curator Liane Hancock, senior lecturer at Washington University in St. Louis, chose projects ranging from a vertical container garden in Hong Kong to a waterfront in Milwaukee to reflect innovative use of materials in landscape architecture and to advance landscape design in St. Louis in light of major projects such as Citygarden and the redevelopment of the St. Louis Arch grounds.
Biennales have proliferated in recent years marking the redistribution of culture and also its global consumption. Once wed to the rarefied setting of Venice, they can now be found in Barcelona, Rio, Lisboa and… Bat Yam. “Bat Yam?” you ask. In this unknown and unlikely Israeli town, the curators of the Bat-Yam Biennale of Landscape Urbanism have fashioned a wonderful new genre of biennale that is more “urban action” than exhibition. A rather poor, largely Russian immigrant “outer borough” of the elegant white city of Tel Aviv, Bat Yam calls to mind Brighton Beach with palm trees. The city constitutes a frayed but dignified modernist fabric built from an amazing array of gemütlich variations on the Maison Citrohan with a sensitive implementation of the tenets of open space, light, air, and the hierarchy of ways. While the biennale provides the city with an array of quasi-permanent installations of public art, architecture, and landscape as catalysts for its growth and transformation, the exhibition continues to search for new strategies to sustain a city that lacks both the opportunities but also the limitations of development-driven planning. The two curators, Yael Moira-Klein and Sigal Barnir frame their appreciation of Bat Yam’s modernist town planning within an acknowledgement of the problems it faces: most significantly, a dearth of property for the kind of commercial development on which the Israeli tax structure is based. Indeed, the construction sites that became fertile ground for the biennale exhibits are the very last that remain. A comparison with the neighboring town of Holon is illuminating. Awash with cranes and mixed-use towers, property rich Holon can use development per se as its planning strategy and then give it an identifiable urban image through hi-profile projects such as the new Ron Arad Design Museum. In the absence of such raucous development, the curators ask, what is Bat Yam to be? The Biennale’s formal theme “Timing” attacks city planning and development from the point view of landscape and its partnership with long-term unpredictable growth. Embracing this point of view, the Bat-Yam municipality offered up part of their annual public works budget as a funding source along with fallow city properties as sites for projects, at least for now. And so a glowing lantern hooked to a construction crane at night entitled "Skylight" will remain only until its tower is complete. Several empty lots so small as to evade development are currently transformed into social hangouts. Meanwhile, at other installations, the powder coated steel arcade of “On the Way to the Sea” will remain a welcome long-term fixture in the municipal park; but the mobile trees in boxes from the “Roaming Forest” and the landscaped craters of "Observing Horizon” will only come of age over the next several years. This robust concept of timing gracefully frames issues of sustainability as matters of “persistence.” The “Great Butterfly Experiment” counters the widespread recession of butterflies with the installation of 150,000 butterfly-attracting plants and a truly lovely pavilion to welcome them back. “Tamogotchi Park” takes on the serious matter of water supply with a Rube Goldberg affair of a child-operated merry-go-round that pulls the ocean through pipes to a tower where it is desalinated and then fed to plants under individual polycarbonate bubbles. The long-term curatorial intention of importing these projects to Bat Yam is the cultivation of “urban action” from within. No high price tag installations have been installed to re-brand Bat Yam as the next art biennale capital; rather on-the-cheap opportunistic interventions prod the municipality and the residents to first take note of their city and then hopefully to take part. The curators used the biennale to actually jump start grassroots organization by commissioning teams of designers and sociologists to identify small sites of public/private ambiguity like parking strips and to organize the neighbors/stakeholders around collaborative designs for their improvement. Within the Biennale’s light heartedness lie serious questions of the politics of permanence and stability. On a moonlit walk along the Mediterranean heading south from Tel Aviv through Jaffa to Bat Yam, it emerged that the sole neighborhood with no direct access to the beach is predominately Arab. By simply making Bat Yam a destination, the Biennale created a sense of imaginative continuity among these three waterfront communities. And if it did not yet exist then surely it could, as various city officials hope, given the shared economic and social opportunities that mutual “urban action” along such a beachfront would bring. Here is the promised city of “Timing.”
Synthetic Forests. BldgBlog uncovered a series of aerial photos of Dutch tree farms by artist Gerco de Ruijter. Called Baumschule, the pristine man-made geometry overlaid upon nature is really quite stunning. Saving Robin Hood. One of the first brutalist buildings in London by the Smithsons could be saved from demolition and converted into modern family townhomes. BD Online reports that a proposal by Sarah Wigglesworth Architects plans new units on the roof. Completing Indy. A proposed "complete streets" bill for the Indiana Department of Transportation is currently being considered that would require a multimodal approach to transportation design and could be a be a coup for pedestrians and cyclists. Urban Indy has the details, including a potential loophole. Urban Playoffs. There's an ideological battle fermenting between the forces behind New Urbanism and newcomer Landscape Urbanism. The Boston Globe details the differences between the two and the latest on the battle of the urban minds.