“To ping is to sing.” “To pong is to go wrong.”Commissioned for this show, Solomon designed a new accompanying supergraphic overlooking the Ping-Pong tables with those few words. A supersized red ball appears to hurl through space. Stauffacher Solomon's supergraphics at Sea Ranch were rooted in the severity of her mentor Hoffman’s training but also showed her rebellious side, with bold use of color and humor (find the suggestive figures in the Sea Ranch’s Moonraker Pool Center next time you visit). Her work there, painted in a few days, covered an unfinished building that had gone over budget. Since her contributions to supergraphics and Sea Ranch are well known in the design worlds, this smaller show explores less familiar aspects of her career. Following the success of her interpretation of Swiss Modern graphics, Stauffacher Solomon returned to school at the University of California, Berkeley, and worked with the overlaps of architecture and landscape architecture. She ended up painting all kinds of green rectangles, including the series that resembled ping-pong tables. Her master’s thesis was entitled “Notes on the Common Ground between Architecture and Landscape Architecture.” Her ideas later coalesced in a book from Rizzoli, Green Architecture and the Agrarian Garden. This phase depicts her evolution from almost pure graphics to landscape depicted graphically. Yet her first book from Rizzoli, and the art that accompanied this period, was still rooted in the discipline of graphic design. Her journey moves on to a series of artworks that she gathered in a second book from Rizzoli, Good Mourning California, which embraces her home state and its many quirks yet foretells its possible demise. Some of the drawings of women seem influenced by German-American artist Richard Linder. The pieces are rougher, wilder, even angry. Without watching the two videos in the exhibition, it might be difficult for the uninitiated visitor (i.e. not a design aficionado) to make sense of Breaking all the Rules. Listening to Stauffacher Solomon describe her life and work on the videos provides the necessary frame of reference. She describes her early art studies, working as a dancer at San Francisco’s Copacabana nightclub while still a teenager, meeting her future husband at 17, befriending leading bohemians, rebuilding her life as a very young widow and mother, being disciplined by Swiss Modernism, applying that discipline to California in the 1960s, becoming the darling graphic designer of the city’s architecture scene (no surprise—trying to rein in the future chaos of postmodernism), and trying to synthesize thoughts on architecture, landscape architecture, design, the environment, and everything else. It will take a different show (and larger venue) to tell Bobbie Stauffacher Solomon’s design and personal story more completely, but this is splendid first look. Be sure and play some ping-pong.
Posts tagged with "Graphic Design":
New contest on Desall.com: Perletti and Desall invite you to create a new umbrella, able to distinguish itself from the competitors thanks to its design and style details that make it a very distinguishable product.
Perletti is looking for concepts and product ideas for a new umbrella; you are thus invited to explore solutions aimed at its customisation and style that may help the Perletti brand to be easily recognised by the final user. You are free to give your own interpretation to the product drawing on your creativity and background.
For more info: http://bit.ly/PerlettiDesignContest
Contest timeline Upload phase: 19th March 2019 – 18th June 2019 (1.59 PM UTC) Client Vote: from 18th June 2019 Winner announcement: approximately before the end of September 2019
Total awards €5000 Participation is free of charge and open to all creative people (at least 18 years old).
Masterpieces & Curiosities: Elaine Lustig Cohen is on view at the Jewish Museum through August 11, 2019.View this post on Instagram
Graphic Objects: Elaine Lustig Cohen’s Sculptural Works is on view at The Institute of Fine Arts at NYU through February 24, 2019.
The Chicago Design Museum’s current exhibition brings the ’80s and early ’90s back through the work of postmodernist graphic and furniture designer Dan Friedman. The show, Dan Friedman: Radical Modernist, was originally curated by the artist himself prior to his death in 1995. Continuing his brother’s legacy, Ken Friedman leads the exhibition with curatorial assistance from Chris and Esther Pullman, Mara Holt Skov, and Steven Skov Holt. Friedman, who posthumously won the 2015 AIGA Medal, was instrumental in shifting the world’s perspective of graphic design from a mostly commercial endeavor to a visual art form. The show includes a wide range of his work, from furniture and experimental sculptural installations to found art and his signature new wave typography. Coining the term “radical modernism,” Friedman helped define an era and style that included contemporaries like Keith Haring, Jean-Michel Basquiat, and Jeff Koons. This very personal exhibition looks back into a time that can only be described as radical.
Perhaps it's the contemporary obsession with nostalgia, but somehow, just like Brutalism, dated design manuals have made a comeback. Thanks to a few within the design industry—notably "typomaniac" Erik Spiekermann and filmmaker Gary Hustwit—the thirst for graphic design guides and their retro-chic has flourished. These books have become coffee table musts. But where to buy them? Sure, they can be purchased online, but if we are to truly wind back the analog clock, nothing quite beats a visit to a proper bookstore and a new one in Brooklyn has the answer.
Graphic designers Hamish Smyth and Jesse Reed opened their new graphic design bookstore yesterday, along with their new design office, Order. Located in Greenpoint, the store was designed by New York architect Miran Jang in collaboration with Smyth and Reed. According to the owners, it is the only specialized graphic design bookstore in New York City.
Order specializes in branding, corporate identity, publications, signage, and wayfinding design. The Brooklyn-based pair favors a straightforward typographic approach, preferring function over decoration. Their work has been recognized by institutes such as the Type Directors Club and The American Institute of Graphics Arts.
Formerly of Pentagram, Smyth and Reed are also the two designers behind Standards Manual. The venture started off when they unearthed a 1970 edition of the New York City Transit Graphics Standards Manual and decided it would be a good idea to reproduce it. A 2014 Kickstarter campaign asked for just over $100,000 to print 1,000 books. The pair eventually raised more than $800,000. People actually wanted this, who knew?
Naturally, a second standards manual followed, this time for NASA and also from the 1970s. And this time their fundraising fell a mere $58,000 shy of $1 million. Their current Kickstarter, for the 1977 EPA Graphic Standards System, has already reached its goal.
These design manuals and a selection of curated graphic design books from a variety of publishers including Chronicle Books, Gary Hustwit, Harper Collins, Hartley and Marks, Hachette, Laurence King, Niggli, Phaidon, Prestel, Unit Editions, and Yale University Press are available to purchase at their new store.
Standards Manual store 212 Franklin Street Brooklyn, New York
Hours: Monday–Saturday, 10–6 p.m.