TIME magazine has released its list of 2019’s most influential people, and Studio Gang founder and 2011 MacArthur Fellow Jeanne Gang was the only architect to be included. “Jeanne Gang has the WOW factor,” wrote actress and playwright Anna Deavere Smith, who nominated Gang to the list. “Her stunning Aqua, in Chicago, is the tallest building ever built by a woman…Referring to the growing socioeconomic divides in our cities, Jeanne has warned her profession against ‘sorting ourselves into architects of the rich and architects of the poor,’ and focuses instead on discovering ‘new possibilities for the discipline and beyond.’ And it all started with playing in the dirt and making ice castles. Wow.” The Chicago-based Gang was named in the “Titans” category, where TIME honors those at the top of their respective fields, placing Gang shoulder-to-shoulder with golfer Tiger Woods, Disney CEO Bob Iger, and Facebook CEO Mark Zuckerberg. It appears that the magazine is recognizing one architect every year; in 2018 it was Elizabeth Diller, David Adjaye in 2017, and Bjarke Ingels before that. The only other design professionals singled out this year? Joanna and Chip Gaines of HGTV fame, who were nominated by former quarterback (and current Mets player) Tim Tebow.
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Sales have officially begun for 11 Hoyt Street, Downtown Brooklyn’s upcoming 770,000-square-foot residential tower designed by Studio Gang Architects. The 480-unit curvilinear skyscraper is impressive by virtue of its unique shape and gigantic size; its 57 stories occupy a full city block. Studio Gang founder Jeanne Gang is leading the project, with plans to transform the site of a once-dismal parking garage into one of the tallest and most luxurious skyscrapers in Brooklyn—a modern work of art. The proposed building is noteworthy for its beveled and undulating facade, which differs drastically from the ubiquitous glass skyscrapers that currently populate the area. Each window on 11 Hoyt will be individually framed by the building's precast concrete skeleton, with multiple sections extruding outward to form a diagonal, rippling wave pattern across the height of the tower. When the sun shines down on the facade, it will create a unique play of shadows that will accentuate the building’s animated and flexible appearance, while highlighting its glass and concrete sculptural elements. The project site, bordered on four sides by Hoyt Street, Elm Place, Fulton Street, and Livingston Street, is conveniently situated just blocks away from multiple subway lines. Residents who choose to approach the building by car can enter through the outdoor-landscaped porte-cochere, which connects directly to the main lobby. There are a total of 480 units in the building, with interiors designed by London-based Michaelis Boyd Associates. The smallest studios start at $600,000, and the largest four-bedroom unit is priced at $3,400,000. While the floor plans come in nearly 200 different variations, each unit has ten-foot ceilings and eight-foot-tall windows with spectacular views of the Lower Manhattan skyline, Brooklyn, and Queens. Over 55,000 square feet of indoor amenities can be found at the base of the skyscraper, including a lavish cinema, cocktail lounge, library, performance space, private dining area, study lounge, and virtual game room equipped with a golf simulator. A separate Sky Lounge can be found on the 32nd floor. Perhaps 11 Hoyt’s most notable amenity is its 27,000-square-foot private elevated park located atop the second floor, which will become the largest in all of New York City for any residential building. The landscape, designed by Edmund Hollander Design, will hold a sun deck, fitness area, hot tub, children’s play area, and multiple lounge areas. Next to the private residential park will be the “Park Club,” a massive space that will house a 75-foot saltwater swimming pool and a private fitness center designed by The Wright Fit. “From the world-class design and extraordinary, unique amenity offering to the vast, elevated private park, 11 Hoyt raises the bar in the Downtown Brooklyn residential marketplace,” Erik Rose, managing director of Tishman Speyer, the building's developer, told Yimby. “We are incredibly proud to be launching sales for this unmatched residential product and we know it presents a tremendous opportunity for discerning buyers." The project is expected to be complete sometime in 2020.
This morning at 11:00 AM, a large crowd of women (and male supporters) met just inside the entrance gates of the Biennale’s garden to protest a lack of recognition of “woman in architecture.” The fan waving crowd cheered as co-organizer Martha Thorne read a prepared statement asking for women to receive more recognition and support from the profession and the media. The event, according to Thorne, Odile Decq, and Toshiko Mori, three of the original organizers, started with this small group but has quickly developed into a network of “hundreds of supporters!” The only slip up was that the protest took place inside the gates of the Biennale and thus many young supporters were denied entrance to participate as they did not have a ticket on this media-only preview day. Still, over 100 people participated, including Francine Houben of Mecanoo, Farshid Moussavi, Jeanne Gang, and curators from The Met and MoMA. The organizers claim that architecture school students are now 60% female, so that today’s "Giardini" protest is only recognizing what will become a reality tomorrow. Below is the prepared statement that the group read: “MANIFESTO We as Voices of Women are building conversations and taking actions to raise awareness to combat pervasive prejudices and disrespectful behavior that appears to be systemic in our culture and discipline. We are united in denouncing discrimination, harassment and aggressions against any member of our community. We will not tolerate it. We will not stand silent. Women are not a minority in the world, but women are still a minority in the architecture field and we want it to better reflect better the world in which we live. The Venice Architecture Biennale 2018 FREESPACE is a crucial moment of awakening to promote equitable and respectful treatment of all members of the architectural community irrespective of gender, race, nationality, sexuality and religion. We will join hands with co-workers, students, clients, collaborators, and our male colleagues to create a new path forward toward equitable work and educational environments that promote respectful discourse and open exchange of ideas. Be a fan of voices of women. Make a vow to uphold fairness, transparency, and collaboration in Architecture NOW.”
Seven design teams have been selected to represent the United States in the U.S. Pavilion at the 2018 Venice Architecture Biennale. The pavilion's curators, Niall Atkinson, from the University of Chicago; Ann Lui of the School of the Art Institute of Chicago, and Los Angeles–based critic and curator Mimi Zeiger, selected Dimensions of Citizenship as the theme of this year's exhibition, to engage architecture in the timely question of what it means to be a citizen. According to the curators, the selected teams represent a range of design practices, from the technical to the speculative, but "are united by researched-based methodologies and the drive to use that research to push boundaries—formal, disciplinary, and political.” Each team will examine a different dimension of design and citizenship. Their projects will be placed in dialogue with existing projects by architects and other practitioners, who will be announced later. The selected exhibitors are: Amanda Williams + Andres L. Hernandez (Chicago, IL) This duo brings an artistic and political bent to the Pavilion: both Williams and Hernandez have training in architecture and explore themes related to race, vacancy, and blight in urban landscapes. Williams is most widely known for her work Color(ed) Theory, shown in the 2015 Chicago Architecture Biennale; Hernandez is co-founder of the Revival Arts Collective as well as the founder and director of the Urban Vacancy Research Initiative. DESIGN EARTH (Cambridge, MA) Headed by MIT's Rania Ghosn and El Hadi Jazairy, this design research practice works on the geographies of technological systems from speculation into the problems posed by waste management to the fate of oil-rich landscapes. They're currently at work on an exhibition titled Geostories, a "manifesto [...] on the environmental imagination presented in architectural projects that engage the planetary scale with a commitment to the drawing as a medium." Diller Scofidio + Renfro (Cambridge, MA) This heavy-hitting firm will already be familiar to many. Best known for their work on the High Line in New York City, The Broad in Los Angeles, and the Institute of Contemporary Art in Chicago, DS+R brings a seasoned, interdisciplinary team to the task. Estudio Teddy Cruz + Fonna Forman (San Diego, CA) This research-based political and architectural practice is comprised of two professors from the University of California, San Diego (USCD): Teddy Cruz and Fonna Forman. Over the years, the two have examined issues of informal urbanization, civic infrastructure, and public culture, mostly focused on Latin American cities. They also co-head USCD's Cross-Border initiative, whose mission is "to promote interdisciplinary poverty research and practice in the San Diego-Tijuana border region." Keller Easterling (New Haven, CT) Easterling is a professor at Yale University's School of Architecture and a prolific author of eight books and countless articles. Her most recent publication through Verso, Extrastatecraft: The Power of Infrastructure Spaces, looks at global infrastructure with the angle that "emerging governmental and corporate forces [are] buried within the concrete and fiber-optics of our modern habitat." SCAPE (New York, NY) Founded and directed by Columbia GSAPP professor Kate Orff, SCAPE is a landscape architecture firm with an eye on large-scale ecological resilience. In its winning entry to the 2014 Rebuild by Design competition, Living Breakwaters, SCAPE employed multiple lines of storm surge defense including artificial reefs promoting biodiversity in New York City's heavily polluted harbor. Orff has also published an examination of the chemical corridor between New Orleans and Baton Rouge, Louisiana, in partnership with photographer Richard Misrach – Petrochemical America – and more recently, Toward an Urban Ecology. Studio Gang (Chicago, IL) Architect and MacArthur fellow Jeanne Gang is also well-known for her designs, from her undulating Aqua Tower to her Women's March-inspired exhibit Hive at the National Building Museum. Studio Gang's international work centers on a design principle of "actionable idealism" – the capacity for design to push public awareness of different issues (whether climate change, inequity, or urban decay) and encourage change – which will lend itself well to this year's theme.
• • •Additionally, Iker Gil – a professor at the School of the Art Institute of Chicago (SAIC), Director of MAS Studio, and founder of its design journal MAS Context – has been selected as associate curator of the exhibition to join the curatorial team of Atkinson, Lui and Zeiger.
What color is your hive? For the new Hive exhibit at the National Building Museum, architect Jeanne Gang and her firm, Studio Gang, chose two colors, a silver shade for the outer surface and magenta for the underside and the floor. The team selected silver, Gang said, because it was a good complement to the marble columns and walls of the former Pension Building, now home of the museum, which provides the backdrop for the installation that opens July 6. And the magenta? “The magenta was inspired by the Women’s March” in Washington, D. C. last January, Gang said during a press preview this week. “It kind of connects back to that.” The color choice was an aesthetic decision, Gang explained. Besides playing off the marble in the museum, she said, “magenta was so present at the Women’s March, when you saw the hats,” Gang said. “You couldn’t help but be inspired by the color. We wanted to bring that out.” The Women’s March took place on January 21, one day after Donald Trump was inaugurated President of the United States, and drew hundreds of thousands of people to the National Mall. It was also around the time when Studio Gang was starting to plan its Washington exhibit, which became the Hive. The pink hats worn at the Women’s March were conceived as part of an initiative called the Pussyhat Project. It was started by West Coast residents Krista Suh, Jayna Zweiman, and Kat Coyle, who envisioned marchers wearing knitted hats that would make a visual statement about the event while also keeping themselves warm. “If everyone at the march wears a pink hat, the crowd will be a sea of pink, showing that we stand together, united,” they said on their website. Pink is an appropriate color for the hats because it’s associated with femininity and womanhood, the organizers wrote. “Pink is considered a very female color representing caring, compassion, and love—all qualities that have been derided as weak but are actually STRONG. Wearing pink together is a powerful statement that we are unapologetically feminine and we unapologetically stand for women’s rights.” On Monday, Gang led a tour of the Hive, demonstrating some of its acoustic components, including tubulums and wind chimes. Hive is a series of chambers made of 2,578 wound paper tubes, and the tubes have nine different diameters. Visitors can enter the chambers or walk around them to see how they were put together. One chamber, 58 feet high, is the tallest structure ever built inside the museum. Gang said the installation, like much of Studio Gang’s work, represents an effort to create spaces that encourage people to “gather and interact.” She described how the museum has planned a series of programs and activities that make use of the hive, including yoga circles and drum circles. “We’re really hoping to create a community, even if only a temporary community of people who come into the museum,” she said. Hive is the fourth “summer block party” exhibit at the National Building Museum and the first designed by a woman-led team. Other summer exhibits were designed by Bjarke Ingels Group (BIG); Daniel Arsham and Alex Mustonen of Snarkitecture, and James Corner Field Operations. Hive opens July 6 and runs through September 4. The museum is located at 401 F Street N. W. in Washington. Jeanne Gang will give a talk about her firm’s work on Thursday starting at 7 p.m. at the museum.
Jeanne Gang is designing her first project in Canada, a mixed-use tower in Toronto’s Yonge + St. Clair
Chicago architect Jeanne Gang has been hired to design her first project in Canada, a residential tower in Toronto’s Yonge + St. Clair neighborhood, with retail space at street level.
The client is Slate Asset Management, which owns ten properties in the neighborhood and is working to rejuvenate it with public art, vibrant streetscapes, and first-rate design. Slate and Gang’s office, Studio Gang, announced this month that the residential tower will be at the southwest corner of Yonge Street and Delisle Avenue. The project is the latest in a series of high-profile commissions by Slate, including an eight-story mural by international street artist Phlegm. The tower will be Studio Gang’s first building in Canada, and it’s part an effort by Slate to reimagine Yonge + St. Clair. Known for her Aqua Tower in Chicago, one of the world’s tallest buildings by a woman-led design team, Gang received a MacArthur Foundation “genius” award in 2011. She has been named to receive an honorary fellowship from the Royal Architectural Institute of Canada in May. The ceremony will be part of the Institute’s Festival of Architecture in Ottawa from May 24 to 27, and Gang will give the festival’s keynote address. “Yonge + St. Clair is on its way back. Having occasion to bring Studio Gang’s first project in Toronto to the neighborhood signals to the rest of the city that we would like to create something special here,” said Brandon Donnelly, Vice President of Development at Slate Asset Management, in a statement.
“As our practice’s relationship with Canada grows, we’re excited to explore Toronto and to understand the unique DNA of the Yonge + St. Clair neighborhood,” said Gang. “We hope to design a building that will strengthen relationships within the neighborhood and the city.”According to the development team’s announcement, Studio Gang will work with Slate to organize a “public consultation” this spring to gather community input before making a design submission to the city. According to the developers, the final building will be primarily rental, with retail space at grade, in keeping with Slate’s long-term vision for the area. While the design for the building has not been finalized, Donnelly said, a couple of decisions have already been made.“It’s not going to be a typical all-glass tower,” he said, citing a need to introduce material variety into Toronto’s skyline. “We want to push boundaries in terms of sustainability and building efficiency, which means we are thinking carefully about the building envelope and its materials.” The Studio Gang commission will be the first ground-up tower in the area by Slate, which controls all four corners of the intersection of Yonge and St. Clair.The decision to commission Studio Gang was made after a selection process that emphasized design methodology, site context, and Slate’s aspirations for world-class architecture and a fresh vision.
Yonge + St. Clair is a transit-rich area with a subway and dedicated streetcar tracks, but it is also a short walk from some of the city’s most admired neighborhoods and a ravine system that offers direct access to quiet green space. The juxtaposition of natural and built environments is expected to serve as inspiration for the project. “There is a hill that crests at Yonge + St. Clair, which means the... site acts as both a pedestal and a view terminus from way uptown,” said Donnelly “The challenge will be to develop a building worthy of being showcased, but we feel confident that we have the right team in place to do just that.”