A new exhibition at the Guggenheim Museum Bilbao looks back on the historic design and construction of the seminal Spanish museum and its pioneering use of digital technology and avant-garde materials in the field. Architectural Effects, which opened on December 5, details Frank Gehry’s pivotal project while chronicling its influence on contemporary architecture and art. Organized by lead curator Manuel Cirauqui and Troy Conrad Therrien, curator of architecture and digital initiatives at the Solomon R. Guggenheim Museum in New York, the show asks: What makes architecture more than just a building? Through various mediums, the exhibition broadens the understanding of the museum’s initial impact by placing its technological and cultural achievements alongside other 21st-century works. The exhibition is split into three connected “territories.” In Airlock, the Garden, and the Bubble (a digital dimension available on a free app), visitors can explore both the materials on view as well as the virtual story of architectural advancement visible throughout the show. Airlock, the introductory territory, features major moments in the creation of groundbreaking digital technology, not just in architecture, but also in biology, pop culture, medicine, politics, and more. Video, audio, books, photographs, historic artifacts, and archival material populate this showcase, further explaining how these benchmarks—all made in the year 1997 when Gehry’s Guggenheim Bilbao was completed—have influenced the world at large. According to a statement, “The Airlock is a representation of the techno-cultural conditions in which the Guggenheim Museum Bilbao was developed to immediately become a global emblem.” Gehry’s vision for the project and the resulting Bilbao Effect are also heavily documented in this section of the exhibit. Garden, the main space in Architectural Effects, highlights post-1997 art and architecture through moving images, prototypes, models, sculptures, and artificial intelligence. It features works by prominent artists and architects over the last 20 years through drawings, animation, and architectural documentation. Three major projects are debuted in this section including El Otro by Frida Escobedo, A Tent without a Signal by MOS Architects, and Float Tank 01 by Leong Leong. Bubble offers visitors an online collection of media that contextualize and further illustrate the works on view. It includes educational materials and readings by influential artists, scholars, and writers like John Mernick, Gordon White, and Venkatesh Rao as well as critical essays by the exhibit’s curators and assistant curator Ashley Mendelsohn. Architectural Effects is on view through April 28, 2019, at the Guggenheim Museum Bilbao in Bilbao, Spain. Several talks, performances, and workshops will coincide with the exhibition. More information is available here.
Posts tagged with "Guggenheim Bilbao":
Maybe its the extra darkness in the winter. The Guggenheim Helsinki Design Competition, which famously generated an astounding 1,715 submissions, came to a conclusion today as the Solomon R. Guggenheim Foundation announced the winner. Parisian firm Moreau Kusunoki Architectes and its “Art in the City” proposal was chosen from six international finalists. The design, which resembles a more austere, dark-but-not-quite-post-apocalyptic version of the Guggenheim Bilbao, “invites visitors to engage with museum artwork and programs across a gathering of linked pavilions and plazas organized around an interior street.” The Goth Bilbao in Helsinki is clad in charred local timber and glass. Nine volumes and a tower mimic waves and a lighthouse along the harbor, while a promenade meanders along the South Harbor’s waterfront and a pedestrian footbridge connects to the nearby park. “I extend the Guggenheim’s warmest congratulations to Moreau Kusunoki for having achieved the design goals of this competition with such elegance, sensitivity, and clarity,” said Richard Armstrong, Director of the Solomon R. Guggenheim Museum and Foundation. “I also want to express our admiration and gratitude to the other five finalists and to all of the architects who participated in this competition.” Jury chair Mark Wigley, professor and dean emeritus of the Graduate School of Architecture, Planning and Preservation at Columbia University, said at the announcement that “Moreau Kusunoki has titled its proposal ‘Art in the City,’ a name that sums up the qualities the jury admired in the design,” he continued, “The waterfront, park, and nearby urban area all have a dialogue with the loose cluster of pavilions, with people and activities flowing between them. The design is imbued with a sense of community and animation that matches the ambitions of the brief to honor both the people of Finland and the creation of a more responsive museum of the future."
Eighty-five year old Frank Gehry has been named the laureate of the prestigious Prince of Asturias Award for the Arts for his design for the Guggenheim Bilbao. He beat out thirty-six other candidates to become the sixth architect to win this illustrious honor. Gehry's titanium design for the Guggenheim opened in 1997 and helped to breath new life into the industrial city. According to the jury, "His buildings are characterized by a virtuoso play of complex shapes, the use of unusual materials, such as titanium, and their technological innovation, which has also had an impact on other arts. An example of this open, playful and organic style of architecture is the Guggenheim Museum in Bilbao, which, in addition to its architectural and aesthetic excellence, has had an enormous economic, social and urban impact on its surroundings as a whole."