For the first time in 160 years, a 6-acre span on the East River waterfront in the shadow of the Williamsburg Bridge is open to the public. Located in front of the former Domino Sugar Refinery in Brooklyn, James Corner Field Operations (JCFO) designed Domino Park to inspire curiosity about the site’s history while including new materials to balance its unique identity with performance. A unifying element in Domino Park is its artifact walk that weaves throughout the site. According to Lisa Switkin, senior principal at JCFO, “Integrating the artifact walk with custom furniture made from reclaimed wood from the Raw Sugar Warehouse creates a unique experience where people come into contact with remnants of the original refinery and have an up-close relationship with those artifacts.” Throughout the park, JFCO-designed benches, tables, and chaise lounges create texture and a sense of community. The elevated walkway is supported by beams from the refinery, while other factory elements such as columns, lattice beams, and a loading dock are incorporated throughout. Stadium-style seating made out of the refinery’s salvaged wood creates a central gathering space in front of a water feature by Soucy Aquatik. The refinery’s influence is also evident in the playground, designed by Mark Reigelman, with its many nods to factory structures. It also incorporates part of the factory’s old floors. The park is organized into three areas. Each is connected by Hanover pavers selected in a mix of finishes for durability and color, “keeping with the tough, industrial look as well as maintenance and loading requirements,” said Switkin. The most active area, in the southern end, holds a dog park, a picnic playground, a bocce ball court, and a tennis court. The middle area is dotted with lawn chairs and features a fog bridge. The recreational stretch in the north houses the lawn, a beach, the playground, and the elevated walkway. Tectura pavers were chosen for the walkway because of the manufacturer’s ability to produce the long-format precast concrete planks needed to fit the dimensions of the walkway and meet the load criteria. Introducing new lighting by BEGA, Sentry Electric, and LED Linear, along with Landscape Forms’ Ring Bike Racks and Chase Park Receptacles, JCFO was able to work with materials that are highly durable and sustainable. Switkin explained, “These products created a dynamic urbanscape to activate the neighborhood.” Master Planner: SHoP Architects Landscape Architect: James Corner Field Operations General Contractor: Kelco Pavers: Hanover Architectural Products, Tectura Designs Lighting: BEGA, Sentry Electric, LED Linear Furniture: Custom benches, tables, and seating steps made with reclaimed wood from Raw Sugar Warehouse, Landscape Forms' Ring Bike Rack and Chase Park Receptacle, Elkay Drinking Fountains Fog Bridge: Soucy Aquatik Playground Designer: Mark Reigelman Custom Playground Equipment: Landscape Structures
Posts tagged with "Landscape Architecture":
Some consider the most formative date in San Antonio's history to be the fall of the Alamo, while others believe it’s the day the World’s Fair took over the city for six months in 1968. It was just a dusty city before more than 6.3 million attended the HemisFair ’68. A few of the original structures built for the fair still exist on the 92 acres in the heart of downtown, and many of them were left unused for decades. In 2009, the San Antonio City Council established the Hemisfair Park Area Redevelopment Corporation (HPARC) to revitalize a 37-acre new development, including a 4-acre park designed by MIG. The project’s name, Yanaguana Garden, comes from a folktale told by the Payaya Native Americans of a blue panther that chases a bird through the night sky. A drop that fell from its wings left the blue hole that came to be the source of San Antonio’s river. This fable inspired the mosaic tile benches, panther sculpture, murals, and a blue paved pathway that represents the river, which snakes through the entire site. HPARC’s mission for Yanaguana Garden was to bring both children and adults to the city center. MIG focused on placemaking, designing a public space with courtyards, greenery, artwork, and playscapes. The park features a winding promenade, partly covered by a vine-draped pergola, which leads to the central square with giant checkerboard paving by Pavestone Company. The entire park is illuminated by Lumascape street light fixtures and lined with Victor Stanley benches. MIG also installed an outdoor theater with a dedicated seating area, play equipment by Landscape Structures, and a splash pad water fountain by Vortex Aquatic Structures. In addition to the frolicsome furnishings, the landscape includes mature trees to provide shade. The saplings prevent soil run-off and help maintain proper irrigation year-round. This environmentally sustainable approach will also be applied by the organization to expand and improve the rest of what used to be the HemisFair World’s Fair Grounds. Yanaguana Garden at HemisFair The ’68 World’s Fair Grounds, San Antonio Landscape Architect: MIG Landscape Planting: Bender Wells Clark Design Lighting: Lumascape Playground Equipment: Landscape Structures, Corocord Splash Pad Water Wall: Vortex Aquatic Structures Custom Precast Spheres: Quickcrete Products Corp. Benches: Victor Stanley Paving: Pavestone Company Mosaic Glass Artist: Oscar Alvarado
Perfect for high-traffic areas, these outdoor flooring solutions have the wherewithal to last through the hottest summers and the coldest winters.
Pavimento Artistic Tile While terrazzo is typically poured in place, these large-format porcelain tiles can be assembled in a jiffy on-site. Because they’re commercial grade, the tiles are low maintenance and require no shining or waxing. Que bello!
Monolithic Membrane MM6125 American Hydrotech, Inc. Waterproof parking decks, planters, and roof areas alike with this extra thick thermoplastic fabric. Because it is more than three times thicker than typical waterproofing barriers, it can also hold three times the amount of water.
Soke Dekton by Cosentino This synthetic composite flooring has no cracks or imperfections, making it perfect for high traffic areas and extreme weather. Emulating the industrial look and cool touch of concrete, Soke has a matte finish distinguished by marble veining.
U-Cara Unilock Create dynamic brick walls and siding with this system. The patented design allows for various layouts and color combinations to be accurately assembled on tracks that connect to the back of the bricks.
Ipê Wood Tile Bison Innovative Products Ipê—also known as Brazilian Walnut—is so dense it doesn’t float in water. Known for durability and resistance to fire, the wooden planks, sourced from Central and South America and manufactured in Denver, make long-lasting decks and boardwalks.
Bera & Beren Walker ZangerBera & Beren porcelain tiles emulate the look and feel of fine-grain Portuguese and Spanish limestone, but unlike the naturally occurring stone, these tiles are made for high-traffic areas. They are available in smooth and textured finishes in a range of sizes and a rainbow of mineral-inspired colors.
Spatial Affairs Bureau can get a lot done. Started in 2010, the multifaceted landscape, architecture, and design practice led by Peter Culley boasts a wide array of diverse and engaging projects in the United States and England, with offices in London, Los Angeles, and Richmond, Virginia. With a background in landscape-focused cultural projects—Culley earned his stripes at London-based landscape architecture practice Gustafson Porter + Bowman in the late 1990s—Spatial Affairs pursues an intellectually nimble practice by pushing project constraints toward broad ends that encompass everything from “interior landscapes” to urban-scaled configurations. As the number of commissions in hand has multiplied over the years, the practice has become well-versed in combining the advice of expert consultants with its own penchant for programmatic and spatial innovation. It does so in an effort to create layered material and historic conditions that always push back toward the landscape in some form or another. The approach has resulted in a string of under-the-radar but dramatically good-looking commissions that aim to create something greater—and more cohesive—than the typical, rigidly defined arenas of normative practice might allow. Aside from the work profiled here, Spatial Affairs Bureau has a number of other significant projects on the way, including several sustainable houses in Los Angeles, a master plan and remodel of the headquarters for advertising agency TBWA\Chiat\Day, and a new pedestrian path and bicycle redevelopment scheme for the Richmond, Virginia, waterfront. Birmingham Markets Park As the city of Birmingham, England, looks to capitalize on a historic opportunity to create a new major civic space and park, Spatial Affairs is working to enrich a community-led proposal by laying out new residential, commercial, and public spaces in synergy with greenery and public health goals. To highlight the potential of the site, Spatial Affairs has developed an alternative approach that appropriates the leftover footprint of a redundant public market as the heart of the new parks complex. The project aims not only to meet the city's stated commercial and residential development goals, but also to use urban design in an effort to focus the benefits of rising land values surrounding the site toward community needs. Metropolitan Museum of Art Spatial Affairs Bureau has worked on several projects with the Metropolitan Museum of Art in New York City, both as a part of an interdisciplinary team that provided new outdoor seating areas for the museum’s Fifth Avenue location, and for several other projects as an independent contractor, including at the Met Breuer building. As part of its work with the Met, for example, the firm developed a pair of black metal panel–wrapped security buildings to flank the museum. Here, Culley deploys gently tapering forms designed to “respond to the classical architecture and soften the impact of larger elements as they meet the ground.” The approach was mirrored in a series of sleek bronze ticketing kiosks Culley created to help relieve crowding at both museum locations. Crosstown Arts The Contemporary Art Center in Memphis, Tennessee, is an arts and culture complex strategically carved out from within the hulking mass of a landmarked—but currently underutilized—1.5 million-square-foot former Sears warehouse and distribution center. The venue includes galleries, shared art making facilities, offices, artist-in-residence studios, and a bar. These amenities encompass portions of the first two floors of the warehouse, including a 10-story light well located at the center of the complex. With a distinctive, curving red staircase and excavated flared concrete columns populating the main “hypostyle” lobby, the complex represents an attempt to breathe new social life into a long-forgotten relic. Bouverie Mews Culley is also pushing the envelope in terms of housing, especially with the firm’s proposal for a planned 5,400-square-foot arts and residential compound in North London. There, the architect is working on a ground-up duplex anchored by studio space and a sculpture court. The Passive House complex is located atop a former brownfield site and is sandwiched between existing multifamily homes, warehouses, and the Grade II Listed Abney Park Cemetery Wall. Due to the landlocked project site, designs for the complex include multi-tiered gardens, precisely calibrated frameless skylights, and an interior layout that emphasizes borrowed daylight and views between different project areas.
These new pieces of street furniture provide comfortable solutions for urban environments and bring beauty to the landscape.
Phoenix Bench A David Trubridge for UAP SUPPLY New Zealand–based furniture designer David Trubridge’s collection of curvaceous hand-carved granite and laminated hardwood timber benches are perfect for gatherings. The soft biomorphic forms provide comfortable seating that weathers well in both public spaces and commercial settings. Relay Street Level Sensing and Waste Control Service Victor Stanley Forgot it was trash day? These digitally connected recycling and waste bins are equipped with sensors that provide real-time data on their fill level, weight, location, collection status, and temperature. A subscription service disrupts the traditionally fixed collection routine, reducing the environmental impact of fossil fuels while maintaining the cleanliness of public spaces.
Vaya Collection Forms + Surfaces Fashioned from Cumaru hardwood and solid aluminum, this family of chairs, benches, and tables is 100 percent recyclable. Designed for lounging, these chairs and benches feature reclined backrests made of wood slats and aluminum armrests. Fitzwater Rain Tank Shift Tall, steel, and sleek, the Fitzwater Rain Tank stores up to 58 gallons of water. The rain saving station features a winterizing lid, screw-on spout, and connections for drip irrigation.
Ribambelle Collection Fermob This collection of 100 percent aluminum tables is modular by design. Make space for up to six, eight, or ten guests by inserting anywhere from one to three leaves from the hidden compartment under the tabletop. It is available in 24 colorful finishes. Bike Rack Flycycle Streamline cluttered bike parking with a rack that saves space. The steel system features an elevated loop that a cyclist slides the front wheel into, securely locking the bike in place between the grooved trackways. The orderly positioning prevents handlebars from tangling and allows bikes to be parked more closely together.
The Gathering Place, Tulsa, Oklahoma’s newest public park, is anything but basic. Opened in early September, the 66.5-acre riverside landscape looks more like an ultra-green theme park than a typical urban park with trees thrown in for shade. Designed by landscape architects Michael Van Valkenburgh Associates (MVVA), the $465 million project was dreamed up by the George Kaiser Family Foundation and backed by over 80 other local corporate and philanthropic donors. It’s located just 2 miles from downtown Tulsa on a formerly flat, scorching site along the Arkansas River. After four years of the first phase of construction, it’s now one of the city’s greatest amenities, providing spots for sport, relaxation, and water play underneath a sprawling tree canopy and atop grassy open lawns. MVVA transformed the topography of the existing site by creating various elevated landscapes and other sunken spaces with access to water. The firm also accentuated the native ecologies of the parkland and introduced wetlands, meadows, streams, and dry areas that inspire different types of interaction with nature. Thick logs for seating, fingerlike tree trunks for gathering, and local stone used for walls and mazes were additionally incorporated to connect the landscape as a whole and link it to the surrounding region. While the park boasts threads of regional bike trails, courts for ball-handling sports, and 21 points of entry and exit, it’s the surprising structural elements of play that make it stand out. MVVA designed a 5-acre adventure playground for kids age two to 12 that features seven thematic spaces: Volcanoville, The Land of the River Giants, Royal Tower, Fairy Land Forest, The Ramble, Spiral Connector, and Mist Mountain. According to the architects, these play areas are “boldly expressive and richly programmed,” with normal playground elements such as towers, suspension bridges, and slides, but also fantastic designs like climbable, large-scale animals, flowers, and fruit. Many of the play accessories are clad in steel as well as timber imported from the Alps. Accessibility is a key component of The Gathering Place. MVVA describes the guiding vision of the park to be a democratic space where all Tulsans can come together and experience an array of physically challenging and leisurely activities. Children in wheelchairs can easily access the playscapes through elongated ramps on all of the structures, like the giant, wood-slatted elephant with a truncated slide. The park also includes a pond and boathouse where families can check out kayaks, canoes, and paddle boats. A coffee and ice cream cafe, as well as a dining patio and other picnic areas are situated in the northern part of the parkland near the play spaces to encourage extended stay. Toward the park’s south side, MVVA designed the Sky Garden and Four Season Garden, as well as Swing Hill, situated on the highest point of The Gathering Place with prime views of downtown Tulsa. At the farthest end of the park, visitors can enjoy courts for basketball, volleyball, street hockey, and soccer, or ride over to the skateboard and bike park, which offers courses for all ages and levels. A 50,000-square-foot children’s science museum will also be constructed in this area, coming late summer 2020. Phases 2 and 3 of construction, beginning next spring, will bring the park to a total of 100 acres.
As Detroit and Buffalo get set to take on two transformative park projects along their respective waterfronts, both cities have been generously backed by a philanthropic organization aiming to enhance green space and bolster community engagement. Today, the Ralph C. Wilson, Jr. Foundation announced its pledge to invest over $1.2 billion in the cities by 2035 in honor of its founder, the Buffalo Bills’ late owner, and his centennial birthday. The Foundation is making a sizable donation to Western New York and Southeast Michigan—the two areas Wilson loved most—by committing a combined $200 million for upgraded parks and 250 miles of trails in the regions. A large chunk of that change will go directly to revitalizing LaSalle Park in Buffalo and West Riverfront Park in Detroit. With a design already envisioned by Michael Van Valkenburgh Associates (MVVA) and David Adjaye, the latter parkland will give Michiganites long-desired, tangible access to the Detroit River. Though the 77-acre LaSalle Park has stretched across Lake Erie’s edge since the 1930s, it’s massive potential for further beautification and elevated programming could increase the quality of life for Buffalo residents and beyond. Dave Enger, president of the Foundation, stressed that community involvement is the key to taking on these monumental landscape goals. “Foundations don’t build parks, communities do,” he said. “Our vision is really to support these wonderful projects and the people that have the vision.” The design process is well underway for West Riverfront Park in downtown Detroit. Situated atop a former industrial piece of land, the 22-acre parkland will be a year-round destination for fishing, skating or swimming, sports, entertainment, and family gatherings. MVVA’s proposal was chosen over 80 other submissions in an international design competition to reimagine the park, which was transferred from private ownership to the Detroit Riverfront Conservancy in 2014. Since their master plan was selected earlier this spring, MVVA has worked alongside the Conservancy and the Detroit Mayor’s office to garner feedback from locals and find out their personal ambitions for the park. The firm’s principal, Michael Van Valkenburgh, said his team especially loved talking to people aged 60 and older about their childhoods in Detroit—the places they loved and why. For many, the secluded Belle Isle was the only locale they could go to enjoy green space and the river at the same time. But that’s about to change thanks to these new ideas for downtown. “Not every place in Detroit has what New York’s Brooklyn Bridge Park offers—a way to touch the water and put your toes in,” said Van Valkenburgh. “Because Detroit is so vast horizontally, we knew needed to add shock and awe to the design to get Detroiters who were far away to come to the water. Michiganders feel defined by and proud that the state is surrounded on three sides by the Great Lakes. We thought giving access to the water, through this cove and beach creation, would be a big draw.” A construction start date hasn’t yet been announced for West Riverfront Park, but officials estimate it will be complete by 2022. Van Valkenburgh is sure the master plan will go through many design iterations before ground is broken and he’s excited about more community input. “I’ve been going to public meetings since 1990,” he said. “These have been the most uplifting public meetings I’ve ever been a part of. People come with a real sense that this park is going to be a big lift for the city. They really want it.” At the other end of Lake Erie is LaSalle Park in Buffalo. Though it’s a long-loved and well-utilized community treasure, city stakeholders agree that it could use significant improvements. In 1998, the city conducted a planning review to overhaul the expansive parkland and identify priorities for a new design and upgraded programming. That vision was never realized until the Regional Institute at the University of Buffalo began researching its history and surveying people through a project called Imagine LaSalle. A focus group even spent this summer exploring the park and visiting other famous green spaces in Chicago, Cincinnati, and New York for inspiration. “The feedback has been tremendous so far,” said Brendan Mehaffey, executive director for the city’s Office of Strategic Planning. “Part of the mayoral administration’s core values is inclusion so we’ve talked to people from all backgrounds including low-income individuals, young professionals, business owners, and more.” Community engagement is at the heart of both efforts in Buffalo and Detroit. Much like Imagine LaSalle, MVVA also transported a busload of teenagers to visit their Maggie Daley Park in Chicago, and other groups went to New York and Philadelphia. Mehaffey sees the connection between the two waterfront park projects, and the two cities in general, as vital to their respective successes. “The Detroit team is much further into the design process than we are, so we’re delving into their research to try and discover best practices for building our own LaSalle Park,” he said. “I think that commonality between us is part of what the Wilson Foundation’s statement is going to make to the country.” Enger also believes the two cities are inextricably important to one another—that’s why his organization has zeroed in on their combined futures. He emphasized that spurring economic development through green space is a key way to democratize the municipalities on a greater level. “Where else in the United States are you going to find world-class parks in post-industrial cities that overlook international border crossings and feature some of the most magnificent sunrises and sunsets?" he said. "We think the total leverage of this project will be far greater than what our investment will bring.”
The LANDSCAPE Show is bringing together the Landscaping community. Unifying a diverse group of experienced industry professionals all under one roof to select, source and network! From Garden Designers, Contractors and Landscape Designers to Architects, the show features the best people in the business sourcing the latest innovations and technologies in the landscaping industry. This year LANDSCAPE is launching the ‘Future Gardeners Competition’. In conjunction with the Association of Professional Landscapers (APL), we will be showcasing the growing talent of young upcoming gardeners. An ‘against the clock’ event with UK World Skills class mentors including Keith Chapman MBE and a panel of judges including APL’s Phil Tremayne and Mark Gregory from Landform Consultants. The contestants will be creating a garden from a set of drawings created by RHS Chelsea Gold Medal Winning designer Kate Gould. For this launch event, LANDSCAPE is working together with colleges such as Moulton College, Reaseheath and Bankside Open Spaces Trust (BOST) to name a few each to compete with a four person team. The winners will receive a cash prize and the opportunity to work on a Show Garden at the Ascot Spring Garden Show 2019. LANDSCAPE has also carefully planned a CPD Accredited Seminar Programme covering current topics that are integral to the industry, featuring big names in the business such as Andrew Fisher Tomlin, Carolyn Willitts, Arit Anderson and Naomi Ferret-Cohen. With over 200 exhibitors both returning and new, LANDSCAPE 2018 is shaping up to be an unmissable event for any landscaping professional. The show is open from 10am-6pm on Tuesday 18th September and from 10am-5pm on Wednesday 19th September. Register for your free ticket at: http://www.landscapeshow.co.uk/register. Website: landscapeshow.co.uk Email: email@example.com Phone: +44 (0)20 7821 8221 Twitter: @LandscapeEvent Instagram: @Landscape.show
Rejoice, lovers of landscape architecture, because the American Society of Landscape Architects (ASLA) has published their 2018 ASLA Professional Awards and awarded their top honors to projects across the U.S. and Canada. The Michael Van Valkenburgh Associates–designed Brooklyn Bridge Park, a project twenty years in the making but closing in on the finish line, took home the Award of Excellence in the General Design category. The transformation of a formerly-industrial landscape into a leisure-oriented waterfront park that simultaneously knits together formerly disconnected communities paved the way for an entire generation of similar projects. Ross Barney Architects and Sasaki’s revitalization of the Chicago Riverwalk, another urban landscape project that has been heavily lauded in the past, was recognized with a General Design Honor award. The ASLA chose a wide variety of winners this year. West 8 Urban Design & Landscape Architecture’s master planning and landscaping of the Main Fountain Garden at the Longwood Gardens was honored alongside a culturally sensitive native cemetery in Nunavut, Canada, and an international sculpture center in the grasslands of Fishtail, Montana. In the Residential Design category, the Word + Carr Design Group’s Balcones Residence in Austin, Texas, received the Award of Excellence. The landscape balances positive and negative space and creates a dialogue with the house’s boxy, concrete forms while requiring little maintenance. The top prize in the Analysis and Planning category went to A Colorado Legacy: I-25 Conservation Corridor Master Plan, a master plan by the Design Workshop - Aspen which created a strategic vision for a 17-mile-long stretch of Interstate 25. Other than offering solutions to the urban sprawl surrounding the interstate, the plan serves strategies for preserving up to 100,000 acres of open space while promoting sensible development. Three projects received Honor awards in the Research category, each tackling resiliency in one form or another. The University of Pennsylvania’s interactive Atlas for the End of the World - Atlas for the Beginning of the Anthropocene tracks the decline of biodiversity worldwide as conservation clashes with development and climate change; Mahan Rykiel Associates tracked the 1.5 million cubic yards of sediment dredged from Baltimore Harbor in Design with Dredge: Resilient Landscape Infrastructure in the Chesapeake Bay; and Ayers Saint Gross explored sustainability strategies for the National Aquarium in Baltimore with their Urban Aquatic Health: Integrating New Technologies and Resiliency into Floating Wetlands project. In the Communications category, the Landscape Architecture Section, Knowlton School, The Ohio State University took the Award of Excellence for their free, online library of historical landscapes. The database, 100 Years of Landscape Architecture at The Ohio State University, offers virtual tours of historical and contemporary landscapes around the world, inlcuding in virtual reality, and is meant to serve as both a teaching and landscape architecture recruiting tool. Last but certainly not least, Design Workshop received the Landmark Award for their From Weapons to Wildlife: The Rocky Mountain Arsenal National Wildlife Refuge Comprehensive Management Plan. The ambitious plan demonstrates how a 17,000-acre Superfund site could be converted into one of the country’s largest urban wildlife refuges. Now in its third phase, the plan was put into implantation in 1992 as the U.S. government and Shell struggled to remediate what was once a testing ground for biological and chemical weapons. A full list of this year’s Professional Award winners is available here. No less important are the recently announced 2018 ASLA Student Awards, available here.
Roundabouts are all the rage in Europe, but Americans have been slow to adopt this particular form of street design. Despite Los Angeles’s car-centric culture, the glitzy city is no exception, but that might start to change following the success of Riverside Roundabout, a stormwater-retaining traffic island at the intersection of Riverside Bridge, San Fernando Road, and Figueroa Street. The city’s first roundabout definitely brings the spectacle. Greenmeme, a studio working at the intersection of art and architecture, brought nine eye-catching granite sculptures to the site and created a resilient, varied landscape. The egg-shaped pods, ranging from 8 to 12 feet tall, each feature a face from a randomly-chosen local resident. Designers used 3-D scanners to capture the faces of the selected volunteers, and the sculptures bear the likenesses on either side, displaying 18 individuals in total. The sculptures were carved in slices by fabricator Coldspring using a CNC mill, with three sculptures carved from one block of granite. The end result, Faces of Elysian Valley, joins a proud tradition of face-based decorative art. The remaining granite offcuts were used to form a sculptural barricade around the center of the island and protect the “eggs” from traffic. Elongated faces have been stretched into the granite ring as well, creating a perspective trick that reveals undistorted visages as drivers circle the roundabout. Greenmeme worked with Ourston Roundabout Engineering to determine the sculptures’ size constraints, as the team needed to preserve sightlines across the island for drivers without distracting them. In designing the traffic island’s topography, Greenmeme sought to channel stormwater away from the street and adjacent bridge. The landscaped areas have been planted with native plants, and a 25,000-gallon cistern is buried underneath the roundabout, which uses captured rainwater to irrigate the green spaces and feed a water feature. Everything is powered by sun-tracking solar voltaics, including the lights used to illuminate the sculptures at night. The entire roundabout is ringed with permeable green pavers for drivers who need to pull off, and overall the landscape can handle and treat up to 500,000 gallons at a time (a once-every-ten-years rainfall event). Riverside Roundabout and Faces of Elysian Valley opened to the public in February of 2017.
Interested parties have been left standing around for an extra week while they wait to find out the three finalists of Portland, Oregon's Street Seats: Urban Benches for Vibrant Cities design competition. The announcement ceremony was rescheduled to avoid a potentially violent political protest at the adjacent Tom McCall Waterfront Park and eventually took place on August 9 in downtown Portland. Street Seats was an international competition to design new public benches for the city of Portland. Design Museum Portland organized the competition in partnership with Portland General Electric Company (PGE) and World Trade Center Portland (WTCP), which is also the site where the 15 semi-finalists have been installed. Nestled between the Willamette River and downtown, the contest aims higher than merely bolstering public seating. Juror Kregg Arntson, executive director of the PGE Foundation, hopes the seats "inspire people to come down and enjoy the community." Launched in January, the competition attracted over 200 international entrants, and many referenced the Pacific Northwest's rainy climate and penchant for locally sourced wood construction. In addition to basic physical and safety requirements, the design brief emphasized sustainable materials and innovative processes while requiring a 1/8th scale model and a video. Fifteen shortlisted entrants received $1,000 grants to fabricate and install their prototypes on site. Portland-based Kyle and Alyssa Trulen, a landscape architect and a videographer respectively, took the grand prize with their entry A Quiet Place to Sit and Rest. Inspired by author Shel Silverstein's "The Giving Tree," the bench reflects the design of a stump and protects the trees it's installed around from soil compaction and bark damage. The thermally treated pine and ash are also insect resistant. "The real purpose of the seat design is not merely protection," said the Trulens, "it's about the relationship of a person with a tree...in hope of a healthier urban environment for both." The runner-up, Fluid Wood, was the result of a collaboration between Portland-based architect Norberto Gliozzi and Axiom Custom Products. Fluid Wood comprises layers of laminated wood cut in an egg-like form. Another finalist by The Tubsters, from Berkeley, California claimed the people's choice award for Tub(Time), a cut-away bathtub containing hardened transparent resin representing the Willamette River and a topographical map of the downtown and central eastside. Passersby are encouraged to climb in and recline. The Design Museum, which hosted a similar Street Seats competition in Boston in 2013, was not the first to sponsor such a challenge in Portland. The City of Portland Bureau of Transportation (PBOT) had developed guidelines in 2012 based on similar programs in New York and San Francisco to convert on-street parking spaces to public use. During a 2014 collaboration with the Center for Architecture, Portland yielded two winning submissions for seating that were installed in the city's northeast quadrant. In the summer of 2015, Portland State University architecture students designed and built a seating structure downtown. PBOT canceled the 2016 competition for an uncharacteristically low response rate; however, PBOT's program still exists outside of the downtown area. This year's Design Museum Portland competition is unrelated to the City's previous efforts and was launched independently. Many passersby spontaneously stopped to try the seats and participate in the announcement ceremony after the unveiling, reaffirming Design Museum Portland's managing director Erica Rife's statement that it is "important to be a good neighbor and inspire this community to be closer"—a much-welcomed change from the previous weekend's police and protester standoff. The 15 seats and over 200 1/8th scale models will remain on view until February. Several seats—Fractal Rock by Holst Architects, B_tween Bench by Gamma Architects, and Fern by Yingjie Liang, in addition to the winner and runners-up—will remain installed at the WTCP while the others will be relocated to sites throughout Portland. An online exhibition and schedule of accompanying programs are hosted at designmuseumportland.org.
The Steven Holl Architects (SHA)-led team has won the University College of Dublin's (UCD) Future Campus – University College Dublin International Design Competition. Holl’s winning scheme will see the creation of a “green spine” across the sixty-acre campus, and construction of a crystalline Centre for Creative Design. Steven Holl Architects was joined by Dublin-based Kavanagh Tuite Architects, Brightspot Strategy, structural engineers ARUP, landscape architects HarrisonStevens, and climate engineers Transsolar. Nearly 100 teams from 28 different countries entered the competition, and a star-studded shortlist featuring Diller Scofidio + Renfro, John Ronan Architects, O’Donnell + Toumey, Steven Holl Architects, Studio Libeskind, and UN Studio was revealed in April. The SHA-designed Centre will reportedly reflect the “60-million-year-old natural geometry” of the Giant’s Causeway in Northern Ireland, filtered through the “stream of consciousness”-style prose found in UCD alumnus James Joyce’s Ulysses, according to Steven Holl. The resultant building is a geometric take on SHA’s more typical institutional work, with windows and balconies carved into prismatic shapes, including a gem-like auditorium faceted like a dodecagon. A plaza and reflecting pool will meet the building at its base. Inside, the center has been optimized for collecting natural light as the jutting crystal shapes—rotated 23 degrees in reference to the tilt of the Earth—will act as enormous solar tubes. The new building will contain classrooms and maker spaces bounded by glass walls, so visitors can peer into the academic areas without disrupting the work going on inside. The Centre will act as a gateway to the seven new quadrangular green spaces the team has designed, which will be interlinked through the new pedestrian “spine” that will run parallel to the campus’s existing circulation route. The SHA team has included a series of solar power-generating weather canopies along the route, as well as cafes and social gathering spaces. UCD was founded in 1854 and is the largest college in Ireland with over 30,000 students. The current 330-acre campus was designed in 1963 by Polish architect Andrej Wejchert and contains a large number of brutalist buildings. The Centre’s budget will be approximately $60 million, and no completion date has been given as of yet.