As part of an upcoming centennial celebration, the Los Angeles Philharmonic, media artist Refik Anadol, and Google Arts & Culture have partnered to create WDCH Dreams, a series of digital art projections that will bathe the Walt Disney Concert Hall in “dream-like” light. For the project, Anadol and Google Arts & Culture have translated the L.A. Philharmonic orchestra’s complete digital archives—over 45 terabytes’ worth of recordings, images, and video—into millions of data points. This “data universe” will be manipulated by deep neural networks and projected as three dimensional light displays across the rounded stainless steel geometries of the Gehry Partners–designed concert hall. The light shows will be joined by a soundtrack crafted by sound designers Parag K. Mital, Robert Thomas, and Kerim Karaoglu. The music will use selections from the philharmonic's archives that have been sorted into thematic compositions by machine learning algorithms. Inside the concert hall, the Ira Gershwin Gallery will contain a companion installation where participants can interact with the philharmonic's archives via a mirrored, U-shaped room with two-channel projection. Billed as an “exploration of synergies between art and technology, and architecture and institutional memory” in a press release, the “data sculpture” shows will take the form of nightly “performances” between September 28 to October 6, 2018. The Ira Gershwin Gallery opens to the public on September 28 and will remain open throughout the Centennial season.
Posts tagged with "LA Philharmonic":
The Los Angeles Philharmonic has a thing for star architects. As part of a trilogy of Mozart operas directed by Gustavo Dudamel (himself a global celebrity), in 2012 Frank Gehry designed the set for Don Giovanni, in 2013 Jean Nouvel designed one for The Marriage of Figaro, and this month Zaha Hadid Architects has designed the backdrop for Così fan tutee, the trilogy's finale. The firm's curving white design, evocative of a skateboarding bowl (or a Corian sink?), is meant to represent a large sand dune on the Italian coast. It was called "shape-shifting" by the LA Times. Its steep inclines have presented challenges to performers, but they seem to be adapting in rehearsals. Shows begin on Friday. Costumes were created by British designer Hussein Chalayan, who, like Hadid, is known for edgy, tech-heavy designs. And the director, Christopher Alden, is also known for taking risks. It seems like a combination that should stir things up, and perhaps produce a template for still-rare collaborations across disciplines.