Posts tagged with "Frank Gehry":

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Gluckman Tang reveals Heritage Park master plan linking Gehry and Nouvel designs

New York-based Gluckman Tang Architects has released their master plan for Western Gateway Heritage State Park (Heritage Park), an integral piece of the larger redevelopment in North Adams, Massachusetts. The proposal links the Massachusetts Museum of Contemporary Art (MASS MoCA), the restored waterfront, Main Street, and the site of Frank Gehry's future Extreme Model Railroad Museum (EMRCAM). The project is part of a larger "cultural corridor" that ultimately hopes to bring the Bilbao effect to this corner of Massachusetts. The plan breaks up Heritage Park into three distinct plazas connected by walking paths. Each area revitalizes the historic industrial buildings within while better connecting to other parts of the city. The North Plaza will contain a new amphitheater, while the Central Plaza will hold a grove of birch trees and outdoor seating. The South Plaza will help orient visitors to Gehry's railroad museum. Originally slated for a 14,000-square-foot, 19th century warehouse inside the park, the Gluckman Tang-designed EMRCAM was scrapped for a 75,000-square-foot Gehry design elsewhere. Featuring architectural dioramas by Gehry himself and Zaha Hadid, the new museum will be located across the street from the MASS MoCA. Gluckman Tang will be converting the original park building into a Museum of Time and add another 6,000 square feet, a glazed entryway and a steep butterfly roof. Other than the museum, Gluckman Tang has also proposed converting a 3,250-square-foot coal hopper into a distilling hall, complete with a new 4,000-square-foot retail space and tasting room. “In addition to improving the experience for visitors to North Adams, our master plan will enhance the central role of the city in the Cultural Corridor and its anchor institutions, the Massachusetts Museum of Contemporary Art (Mass MoCA) and The Clark Art Institute,” said Gluckman Tang principal Richard Gluckman. One question left unanswered is how Jean Nouvel will factor into the evolution of North Adams. The French architect was reportedly in consideration to master plan the city as of last year, but news of his involvement has been scant since then. Leading the redevelopment initiative and museum complex is Thomas Krens, former director of the Guggenheim Foundation. Krens has a storied history with Nouvel, and it seems the architect’s ideas will make it into the master plan in one way or another.
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Gehry to design new home for L.A. Philharmonic Youth Orchestra

To celebrate the Los Angeles Philharmonic’s centennial, the organization has announced that Frank Gehry—famed architect and designer of the Walt Disney Concert Hall, where the philharmonic performs its winter time showcases—will design a new permanent home for the Youth Orchestra of Los Angeles (YOLA) in Inglewood, California. For the project, Gehry will transform a 17,000-square-foot structure into a new community center and music academy. The facility, named in honor of donors Judith and Thomas L. Beckman, is expected to serve up to 500 aspiring music students from throughout the Los Angeles area, including the South L.A., Rampart District, Westlake/MacArthur Park, and East L.A. neighborhoods, according to a press release issued by the Philharmonic. The complex will contain rehearsal and educational spaces as well as a performance venue for the youth orchestra. YOLA currently serves over 1,000 students across the region and is conducted in partnership with EXPO Center, Harmony Project, Heart of Los Angeles, and Camino Nuevo Charter Academy. Gustavo Dudamel, director of the L.A. Philharmonic, said in a statement, “The Beckmen Center will take [our] core beliefs … and turn them into something tangible for the children of L.A. and help ensure a brighter future for them and for all of us.” Dudamel added, “We commit ourselves as an organization to a better life for our inheritors—[this] amazing facility will ensure that.” In the same statement, Gehry added, “The L.A. Philharmonic is the first orchestra anywhere to take such an enormous step for the future of its community. Thanks to the time I’ve spent with [Dudamel], I’ve seen the difference that YOLA makes in young people’s lives. I’m proud to play my part by making spaces where the kids can feel inspired, and YOLA can open up the whole world of music to them.” Designs for the structure have not yet been released, but it is expected to open by 2022.
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Gehry says transformation of L.A. River into a green oasis will “never happen”

At the recent Urban Land Institute (ULI) Fall Meeting in Los Angeles, architect Frank Gehry made surprising remarks concerning the future of the Los Angeles River in a wide-ranging interview with Frances Anderton, host of KCRW's DnA: Design and Architecture. During the discussion, Gehry told Anderton, “You can’t build habitat and you can’t build space for recreation in the river,” meaning the removal of the river’s concrete-lined bottom. He emphasized his statement, adding, “I can tell you it will never happen,” before explaining that removing the concrete lining at the bottom of the river—as has already been done along a three-mile-long section surrounding Griffith Park—would drastically reduce the channel’s ability to safely carry away storm waters from L.A.’s periodic downpours. Gehry explained that removing the concrete would only be possible if the channel itself was made much wider, saying, “If there’s grass at [at the river’s bottom] you’d need to make the river seven times wider.” Gehry pointed to the Army Corp’s analysis, which is focused predominantly on the channel’s ability to handle massive storm surges, as the main reasoning for this statement. The comments cast doubt on the ever-growing list of L.A. River-related restoration that see ecological and recreational use as being central to the future of the river. Up and down the length of the 51-mile-long river, various local agencies, landscape architecture, and architecture firms are working on proposals envisioning a lush, socially-activated river. At least three new bridges are in the work, as well as several new housing developments, parks and even, a plan to bring 36,000 housing units to areas surrounding the river. Gehry’s comments raise the question—Is L.A.River in danger of finding itself up the creek without a paddle?
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Gehry Partners to design Extreme Model Railroad Museum in Massachusetts

The proposed Extreme Model Railroad Museum in North Adams, Massachusetts, will be designed by Gehry Partners and developed on a new site in the town. The original design by Gluckman Tang Architects sited in the town’s Heritage State Park will instead become a new Museum of Time based on the New York architect's design. The Berkshire Eagle initially revealed the appointment, and the museums have confirmed the news with The Architect's Newspaper (AN). AN has learned that Gehry is designing the train museum, adding that the project has increased from 32,000 square feet to 75,000 square feet.  In addition, the project is moving out of Heritage State Park and across the river to a different site. The projects, located on an 83,000-square-foot parcel on Christopher Columbus Drive, will be located just down the street from MASS MOCA, for which Gehry provided initial designs in 1987. Gehry has collaborated several times with the director of the new museums, Thomas Krens, former director of the Guggenheim Museum. Their most notable partnership came with the Guggenheim Bilbao in 1997. Gluckman Tang’s designs had called for large, pitched-roofed, warehouse-like spaces marked with sawtooth skylights. Gehry’s designs are still forthcoming.  The Architecture Museum will display large-scale art and architecture works and installations that would never fit in museums in cramped urban contexts. The Extreme Model Railroad Museum will feature scale model trains moving through architectural dioramas created by the likes of Gehry and Zaha Hadid. According to the Eagle, the current plans will cost about $65 million, and fundraising is ongoing. Krens—always ambitious—is also proposing to build the Massachusetts Museum of Time and a distillery in the area, and he’s suggested that Jean Nouvel design the city’s master plan. In addition, Gluckman Tang is doing a master plan for the city's Heritage Park and designing the new Global Contemporary Art Museum on the grounds of the local airport. William Menking contributed reporting. 
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Getty Research Institute acquires Frank Gehry archives

The Getty Research Institute (GRI) has acquired a major archive of work by Frank Gehry. The collection—known as The Frank Gehry Papers—contains material spanning over 30 years of the architect’s work and was acquired by the GRI through a combination of gifts and purchases. Thomas Gaehtgens, GRI director, touted the acquisition in a press release: “This extensive archive, covering the first three decades of his illustrious career, offers an in-depth look at the genesis of Gehry’s distinctive style and includes many of the projects for which he is internationally known.” The archive spans work produced during a period from 1954 to 1988. With the acquisition, the GRI is increasing its already expansive array of modern and contemporary architecture collections. The Gehry archives will serve to “connect with threads” between GRI’s expansive modern and contemporary architecture collections, according to Gaehtgens. The archive contains a combination of presentation and study models, project drawings, correspondence, photographs, slides, and sketches relating to 283 projects, roughly spanning the period between the Romm House and the competition entry for the Walt Disney Concert Hall. This era encompasses work on some of the architect’s most groundbreaking buildings. The archive contains roughly 1,000 sketches, 120,000 working drawings, 100,000 slides, and hundreds of boxes of records. There are also 168 working models and 112 presentation models in the collection. Importantly, the collection also includes various digital collections, including files pertaining to early designs for the Vitra museum from 1989, the Disney Concert Hall, and the perhaps soon to be realized Grand Avenue project. Certain works from the archive will be on view at the upcoming GRI exhibition Berlin/Los Angeles: A Space for Music that opens April 25. Maristella Casciato, senior curator of architectural collections at the GRI added that Gehry’s work during this period serves as an important bridge between the high modernism and early postmodern eras, saying “Gehry was a powerful figure in this evolution. He contributed to the essential concepts which put Los Angeles and its particular architectural vision at the center of the global architectural discourse.” In announcing the acquisition, Gehry stated, “I’m honored by the attention of the Getty Research Institute delving into the history of my work, my beginnings, and other things that I never thought anybody would be interested in” adding, “I’m very moved that this great institution, with its resources to search for the best examples of creativity in our world, has found me an interesting party. I will be forever grateful.”
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Frank Gehry to teach “The Future of Prison” course at SCI-Arc

This post is part of our years-long running Eavesdrop series (think page 6 for the architectural field). It’s your best source for gossip, insider stories, and more. Have an eavesdrop of your own? Send it to: eavesdrop[at]archpaper.com.

The Southern California Institute of Architecture (SCI-Arc) announced last winter that architect Frank Gehry would be teaching one of the school’s elective vertical studios for the spring 2017 semester. According to an image promoting the studio on the university’s Instagram, the studio is titled “The Future of Prison” and “calls on emerging architects to break free of current conventions and re-imagine what we now refer to as ‘prison’ for a new era.”

Could Gehry and his students re-imagine the carceral system the way his firm did with tourist-driven arts destinations? Perhaps the class could propose new designs for the Metropolitan Detention Center in Downtown Los Angeles, the 757-bed jail located just one mile from the SCI-Arc campus. The jail is due to be replaced sometime between 2027 and 2030 under the auspices of the city’s new Civic Center Master Plan. If rebuilt elsewhere, planners would be wise to look to Gehry’s SCI-Arc studio for ideas and inspiration.

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Is the Guggenheim Abu Dhabi dead?

  In a podcast posted on March 21, former Director of the Guggenheim Foundation, Thomas Krens, cast doubt on the near-future hopes of building the Guggenheim Abu Dhabi, a project he helped set into motion in 2006. The museum, designed by Frank Gehry, was originally scheduled to open in 2012 and would be the largest branch of the Guggenheim to date. The project was one of several cultural institutions designed by the likes of Foster and Partners, Jean Nouvel, Zaha Hadid, and Tadao Ando as part of a larger plan for Saadiyat Island in Abu Dhabi. Construction of the Guggenheim has been delayed several times and, as of 2017, only Jean Nouvel’s Louvre Abu Dhabi is near completion. In his podcast interview with In Other Words, produced by the art advisory firm Art Agency Partners, Krens states that he believes these delays are intentional to help the city gauge the reaction of locals to the new development. Because the plans for this new cultural hub were drawn up in more “naïve” times, Krens thinks this type of development is just something that can’t happen in the current climate. “The world financial crisis and the Arab Spring has changed the equation radically,” said Krens in the interview. “It may not be such a good idea these days to have an American museum…with a Jewish name in a country [that doesn’t recognize Israel] in such a prominent location, at such a big scale.” The potential for the museum to be seen as a target for terrorism was a fear that the Guggenheim team addressed from the beginning of the project, and something Krens views as more worrisome now. “If I were them [Abu Dhabi local authorities], I would say we’re not abandoning our mission… to building these institutions, but we don’t need all five of them up and running at the same time,” said Krens in the interview. He also alludes that perhaps, in the future, there may be a better opportunity for the development and for further “cooperation and coordination.” For now, it seems the project is still on hold, although not without hope. In a statement to The Art Newspaper, a representative from the Guggenheim reiterated their support for the project and their continued work to make it happen: “The Guggenheim Foundation remains committed to the Guggenheim Abu Dhabi and its transformative potential as a catalyst for exchange and for expanding the narratives of art history.” To find more information about the Saadiyat Island development, you can visit their website here. UPDATE 4/4/2017: The Abu Dhabi Tourism & Culture Authority has provided this comment:
Abu Dhabi remains committed to developing an innovative cultural destination on Saadiyat Island for Abu Dhabi's residents and visitors. Louvre Abu Dhabi is set to open this year, and together with the Solomon R. Guggenheim Foundation, we are unquestionably progressing with the development of Guggenheim Abu Dhabi. The programme and collection of the Museum have been progressing for the past years and we have recently launched The Creative Act: Performance, Process, Presence, the second exhibition of artworks from the Guggenheim Abu Dhabi collection. Abu Dhabi Tourism & Culture Authority is continuing the development of the Guggenheim Abu Dhabi's curatorial narrative, collection and educational outreach with the expertise of the curatorial team to bring this museum to life.
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Gehry Partners breaks ground on 80,000-square-foot L.A. office complex

Los Angeles–based architects Gehry Partners and real estate developer NSB Associates have quietly started construction on an 80,000-square-foot creative office building in Los Angeles’s El Segundo area, establishing a new foothold for the region’s burgeoning Silicon Beach area. The new open-office structure is modeled on the traditional warehouse typologies that are typically being converted to office uses in other parts of the city, including the Arts District downtown. Instead of being organized in a typical manner with a sea of parking lots surrounding the warehouse structure, the project—named Ascend by the development team—is designed to be vertically-stacked, with office uses located above a covered parking structure. The complex is also designed with a large degree of exterior glazing, in contrast to many of the existing, often masonry construction warehouse structures being converted into office spaces. The complex is studded with large, floor-to-ceiling windows and 24-foot tall interior volumes. Sam Gehry—Frank Gehry's son who is also an architect—described the outdoor areas in a promotional video for the project, saying, "We're able to maximize the buildable area of the lot [by stacking the office above parking] to create this large floor plate building. Part of what that allowed us to do architecturally... [is to create] entries at four points on the podium level that [also] become nice outdoor amenities and outdoor space." The building will also contain roughly 16,000 square feet of private outdoor space accessible to the office areas that will double as circulation cores for the parking structure. The complex is to be located a short walk from the Green Line light rail line and is expected to be open for occupation by the fourth quarter of 2017. For more information, see the Ascend website.
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For $90, Frank Gehry will teach you architecture and design

Los Angeles architect Frank Gehry will be teaching architecture, design, and art on the online education platform Masterclass. It is the latest online program that lets anyone get an intro to the field—or allows architects to brush up on their skills. Gehry will share his philosophy on design and architecture from his enormous model archive, giving a glimpse into his creative process with case studies, progressive models, and storytelling. “I have tried to give the students insight into my process—how and why I did things. I hope this gives them the wings to explore and the courage to create their own language,” said Gehry. The renowned architect joins other MasterClass instructors, including Serena Williams, who taught a tennis workshop, and Christina Aguilera, who gave students a singing lesson. For more information, visit their website.
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After Trump’s election, Frank Gehry may self-exile himself to France

This post is part of our years-long running Eavesdrop series (think page 6 for the architectural field). It’s your best source for gossip, insider stories, and more. Have an eavesdrop of your own? Send it to: eavesdrop[at]archpaper.com.

Following Donald Trump’s election, renowned architect Frank Gehry might be exiling himself to France. At least, that’s what French newspaper Le Figaro reports. The newspaper quotes Gehry as saying, “If Trump is elected, [French President Francois] Hollande said I could go into exile in France.” Apparently, the architect has plenty to fear from a Trump presidency, citing a long-standing dispute with the President-Elect as reason enough to flee the country. The incident stems from 2010 when Gehry’s Beekman Tower beat out Trump’s building next door for the title of tallest residential building in New York City by a few inches. Both buildings have since been surpassed, but as we’ve learned, a few inches matter quite a lot to the President-Elect, so maybe Gehry would be wise to book a flight to Paris.

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L.A. Conservancy sues City of Los Angeles over Frank Gehry project

The Los Angeles Conservancy is suing the City of Los Angeles for “blatantly disregarding environmental law” and violating the California Environmental Quality Act (CEQA) by approving the Gehry Partners—designed 8150 Sunset development last month. The $300 million mixed-use project has faced community push-back from all sides, especially from wealthy neighbors who contested the project’s height, density, and parking provisions, even though the project is located on the Sunset Strip commercial corridor. Those partisans won out over the course of the approval process, as developers and even Frank Gehry himself, in an in-person testimonial before the Planning and Land Use Management Committee (PLUM), pledged to rework the project to ameliorate community concerns. At that meeting, the starchitect said, “I’m going to make it, as best I can, something special for the community. Something that we would all be proud of.” The development was ultimately approved by PLUM and, later on, the L.A. City Council, but with a few caveats. In a nod to the neighbors’ concerns, the project’s residential towers were approved with a 56-foot height reduction, an additional number of affordable housing units, and increased number of parking stalls. Overall, the project will contain 229 market rate units, including 38 affordable units, 65,000 square feet of commercial space, and 494 parking spaces in a group of rumpled towers located on a site featuring multiple public plazas and ground-floor retail. But one point the designers and developers behind the project would not flex on—and that neither PLUM nor the L.A. City Council were eager to emphasize—was whether to save the historic, modernist-style Lytton Savings bank building currently occupying a portion of the site from demolition. The iconic structure, which features a striking folded concrete roof and large expanses of glass, became a rallying point for preservationists who were not necessarily against the project, per se, but hoped the developers would incorporate the structure into the proposal. The bank building was designed in 1960 by Kurt Meyer and since plans were announced, a group of preservationists rallied around saving the structure. The structure was quickly nominated as a Historic Cultural Monument (HCM) status by Friends of Lytton Savings. HCM status offers some degree of protection against demolition, except that PLUM delayed the structure's nomination and the L.A. City Council was able to approve 8150 Sunset in the augmented form described above. The building’s existence is now in peril, and as a result, the Los Angeles Conservancy has filed suit to “force the City of Los Angeles’s compliance with (CEQA).” The Conservancy argues that under CEQA regulations, a project must “avoid significant impacts such as the demolition of a historical resource if the fundamental project objectives can be met without demolition.” The Conservancy’s logic stems from a series of development proposals incorporated into the Environmental Impact Report (found here) developed as part of the project’s approval process that called for reusing the structure as part of the commercial component of the Gehry Partners development (the building currently operates as a Chase Bank branch). Those alternatives, however, were shut out of consideration by the developers, who simply preferred to start with a blank site. Previously, Adrian Scott Fine, director of advocacy for the LA Conservancy, had told The Architect’s Newspaper that the Gehry project would “unnecessarily demolish a historic cultural monument,” and added,  “there’s a very clear way for this project to move forward while preserving the bank building.”  Friends of Lytton Savings founder Steven Luftman told The Architect's Newspaper via email that his group is "still proceeding with the Los Angeles Historic Cultural Monument (HCM) application with the full support of Councilmember David Ryu. The application goes to a vote with the LA City Council on Wednesday December 7th."  When asked whether the group would support relocating the endangered structure as part of a comprehensive preservation approach, Luftman replied, "We continue to believe the best solution is for the building to remain at its current site. Incorporating this city's rich architectural past with the new project can lead to an exciting and vibrant development," adding "(Lytton Savings) functions beautifully as a bank and it has wonderful potential for adaptive reuse. Once the alternatives are appropriately explored, as a last resort we would consider a sincere commitment by the developer to relocate the building." For now, however, the Lytton Savings bank stands imperiled as part of a long line of Modernist structures falling to the wrecking ball and the project stands to move forward as approved.
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Maya Lin and Frank Gehry to receive the Presidential Medal of Freedom

Two designers are among the 21 Americans chosen this month to receive the Presidential Medal of Freedom, the nation’s highest civilian honor. President Barack Obama selected architect-artist Maya Lin and architect Frank Gehry to receive the medal, presented annually to individuals who have made “especially meritorious contributions” to the security or national interests of the United States, to world peace, or to cultural or other significant public or private endeavors. The medals will be presented at the White House on November 22. “The Presidential Medal of Freedom is not just our nation's highest civilian honor—it's a tribute to the idea that all of us, no matter where we come from, have the opportunity to change this country for the better,” Obama said in announcing the recipients. “From scientists, philanthropists, and public servants to activists, athletes, and artists, these 21 individuals have helped push America forward, inspiring millions of people around the world along the way." Lin was cited in the White House announcement as “an artist and designer who is known for her work in sculpture and landscape art. She designed the Vietnam Veterans Memorial in Washington D.C. and since then has pursued a celebrated career in both art and architecture. A committed environmentalist, Lin is currently working on a multi-sited artwork/memorial, What is Missing? bringing awareness to the planet's loss of habitat and biodiversity.” Gehry was described as “one of the world’s leading architects, whose works have helped define contemporary architecture. His best-known buildings include the Walt Disney Concert Hall in Los Angeles, the Dancing House in Prague, and the Guggenheim Museum building in Bilbao, Spain.” Obama’s 2016 list includes 19 living Americans and 2 who have died, and is heavy on figures from the entertainment and sports industries. Others joining Lin and Gehry include: Ellen DeGeneres, Robert De Niro, Robert Redford, Lorne Michaels, Diana Ross, Vin Scully, Bill and Melinda Gates, Kareem Abdul-Jabbar, Michael Jordan, Bruce Springsteen, Cicely Tyson and Tom Hanks/David S. Pumpkins.