Frank Gehry has unveiled renderings of its shortlisted entry for the competition to design the National Art Museum of China (NAMOC), the predestined showstopper of Beijing’s new cultural district. Gehry was shortlisted alongside fellow Pritzker Prize winners Jean Nouvel and Zaha Hadid for the high-profile project. Gehry's submission incorporates transparent cladding, an interior comprised of lofty, geometric courtyards evocative of pagodas and temples, and a layout that would accommodate nearly 12 million annual visitors. [beforeafter] [/beforeafter] In acknowledging the globalization of art and its role in connecting the world’s various cultures, the firm's plans seeks to address the concept of 21st century Chinese architecture. Gehry Partners has created a unique design tailored to the museum’s framework, as the structure will be situated facing the central axis of Olympic Park, over the course of the three competition stages. To convey delicate movement, the firm considered glass as a facade material, and in doing so developed a new material—translucent stone—that grants the building an imperial appearance suitable for a national museum. The translucent stone, which is part of the inventive sustainable facade system that integrates a ventilated airspace, allows the structure to efficiently transform for the seasons, festivals, diverse exhibitions, and as a canvas for artists. The renderings reveal four dispersed entrances at each corner and expose a structure that can accommodate a record number of visitors. A formal entry resembling a Chinese temple is positioned in the center of the west facade. The interiors are organized around large public spaces linked vertically by escalators. Visible only from the inside, the spaces are inspired by temples and establish a proper connection between the shapes of the building facade and the interior. The project is currently part of Los Angeles' Museum of Contemporary Art exhibition called A New Sculpturalism: Contemporary Architecture from Southern California.
Posts tagged with "Frank Gehry":
Follow the Architecture Chicago Plus blog as Lynn Becker raises an eyebrow at the new sculpture that quietly popped up in the lobby of downtown Chicago’s celebrated Inland Steel Building. The 1957 SOM icon seems to have acquired a consortium of ice hunks, courtesy Frank Gehry. Ostensibly a formal counterpoint to the elegant energy of Richard Lippold’s Radiant I, the original lobby art, Gehry’s glass agglomeration (fabricated by the John Lewis Glass Studio of Oakland, California) frames Radiant I and responds to its angularity with carved blobs. It’s admittedly atypical in the setting of the modernist masterpiece, but doesn’t overpower the space or the original artwork.
Frank Gehry, who is currently working on Facebook's new Silicon Valley campus in Menlo Park, California, will design a new office for the company's New York-based engineering team at 770 Broadway in Manhattan. The move will nearly double the company's current workspace. In a note from Serkan Piantino, Facebook New York's engineering team site director, the new offices will share many of the same features of Facebook’s California headquarters, but with a twist that is uniquely New York. Approximately 100,000 square feet across two floors will be updated with open, collaborative spaces, conference rooms, cozy and casual work areas, writeable surfaces, and integrated video conferencing equipment. There are also plans to build out a full service kitchen for Facebook employees. At 770 Broadway, Facebook will join tenants AOL/Huffington Post, Adweek, JCrew, and Structure Tone. The move from their current offices at 335 Madison Avenue is scheduled for early 2014 under a 10-year lease with building owners Vornado Realty Trust.
For those of us who grew up in the 70s and 80s, it's time to feel old. As part of its "Curating The City" series, the Los Angeles Conservancy is tomorrow hosting an amazing tour called Venice Eclectic: Modern Architecture from the 1970s and ’80s. The event features looks inside whimsical buildings by, among others, Frank Gehry (Indiana Avenue Houses/Arnoldi Triplex), Steven Ehrlich (Ed Moses Studio), Brian Murphy (Hopper House, above), Frederick Fisher, and Frank Israel. Yes, it's time to appreciate these decades for more than disco and Madonna. After the tour there will be a panel featuring Ehrlich, Fisher, and Murphy. And that's just the beginning of a busy weekend for LA architecture and urbanism buffs. There's also SCI-Arc's 40th birthday party on Saturday night and CicLAvia—with an expanded route going all the way to the ocean for the first time—on Sunday. Get going.
It is not uncommon for projects to change over time, but the performing arts center planned for the World Trade Center site has undergone many iterations. It has been tweaked, downsized, refocused, delayed, and at one point, possibly re-located to another site. Now, the New York Times reported that the center has been whittled down from a four-stage arts complex housing multiple cultural organizations—including the International Freedom Center, Signature Theater, the Drawing Center, and the Joyce Theater—to a multidisciplinary arts space with just one main stage. The Joyce Theater is the only remaining organization that will still be part of the center, though it will not be based at the World Trade Center site as previously planned. The next step is to find an artistic director who can oversee center and curate its programming. Frank Gehry has been working on the design of the center, but the recent changes have called for him to scale it back. Once costs and programming are nailed down, the preliminary board will move forward with fundraising efforts. Right now, though, it looks like the center won’t open its doors until 2017 or 2018.
Congress held a hearing today to discuss the funding and controversial design of the Dwight D. Eisenhower memorial designed by Frank Gehry. Representative Rob Bishop is leading the charge with a new bill that aims to oust Gehry from the $142 million project and hold a new competition to find a more “appropriate” design. The Washington Post reported that the main gripe is over the massive metal tapestries encompassing the memorial, which would display images of Eisenhower’s early childhood in Kansas. The Eisenhower family has expressed that the grandiose scale of the design, specifically the tapestries, is out of touch with the former president’s character. Architect magazine live tweeted that there were few defenders of Gehry's memorial at the hearing except for Rep. Holt, and a fair share of confusion over what this bill entails and ultimately means for the future of the memorial.
A new bill before the U.S. House of Representatives is seeking to build consensus to junk Frank Gehry's design for the Eisenhower Memorial on the National Mall. The bill, known as the Dwight D. Eisenhower Memorial Completion Act, was proposed by Rep. Rob Bishop (R-Utah). It cites concerns over the controversial nature of the design and its escalating costs (currently estimated at well over $100 million) and seeks to "facilitate the completion of an appropriate national memorial to Dwight D. Eisenhower." Opposition to Gehry's proposal has been brewing for some time. The antagonists include members of Eisenhower's family and the National Civic Art Society, which published a 153-page report that called Gehry's scheme a "travesty" and a "Happy McMonument." The AIA feels differently. The association released a statement opposing Rep. Bishop's bill. The statement does not express an opinion about the value of Gehry's design, but rather disapproves of the "arbitrary nature" of this exercise of "governmental authority." Lodge your feelings about the bill and/or Gehry's design in the comments section of this post.
OMA and Robert A.M. Stern are not the only starchitects zeroing in on Santa Monica. Frank Gehry is designing a 22-story, 244-foot-tall tower on a 1.9 acre site on the corner of Ocean Avenue and Santa Monica Boulevard. Plans for the project were submitted to the city yesterday, according to the Santa Monica Planning Department. The tower, located just a block from the beach and around the corner from the 3rd Street Promenade, would house a 125-room hotel, 22 condos, and two stories of retail and restaurants. A 36,000-square-foot art museum, incorporating two landmarked structures, would also be built just north of the tower. The $72 million scheme, known as the “Ocean Avenue Project,” is being developed by M. David Paul Associates and the Worthe Real Estate Group. Neither the architect nor the developer would comment on the project at this point, but according to the project web site, the development uses "urban planning principles consistent with the vision and principles of Santa Monica's Land Use and Circulation Element (LUCE) and the city staff recommendations for the Downtown Specific Plan." That includes a stepped-back design that reduces the bulk of the building, street level retail to activate the street, and the integration of public space and amenities—including a rooftop observation deck—into the design. According to the Santa Monica Daily Press, the "architects chose to go with a white material to play off of other prominent Santa Monica buildings, and attempted to marry an art deco feel with Gehry’s distinctive style." The project still needs to get city approval. The first community meetings are expected to be held in March. Right now the city is considering over 30 development applications, a sign that the economy is definitely back in a big way, and a precursor to several upcoming neighborhood battles.
The Grand, the multi-million-dollar, mixed use project on top of LA’s Bunker Hill, is finally… slowly… moving forward with an Arquitectonica-designed residential tower, which just broke ground. But it appears that Frank Gehry’s days on the project may be numbered. After a recent call with Related, we got no assurances that the starchitect was still part of the project. A report in the Downtown News got similarly uncommitted answers. Just across the street from the Grand we hear that The Broad (what’s with all the THEs?)—Eli Broad’s multi-million-dollar art museum—is getting ready to add an upscale market to its rear, just above the parking lot. If it’s even close to as successful as Chelsea Market in New York, Downtown LA could have yet another hit on its hands. Meanwhile, decking is being laid for a new park to The Broad’s south, but still no renderings of the park have been unveiled. Let’s make this public, Mr. Broad. We can’t wait to see your plans, which could single-handedly make or break Grand Avenue.
Los Angeles supervisor Gloria Molina has confirmed what we suspected all along. The Grand Avenue committee—chaired by Molina—has granted the Related Companies a third extension on its lease to develop The Grand, a multi-billion dollar, mixed-use development on top of the city's Bunker Hill. The project's Civic Park, designed by Rios Clementi Hale Studios, opened last summer, and the first built project, an apartment by Arquitectonica, broke ground earlier this month. But the rest of the project, including 9 acres encompassing at least 2,100 residential units, a hotel, shopping, and dining, still remains dormant. Related would not commit to its original designer, Frank Gehry, when AN talked with them last year, nor would they confirm his continued involvement in a recent interview with the LA Downtown News. More images of Gehry's perhaps-defunct plan below.
Some recent tweeting by Paul Goldberger revealed that the Vanity Fair contributing editor had set sail off the coast of L.A. with architects/ seamen Frank Gehry and Greg Lynn. Broadcasting from FOGGY, Gehry’s Beneteau First 44.7 fiberglass sailboat, Goldberger sent out a rakish pic of Gehry at the wheel. (The name “FOGGY,” in case you couldn’t guess, it based on F.O.G., the maestro’s initials; the “O” stands for “Owen”). We hope to hear more about the voyage in an upcoming VF article and that the story involves pirates and lost treasure.
ARZU STUDIO HOPE and live/work furniture company Coalesse have teamed up with six leading architects to design a series of bold rugs and also provide economic opportunities for Afghan women. Chicago-based ARZU first approached Stanley Tigerman and Margaret McCurry to design a collection of contemporary rugs, the proceeds of which support hundreds of rural women and their families through economic activity, and educational and health services. Rug weaving, which takes place in private homes, is one of the few industries where women can work safely. Tigerman and McCurry were so taken with ARZU's mission that they agreed to recruit high profile friends to contribute designs, including Frank Gehry, Zaha Hadid, Michael Graves, and Robert A.M. Stern. The resulting Masters Collection ranges to from historically inspired designs that evoke both Louis Sullivan and Islamic art to contemporary, abstract works. The hand-knotted rugs are available to order now.