The home of the Brant Foundation’s new East Coast gallery is in the old Con Ed transformer station, built in 1920–21. When it closed in 1980, it was bought by artist Walter De Maria and served as his home and studio until 2013. After it was purchased by art collector Peter Brant, it has been restored and converted into a public exhibition space by Gluckman Tang Architects. Beautifully detailed white exhibition walls act as counterpoints to the newly cleaned brick walls and sand-blasted machinery, like a still-operative 2,000-pound black iron hoist. The top floor exhibition space has a magical skylight sitting under a water fountain, which sends dappled light into the space and serves as a relaxing rooftop public space with a spectacular view looking north over the East Village. The architects have turned the narrow open spaces on the west and north sides of the building into elegant and peaceful landscaped parks that act as a breathing space for this dense part of the city and allow natural light into the galleries.The Brant Foundation Art Study Center 421 East 6th Street New York, New York 212-777-2297 Architect: Gluckman Tang Architects
Posts tagged with "Gluckman Tang Architects":
The clean, white-walled exhibition space, the now-preferred one for displaying art, did not materialize overnight, as Mark Wigley and others show in their histories of exhibition design. Sheetrocked walls with smooth, joint-compounded planes, set inside an old industrial building with clear polyurethane wood floors, exposed beams, and metal straps, can be traced back to the 1980s.
One of the first interior spaces to show the power of these minimalist white-walled spaces was likely the Dia Art Foundation at 548 West 22nd Street in Chelsea, New York, designed in 1985. This space was designed by Richard Gluckman, who can—as much as any other architect—be credited with creating spaces influenced by the minimalist art of the period.
His firm, now Gluckman Tang Architects (Dana Tang, who has worked in the office since 1995, became his partner in 2015), has built on this minimalism-inspired base of design ideas with 22 employees that design scores of major projects. In the last three years they have become a truly global practice with important projects on three continents. Gluckman Tang always seems to have an impressive portfolio of museums, galleries, and institutional projects on the boards. It, like any firm, doesn’t realize all of its commission or competition entries, but it is clear that it is a firm that institutions trust to create an appropriate and workable spaces, like: the Andy Warhol Museum in Pittsburgh, the Cooper Hewitt, Smithsonian Design Museum in New York, the Gagosian Gallery in Chelsea, and the Zhejiang University Art and Archaeology Museum in China. Gluckman, whose first major New York project was a townhouse for Heiner Friedrich and Philippa de Menil in 1977, has also built on this foundation to create scores of lofts, private homes, and other residential projects since the 1970s. Gluckman Tang seems to have hit a sweet spot as an office with a manageable number of employees and a reputation that ensures that they will continue to interview with enviable clients offering desirable, even glamorous, commissions. William Menking
Dineen Hall, Syracuse University College of Law Syracuse, New YorkDineen Hall is a new 200,000-square-foot facility that anchors Syracuse University’s West campus expansion with a distinctive five-story state-of-the-art building for the College of Law. A central atrium at the main level visibly linking the core elements—a library, a celebratory space, a ceremonial courtroom—is positioned beneath a green roof that creates a seasonal outdoor terrace, with the skylit vertical axis introducing natural light throughout the building. The iconic ceremonial courtroom will be visible from inside and outside the building, signifying the law school’s inherent accessibility and transparency. De Maria Pavilion Long Island, New York This is the second Gluckman Tang–designed single-artist exhibition structure on this Long Island estate (the firm created the earlier Noguchi Garden Pavilion in 2004). A board-formed concrete interior frames a selection of Walter De Maria works, and is naturally lit by a large skylight and window-wall. A brick exterior references the 1920s garden wall. Zhejiang University Museum of Art and Archaeology Zhejiang Sheng, China This facility is a teaching museum that supports research and study of the arts on a campus for Zhejiang University. The contemporary design alludes to various aspects of traditional Chinese architecture and garden design. It brings together three major elements—public exhibition, art study and storage, and academics. The museum’s entry and lobby overlook a garden along a canal to the south. The four-story academic wing has its own entry facing the new campus to the north, and contains the library, auditorium, classrooms, seminar rooms, study centers, conservation lab, and education center.