Posts tagged with "Front Inc.":

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Hong Kong's newest opera house makes waves with an aluminum fin facade

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The Xiqu Cultural Center, located in Hong Kong’s Kowloon district, was developed as a regional hub for traditional Chinese opera. The project, designed by Vancouver and Hong Kong–based architecture firm Revery Architecture, was inspired by the diaphanous theater curtains. About 13,000 curved aluminum fins, arranged as a series of waves, clad all of the structure's elevations. The project rises as a box-like volume enclosing a multi-story entrance atrium and performance spaces. The flowing character of the facade, paired with subtle openings at each corner, produces a dynamic enclosure that floods the interior with natural light. Costing over $300 million, the project is the first of dozens of cultural centers planned for the area surrounding the newly opened West Kowloon railway station.
  • Facade Manufacturer & Installer SINGYES/MRW
  • Architects Revery Architcture
  • Facade Consultants Front Inc.
  • Location Hong Kong
  • Date of Completion 2018
  • System Custom-unitized curtainwall and rainscreen aluminum panel system
  • Products Marine-grade aluminum alloy 5754
Every panel is of a similar dimension, approximately 8-feet wide and 20-feet tall, and is composed of CNC-cut marine-grade aluminum. Because of the marine-grade aluminum, the facade is capable of withstanding the intensely humid environment of Hong Kong, which naturally corrodes weaker aluminum products. Venelin Kokalov, principal-in-charge of Revery Architecture, said the goal of projecting a natural appearance was crucial to the design team. “The original design was based on copper, which proved to be too expensive. This propelled the search for ways to use a more common material like aluminum and a means to bring out its natural qualities.” To this point, the aluminum was glass-bead blasted rather than painted or glazed with a coating. The facade's fins are structurally glazed to a steel-reinforced aluminum frame and are further supported by intermittent welded studs. The aluminum frame is, in turn, hung off the primary structure with three-way adjustable unitized curtain wall brackets. Working with facade consultant Front Inc. and manufacturer SINGYES/MRW, the design team developed a parametric model to ensure the utmost cost-effective design, fabrication, and installation methods for the facade. The aluminum half-pipes are essentially cut in two to create two identical pieces, each installed with their flat ends facing each other.  Following the fabrication and bead-blasting of the fins, Revery constructed a full-scale mock-up of a facade section for review. "It was only after viewing the full-scale mock-up that we, together with the client, were convinced that this was the right material, and the stainless steel brackets were further modified to reduce the scale of the bracket," continued Kokalov. "We were pleasantly surprised at how much the fins’ appearance varies in different light conditions, seeming to change from grey to pink to gold depending on the ambient light."
 
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Facades+ Seattle will trace the rise of Pacific Northwest design

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Over the last three decades, Seattle has experienced explosive population and economic growth, that has fundamentally reshaped the city’s architectural makeup as well as its AEC community’s relationship to national and international trends. On December 7, Facades+ Seattle will bring together local practitioners in an in-depth conversation around recent projects and innovative facade materials and design. Consider architecture and design practice Olson Kundig. Founded in 1966, the firm has established an international reputation for blending high-performance enclosure systems with the craftsmanship of local artists and artisans. Principal Blair Payson will serve as co-chair for the conference, with other principals of the practice moderating the three panels.
  • Co-Chair Blair Payson, Principal Olson Kundig
  • Firms Olson Kundig Gensler Katerra PAE Front Inc. Werner Sobek Thornton Tomasetti Eckersley O'Callaghan
  • Panels Integrated Envelopes: New Project Delivery Workflows Envelope Performance: Current Trends in Codes, Energy and Comfort Envelope Design: Innovations in Facade Materials and Design
  • Location Seattle
  • Date December 7, 2018
One such project is the recently completed Kirkland Museum in Denver, which features an array of glazed terracotta baguettes produced by NBK Terracotta arranged in a unique alternating pattern, and amber-colored glass inserts produced by small-scale manufacturer John Lewis Glass Studio based out of Oakland, California. The firm collaborated with local sculptor Bob Vangold to embed a sculptural form within the facade. To achieve this effect, the sculpture is anchored along the horizontal roof edge with a series of base plates. On a larger scale, the Olson Kundig-led renovation of Seattle’s Space Needle recently wrapped up after 11 months of sky-high construction. The project entailed the removal of decades of haphazardly designed additions in favor of an open-air viewing area. Working with facade consultants Front Inc., the design team converted floors within the top of the Space Needle to transparent glass panels providing revolving views on the city below, and wrapped the observation deck with 11-by-7-foot, 2.5-inch-thick glass panels produced by Thiele Glas and installed by a team of robots designed by Breedt Production. Just south of Seattle’s Space Needle, the trio of Amazon Spheres consists of approximately 2,500 glass panels suspended over a complex steel truss system. Collaborating with NBBJ Architects, Front Inc. led exhaustive case studies, with the help of custom-built software tools, to develop a glass tiling scheme matching visibility requirements for occupants and light exposure for the greenhouse within. Following the creation of multiple digital models, Front Inc. led the fabrication of full-scale mockups of the design to test the computer-generated models. Representatives of these two firms, as well as Gensler, Katerra, Werner Sobek, Thornton Tomasetti, and Eckersley O'Callaghan, will be on hand to dive deeper into the architectural resources and trends present in both Seattle and the rest of the country. Further information regarding Facades+AM Seattle may be found here.
 
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Tallest U.S. building by a Russian architecture firm gets approval

Moscow–based firm Meganom has just gained approval for the tallest project by a Russian firm in the U.S., a 1,001–foot residential supertall at 262 Fifth Avenue in Manhattan. The New York City Department of Buildings (DOB) gave the go-ahead for the tower on Tuesday, just over a year after the application was filed. The developer behind the project is Boris Kuzinez of New York–based firm Five Points Development. Kuzinez has spent $102 million already on site preparations, but is still seeking a construction loan for the tower itself. The architect of record is SLCE Architects. Consulting for the exterior wall has been conducted with Front Inc., with facade maintenance by Entek Engineering. Renderings for the skyscraper show a lean silhouette of a building punctuated by two observation decks. According to the designer, the apartment units, each measuring approximately 47 by 52 feet, will be anchored to an aluminum-clad column on the western side like shelves. All of the building's lift and mechanical systems will also be housed within this volume, allowing the residential space to be open and column-free. 41 apartments will be available in total, with floor-to-ceiling windows on the northern and southern facades. The design also accommodates customization: potential residents will be able to choose from a "library" of different layouts, with the option of purchasing full and multiple floors as well as portions of levels according to their needs. The building's top floor features a tall open space that offers 180-degree views to the north and south of Manhattan. According to the firm's website, the top observation deck can be reserved for private events by the building's residents. Triple-glazed windows facing north and south will stabilize the building's heating and cooling systems. Smaller, porthole-shaped windows will dot the building's eastern side. According to The Real Deal, a triplex apartment within the building could be worth as much as $75 million. Two structures on the site have already been demolished to make way for construction. A third structure at 260 Fifth Avenue will be preserved as part of the tower's base. There is no set timeline for construction. This is Meganom's first project in the U.S.
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Rutgers Campus Cornerstone by TEN Arquitectos

Parallel facade systems in contrasting materials mark the edge of development on a reimagined campus.

The new Rutgers Business School in Piscataway, New Jersey, is more than a collection of classrooms and offices. The building, designed by TEN Arquitectos, is a linchpin of the university’s Livingston campus, reconceived as an urban center for graduate studies and continuing education. “It established a frame,” said project manager James Carse, whose firm created a vision plan for the campus starting in the late 2000s. “We were interested in really marking the edge of campus to motivate future development to respect the campus boundary, rather than allowing or suggesting that this was a pervasive sprawl. We wanted to make sure this would set a pattern where infill would happen.” The Rutgers Business School’s tripartite envelope reinforces the distinction between outside and inside. While the sides of the building facing the boundary line are enclosed in folded anodized aluminum panels, the glass curtain walls opposite create a visual dialogue with the rest of campus. In TEN Arquitectos’ early designs, the difference between the building’s outer and inner surfaces was not so stark. “We initially thought of [the entire envelope] as being more open,” said Carse. But budget constraints combined with university requirements regarding glazing in classrooms to suggest that the architects move away from an all-glass enclosure. “There was an ability to deploy the curtain wall over only a certain amount of the building in a responsible way,” said Carse. “We let the inside push back against the outside and suggest that this be more solid.” At the same time, explained Carse, “we didn’t want it to feel unchanging and heavy.” Working with  Front Inc., TEN Arquitectos designed an anodized aluminum rain screen system, manufactured by Mohawk Metal Manufacturing & Sales, that incorporates an apparently random fold pattern to provide texture. (Thorton Tomasetti provided additional consulting and inspection services during construction.) After making aesthetic modifications in Rhino and 3ds Max, the architects ran their digital model through eQUEST energy analysis software to determine an angle of inclination that would prevent snow from accumulating on the folds. They came up with four standard dimensions that could be combined for a varied effect. “It’s a pretty amazing condition that’s been created with the variegated folded panels that face Avenue E and preserve and pick up the western sunlight as the sun sets,” said Carse. “The building changes throughout the day and picks up texture from its surroundings. The anodized aluminum plays off that nature of change and creates a softer facade than you’d expect from the use of metal itself.”
  • Facade Manufacturer Beijing Jangho Curtain Wall Co., Mohawk Metal Manufacturing & Sales
  • Architects TEN Arquitectos
  • Facade Consultant Front Inc., Thornton Tomasetti (consulting and inspection during construction)
  • Facade Installer Jangho, Metro Glass Inc.
  • Location Piscataway, NJ
  • Date of Completion 2013
  • System folded anodized aluminum rain screen, frit glass curtain wall, transparent glass curtain wall
  • Products custom folded anodized aluminum panels from Mohawk Metal, frit glass and transparent glass from Xinyi Glass Holdings Limited
The campus-facing sides of the building feature frit glass curtain walls fabricated by Beijing Jangho Curtain Wall Co. (Jangho) with glass from Xinyi Glass Holdings Limited. “We used the fritted glass to meet the solar performance that we were going for without completely exposing them,” said Carse, who noted that the walls appear nearly transparent at dusk and later, when the interior lights are on. “That’s part of the nature of the building,” he said. “The business school itself has classes going from around 8:30 a.m. until about 10 p.m., so the daily life is not just during the day. The building is really alive during those times and we wanted to make that evident.” During the day, the frit glass facade’s extra-wide mullions maximize the amount of daylight that filters into the offices and classrooms. The third component of the Rutgers Business School envelope is a transparent glass curtain wall introduced between the two primary facade systems. Besides serving as an intermediary between the anodized aluminum and frit glass surfaces, the transparent glass elements mark possible points of connection to future buildings as the campus continues to densify. “It allowed us infill,” said Carse. “This project served as a gateway building literally and figuratively,” said Carse. Cars entering campus from Route 18 pass directly through the Rutgers Business School building, its upper stories perched on canted columns. Though designed to indicate the campus’s outside edge—the end of development—the structure’s vital facade simultaneously signals a beginning, a freshly urban approach to campus design within a former suburban stronghold.