Posts tagged with "Harvard GSD":
From now until October 14, visitors to the Harvard University Graduate School of Design (GSD) can enjoy the fruits of urban research from four cities: Berlin, Istanbul, Mumbai, and Boston. Urban Intermedia: City, Archive, Narrative is the product of four years of research, funded by the Andrew W. Mellon Foundation, and compares and contrasts the history and growth of each city to find commonalities and differences. That four-year project was spearheaded by the GSD’s Eve Blau, who curated the show with Robert Pietrusko, as part of the Harvard Mellon Urban Initiative. The exhibition is a culmination of the team’s research but is also intended to spur discussion and gather feedback on the future direction of the project. Höweler + Yoon Architecture handled the installation design of Urban Intermedia in the school's Druker Design Gallery, centered around four concrete stations, one for each city, where narratives are projected. These narratives are a combination of spatial and historical information and present open-ended stories that are meant to encourage viewers to dig deeper. These narratives delve into the three key themes that guided the research in each city: the planned and unplanned, a look into formal and informal placemaking; migration and mobility, how the residents and others move through each city; and nature and technology, examinations of each city’s infrastructure and urban ecology. Urban Intermedia has previously been on display in Istanbul and Berlin this past year, and the GSD’s Stephen Gray has added a Boston-centric supplement to the show’s Harvard homecoming. The new section in the current exhibition adds archival materials that contextualize the role of race, space, and power in Boston’s development and covers three eras of the city’s growth. Gray solicited Boston-based collections for “race and space” materials and received contributions from institutions such as the Boston Globe, Boston Public Library, Northeastern University, and Norman B. Leventhal Map and Education Center. A 33-foot-long, wooden meeting table has also been installed as a place to exchange ideas. Lectures, classes, and discussions will be hosted at the table, which will serve as a site of “active research” until the exhibition’s closing in October.
With summer coming to a close, it’s back to school for many architecture students. The start of the semester also marks the beginning of the fall lecture circuit, a highlight of architectural education in the U.S. and a chance for young designers to learn from the field's most influential people. This season's crop yields an array of thinkers and designers from a variety of fields, from cinematography to tech, and tackles questions about how architecture and architects can take on the challenges of today's turbulent political climate. Traditional bold-faced names are often eschewed in favor of younger provocative talents reshaping the profession. But lectures aren't only for academics. Many are free and open to the public, so we’re surveying the schedules of several schools on the East Coast and hand selecting certain events you won’t want to miss—even if your student days are long gone. Put these nights on your calendars now before the season ends. Yale University YSOA Anab Jain, co-founder and director of Superflux "Other Worlds Are Possible" Thursday, September 6 Georgeen Theodore and Tobias Armborst, Interboro Partners "Oh, the Places You’ll Go!" Thursday, September 20 Omar Gandhi "Defining a Process" Thursday, September 27 Columbia University GSAAP Evan Sharp, co-founder of Pinterest Friday, September 7 Lyndon Neri and Rossana Hu, co-founders of Neri&Hu Monday, October 8 Elizabeth Timme and Helen Leung, co-founders of LA-Más November 8 Cornell University AAP Virginia San Fratello: Printing Architecture Wednesday, September 26 Eyal Weizman: Forensic Architecture: Counter Investigations Wednesday, October 10 Dorte Mandrup: Conditions Wednesday, November 7 University of Pennsylvania School of Design Designing the Political Landscape: Activism + Design in the Trump Era Thursday, August 30 Jennifer Newsom & Tom Carruthers, Dream the Combine Wednesday, September 12 Donna Graves: Learning from LGBTQ Places: Thoughts on Heritage and Preservation Tuesday, September 25 Harvard University GSD Hannah Beachler, Black Panther production designer, with Jacqueline Stewart Thursday, October 4 Christopher Hawthorne, L.A. Chief Design Officer Tuesday, October 9 Sou Fujimoto Wednesday, October 11 A few universities haven’t publicly posted their fall lecture series yet so stay tuned as we update this page. Also, don’t forget to pick up a copy of The Architect’s Newspaper in print for our September calendar of events and lectures to check out throughout the country.
The Harvard Graduate School of Design (GSD) has announced that Swiss architects Herzog & de Meuron have been selected to design a “transformative” expansion of Gund Hall, the GSD’s main building on the Harvard campus. New York-based Beyer Blinder Belle (BBB) will serve as executive architect on the project. Gund Hall, designed by Australia architect and GSD alumnus John Andrews, opened in 1972. The building has a distinct presence, as the brutalist hall’s exposed concrete, dramatic slope, and multi-story overhangs set it apart from the other buildings on Harvard’s campus. The new expansion is expected to create an intersection for the administrative rooms, classrooms, studio space (called “the trays”), research library, and social gathering spaces currently within Gund Hall. In a statement, the GSD mentioned that the expansion will have a minimal footprint and won’t require reclaiming any of the campus’s greenspace. When the project is complete, it should completely reorganize the programmatic flow of Gund Hall and create a more space-efficient building. “The GSD’s groundbreaking collaborations with theoretical and applied disciplines, and other professional schools at Harvard, bring collective expertise to bear in addressing the most pressing social and environmental challenges of our time through design innovation,” said Mohsen Mostafavi, Dean and Alexander and Victoria Wiley Professor of Design, Harvard GSD, in a statement sent to AN. “Herzog & de Meuron and BBB have carefully studied and observed the School’s many qualities and characteristics, and they have a bold design vision for the GSD and its engagement with other disciplines and professional schools across Harvard, and for its impact on the world. We are excited to collaborate with both firms on the creation of an important and dynamic center for design innovation here at the GSD.” Both Herzog & de Meuron and BBB have extensive histories with Harvard. Jacques Herzog and Pierre de Meuron have been teaching and conducting research projects with the school since the 1980’s, and BBB has completed several projects on the campus over the last 14 years. Their most recent work includes renovations to the historically sensitive Winthrop and Adams Houses. No completion date or cost estimates have been released yet. AN will follow this story up once design details and renderings of the expansion are released.
Cornell University's College of Architecture, Art, and Planning (Cornell AAP) has just announced its new dean, J. Meejin Yoon, AIA, who will be the first woman to take the post and will succeed Kieran Donaghy, currently the Interim Dean of the school. Yoon is currently a professor and the first female head of the department of architecture at the Massachusetts Institute of Technology. Yoon co-founded Boston-based practice Höweler + Yoon Architecture LLP with partner Eric Howeler. "I am very excited about my new role as Dean at Cornell and look forward to amplifying the agendas already at Cornell AAP that I can contribute to," Yoon said in a statement. "Cornell has excellent programs in architecture, art, and city and regional planning. As a designer, I have always tried to work in ways that cut across or sit at the intersection between disciplinary boundaries and I find the eco-system of disciplines and expertise at Cornell extremely substantive. I also see tremendous potential for expanding the role of technology within the culture of design at Cornell, from computational design and digital fabrication to data-driven processes in planning to new forms of media in the arts." Yoon has been widely recognized for her teaching and practice. She was the winner of the New Generation Design Leadership Award by Architectural Record in 2015, the United States Artist Award in Architecture and Design in 2008, the Rome Prize in Design in 2005, and a Fulbright Scholarship in 1998, with which she completed a trip to Korea. She received a Master of Architecture in Urban Design with Distinction from Harvard University in 1997, and a Bachelor of Architecture from Cornell University in 1995, where she attained the AIA Henry Adams Medal. She was born in Seoul, Korea, and grew up in the states. Höweler + Yoon will maintain its office in Boston where it is working on both local and global projects. "Now more than ever, we need design to address complex challenges across multiple scales," Yoon said. "From climate change to rapid urbanization and social strife, design plays an instrumental role in the transformation of cities and cultures. There is an urgency to design to address these critical challenges, and there is an agency to design in enabling instrumental change." Yoon will commence her role in the next academic year. Cornell AAP is one of the oldest and most respected schools of architecture in the United States and is the only department in the Ivy League to offer a NAAB-accredited Bachelor of Architecture degree.
ACADIA, or the Association for Computer Aided Design in Architecture, established the ACADIA Awards of Excellence to recognize outstanding individuals and practices that think critically about the impact and possibilities of computer-aided design. This year, the ACADIA Awards recipients, including Mónica Ponce de León and Oyler Wu Collaborative, will present their work at the conference titled Recalibration: On Imprecision and Infidelity at the Universidad Iberoamericana in Mexico City from October 18–20. Dean of Princeton University School of Architecture Mónica Ponce de León won the Teaching Award of Excellence. Ponce de León is a Venezuelan-American architect who is also a renowned educator. She is the founding principal of MPdL Studio, which has officesin New York, Boston, and Ann Arbor. Prior to her deanship at Princeton, she was dean of University of Michigan’s Taubman College and a professor at Harvard’s Graduate School of Design (GSD). The awards committee commended her for the “integration of digital technologies into architectural education.” Jenny Wu and Dwayne Oyler, partners at Oyler Wu Collaborative, were awarded with the Digital Practice Award of Excellence. The L.A.-based, award-winning firm is widely recognized for its expertise in material research and digital fabrication. The firm is known for projects such as The Exchange in Columbus, IN, the 2013 Beijing Biennale installation named The Cube, and their installations and pavilions with SCI-Arc. The partners are both currently teaching at SCI-Arc and Harvard GSD. Other awards included the Innovative Academic Program Award of Excellence, given to the Institute of Advanced Architecture Catalonia; the Innovative Research Award of Excellence bestowed upon NVIDIA robotics researcher Dr. Madeline Gannon; and the Society Award of Excellence won by Association for Robots in Architecture co-founders Sigrid Brell-Cokcan and Johannes Braumann. Check out the complete list of winners here.
The University of Virginia School of Architecture has appointed Felipe Correa as the Vincent and Eleanor Shea Professor and new chair of architecture. Correa is currently an Associate Professor and Director of the Master of Architecture in Urban Design program at the Graduate School of Design of Harvard University. He will start the new position on July 25. Felipe Correa is a renowned architect, urbanist, author and professor. He founded and manages Somatic Collaborative, a research-based architecture, landscape and urbanism studio based in New York and Quito, Ecuador. Correa has been teaching at Harvard since 2008. Since 2009, he has served as director of the MAUD program of the GSD. His research, design and writing have been distributed widely. At Harvard, Correa was the co-founder and Principal Investigator of the South America Project, a trans-disciplinary platform that studies design issues of the South American continent. Correa is also releasing a new book in October titled the São Paulo: A Graphic Biography, which interrogates the Brazilian city’s fast-paced growth and socio-economic divide between the city’s financial center and its periphery in the post-industrial context. “As one of the leading scholars on architecture and urban design in Latin America, Felipe brings a wealth of knowledge, creativity and experience to UVA,” said Ila Berman, Dean of the School of Architecture, in a press release. “He will be a tremendous addition to the leadership team of the Architecture School and we’re extremely excited to welcome him to the community.” Correa succeeds Bill Sherman, Lawrence Lewis, Jr. Eminent Scholar Professor and current chair of architecture.
Brussels-based architect Aude-Line Dulière has won the Harvard Graduate School of Design's 2018 Wheelwright Prize, the large travel and research grant for emerging architects. Dulière's winning proposal, Crafted Images: Materials Flow, Techniques, and Reuses in Set Construction Design, investigates the supply chain and construction methods in the film industry to investigate potential avenues for adaptive reuse that can be applied to the AEC industry, as well. "Aude-Line's work demonstrates a sophisticated vision of spatial quality in a variety of forms that translates into her interest in the architecture of set design," said Harvard GSD Dean Mohsen Mostafavi. "By exploring material reuse strategies at the intersection of film, construction, and architecture, Aude-Line's project offers exciting possibilities for innovative approaches to sustainability, infused with an equally important and very sensitive consideration of aesthetic beauty." Dulière, who holds an M.Arch from the GSD and works as an architect and movie production design assistant in Europe, was selected from a pool of five finalists for the fellowship. She will use the Wheelwright's $100,000 travel and research stipend to deepen the ideas set forth in Crafted Images. Here's what Dulière had to say about her process: "The movie industry has the potential to offer clues for streamlining material flows and offers opportunities for experimentation on sustainability for contemporary architectural practice," she said in a prepared statement. In addition to Mostafavi, Edward Eigen, K. Michael Hays, and the newly-appointed chair of GSD's architecture school, Mark Lee, this year's jury included Frida Escobedo, Michelle Wilkinson, and Jose Ahedo, the 2014 winner. Last year, Chilean architect Samuel Bravo won the Wheelwright Prize for his work on informal settlements across the globe. More information on Dulière's project proposal will be posted on the award's website shortly.
Architect and professor Mark Lee has been appointed as the next chair of the Architecture Department at Harvard’s Graduate School of Design (GSD), effective July 1. Lee has taught as a design critic at GSD since 2013 and brings years of real-world experience to the post, having co-founded the practice Johnston Marklee in 1998 and served as co-artistic director of the 2017 Chicago Architecture Biennial. “I am honored to be entrusted with the chairmanship of the Department of Architecture at the GSD,” said Lee in a statement. “In advancing both the discipline and the profession of architecture, the Department has been without parallel; I look forward to building upon the formidable achievements of my predecessors and this deeply-rooted tradition of excellence. We stand on the threshold of a very challenging, but exciting, future. I feel confident that architecture’s best days lie ahead.” Johnston Marklee has been recognized both domestically and abroad and realized projects of every scale and type in seven countries. The firm’s current projects include the renovation of the Museum of Contemporary Art Chicago, which opened in September 2017, the new UCLA Graduate Art Studios campus in Culver City, California, and the Menil Drawing Institute in Houston, to be completed sometime this year. Lee will succeed K. Michael Hays, who has served as the interim chair since 2016 and taught at Harvard GSD since 1988. Lee’s appointment comes shortly after a $15 million donation to the GSD by Druker Company President Ronald Druker, and follows the appointment of Jeanne Gang and Lee’s partner at Johnston Marklee, Sharon Johnston. Lee himself earned a Master’s in Architecture from the GSD in 1995. “I am delighted that Mark Lee has agreed to serve as the next Chair of the Department of Architecture,” said Mohsen Mostafavi, Dean and Alexander and Victoria Wiley Professor of Design at Harvard GSD, in a statement. “Johnston Marklee is one of the most talented practices currently working in the United States and beyond, and Mark deeply understands the contemporary world of architecture. His vision and leadership will enormously benefit our students and our School in the years to come. As we welcome Mark to this role, I am also incredibly grateful to Michael Hays for his unwavering and ongoing dedication to the Department of Architecture and the GSD.”
This morning, Harvard’s Graduate School of Design announced that real estate and development magnate Druker Company President Ronald Druker made a $15 million donation to the school. The donation, the “largest single gift from an individual in the school’s history” will be used to fund the renovation and building expansion of Gund Hall. Leading up to the donation, Druker worked with Dean and Alexander and Victoria Wiley Professor of Design at the GSD, Mohsen Mostafavi, to help strategize the school’s ambitions and needs to continue to achieve design innovation in the future. Harvard is renaming its primary exhibition gallery the “Druker Design Gallery” in his honor. “I am delighted that this generous gift from Ron, one of the GSD’s most prominent, committed, and long-standing advocates and supporters, will provide resources crucial to helping us move forward our plans to build new, innovative spaces of research and learning,” said Mostafavi in a statement. “It is equally meaningful and fitting for the school to be able to name its primary exhibition space in his honor.”
Farshid Moussavi RA, RIBA is this year's speaker for the AIANY Cultural Facilities Committee's Arthur Rosenblatt Memorial lecture which focuses on excellence in museum design. Moussavi is Founder of the London-based international firm Farshid Moussavi Architecture (FMA) and Professor of Architecture at Harvard University Graduate School of Design. She will share her thoughts on a new approach to architecture based on her research, experience of working on the Museum of Contemporary Art in Cleveland, and her recently completed residential projects in Paris and Montpellier. Moussavi has published three books based on her research and teaching at Harvard GSD: The Function of Ornament, The Function of Forms, and The Function of Style. She serves on design and architecture advisory groups internationally and her work has received numerous awards including the Enric Miralles Prize for Architecture, six RIBA Awards, the 2004 Venice Architecture Biennale Award, and the Charles Jencks Award for Architecture. Sponsored by Allegion Photo credit: Paul Phung
In AN's new series of climate profiles, we will be learning from designers who are working to incorporate climate responsiveness in their work or have blazed the way for others in the field. As this year's hurricane season reaches its third quarter, coastal and riverfront cities across the country are thinking more than ever about how to adapt urban landscapes to increasingly intense storm surge and sea level rise. Chris Reed, founding principal of Stoss and professor of landscape architecture at the Harvard Graduate School of Design (GSD), is particularly good at asking questions about these issues. While completing his undergraduate degree in urban history at Harvard College in the 1990s, Reed was exposed to a split in schools of thought among landscape architects: one approaching landscape at the scale of urban planning, another at the more traditional gardens and parks scale. James Corner, who at the time was beginning his own landscape practice, was someone Reed felt successfully merged the two. Reed sought to do the same. In 2001, after he completed a Master’s at the University of Pennsylvania, Reed’s firm Stoss was born out of a desire to create high-density urban environments thoroughly engaged with landscapes and environmental processes. Over nearly two decades, Stoss has completed riverfront designs for five cities across the globe (Shanghai, Green Bay, Minneapolis, Dallas, and London, Canada) as well as countless waterfront parks and public spaces. A 2011 profile of Reed in Places Journal noted that "stoss" is a German word that means "to kick, as in 'kick in the pants,' to initiative, activate." In Dallas, Stoss' Trinity Waterfront project innovatively addressed a vacant flood zone of land dividing the downtown area from Trinity River, which winds through the city. The city wanted to transform this zone into a new public space and economic boon to draw developers. While the city's RFP asked designers to connect the downtown area to the waterfront, Stoss expanded the landscape in two directions – extending fingers of the river and wetlands into the city, and likewise extending the city out into the flood zone. This is especially illustrative of Stoss' approach to adaptive water management. Even an open-air theater has the capacity to flood, diverting waters from the paved and developed areas beyond. The sports fields are flanked by bioswales, depressed areas that are designed to capture runoff. The resulting parklands are both densely urban and perform ecological functions. "The debate now has become not just how to incorporate environmental resilience into cities but also social resilience," Reed told AN. "The world is not the same as when I was in school. Now we have to ask questions like: what are the responsibilities of designers to address climate change, population growth, political shifts–and how have all of these things affected design?" Most recently, Stoss has worked on providing solutions to some of the climate-focused questions through a large-scale riverfront project in Boston. In January 2017, the City of Boston released a public RFP seeking design teams to realize elements of their Imagine Boston 2030 plan. A major part of the plan is riverfront development, both in terms of creating more effective storm-resistant infrastructure as well as in creating compelling public spaces. Stoss was an obvious firm to address the tasks at hand. Of the six neighborhoods identified in Imagine Boston 2030 for waterfront renewal, Stoss was selected to work on two: East Boston and Charlestown. In East Boston, the site runs roughly from around Falcon Street to Piers Park. The Charlestown stretch is still under wraps, with the entire waterfront owned by a single private entity. The focus for both will be on coastal flooding and sea level rise. To tackle these issues, Stoss partnered with Kleinfelder, Woods Hole Oceanographic Institution, and the New York office of Dutch firm One Architecture. According to Stoss' Studio Manager Amy Whitesides, the project will occur in a layered approach at three different scales. The first, most local scale, will look at simple engineering solutions to flooding, common sense gray infrastructure that will prevent stormwater from rising up or scouring its way into the city's streetscape. An example of this would be a retrofit to the East Boston Greenway that would funnel water along the park's existing railway rather than letting it run off into adjacent neighborhoods. The second, intermediate scale will look at the landscape's existing and potential ecologies—including the redesign of Piers Park itself. The current plan is to take the land and raise it into a berm-like park, creating a barrier that will protect the Greenway and the residential areas while doubling as public space. The third scale looks at the waterfront as a whole from a developer's standpoint, asking which areas will require rezoning for designs to be effectively implemented, how to address private interest (as a good portion of the waterfront property included is privately owned), and perhaps most importantly: how will this all get paid for? The project takes inspiration from the same multi-scalar approach Reed discussed – territory-scale projects with a social bent. "I'm interested in projects that are more about setting up relationships between people rather than relying solely on form-based agendas," Reed told AN. "How do you have a conversation that might seek change?" In East Boston and Charlestown, these kind of conversations are well underway. The design team has held over fifty meetings with stakeholders ranging from Boston's Department of Parks and Recreation to private developers, held community workshops in all of the affected neighborhoods, and formed working partnerships with a number of local nonprofits to inform the design. According to Reed, it should be impossible to complete such large-scale designs with far-reaching impacts without forging local relationships. "Many cities across the U.S. are looking at profound issues of aging infrastructure," Reed said. "With major riverfront projects like this, the changes made are often wrapped up in concerns about affordability." Reed referred to the fear of rent increases pushing out residents as new development moves into neighborhoods. "In dealing with climate change, the question becomes: how do we design for equity? How do we make for welcoming spaces?" Stoss will formally announce their design for the Imagine Boston 2030 plan in the coming weeks.
This weekend, architects, artists, educators, activists, scholars and students convened at Harvard for the second Black in Design Conference: Designing Resistance, Building Coalitions, an event that recognizes the African diaspora's contributions to the built environment and discusses how designers can dismantle institutional barriers within the profession. The Harvard University Graduate School of Design's African American Student Union (GSD AASU) organizes the three-day event, which was last held in 2015. This year, the conference engaged design in its broadest sense to discuss design as resistance and explore how the designers' activism, particularly the work of black and brown designers, is building "more radical and equitable futures." At the 2015 conference, architect and planner Justin Garrett Moore highlighted a speaker's comment to underscore how Black in Design creates a necessary space for dialogue and debate: "[Black] designers do not yet have the weight of influence seen in other creative fields, such as music or fashion, that shape and inform our larger culture and everyday lives." On Friday, attendees convened to hear LAXArt Executive Director Hamza Walker open the conference with his keynote speech, while Black Lives Matter activist DeRay Mckesson closed the event with a Sunday keynote that delved into design's role in combatting injustice. T he Architect's Newspaper (AN) spoke with conference participants Daphne Lundi and Emma Osore of BlackSpace, a New York City group for emerging black professionals whose work shapes the built environment. This weekend, the group hosted a lunch and discussion around the conservation and preservation of black spaces, where participants from all stages of their careers networked and shared resources. Both attended Black in Design in 2015, but this time, their group came as a collective, 12 strong. "The conference was still a space for us to learn about black practice in design," Lundi said, "but this year it was a more intentional space for black designers to figure out how to incorporate social justice into their practice and move it to the forefront of their work." Walter Hood and Diane Jones Allen, the program director for Landscape Architecture, the College of Architecture Planning, and Public Affairs at the University of Texas at Arlington, who spoke about her work in New Orleans's Lower Ninth Ward. "One thing that's fulfilling about the Black in Design conference is its focus on people," said Osore, an artist and program coordinator at the Arts & Business Council of New York. "The conference really elevated black creators across the spectrum of the arts." She said artist and writer Brandon Breaux's session as well as poet Roger Bonair-Agard's talks were particularly interesting. Frances Loeb Library is assembling the African American Design Nexus, an online archive that will survey the history of black architects practicing in the U.S. Missed this year's event? The next Black in Design conference will be held in 2019, but in the meantime, readers can visit blackindesign.org for more information on the conference or search #BlackinDesign #BiD2017 on Twitter for the weekend's real-time program highlights.